Unlocking the Observatory: the Great Dial and Determining Times/Options

Where were we? We’re in the middle of discussing the obscure Telescope of Zoroaster (ZT), a manual of divination and spirituality originally published in French in 1796 (FZT) at the close of the French Revolution, which was later translated into German in 1797 (GZT) and then again in an abridged form as part of Johann Scheible’s 1846 Das Kloster (vol. 3, part II, chapter VII) (KZT), with Scheible’s work then translated into English in 2013 as released by Ouroboros Press (OZT).  Although OZT is how most people nowadays tend to encounter this system, I put out my own English translation of FZT out a bit ago as part of my research, and while that translation was just part of the work I’ve been up to, there’s so much more to review, consider, and discover when it comes to this fascinating form of divination.  Last time, we talked about the myriad ideal triangles in the Great Mirror and what sort of interpretive benefit they allow in divination. If you need a refresher on what we talked about last time, go read the last post!

※ For those following along with their own copy of ZT (get yours here!), the relevant chapters from ZT are the “Sixth Step”, “First Supplement”, and “Third Supplement”.

We’ve just finished up talking about the Great Mirror—or, at least, finished explaining and expanding slightly on what ZT has to say about it.  As ZT itself says following its own talk of the Great Mirror:

We are rather far from having said all that it would be possible to say about the astronomical regime…We cannot repeat too often that this text can and should only be a key. Profound meditations, with compass and pen in hand, must have the double success for the Candidate of permanently inculcating in them a tearing-away and breaking of the avarice of indications from the very moment of our march. Now, the Great Cabala does not include a theory of this kind. By it, the road would be made more difficult than easy; by it, the Candidate would find themselves squeezed in some way between the two flanks of a relatively open angle, while they must move freely through all the content of an immense circle, which embarrassed nothing less than all that is for as long as it shall last.

In other words, while one can certainly expand on the various cosmological and interpretive significations of the Great Mirror more than what ZT has, ZT itself declines to say more than it has in the interest of brevity.  (Or it may be that it has nothing more to say about it because it made it up and is masking that fact with claims of mysterious obfuscation, who knows.)  All the same, it is true that the Great Mirror is just one of the two main ways to use the large hexangular figure of 37 tiles.  While the Great Mirror is the so-called “astronomical regime” of the large hexagon, there is another: the “temporal regime”, which is a way to consider the large hexagon as indicating periods of time ranging from individual hours to a whole millennium.  Rather than calling this sort of temporal view of the large hexagon the Great Mirror, the temporal regime calls it instead the Great Dial (as in the dial of a clock-face):

The above is a reproduction of ZT’s own Plate IV, with one minor correction (which I’ll touch on later):

Just as we might say that the Great Mirror (the large hexagram read in the astronomical regime) has both “essential interpretations” (reading the tiles according to their houses) and “accidental interpretations” (reading the tiles according to the ideal triangles they fall into with other tiles)—even if the use of such terms “essential” and “accidental” are my own imposition on ZT here based on astrological usage—the Great Dial has two ways to read it, as well, which ZT itself calls “movements”, where one starts with greater time periods and works its way down to smaller ones:

  • Eccentric movement (movement starting at the center and working towards the edge)
    • Center house: 1000 years
    • Inner belt: 100 years per house
    • Middle belt: 7 years per house (as indicated by the number in these houses)
    • Outer belt: 1 year per house
  • Concentric movement (movement starting at the edge and working towards the center)
    • Outer belt: 5 years per house
    • Middle belt: 1 month per house (as indicated by the sign in these houses)
    • Inner belt + central house: 1 day per house (reckoned according to the weekday, as indicated by the planet in these houses)

Before we go on, let’s clarify a bit about how ZT breaks time into particular segments.  Some segments you likely already know, dear reader: 1000 years makes a millennium, 100 years make a century, 12 months make a year, 7 days make a week, and so forth.  Where does ZT’s use of 7-year segments and 5-year segments come from?

  • Climacteric period: a period of seven years, starting from the moment of one’s birth.  This actually isn’t something that ZT makes up; climacteric periods are a thing that have been recognized since ancient times in medicine and astrology.  ZT explains this as:

    The transitions from the seventh year of life to the eighth, from the fourteenth to the fifteenth, and so on are the so-called “climacteric nodes” where, ordinarily, an individual is subject to revolutions either physical or moral. It is a commonplace in medicine and physiology, and is doubtlessly not unknown to anyone.

    The word “climacteric” has its origins in Greek κλιμακτηρικὀς klimaktērikós “of a critical period”, where every seventh year of a person’s life was considered a time when they undergo particular (often critical or dangerous) changes to their body, life, and surroundings.  Even today in modern medical contexts, “climacteric” is still used in some limited contexts to refer to natural changes in life accompanied by various health consequences.  From an astrological standpoint, the origins of this are probably obvious: given that Saturn returns to its same position in the ecliptic every 27 to 29 years, this means that it crosses 90° of the ecliptic every seven years, causing a transiting Saturn to conjunct, square, or oppose one’s natal Saturn every seven years.

  • Lustral period: a period of five years, starting from the moment of one’s birth (each such period is also just called a “luster”).  We haven’t covered how ZT considers the origin and process of a human life yet—it gets kinda weird involving two angels shedding sparks of divine fire which combust into a human soul at the time of conception—but ZT breaks up a human life into 18 “lusters”, each accounting for five years (or four, or seven, depending on whether a person is a man or woman and how old they are, which we’ll leave for a later discussion as well).  To this end, ZT says that a human life only reaches its maximum of 90 years, because 5 × 18 = 90.

So, looking at the Great Dial, what do we make of the numbers and symbols there?

  • The numbers 1 through 18 in the outer belt indicate single years in eccentric movement, or the number of lusters (5-year periods) in concentric movement.
  • The numbers in the middle belt indicate climacteric years in eccentric movement, i.e. the year in which one moves from one climacteric period to the next. (There is a small error in these numbers: house 9, labeled “Taurus – 15”, should have the number 14, not 15.  I’ve corrected this in my own redrawing of the Great Dial.)
  • The signs of the Zodiac in the middle belt indicate months in concentric movement (identifying March with Aries, April with Taurus, and so forth.)
  • The numbers and planetary symbols in the inner belt and center house indicate the days of the week in weekday order.

One note before moving on: although, in concentric movement, the middle zone is used primarily to determine months, it can also be used to refer to any smaller units of time that can be broken down into a twelvefold division: hours of the day or the night, minutes of an hour (with each house referring to periods of 5 minutes), and so forth.  However, ZT says that the smallest reasonable unit of time to break down inquiries is to the level of the hour, and that while one could break inquiries down into smaller units of time to minutes or seconds:

…this mincing smacks too much of charlatanry to us, at least to seriously give ourselves over to accounting for the fussiest fractionation of time. It is a matter of divinatory nickel-and-diming which gives, at best, a knavish character to the accounts of people acting in bad faith. We indicate the possibility of extracting ever-smaller units of time only so we may establish that, if the Candidate were to find themselves deterred by some lack of teaching, then at least they should not attribute their embarrassment in this to some insufficiency of the means of the Great Cabala.

So, the obvious question arises: when do we use the Great Dial in eccentric movement vs. concentric movement?  The way I like to think about it is that concentric movement deals with the events within a human timeframe, either within a human lifetime or otherwise something that happens in the near term.  Eccentric movement, on the other hand, deals with events that occur over much grander periods of time—up to 1702 years down the line (or, I posit, in the past), beyond such a limit the Great Dial cannot be used.  As a result, when ZT gives examples of determining matters of time, it generally uses examples of concentric movement on the Grand Dial, since it generally deals with events on a human timescale instead of a civilizational one.  That said, at one point ZT does also present a fiery defense that some matters demand the inspection of not just the events of a single lifetime but even unto “the most distant future”, noting that sometimes events indicated in a Great Mirror might occur centuries from the time of the reading itself (e.g. when such a reading says that one’s descendants are destined for royalty or greatness, but such a thing only happens two or three centuries from the time of the reading).

Okay, so, we have the “what” and “why” of the Great Dial understood, so what about the “how”—how do we actually go about using the Great Dial?  Well, uh, let’s back up a bit and reconsider first that the Great Dial is a way to use the large hexangular figure in order to answer matters specifically about time in the sense of when something will happen—assuming that it will, of course, which is a matter for the Great Mirror and other divinatory processes to conclude first.  (This is much the same approach I’d take with geomantic divination: if someone wants to know when something will happen, I first confirm that it will or not, because if it won’t happen, then asking about when would yield a nonsense result.)  As opposed to the use of the Great Mirror, which never earns a proper example or case study in ZT, ZT offers lots of smaller examples throughout the “First Supplement” about various ways to predict the time of an event.

The overall method that ZT mentions for determining details of time (and other such details) generally fall under what I call “option-whittling”:

  1. For the topic under investigation, select a tile that accurately represents the thing being investigated (e.g. the 66 tile for marriage).  This will be the “speaking tile” or, in modern terms, the significator of the questited.
  2. Given a set of possible options, select a figure of the appropriate size that represents the number of those options.  Take the speaking tile and however many other tiles you need to come up with that figure, mix them up without seeing, and arrange the figure in the usual order with all tiles face-down.
  3. Starting from the last tile placed in the figure, announce what the last possible option available, and flip up that tile.  If that tile is the speaking tile, then the announced option is the one indicated.
  4. If, however, the announced option was not the speaking tile, proceed backwards through the rest of the tiles, proceeding through each option in turn in reverse, to find where the speaking tile is.

Say I know that a friend is planning a party in the coming week, but I don’t know what day of the week it’ll be on yet and, given that my friend is in the habit of giving little-to-no advance notice for such events, I want to plan ahead to see if I can make it in my otherwise busy schedule.  For this, I’ll pick the 22 tile “happy associations, friendship” to represent the party, and given that I have seven options to pick from (seven days in the coming week), I’ll pick the figure that makes use of seven tiles: a small hexangular figure.  So, to that end, I’ll take out the 22 tile and six other random tiles (it doesn’t matter what they are, even if they’re Intelligences or Principles or Spirits), put them all face down, mix them up, and arrange them in the usual small hexagon.

So, somewhere in this small hexagon is the 22 tile, but I don’t know where.  Let’s say that the current day is a Wednesday, and I know that my friend isn’t having the party today, so the party could be held as early as tomorrow (Thursday) or as late as one week away (next Wednesday).  What I’ll do is I’ll lift up the seventh tile (being the last) and say/think “is the party being held this coming Wednesday”; if the tile is the 22 tile, then yes, but if not, I’ll proceed to the sixth tile and say/think “what about Tuesday”, and so forth, ending with the first tile laid down representing tomorrow/Thursay.  Wherever the 22 tile is indicates the day of the week the party will be held on.

This “option-whittling” approach is described in many ways, and given the number of options one has to pick, different figures can be used:

  • Three options: small triangle
  • Four options: small diamond
  • Five options: small diamond + one tile held in reserve
  • Six options: hollow triangle
  • Seven options: small hexagon
  • Eight options: small hexagon + one tile held in reserve
  • Nine options: medium diamond
  • Ten options: full triangle
  • &c.

When I say “a tile held in reserve”, a good example of this is when ZT proposes how one might find out on which day of the month something might occur.  Let’s say that that we know that our friend is planning another party later on in the year in October, but again, we don’t know when and they’re not in the habit of letting us know with much warning, so we want to find out what day to plan for.  October has 31 days, but there’s no figure that comes anywhere close to that number; they’re either all too small (large triangle has only 15 tiles, large diamond only 16) or too big (large hexagon has 37), but what we can do is take the usual speaking tile and mix it together with 30 other tiles for a total of 31, then make two large triangles with one extra piece put near the second large triangle.  What we’re doing here is essentially partitioning out October into two halves: the first large triangle is for days 1 through 15, the second large triangle is for days 16 through 30, and the tile in reserve is for the 31st day itself.  We start with the first triangle and see if the speaking tile is found in that figure; if not, then the event won’t be held in the first half of the month, so we turn to the second triangle, but we start with the tile in reserve first—because it’s the actual “final” tile that represents the final option of the 31st day.  If that tile in reserve is the speaking tile, then we have ourselves a Halloween party; if not, then we have some other day in October from days 16 through 30 that the party will be on.

In this way, we can go through any number of options, though ZT says that “rarely does a a particular question require larger figures” larger than ten-ish tiles, and even then, we can always use multiple figures to determine an answer in those cases when necessary.  In this way, we can go down to three options using a small triangle, but what about a binary choice of just two options?  ZT literally says to just take the speaking tile plus one other random tile, shake them around in the hand, and pick one.  It’s that simple.

With all that understood, we now know how we can use the Great Dial in a similar way.  Let’s say that we have someone who was told that one day their family give birth to someone who will become worldwide famous, and they want to know when such a birth will occur.  For this, we’ll use the speaking tile of 1 (which indicates births), and compose a Great Dial with 36 other random pieces.  Because of the nature of this query, we don’t know if the birth will happen anytime soon or not, so let’s first use eccentric motion to determine the general timeframe in which such a birth might happen.  In eccentric motion, the outer belt is the yearly belt, the middle belt is climacteric, the inner belt is centurial, and the center house is millennial; to that end, we use the usual option-whittling approach to determine in what timeframe such a birth will occur: 18 years down the line, 17 years, 16 years, etc. down to just 1 year for tile 20.  After that, 12 climacteric periods (84 years) following these 18 years away, then 11 (77 years), 10 (70 years), etc. down to one climacteric period (7) after the first 18 years.  After that, 7 centuries (following 18 years and 12 climacteric periods), then 6, then 5, etc.  After that, we have 1000 years, after seven centuries plus twelve climacteric periods plus eighteen years—or it could just be sometime further indefinitely off than that as some upper undefined limit.

What about something closer?  Let’s say that a querent knows from a Great Mirror that they’ll be married sometime in the next few years of their life.  For this, we’ll use the 66 tile (which indicates marriages) and compose a Great Dial with 36 other pieces.  At first, we’ll read the outer belt in eccentric movement, interpreting each tile as being one year each, and so we’ll do the usual option-whittling starting with 18 years, then 17, etc.  If we don’t find the 66 tile in the outer belt, though, then (in the context of this query) it’s not that the querent will marry sometime much later, but rather, sometime much sooner, so we’ll move to the middle belt now and switch to using concentric movement instead of eccentric, which means that we now read the middle belt as being one month each, starting with 12 months away from the reading, then 11, then 10, and so forth, ending with one month away.  If we still don’t find the 66 tile, then that means that it must be in the inner belt or center, which is for weekdays; at this point, we can say that the marriage will occur sometime very soon in the present month, and the position of the 66 tile can indicate the week.

The point of this latter example is to show that a single Great Mirror can be read in either or both movements, depending on the nature of the query and what makes the most sense, but truth be told, most of the examples of ZT that indicate telling time don’t use the Great Dial at all, it’d seem.  Of all the examples ZT gives, it determines:

  • Year: by either the outer band of the Great Dial in concentric movement (to determine lustral period of a human life) or any part of the Great Dial in eccentric movement (year, climacteric period, century, or millennium)
  • Month: by the middle belt of the Great Dial in concentric movement
  • Day of the month: by either:
    • Two large triangles for a month of 30 days, or two large triangles plus one tile in reserve for a month of 31 days (for February, we could use one medium hexagon for the first 19 days plus either a medium diamond for the remaining 9 days or full triangle for the remaining 9 days in a leap year)
    • One small hexagon to determine the day of the week, then to determine the week of the month, either a small diamond (for a month of four weeks containing that weekday) or a small diamond plus one tile in reserve (for a month of five weeks containing that weekday)
  • Climacteric period: by one small hexagon to determine the first seven climacteric periods, then another small hexagon to determine the next seven (or, more properly, a hollow triangle to determine the next six, since 6 + 7 = 13, and 13 × 7 = 91, which approximates the maximum lifespan of humans according to ZT)
  • Hour: …uh…well…

So, about determining hours: ZT offers two methods on this approach, which it spends a good amount of time clarifying on the first and offers the second as an alternative, and both seem slightly confused in minor ways that aren’t impossible to reconcile, but it’s still a little weird.  It helps, however, that ZT just takes the usual system of planetary hours and planetary weekdays as a given, which we can use to our advantage here.  My issue is, however, that neither of them seem particularly robust.

Hour determination, first method: For the purposes of this method, we only care about the tiles belonging to the solar or lunar intelligences, where all the tiles of Genhelia/matter-Sun and Psykelia/spirit-Sun indicate diurnality and all the tiles of Seleno/matter-Moon and Psykomena/spirit-Moon indicate nocturnality.  We’ll give the Intelligence tiles to the midpoint of their respective periods, such that the Genhelia and Psykelia tiles represent the hour leading up to midday (thus the sixth hour of the day), and that the Seleno and Psykomena tiles represent the hour culminating in midnight (thus the sixth hour of the night).  We rotate through the tiles in the given columns according to the Table of Numbers from Plate II accordingly to obtain the rest of the tiles for the hours of the day or night, starting from the middle-point of the column to indicate the twilight, working our way up to the Intelligence tile to represent the midpoint of the day/night, then rotating back from the bottom of the same column to represent the remaining hours of the day/night.

What we get is a table of solar/lunar tiles that represent the hours of the day and night accordingly:

Hour Daytime Nighttime
Genhelia Psykelia Seleno Psykomena
1 37 45 38 44
2 28 36 29 35
3 19 27 20 26
4 10 18 11 17
5 1 9 2 8
6
7 91 99 92 98
8 82 90 83 89
9 73 81 74 80
10 64 72 65 71
11 55 63 56 62
12 46 54 47 53

So, to determine the hour in which something will happen, we use a large triangle of 15 tiles, with the outer rim of 12 tiles indicating the number of the hour, and the inner small triangle indicating whether it happens in the daytime (hours 1 through 12) or nighttime (hours 13 through 24).  We inspect the inner (ideal) small triangle first: best 2 of 3 of solar or lunar tiles determines the period.  Thus, if there’s any number of solar tile and no lunar tiles, or at least more solar tiles than lunar tiles, then the event will happen during the day; likewise, if there’s only lunar tiles and no solar tiles, or at least more lunar than solar tiles, then the event will happen at night.  That done, we then proceed to look at the outer rim of 12 tiles on the large triangular figure we composed.  We then proceed to find whatever solar or lunar tiles agree with the inner triangle, and use the outer rim tile(s) to indicate the hour itself of that given period.  Thus, if the inner triangle indicates a nocturnal event, then if we find both a solar and a lunar tile in the outer rim, only the lunar tile matters to indicate the hour.

Of course, there are a number of questions about this method that ZT leaves unresolved:

  • All other tiles of any other planet are irrelevant and neutral for this approach, meaning they don’t indicate either diurnality or nocturnality.  So what happens if there are neither solar nor lunar tiles in the inner ideal triangle?
  • Even if we can judge the diurnality/nocturnality of an event from the inner triangle, what if there are multiple tiles that agree in the outer rim?  Does that mean the event could happen in any one of those hours, or in the range between them?  Do we just pick which one using an option-whittling method afterward?
  • Even if we can judge the diurnality/nocturnality of an event from the inner triangle, what if there are no tiles that agree in the outer rim?  Do we just say that it can’t be decided and that it’ll happen throughout the day or at any point which cannot yet be determined in that day?

There’s also one really weird bit about this method, however.  ZT says that, regarding the hours:

Just as the solar and lunar pieces mark the exact points of noon and midnight, each hourly number marks the exact middle of the first, second, third, &c. hour, whether daytime or nighttime. Without being aware of this, one runs the risk of making a mistake of any time, sometimes by half an hour.

I can’t really make sense of this, honestly.  If the solar and lunar Intelligence tiles themselves represent the exact points of midday and midnight, then that would indicate the border between two hours, not the middle of such hours.  It also says earlier, however, that tiles 37, 47, 45, and 53 all “share the twilight hour of the morning”; usually we don’t say that an hour is split or that the twilight hour is split, but rather that a day starts at sunrise itself (which ZT agrees with).  So does ZT mean by this note that our usual reckoning of dividing up the unequal hours is to be shifted forward by half an unequal hour?  It’s unclear to me, and seems really confused or overly complicated.

Hour determination, second method: This approach of assigning the tiles to the hours is similar to the previous method, but incorporates the given Zodiac sign of a known date.  Recall in the Table of Numbers in Plate II how each of the rows of the table is assigned a sign of the Zodiac.  The first hour of the day/night is the solar/lunar tiles of the row of that sign of the Zodiac, the second hour the one beneath that, the third one beneath the second, and so forth, looping around if we’ve reached the end of the column.  Thus, while the Sun is in Gemini, tiles 10 and 18 are the first hour of the day and tiles 11 and 17 the first hour of the night, tiles 19 and 27 the second diurnal hour and tiles 20 and 26 the second nocturnal hour, and so on.  Unfortunately, no example is specifically given with this second/alternative method, so if we use the same fundamental approach as before, then the same issues remain as before.

Of course, there is a sorta-secret third method to determine the hour that was hinted at earlier: use the Great Dial in concentric movement to determine the hour number, then use option-whittling to determine if it’ll happen in the day or night.  No muss nor fuss with trying to allot tiles to unequal hours or worrying about what if you don’t get any (or if you get too many) solar or lunar tiles, whatever.  Or, if we want to take a similar approach as what we did with the first method of determining the day of a month to innovate a fourth method, we could use four hollow triangles, because each hollow triangle has six tiles and 6 × 4 = 24, and use the usual option-whittling approach that way, splitting a whole day-night cycle into four separate chunks of morning (hours 1 through 6), afternoon (7 through 12), evening (13 through 18), and night (19 through 24).  (Although we might conceivably break a set of 24 options into other figures like a large 15-tile triangle with a medium 9-tile diamond, having this broken out into equal segments pleases me more.)

I’ll be honest: while I get the underlying process that ZT shows for many of these forms of determining specific times, they feel kinda…I dunno, clunky?  And especially for determining hours, that gets into levels of specificity that seem increasingly suspect to me (a concern magnified if we were to go any lower than hours, as ZT itself warns against), and the methods it explicitly suggest seem super rough and too ill-specified for my taste, at least without exploring other options.  But then again, ZT also says this about the methods it shares:

The Candidate is warned that the means indicated in the First Supplement to find the climacteric, annual, monthly, hourly, and other periods are rather thus described as exercises rather than to assist them in quickly and surely finding a moment they might seek. Rather, they will be surprised indeed to find, at the proper time, other methods shorter, surer, and less childish than those we have offered earlier to their avid curiosity. Since there is much to learn and do before one begins to calculate months and hours, when the Candidate eventually gets to such a point, they will already know how to go about it and can dispense with the processes described as well as the Tables [of meanings of the tiles and the Great Mirror houses], by which we only wanted to offer some bait to the unreasonable impatience of most people who wish to read into the future.

It is unfortunately too true that, in a work that will someday be precious, what is less sound must serve for now as a recommendation for the rest.

Even by ZT’s own admission, it doesn’t think particularly highly of the methods it gives to determine times.  I mean, it makes sense, doesn’t it?  All that this “option-whittling” (as I’ve been calling it) is is just a variation on processes of elimination, which is about the most rudimentary form of sortilege you can do with little in the way of actual interpretation or intuition being called for.  While there’s nothing saying that these methods can’t work, I admit my own skepticism of them to a degree, and can think of better methods involved.  For instance, using the Great Dial in concentric movement with the middle belt indicating hours, it might be possible to conceive of a method that links up one of the 12 hourly houses in the middle belt with one of the seven daily houses of the inner belt + center house using ideal triangles to determine both the weekday, diurnality/nocturnality, and hour of the day/night.  Alternatively, if we know the given weekday, then noting that the planetary day is ruled the planet of its first hour and planetary night of its first hour, we could use more tiles than just the solar/lunar ones to determine planetary days and hours, as well.  Another option could be to give the other planets their own diurnal or nocturnal qualities in addition to the luminary ones to even things out.

As far as ZT is concerned, I think determining times along these lines is a tricky topic, in agreement with what ZT says.  At the same time, I also think that either the author of ZT was intentionally holding back on intuitive/interpretive techniques to lead to such a result, or they just threw this in as an afterthought to let others fill in the gaps without ever thinking such methods through enough themselves.  I’m sure that there are plenty of ways to determine time, and ZT has certainly given some ways, but even ZT itself doesn’t take them seriously; I don’t think we should, either.

A PGM-Style Framing Rite for Pretty Much Any Purpose

This past quarter, the splendid Gordon White of Rune Soup held another of his classes, this time on the Greek Magical Papyri, otherwise known famously as the PGM.  It was a great course; rather than being focused on simply presenting rituals and implementations thereof, Gordon went all out on giving the context, development, influences, cosmology, and theory that really fleshes out the PGM.  No, the PGM cannot be considered a single body of texts, because they’re inherently not: they’re a jumble of papyri from multiple authors across multiple centuries.  However, Gordon’s class really pulls so much of it together into something that could, honestly, feel like it could be presented as part of a single text, or at least a single tradition with more-or-less a single mindset.  It’s a tall order, but it’s a great thing to take if you’re a member of his class stuff.  That said, and to be candid about it, I’m kinda left a little hungry by the course: knowing that Gordon’s been doing PGM magic for…quite some time (probably longer than I’ve been a magician at all), I’d’ve liked to see more implementations and descriptions of ritual rather than just the cosmological backgrounds behind what we have in the PGM.  Still, I also know that I’m often left a little (or a lot) disappointed by other books on PGM-style magic that mostly or only list rituals with only a smattering of cosmology behind them; some of them are worthwhile, at least for a while, but I tire of them easily, probably because I’m a spoiled brat and like to chew on things myself rather than simply have them presented to me, so perhaps it’s really for the best that Gordon focused on the background and theory of the PGM rather than the contents themselves.  Of the other well-known books about the PGM, Stephen Skinner’s Techniques of Graeco-Egyptian Magic is a great analysis of the content of the PGM, and is a helpful index and guide to looking at and investigating parts of the PGM (though I differ with him on some accounts as well).

Flatteringly, Gordon referenced me and my work on my blog and website several times throughout his course.  (I admit, I was caught off-guard each time he did so, and it felt like I was being called out in the middle of a college lecture hall each time I listened into his class, and so promptly spat out my wine and/or energy drink of choice at that moment.)  To my credit, I have done quite a bit of PGM work; not as much as I’d like, but I do write about it quite a bit, and have whole groups of pages up both for PGM and PGM-like rituals as well as prayers from the Hermetic and PGM traditions, and about a tenth of the posts and pages on this website reference the PGM in one way or another.  For other splendid websites and bloggers on PGM stuff, I might also recommend Voces Magicae as well as Sublunar Space, who both appear to do quite excellent stuff on their own.

One of the most hilariously common things one might see in the PGM texts is the phrase “add the usual” (even to the point where Gordon was considering naming parts of his course that phrase).  Bear in mind that the PGM is basically a collection of the notes of working, jobbing magicians who kept track of their observations, rituals, recipes, and the like.  Just like how someone wouldn’t write down something in their journal that they did each and every time they got themselves ready in the morning but merely obliquely referenced it, so too did the PGM authors do the same for their own texts; if they had a particular MO, they wouldn’t waste the ink and papyrus on it, but simply said “add the usual”.  What that “usual” might have been, we don’t often know or have the means to find out, but it does indicate that certain rituals took place within a broader framework or ceremonial practice.  A modern term for this is a “framing rite”, where a particular ritual procedure is established to attune, protect, and generally set things up for a magician to do something specific within the overall ritual.  Examples of framing rites abound in modern systems of magic, and for those who have a daily magical practice, those same rituals can often be used both generally each day as well as immediately before/after a ritual to prepare or wind down the magician for the ritual.  With all the instances of “add the usual”, we have evidence that similar practices were done in the era of the PGM authors, as well.

With that in mind, and bringing my own Mathēsis practices and my other temple procedures into the mix, I was wondering if I could codify and establish a PGM-style framing rite for myself.  I adore the PGM stuff, after all, and I definitely incorporate many of its techniques in much that I do, whether it’s whole rituals or just parts I pick and extrapolate from.  Plus, given all the PGM resources I’ve put out on my blog, including implementations of rituals for which we only have the bare bones from the original source, it’s not like I lack for sources of inspiration.  So, I decided to pluck bits and pieces from a variety of PGM, Hermetic, Neoplatonic, and similar sources of magical praxis and slap them together into an overall procedure that works as a framing ritual for…well, anything, honestly, but with a focus on PGM-style magic (though not necessarily the PGM rituals themselves, especially those that provided inspiration for this framing ritual).  Between the lists of names of spirits, invocations for a variety of purposes, implementations of ritual designs, and the other practices I’ve developed in the meantime, it wasn’t hard to form a synthesis of PGM-inspired ritual.  Is it a mish-mash?  Absolutely, and I make no denial or complaint against that!  Is it effective?  As far as I’ve noted, it definitely is, which is why I have no complaints about it (besides my own quibbles in refining it over time).  I don’t mean to say that the PGM can be treated as a single, coherent text, because it’s absolutely not; that said, it’s not hard to pick the individual techniques that can be separated from particular parts of the PGM and synthesize them together into its own more-or-less coherent whole.

What follows is my attempt at such a generalized magical procedure.  Admittedly, this is still an experimental framework, and I’m still in the process of making minor tweaks and edits to it; however, the bulk of it is stable, and any further changes to be made would be minor indeed.  The framing rite, as the ritual proper itself, will benefit from being done in a previously established or consecrated space, but the framing rite itself suffices to establish a working temple in any space or location.  Further, with minor modifications, anything before the ritual proper according to the framing rite schema given here may also be used as a format for a regimen for daily magical practice.  Not all parts are required, but may be done at the magician’s discretion; when something is optional, I’ve said as much.  The general outline of the framing ritual, in full, is as follows:

  1. Send out any non-initiates.  (optional)
  2. Ablute with lustral water.
  3. Illumine the temple and call on the Lord of the Hour.
  4. Call on the Lord of the Day.  (optional)
  5. Call on the Lord of the Stars.  (optional)
  6. Consecrate the Light.
  7. Call on the Guardians of the Directions.
  8. Opening prayer.  (optional)
  9. Cast the circle.  (optional)
  10. Empowerment and fortification.
  11. Initial offering of incense to the spirits. (optional)
  12. The ritual proper.
  13. Closing prayer.  (optional)
  14. Dismissal offering to the spirits.
  15. Uncasting the circle.  (only if a circle was previously cast)
  16. Extinguishing the Light.

The following materials are required for the framing rite itself, in addition to whatever other materials the ritual proper calls for:

  • A head covering, such as a shawl or scarf
  • A clean basin or bowl
  • A clean towel (optional, if desired)
  • Fresh water
  • Salt or natron
  • Bay leaves, or cotton balls along with a tincture of bay laurel and frankincense
  • A lamp or candle, not colored red or black
  • Incendiary tool, such as matches or a lighter
  • Incense, most preferably frankincense
  • White chalk, a wand, or a knife to draw a circle (optional, only if desired)

In the future, once I make any further refinements and hammer out any other inconsistencies in the framing rite, I’ll eventually add it to the Rituals section of pages on my website.  In the meantime, I hope you enjoy, and if you’re interested, give it a whirl and see how you feel applying the following framing rite, both around a ritual itself as well as a basis for daily practice!

Note that in the following ritual text, except for the few short Greek phrases used and the names of spirits listed in the tables below, I’ve left what few barbarous words of power are used in the framing rite in Greek.  I tried to use selected portions of the PGM that didn’t rely too heavily on barbarous words of power, but their use is still essential to PGM-style magic in general.  None of what are used below are particularly long or complicated strings of words of power as some parts of the PGM are known for, but are rather some of the shorter and most common ones; I’ve left them in Greek to prevent formatting clutter.  If you’re unsure on how to read them, consult the listed PGM sections in the Betz translation or learn how to read basic Greek.  I might also recommend to check out this page on the phonetic and esoteric associations of the Greek.alphabet as well as this post on a primer on how to meditate on them to get used to their sound and power.


If desired, especially if this is done in a group setting, recite Porphyry’s command from On Images to give a general call to dismiss all unwanted or uninitiated entities, incarnate and otherwise, to leave the space in which the ritual is to be performed:

I speak only to those who lawfully may hear:
Depart all ye profane, and close the doors.

If there is a door to the space in which the ritual is performed, now is the time to close it, unless safety concerns mandate it being open; some sort of barrier should be used instead, such as a bar, board, or stone put across or symbolically blocking the entry to the space.

Prepare the lustral water and ablute with it so as to purify yourself and the temple space. This is essentially the process of making khernips for khernimma:

  1. Fill a basin with clean, fresh water.
  2. Pour or sprinkle a small amount of sea salt or natron into the water.  I recommend doing this in a cross formation above the basin.
  3. Light a whole dried bay leaf or a cotton ball soaked in a tincture of frankincense and bay laurel. Hold it above the basin, and say:

    For the sake of purity and becoming pure…

    Quench the fire into the water, and say:

    …be purified!

  4. Mix the water thoroughly with the right hand.
  5. Wash the left hand with the right, then the right hand with the left, then the face with both hands, reciting:

    Χερνίπτομαι (Kherníptomai)! In purity, I cleanse myself and free myself from defilement.

  6. With the right hand or a bundle of bay leaves, sprinkle the khernips around you in a counterclockwise direction, reciting:

    Begone, begone, you polluting spirits, you evil spirits, begone, begone!
    May all that is profane be cast out, that only holiness may here remain.

  7. If desired, pat the face and hands dry with a clean towel or cloth.
  8. Cover your head with a loose-fitting shawl, scarf, stole, hood, or other headcovering.

If more than one person is present, the lead magician prepares the khernips, washes themselves, and asperges the temple space first.  After that, the other ritual participants wash themselves only (reciting only the “Χερνίπτομαι! In purity…” part).

Illumine the temple with sacred fire that shines forth with the light of Divinity. This is a combination of both a conjuration of the flame of the lamp or candle to be used in the ritual as well as an invocation to the temporal Lord of the Hour.  This lamp or candle should not be colored red or black, given the general proscriptions against it in the PGM for most types of work, and should be kept separate from other lights used in the ritual proper unless it’s a lamp divination or theophany that uses such a light.  Light the lamp or candle, ideally while standing to the west of the lamp and facing east towards it, and recite the following conjuration of the flame based on the spell for fires to continue from PGM XIII.1—343 (the Eighth Book of Moses) and the invocation to the lamp of PDM xiv.1—92 and PDM xiv.489—515, depending on whether the ritual is done during the daytime or the nighttime.

  • Diurnal conjuration of the flame:

    I conjure you, Fire, o daimon of holy Love, the invisible and manifold, the one and everywhere, to remain in this light at this time, shining and not dying out, by the command of Aiōn!
    Be great, o light!  Come forth, o light!  Rise up, o light!  Be high, o light!
    Come forth, o light of God!
    O bright face of Hēlios, …,  servant of God, you whose hand is this moment, who belongs to this Xth hour of the day, bring your light to me!

  • Nocturnal conjuration of the flame:

    I conjure you, Fire, o daimon of holy Love, the invisible and manifold, the one and everywhere, to remain in this light at this time, shining and not dying out, by the command of Aiōn!
    Be great, o light!  Come forth, o light!  Rise up, o light!  Be high, o light!
    Come forth, o light of God!
    O bright angel of Selēnē, …, servant of God, you whose hand is this moment, who belongs to this Xth hour of the night, bring your light to me!

The rulers of the unequal hours of the day and the night, taken from PGM IV.1596—1715 (Consecration of the Twelve Faces of Hēlios) and PGM VII.862—918 (Lunar Spell of Klaudianos):

Hour Diurnal
(PGM IV.1596—1715)
Nocturnal
(PGM VII.862—918)
I ΦΑΡΑΚΟΥΝΗΘ
PHARAKŪNĒTH
ΜΕΝΕΒΑΙΝ
MENEBAIN
II ΣΟΥΦΙ
SŪPHI
ΝΕΒΟΥΝ
NEBŪN
III ΑΜΕΚΡΑΝΕΒΕΧΕΟ ΘΩΥΘ
AMEKRANEBEKHEO THŌUTH
ΛΗΜΝΕΙ
LĒMNEI
IV ΣΕΝΘΕΝΙΨ
SENTHENIPS
ΜΟΡΜΟΘ
MORMOTH
V ΕΝΦΑΝΧΟΥΦ
ENPHANKHŪPH
ΝΟΥΦΙΗΡ
NŪPHIĒR
VI ΒΑΙ ΣΟΛΒΑΙ
BAI SOLBAI
ΧΟΡΒΟΡΒΑΘ
KHORBORBATH
VII ΟΥΜΕΣΘΩΘ
ŪMESTHŌTH
ΟΡΒΕΗΘ
ORBEĒTH
VIII ΔΙΑΤΙΦΗ
DIATIPHĒ
ΠΑΝΜΩΘ
PANMŌTH
IX ΦΗΟΥΣ ΦΩΟΥΘ
PHĒŪS PHŌŪTH
ΘΥΜΕΝΦΡΙ
THYMENPHRI
X ΒΕΣΒΥΚΙ
BESBYKI
ΣΑΡΝΟΧΟΙΒΑΛ
SARNOKHOIBAL
XI ΜΟΥ ΡΩΦ
MŪ RŌPH
ΒΑΘΙΑΒΗΛ
BATHIABĒL
XII ΑΕΡΘΟΗ
AERTHOĒ
ΑΡΒΡΑΘΙΑΒΡΙ
ARBRATHIABRI

Similarly, though not necessarily required, an invocation to the ruling god of the day may also be made at this time.  This may be done in one of two ways: either by the ruler of the day according to the planet, or according to the ruler of the Pole using the Seven-Zoned method from PGM XIII.1—343/XIII.646—734.

Using the same section from PDM xiv.489—515 as before, invoke the planetary ruler:

  • Using the day ruler method:

    O blessed god, …, servant of God, you whose hand is this moment, who rules over this day, bring your light to me!

  • Using the Seven-Zoned (Pole ruler) method:

    O blessed god, …, servant of God, you whose hand is this moment, who rules over the Pole on this day, bring your light to me!

Alternatively, another invocation to the appropriate planet may also be used, such as praying the Orphic Hymn to that planet.

Weekday Ruling Planet
By Day Pole Ruler
Sunday Hēlios Selēnē
Monday Selēnē Hermēs
Tuesday Arēs Aphroditē
Wednesday Hermēs Hēlios
Thursday Zeus Arēs
Friday Aphroditē Zeus
Saturday Kronos Kronos

If further desired, though again not required, an invocation may be made to the Zodiac sign that rules the present time, based on PGM VII.795—845 (Pythagoras’ request for a dream oracle and Demokritos’ dream divination).  Given the lunar and nighttime connections of that ritual, it may be best to call upon the sign of the Zodiac in which the Moon is currently found; however, for more solar-oriented rituals, using the Zodiac sign in which the Sun is currently found may be used instead.  A combined method, which I would recommend, calls upon the two signs of both the Sun and the Moon together:

O blessed heavens, solar … and lunar …, you two asterisms that watch over all the works of the world, bring your light to me!

If, however, the Sun and Moon are in the same sign:

O blessed heaven, …, you great asterism who watches over all the works of the world, bring your light to me!

Zodiac Sign Name
Aries ΑΡΜΟΝΘΑΡΘΩΧΕ
HARMONTHARTHŌKHE
Taurus ΝΕΟΦΟΞΩΘΑ ΘΟΨ
NEOPHOKSŌTHA THOPS
Gemini ΑΡΙΣΤΑΝΑΒΑ ΖΑΩ
ARISTANABA ZAŌ
Cancer ΠΧΟΡΒΑΖΑΝΑΧΟΥ
PKHORBAZANAKHŪ
Leo ΖΑΛΑΜΟΙΡΛΑΛΙΘ
ZALAMOIRLALITH
Virgo ΕΙΛΕΣΙΛΑΡΜΟΥ ΦΑΙ
EILESILARMŪ PHAI
Libra ΤΑΝΤΙΝΟΥΡΑΧΘ
TANTINŪRAKHTH
Scorpio ΧΟΡΧΟΡΝΑΘΙ
KHORKHORNATHI
Sagittarius ΦΑΝΘΕΝΦΥΦΛΙΑ ΞΥΥ
PHANTHENPHYPHLIA KSUHU
Capricorn ΑΖΑΖΑΕΙΣΘΑΙΛΙΧ
AZAZAEISTHAILIKH
Aquarius ΜΕΝΝΥΘΥΘ ΙΑΩ
MENNYTHYTH IAŌ
Pisces ΣΕΡΥΧΑΡΡΑΛΜΙΩ
SERYKHARRALMIŌ

With the sacred light lit and the appropriate powers of the present time invoked, uncover your head and recite the Light-Retaining Charm based on PGM IV.930—1114 (Conjuration of Light under Darkness):

I conjure you, holy Light, breadth, depth, length, height, brightness,
by ΙΑΩ ΣΑΒΑΩΘ ΑΡΒΑΘΙΑΩ ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ ΑΒΛΑΝΑΘΑΝΑΛΒΑ ΑΚΡΑΜΜΑΧΑΜΑΡΕΙ ΑΙ ΑΙ ΙΑΩ ΑΞ ΑΞ ΙΝΑΞ
remain by me in the present hour, until I have accomplished all I have set out to do!
Now, now, immediately, immediately, quickly, quickly!

Call upon the Guardians of the Directions.  This is essentially using my Invocation of the Solar Guardians, based on PGM II.64—183 and PGM.XII.14—95, to recognize the four spiritual entities who stand guard of the stations of the Sun at sunrise, noon, sunset, and midnight, as well as the realms and rulers of the heights and the depths, so as to orient and protect both the temple and the magician.  The first guardian to be invoked is the one who controls the quarter of the sky where the Sun currently is: between sunrise and noon, the Guardian of the East should begin the invocations; between noon and sunset, the Guardian of the South; and so forth.

  1. First, face the East or, if preferred, whatever quarter of the sky the Sun happens to be in at the moment of the invocation.
  2. Take a half-step forward with the right foot, raise the right hand forward and out, and raise the hand up and out towards that direction.  Give the salutation to the guardian, lower the hand, bring the right foot back, then turn 90° clockwise to salute the next guardian.  The four salutations for these guardians are, with the order to be changed according to the direction first started with:

    ΙΩ ΕΡΒΗΘ, take thy place in the East!
    ΙΩ ΛΕΡΘΕΞΑΝΑΞ, take thy place in the South!
    ΙΩ ΑΒΛΑΝΑΘΑΝΑΛΒΑ, take thy place in the West!
    ΙΩ ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ, take thy place in the North!

  3. Once all four guardians of the cardinal directions have been saluted, return to the original direction, and stand with both feet together.
  4. Look directly up and extend the right palm outwards and upwards to salute the guardian of the heights:

    ΙΩ ΑΚΡΑΜΜΑΧΑΜΑΡΕΙ, take thy place in the Heights!

  5. Look directly down, and extend the right palm outwards and downwards to salute the guardian of the depths:

    ΙΩ ΔΑΜΝΑΜΕΝΕΥΣ, take thy place in the Depths!

  6. Extend both arms outward with the right hand turned up and the left hand turned down, and give the concluding call:

    For I am ΜΑΛΠΑΡΤΑΛΧΩ standing in the midst of the All!

At this point, if desired, the magician may enter into a phase of prayer before any further work.  This is not required, but those who take a more liturgical or Hermetic priestly approach may consider reciting such prayers as the Prayer of Hermes Trismegistus from the Corpus Hermeticum, the Stele of Aiōn from PGM IV.1167—1226, the Hymn of the Hidden Stele from PVM IV.1115—1166, or other such prayers.  This would be to focus the mind of the magician as well as to further sanctify the temple, but these are not strictly required to be performed.

Before further work, some magicians may feel more comfortable working within a cast circle.  Given the purification, illumination, and warding of the temple in the previous steps, a circle may be deemed superfluous and unnecessary, and though researchers like Stephen Skinner suggest that circle-working could have been a common aspect of PGM-style magic, very few rituals in the PGM and similar works explicitly call for a circle, and most have no need for one.  However, should a circle be desired for further working, one may be cast at this point.  Starting from the same direction that the Guardians of the Directions began and proceeding clockwise, trace a circle on the ground (either drawn out in white chalk or natron, or traced with the fingertips of the dominant hand, a wand, or a knife) while reciting the following (adapted from my older preparatory/framing rite the Q.D.Sh. Ritual).  As there are four lines in the chant that follows, draw the circle slowly and thoughtfully enough such that each line can be recited within the tracing of one quarter of the circle.

In the name of the Nous, this circle is consecrated for our defense.
By the power of the Logos, this circle is defended for our perfection.
For the sake of the Sophia, this circle is perfected for our work.
Through the might of the Aiōn, may all that is baneful be cast out, that only Good may here remain.

Empower yourself.  This is a three-step process, combined from one popularly-known modern one and two adapted from the PGM.  The first part is what I call the “Ray of Heaven and Earth”, which is a variant of the first part of Jason Miller’s “Pillar and Spheres” energy work method from The Sorcerer’s Secrets; the visualization is largely the same, but I’ve replaced the chants from Latin/English with appropriate Greek ones.  The second part is a shorter form of the Heptagram Rite from PGM XIII.734—1077; it’s more involved than a simple Calling the Sevenths (which is fine on its own and may be substituted here instead for time), but it’s also not the entire Heptagram Rite, either; this middle-form is what I call the Minor Heptagram Rite.  This is finished with the final declaration of power and protection from the Headless Rite from PGM V.96—172, using the Crowley form of the ritual (though substitutes may be made here as well).

  1. Perform the Ray of Heaven and Earth.
    1. Stand upright with the back straight. Center yourself.
    2. Visualize an infinite, infinitely white light shining directly above you, infinitely distant in the highest heavens.
    3. Intone: Κατάβαινε, ὦ πέλεια! (Katábaine, ō péleia! or, in English, “Descend, o Dove!”) As you intone this, inhale deeply and visualize a ray of white light shining down from the heavens directly into the crown of the head, down through the spine, through the sacrum, and downwards infinitely below you. Exhale slowly, feeling purifying, soothing, straightening power radiate from the ray into the rest of your body.
    4. Maintain the above visualization. In addition to that, Visualize an infinite, infinitely red light shining directly below you, infinitely distant in the lowest reaches of the earth.
    5. Intone: Ἀνάβαινε, ὦ ὄφϊ! (Anábaine, ō óphï! or, in English, “Ascend, o Serpent!”). As you intone this, inhale deeply and visualize a ray of red light shining up from the earth directly into the sacrum, up through the spine, through the crown, and upwards infinitely above you. Exhale slowly, feeling vivifying, heating, hardening power radiate from the ray into the rest of your body.
    6. Visualize both rays, the white descending from heaven though you into the earth and the red ascending from earth through you into heaven, and mixing in your body, connecting it with all the heavens and all the earth with you in the direct center channel between them.
    7. Intone: Ἅφθητι, ὦ πυρ! (Háphthēti, ō pur! or, in English, “Be kindled, o Fire!”) As you intone this, inhale deeply and let both powers suffuse your body in an infinitely bright light, feeling all the powers of heaven and earth connect within you. Exhale slowly, letting the power radiate through you and from you, having connected with heaven and hell equally.
  2. Perform the Minor Heptagram Rite.  If desired, the shorter Calling the Sevenths may be done instead, but for full rituals, the Minor Heptagram Rite is preferred.
    1. Recite the invocation to Aiōn:

      I call on you, eternal and unbegotten Aiōn, who are One, who alone hold together the whole creation of all things, whom none understands, whom the gods worship, whose name not even the gods can utter. Inspire from your breath, o ruler of the Pole, the one who calls on you who is under you! I call on you as the gods call you! I call on you as the goddesses call you! I call on you as the winds call you!

    2. Face the sunrise in the east with arms raised in the orans gesture.

      I call on you as the east: Α ΕΕ ΗΗΗ ΙΙΙΙ ΟΟΟΟΟ ΥΥΥΥΥΥ ΩΩΩΩΩΩΩ

    3. Face north with arms raised in the orans gesture.

      I call on you as the north: Ε ΗΗ ΙΙΙ ΟΟΟΟ ΥΥΥΥΥ ΩΩΩΩΩΩ ΑΑΑΑΑΑΑ

    4. Face west with arms raised in the orans gesture.

      I call on you as the west: Η ΙΙ ΟΟΟ ΥΥΥΥ ΩΩΩΩΩ ΑΑΑΑΑΑ ΕΕΕΕΕΕΕ

    5. Face south with arms raised in the orans gesture.

      I call on you as the south: Ι ΟΟ ΥΥΥ ΩΩΩΩ ΑΑΑΑΑ ΕΕΕΕΕΕ ΗΗΗΗΗΗΗ

    6. Face down with arms raised in the orans gesture.

      I call on you as the earth: Ο ΥΥ ΩΩΩ ΑΑΑΑ ΕΕΕΕΕ ΗΗΗΗΗΗ ΙΙΙΙΙΙΙ

    7. Face forward with arms raised in the orans gesture.

      I call on you as the sky: Υ ΩΩ ΑΑΑ ΕΕΕΕ ΗΗΗΗΗ ΙΙΙΙΙΙ ΟΟΟΟΟΟΟ

    8. Face up with arms raised in the orans gesture.

      I call on you as the cosmos: Ω ΑΑ ΕΕΕ ΗΗΗΗ ΙΙΙΙΙ ΟΟΟΟΟΟ ΥΥΥΥΥΥΥ

    9. Recite the second invocation to Aiōn, based on the Eighth Book of Moses (PGM XIII.1—343) and the Headless Rite (PGM V.96—172):

      I call on you, who are greater than all, the creator of all, the self-begotten who see all and are not seen! For you gave to Hēlios glory and all power, and to Selēnē the privilege to wax and wane and have fixed courses, yet you took nothing from the earlier-born darkness, but apportioned all things so that they should be equal! For when you appeared, both Order and Light arose! All things are subject to you, whose true form none of the gods can see, who change into all forms! You are invisible, o Aiōn of Aiōns, and through you arose the celestial pole from the earth! Hear me and help me, o lord, faultless and unflawed, who pollute no place, for I bear witness to your glory! Lord, King, Master, Helper, empower my soul!

  3. Recite the final empowerment of the Headless Rite:

    ΑΩΘ ΑΒΡΑΩΘ ΒΑΣΥΜ ΙΣΑΚ ΣΑΒΑΩΘ ΙΑΩ
    Come forth and follow, so that every spirit, whether heavenly or ethereal, upon the earth or under the earth, on dry land or in the water, of whirling air or rushing fire, and every spell and scourge of God may be obedient unto me.

    Alternatively or additionally, if another phylactery is to be used for a given ritual, this is the proper time to don it and recite any accompanying prayers or invocations that go along with it.  These include rings, pendants, headwear, anointing with oils, or the use of other charms, spoken or otherwise.

Now, complete the empowerment and establishment of the temple by reciting the following, again from the Crowley version of the Headless Rite:

Thus have I spoken; thus are the words!
ΙΑΩ ΣΑΒΑΩΘ

At this point, the temple has been prepared and established as a sacred space, and you as the magician have become empowered and placed yourself under the powers of the cosmos and of those who watch over the temple.  If desired, incense may now be lit for its own sake as a means to further purify the temple, as well as an offering for the powers that watch over and already inhabit it, though it is not necessary to do so at this time and is better reserved for the ritual proper that follows.

With all the above done, the ritual proper may then begin in earnest.  Whatever happens here depends on the magician and the ritual itself.

After the ritual proper, prayers of thanksgiving and communion (such as the Prayer of Thanksgiving of Hermes Trismegistus from the Corpus Hermeticum) may be made at this point, especially after purely theurgic or truly divine rituals, but are not required.

Once the ritual proper has come to a close, the temple must also be closed with a general dismissal of spirits and a formal extinguishing of the light:

  1. Light a small amount of incense as a final thanks, general dismissal, and banishing, reciting the following based on the final prayers from PGM I.262—347, PGM IV.154—285, and PGM VII.930—1114.  Frankincense is the best general choice for this, but other types of incense may also be offered based on the nature of the ritual done before.

    I have been attached to your holy form;
    I have been given power by your holy name;
    I have been blessed with your holy emanation of the Good;
    Be gracious unto me, Lord, god of gods, master, daimōn, primal, elder-born one!

    I give thanks to you, o great gods, elder-born, mighty powers!
    Depart, lords, depart into your heavens, into your places, into your courses.
    I adjure by the fire which first shone in the void,
    I adjure by the power which is greatest over all,
    I adjure by him who destroys even in Hadēs
    That all now depart from this place, returning to your abodes,
    And harm me not, but be forever kind.
    Keep me healthy, unharmed, untroubled by ghosts, free from calamity, and without terror.
    Hear me for all the days of my life!

    Thus have I spoken; thus are the words!
    ΙΑΩ ΣΑΒΑΩΘ

  2. If the optional circle was cast earlier, it should be traced counterclockwise starting at the same direction from which it was drawn prior to such prayers.  If the circle was merely traced, e.g. with the fingertips or a wand, trace it in reverse using the same means; if it was drawn in e.g. chalk or natron, make four openings in the circle aligned to the four directions as the circle is otherwise traced with the fingertips.  No invocation or chant is required for this, but a short thanksgiving prayer may be said, such as the following from my own simple thanksgiving practice:

    Nous, Logos, Sophia, Aiōn,
    Thank you very much for everything.
    I have no complaints whatsoever.

  3. Extinguish the light.  With the eyes closed, recite the following over the flame of the lamp or candle using the Dismissal of Light from PGM VII.930—1114 as well as a short form of the method for quenching fire from PGM XIII.1—343, the first to send away the holiness in the flame and the second to put out the physical flame itself:

    ΧΩΩ ΧΩΩ ΩΧΩΩΧ, holy brightness!
    Depart, holy brightness!
    Depart, beautiful and holy light of the highest God Aiōn!

    Hear, o Fire, o work of the works of God, o glory of the Sun!
    Be quenched, become cold, and let your flame be scattered that it may touch no one and nothing!

    Cover your head once more, open your eyes, then put out the fire in one swift motion.

The temple space has now been closed, and the ritual has now come to a complete end.  Follow-up meditation or prayers may be made or a meal may be served, and any clean-up of the temple may now be done.

A PGM List of Nighttime Hour Rulers

One of my favorite things about the Greek Magical Papyri is that, if some technique or concept exists in modern magic, chances are extraordinarily high there’s a parallel, variant, or outright origin of the thing in the PGM.  In some cases, the stuff we find in the PGM is in the same league as the direct ancestors of what we do today; it may not be the great-great-great-great-grandfather of a particular thing, but his brother or adopted sister that he grew up with.  This makes sense, given the naturally syncretic and eclectic collection of texts present in the PGM and PDM, representing a…not a cacophony, but a callophony of Egyptian, Greek, Roman, Indian, Babylonian, Persian, Jewish, Christian, Gnostic, messianic, apocalyptic, theurgic, goetic, mantic, prophetic, and other influences that collectively laid the foundations for Hermetic practice.  Of course, it’d be folly to read the PGM and similar texts as a single grimoire; this is not a cohesive selection of texts from a single author, magician, tradition, or practice, but a collection of texts from a variety of authors, magicians, traditions, and practices that spanned several centuries.  It’s important to bear that in mind, because not all the texts agree with each other in terms of doctrine or practice, and some don’t even agree within themselves.

On occasion, I’ll find something great in the PGM that, even though it’s great, strikes me as being incomplete for something I want to accomplish.  Case in point: the Consecration of the Twelve Faces of Hēlios ritual from PGM IV.1596—1715 gives an incredibly useful list of names, specifically the twelve “faces” of the Sun as he traverses the skies in the twelve hours of the day.  Though these are essentially transformations of Hēlios into different forms, they do describe different temporal realms and, therefore, can be used as a way to refer to the hours of the day in a magical sense, much like how the Heptameron or the Ars Paulina of the Lemegeton give names for the hours or their rulers.  The frustrating thing about the Twelve Faces of Hēlios ritual is that it only gives the names of the twelve hour rulers for the day; it gives nothing for the twelve hours of the night, and as far as I’m aware, there’s no list in the PGM that gives a list of 24 such names.

Recently, however, I think I found something that’d be perfect for what I’d need.

Behold PGM VII.862—918, “Lunar spell of Claudianus and [the ritual] of Heaven and the North Star over lunar offerings”.  According to the text, this “papyrus itself, the personal property of the Twelve Gods, was found in Aphroditopolis [beside] the greatest goddess, Aphroditē Ourania, who embraces the universe”.  Aphroditopolis, in this instance, could refer to one of two ancient Egyptian cities, Tpyhwt (modern Atfih) or Per Hathor (modern Gebelein), with the latter being more likely.  This text associates Aphroditē Ourania (Heavenly Aphroditē) with Selēnē, the Moon.  The ritual is phrased as a love-binding spell, where one calls upon Selēnē to cause a particular person to fall madly in love with the magician by means of sending dreams and images, but dreams of other types may be sent to whomever to accomplish whatever it is you want by them.

The ritual is done by first preparing a special clay statue according to a particular scheme (which is missing in the text, but likely resembles Hathor) and consecrating her in a shrine of olive wood without letting her ever come in contact with sunlight:

  1. Make a shrine of olive wood, being sure to keep it in a place that sunlight does not touch.  (I imagine this is essentially a cabinet with a door that can close.)
  2. Prepare the statue of “Mistress Selēnē the Egyptian…in the form of the Universe” from “clay from a potter’s wheel” mixed with sulfur and the blood of a dappled goat.  (There exist extant images of Isis-Aphroditē which is often also associated with Hathor-Aphroditē, such as examples here, here, and here.)
  3. Dedicate the statue with “the ritual that works for everything”.
  4. Anoint the statue with “lunar ointment” and wreathe it.
  5. Stow the statue away in the shrine in advance of the ritual itself.

In the fifth hour of the night, the magician is to make a “lunar offering” and anointing oneself with “lunar anointment”, face the image of Selēnē, and recite the following invocation:

I call upon you, Mistress of the entire world, ruler of the entire cosmic system, greatly powerful goddess, gracious daimōn, lady of night, who travels through the air, ΦΕΡΟΦΟΡΗ ΑΝΑΘΡΑ…ΟΥΘΡΑ.  Heed your sacred symbols and give a rustling sound, and give a sacred angel or a holy assistant who serves this very night, in this very hour, ΠΡΟΚΥΝΗ ΒΑΥΒΩ ΦΟΒΕΙΟΥΣ ΜΗΕ, and order the angel to go off to her, NN., to draw her by her hair, by her feet; may she, in fear, seeing phantoms, sleepless because of her passion for me and her love for me, NN., come to my consecrated bedroom.

The charge for the angel can likely be replaced with whatever one might need or wish.  At this point, the magician should see the divine statue of Selēnē turning red, which indicates that “she is now attracting”.  The magician is then to continue the invocation:

Mistress, send forth your angel from among those who assist you, one who is leader of night, because I adjure you by your great names, because of which no aerial or infernal daimōn can ignore you, ΜΕΣΟΥΡΦΑΒΑΒΟΡ ΒΡΑΛ ΙΗΩ ΙΣΙ Η!  Come to me, as I summon you, ΟΡΘΩ ΒΑΥΒΩ ΝΟΗΡΕ ΚΟΔΗΡΕ ΣΟΙΡΕ ΣΟΙΡΕ ΕΡΕΣΧΙΓΑΛ ΣΑΓΚΙΣΤΗ ΔΩΔΕΚΑΚΙΣΤΗ ΑΚΡΟΥΡΟΒΟΡΕ ΚΟΔΗΡΕ ΣΑΜΨΕΙ!

Hear my words and send forth your angel who is appointed over the first hour, ΜΕΝΕΒΑΙΝ
and the one over the second hour, ΝΕΒΟΥΝ
and the one over the third hour, ΛΗΜΝΕΙ
and the one over the fourth hour, ΜΟΡΜΟΘ
and the one over the fifth hour, ΝΟΥΦΙΗΡ
and the one over the sixth hour, ΧΟΡΒΟΡΒΑΘ
and the one over the seventh hour, ΟΡΒΕΗΘ
and the one over the eighth hour, ΠΑΝΜΩΘ
and the one over the ninth hour, ΘΥΜΕΝΦΡΙ
and the one over the tenth hour, ΣΑΡΝΟΧΟΙΒΑΛ
and the one over the eleventh hour, ΒΑΘΙΑΒΗΛ
and the one over the twelfth hour, ΑΡΒΡΑΘΙΑΒΡΙ
so that you may do this for me, that you may attract, that you may tame on this very night, so that she, NN. (or “he, NN.”) be unable to have success until coming to me, NN.!  May she remain fully satisfied, loving, desiring me, NN., and may she be unable to have intercourse with another man, except with me alone.

As a personal observation, I like the casual inclusion of “or he” towards the end of the ritual.  I guess it doesn’t just work on women, which pleases me greatly.

Anyway, this second invocation is to be recited many times, and “it will attract and bind, and she will love you for all the time of your life”.  However, after you two meet and have sex, the sacred image of Selēnē is to be stowed away “giving her magical material”; so long as the image of Selēnē is kept from sunlight, your success in the matter will continue.

At any rate, look at what we have here: a list of names for the twelve hours, but focusing on the messengers/angels (in a sense, rulers) under Selēnē!  What’s fascinating about this is that we have, as far as I can tell, the only list of hours of the night in the PGM.  Other instances of hour-name lists focus on the twelve hours of the day, but now we have a matching one for the night.  In addition to that, but this one pairs quite nicely with the Twelve Faces of Hēlios list; while that has a list of explicitly solar daytime hours, here we now have a list of explicitly nocturnal lunar hours.  The only conceptual difference between the two is that the former are all different aspects of the same celestial entity, while the latter are all subordinate spirits who rule in the name of another celestial entity.  In effect, however, the idea is the same: we have a list of names that correspond to the ruling celestial power according to the time in which we call them.

The only issue I can think of is that, because lists of hours for the night are so uncommon while lists of hours for the day are more common, it could be thought instead that the list in the ritual above actually correspond to the twelve hours of the day; after all, Stephen Skinner in his Techniques of Graeco-Egyptian Magic gives the above list as “angels for each hour of the day”.  However, given that everything in this ritual is oriented towards the night and to nocturnal darkness, from keeping the image of Selēnē away from the sun to the ritual being done at night and how Selēnē is explicitly hailed as “leader of night” or “lady of night”, it makes more sense to me that these names are for the nocturnal hours rather than the diurnal hours.

To that end, I present this table of PGM-style hour ruler names, in both Greek script and Roman transcription for use and experimentation:

 Hour Diurnal Nocturnal
I ΦΑΡΑΚΟΥΝΗΘ
PHARAKŪNĒTH
ΜΕΝΕΒΑΙΝ
MENEBAIN
II ΣΟΥΦΙ
SŪPHI
ΝΕΒΟΥΝ
NEBŪN
III ΑΜΕΚΡΑΝΕΒΕΧΕΟ ΘΩΥΘ
AMEKRANEBEKHEO THŌUTH
ΛΗΜΝΕΙ
LĒMNEI
IV ΣΕΝΘΕΝΙΨ
SENTHENIPS
ΜΟΡΜΟΘ
MORMOTH
V ΕΝΦΑΝΧΟΥΦ
ENPHANKHŪPH
ΝΟΥΦΙΗΡ
NŪPHIĒR
VI ΒΑΙ ΣΟΛΒΑΙ
BAI SOLBAI
ΧΟΡΒΟΡΒΑΘ
KHORBORBATH
VII ΟΥΜΕΣΘΩΘ
ŪMESTHŌTH
ΟΡΒΕΗΘ
ORBEĒTH
VIII ΔΙΑΤΙΦΗ
DIATIPHĒ
ΠΑΝΜΩΘ
PANMŌTH
IX ΦΗΟΥΣ ΦΩΟΥΘ
PHĒŪS PHŌŪTH
ΘΥΜΕΝΦΡΙ
THYMENPHRI
X ΒΕΣΒΥΚΙ
BESBYKI
ΣΑΡΝΟΧΟΙΒΑΛ
SARNOKHOIBAL
XI ΜΟΥ ΡΩΦ
MŪ RŌPH
ΒΑΘΙΑΒΗΛ
BATHIABĒL
XII ΑΕΡΘΟΗ
AERTHOĒ
ΑΡΒΡΑΘΙΑΒΡΙ
ARBRATHIABRI

Bearing this in mind, how might we invoke these names of the rulers of the hours outside their original rituals?  Because of the difference in nature between the solar-diurnal hour names and the lunar-nocturnal hour names, I hesitate to give a general invocation, though something short and sweet can easily be made, especially given a line from PDM xiv.1—92.  For instance, for the first hour of the day and the night, I might recommend these short invocations:

  1. Solar-diurnal hour: “Bright face of Hēlios, ΦΑΡΑΚΟΥΝΗΘ, you whose hand is this moment, who belongs to this first hour of the day, bring your light to me!”
  2. Lunar-nocturnal hour: “Bright angel of Selēnē, ΜΕΝΕΒΑΙΝ, you whose hand is this moment, who belongs to this first hour of the night, bring your light to me!”

Of course, fuller invocations can be developed based on the original rituals to more properly call upon the ruler of the hour.  For example, I would suggest these abbreviations of those rituals as a solar invocation of the face of the diurnal hour:

Greatest god, eternal lord, world ruler, who are over the world and under the world, mighty ruler of the sea, rising at dawn, shining from the east for the whole world, setting in the west!  You are the great Serpent, leader of all the gods, who control the beginning of Egypt and the end of the whole inhabited world, who mate in the ocean, ΨΟΙ ΦΝΟΥΘΙ ΝΙΝΘΗΡ!  In the first hour, your name is ΦΑΡΑΚΟΥΝΗΘ!  Hear my words and aid me in this your time!

And a lunar invocation of the angel of the nocturnal hour:

Mistress of the entire world, ruler of the entire cosmic system, greatly powerful goddess, gracious daimōn, lady of night, who travels through the air, send forth your angel from among those who assist you, the one who is leader of night, because I adjure you by your great names, because of which no aerial or infernal daimōn can ignore you, ΜΕΣΟΥΡΦΑΒΑΒΟΡ ΒΡΑΛ ΙΗΩ ΙΣΙ Η!  Hear my words and send forth your angel who is appointed over the first hour, ΜΕΝΕΒΑΙΝ!

As I noted before in my discussion on the angels of the hours of the Ars Paulina, working with these names and at least making a perfunctory gesture to recognize the ruler of the current time can be huge for ensuring success and smoothness in magical workings.  Just as how the Ars Paulina invokes the angels of the hours instead of the angels of the planets because the former “closer” to us on the ladder of manifestation than the latter, especially in a temporal sense, we can recognize these specific emanations of the Sun and Moon as genii temporum, “spirits of the times”, much like how we recognize genii locorum, “spirits of the places”, when recognizing, appeasing, and working with the spirits of the place where we work.  Except, with this combined system, we now have a full PGM parallel to accommodate such a need.

With that, I’m gonna try experimenting with these names as lords of the hours.  And maybe give the Lunar Spell of Klaudianos a try at some point, too.