Setting Up a Hermetic Shrine

I didn’t intend to make a post series about shrines and the like for a Hermetic context, but after the last two posts on offerings and feasts at a Hermetic shrine which themselves followed up on a bit about the importance of a shrine lamp for Hermeticists, I figured I may as well finish what I inadvertently started as a bit of musing on my part.  I mean, I’ve spoken a bit now about what can do and when one can do it at a shrine, but what of the shrine itself?  What concerns should one have for a shrine for Hermetic practice, what should go on it, how should one maintain it?  These are all good questions, to be sure.  Unlike the last two posts, however, where I relied heavily on Hermetic testimonia and accounts about Hermēs Trismegistos to inform Hermetic practices from a backwards-looking Islamic-era perspective, there are limitations to such an approach; we were able to learn about the nature and timing of offerings, but not where.  To that end, in this post, I’ll talk about my take on Hermetic shrines based on my own practice, experience, and opinions, instead of it being anything grounded in any Hermetic text or testimony (since there’s really not a lot to go on).

First, a bit of definitions.  Personally, I like drawing a distinction between the terms “shrine” and “altar”, and while they may overlap, I do not consider them equivalent.  I think I picked up such a notion from Elani Temperance over at the Baring the Aegis blog, whose work and diligence I’ve admired for quite some time now, but the main difference in a nutshell is:

  • An altar is a place where one makes sacrifice or otherwise does work to, for, or with the gods and spirits.
  • shrine is a place where gods and spirits (or their images) are housed.

In a Hellenistic context of worshipping the Greek gods, in classical times there were two locations one had to be mindful of when worshipping a god: an outdoor altar (either a bōmos “raised platform” or bothros “pit”, depending on the specific god in question) and a temple building.  The altar was (almost) always outside, and the temple was oriented to face the altar.  Sacrifices were (almost) always made outdoors at the altar, not inside the temple building itself, even if the temple housed all sorts of sacred images, statuary, gifts, and the like; in a good number of cases, the temple was just a glorified storehouse and administrative building, while the actual religious part of a temenos “sacred district” was always outside at a comparatively dinky stone block.  This really gets to the heart of the distinction between an altar and a shrine, I think, because in a stereotypical Hellenistic context there was a good separation between the two.

Of course, that hardly can be generalized to all possible religious traditions, and there are many cases where the distinction between shrine and altar is reasonably blurred.  I mean, if you make offerings to a shrine of incense or food, then technically you’re making a sacrifice right there, which would have that shrine serve as an altar, too, right?  Or you might have a large temple space where there’s a sacred image or cult statue of a god (literally) enshrined within, and priests would set up temporary tables in front of the image for rites of sacrifice and worship; in this case, one sets up a temporary altar before a permanent shrine, and then the altar itself is disassembled after the ritual.  It may not always be required to have a separate “working space” apart from the place of a god or spirit, and although some approaches may find it useful, it’s hardly a universal thing, especially when you throw in non-institutionalized household worship into the mix, with different space and logistical constraints entirely.

And that’s one of the big concerns with Hermeticism, I think, that we need to bear in mind: Hermeticism is, by and large, not a temple-oriented practice, at least in the sense of a large permanent institution with a permanent priesthood tending to a public congregation of worshippers.  To be sure, based on our best understanding of the Greco-Egyptian origins of Hermeticism, it definitely arose within a temple-based context, led by mystically-minded Egyptian priests teaching and guiding Egyptians and Greeks in a quasi-syncretic context, but it wouldn’t be right to say that this was a focus of their duties.  Rather, they had all their temple duties as they always had for centuries and millennia: maintaining temple grounds, making sacrifices, tending to shrines, writing and copying texts, and the like.  Likewise, non-priestly people coming to the temple had a primary goal, worshiping the gods, for which they went to temple and didn’t generally linger past what was appropriate.  However, there were then (as there are now) people (both priestly and lay) for whom going to temple, participating in a sacrifice or festival, singing a hymn or two, and having that be the sum of their religious life wasn’t enough; for them, they’d want something more, something more profound, something mystical.  That’s where Hermeticism has its origins: a sort of extracurricular “meet me after class” deal for the mystically-minded, between mystically-minded priests and mystically-minded seekers.  They’d get up to this mystical stuff, seeing the Divinity behind the divinities, after their usual temple stuff; they wouldn’t ignore their temple stuff, not at all, but would build upon that as a foundation for reaching higher and deeper into spiritual reality.

To emphasize this point, consider the set and setting of the Perfect Sermon, otherwise known as the Asclepius (AH).  Among the classical Hermetic texts, AH is notable because it presents a dialogue with a narrative setting: we actually get a notion of where the dialogue takes place.  In this case, AH takes place in a temple, with Hermēs and Asklēpios already inside ready for a divine discourse, and then Hermēs sends Askēpios to fetch Tat to be present, and likewise Asklēpios proposes Ammōn also join them, at which point Hermēs says “yup, that’s good, but that’s enough”.  Hermēs gives his sermon in the temple, and “the reverence of the four men and the divine presence of god filled that holy place…and then divine love began to speak”.  After Hermēs concludes the discourse, the four of them then recite the Prayer of Thanksgiving, but note the important bit: they leave the temple to go outside to pray, and also offer nothing except prayer, not even incense.  For the purpose of teaching and religious edification, Hermēs chooses the temple as the appropriate setting, but for actual mystical practice and devotion, he leaves it and its accoutrement behind.

All this is to say that a Hermetic practice does not need to be considered something priestly, hieratic, or temple-oriented, and so the usual obligations, logistics, or the like of temple concerns do not need to be our concerns insofar as we’re talking about Hermeticism.  But, if that’s the case, and if temples are places specifically for enshrining and petitioning and propitiating the gods, then what is a Hermetic shrine for at all?  I mean, while one could certainly enshrine any number of gods (Hermēs and his crew, maybe the seven planets, maybe even Poimandrēs and/or Agathos Daimōn, and the like), none of those would (strictly speaking) be necessary for an esoteric Hermetic practice so long as they were already factored into a preexisting exoteric or temple-oriented practice.  That last part is important to emphasize, I think, because that might change the concerns one would have for such a Hermetic shrine.  For instance, if one already has an existing practice to Hermēs and/or Thōth with their own shrines, then one can just go to them for works specifically pertaining to them, either within or outside of a Hermetic context, but if one does not have such an existing practice, then maybe having a little image of Hermēs/Thōth/Hermēs-Thōth/Hermēs Trismegistos as part of one’s Hermetic shrine would be a benefit to them.

Of course, this is already getting into hypotheticals and details of a Hermetic shrine without talking about the general or high-level stuff first, so let’s back up a bit.  The biggest question to be tackled is this: for what purpose would having a Hermetic shrine fulfill?  To me, the biggest thing would be giving a Hermetic practitioner a place to do their Hermetic work, their prayer, their devotional and meditative and theurgic activities.  In this light, the focus of the Hermetic shrine would be the focus of Hermeticism, which is God—and, as I mentioned before, that would render the shrine lamp as the most important element on a Hermetic shrine, being representative not only of God itself but also of our goal of divine union with God and the quest of the soul towards God.  The shrine lamp holding a sacred flame is the sine qua non of a Hermetic shrine, and…well, after all the years of me doing things along this line, is probably the only absolutely necessary thing that I would say one might need to make a Hermetic shrine.  Beyond a handful of offering dishes for observing feasts, which is more of a utilitarian concern and convenience more than anything else and which would be put away when not in use anyway, I genuinely don’t think that anything else is absolutely necessary to be present for a Hermetic shrine beyond a shrine lamp.

In that regard, can this sort of thing even really be considered a “shrine”, at least using the terms I’ve defined at the start of this post?  I suppose not, no.  I mean, what could one do to “enshrine” God?  What image could house God itself?  As book V of the Corpus Hermeticum (CH V) beautifully points out, there is nothing that could limit God either in terms of speech or image or time, so there’s neither point nor possibility in trying to “house” God when God itself is what surrounds and fills all things.  Rather, the Hermetic shrine is a place for us to do the work we need to do towards God (and, if necessary, the gods as well).  In that light, this would really be more of an altar than a shrine—except, of course, unless we do have gods enshrined there, but let’s put that aside for now (again).  The point is that I keep calling this a “Hermetic shrine”, but I’m using the term “shrine” in a very broad way that goes against my own usual definitions in a way that muddles the distinction between “shrine” (a place where spirits are housed), “altar” (a working surface for ritual or sacrifice), and “temple” (a sacred space that contains shrines and/or altars for spiritual activities).  I suppose my calling this a “Hermetic shrine” comes from my own unspoken notion of calling any place I pray at regularly a “shrine”, while I reserve “altar” for a place I do work at on an as-needed basis.  It’s just another set of definitions, I suppose.

And even then, is a dedicated space for this sort of work really necessary?  I mean, at the end of the AH, Hermēs and crew leave the temple in order to pray, and likewise the prayer instructions in CH XIII.16 (after Hermēs guides Tat into spiritual rebirth and before he sings the “secret hymn”) say that one should pray “in the open air”.  The only other context we get for something mystically happening is in CH I, when Hermēs receives his vision from Poimnadrēs, and that was entirely location-independent when Hermēs’ “thinking soared high and [his] bodily senses were restrained, like someone heavy with sleep from too much eating or toil of the body” (i.e. a deep trance state).  In an ideal setting, worship and veneration of God would not be done at any particular temple (which would be dedicated to any number of other gods anyway on an ontologically lower level than God) but rather in the open air directly under and in the midst of the heavens; spiritual work and elevation would be done, similarly, apart and away from the body itself.  Of course, that’s all in an ideal situation; a Hermetic shrine, a place we could go to in the safety and convenience of our own homes, gives us a means to engage in the work (preparatory or no) to reach such an ideal state at some point.  To that end, while I don’t think a Hermetic shrine is technically necessary, I do think that it’s helpful to have for those as a means to concentrate and focus their prayer, meditation, and work all the same.

Anyway, let’s keep up with the high-level stuff.  If the shrine lamp and a handful of offering dishes is all that’s strictly needed for the Hermetic shrine, then what should the shrine itself look like?  I don’t personally like having such things directly on the floor, and recommend some sort of elevated surface to keep everything on, but beyond that, I don’t think the specifics matter all too much.  So long as it’s something comfortable for you to stay at for an extended period of time (to account for time in meditation, prayer, devotional work, conjuration, communion, offering, etc.), then that’s the most important thing.  For instance, I like kneeling with a seiza bench for my Hermetic stuff, which makes low tables (side tables, coffee tables, etc.) ideal for me, being not too tall for me to strain my neck by looking up or having to reach to the end of it.  Others might feel more comfortable with something at desk height where they can sit in a simple chair; others might prefer something at their waist, or even higher than that, depending on the significance they might attach towards physical elevation towards these things.  Some people state that, as a sign of respect, holy things should be no lower than one’s waist and preferably at head height or above, and I respect that, but as a matter of convenience and logistics in terms of one’s own personal mystical stuff, I don’t think that that’s as strict a concern here for the considerations of the Hermetic shrine.  So long as it’s at a reasonable height for one’s practice and is large enough to hold what one needs to put on it, then I don’t think the specifics matter.  The Hermetic shrine, in a sense, can be thought of as tool for you to use, so it should be appropriate for your use.

Should the shrine be covered with a cloth?  Again, it’s up to you; I think it’s good practice to do so, so long as you can find something appropriate. You could change out tablecloths for the Sun being in different signs of the Zodiac, or for different planet/sphere-specific rituals, or for different seasons of the year, certainly.  You could just refresh the cloth with a new one once a year to mark the passage of the Sun from one solar year to the next, or to mark some anniversary like one’s first contact with one’s HGA/Agathodaimōn.  Or you could just use just one cloth that looks nice until it wears out, or none at all.  This is more “shrine decoration” than anything to my mind, and I’ve gone back and forth on the specifics of it.  My thoughts are that such a thing is nice to have, but it’s nothing necessary.  (Besides, if one has a particularly beautiful table with an elegant wood grain or marbled surface or the like, I see no reason to let that not be a decoration unto itself.)  As for colors, white is always pleasant for divine works in general, and gold or gold-accented fabric is resonant enough with Hermetic symbolism to be more than acceptable; if one has an Egyptian or especially PGM flair, one might avoid red for general purposes due to its Set-related connotations, but otherwise, I don’t think it matters too much.

Bearing in mind the notion about facing certain directions from AH 41 and CH XIII.16, what about the placement and direction of our Hermetic shrine?  This gets a bit tricky, because those instructions specify two directions: east for morning/sunrise, and south (not west!) for evening/sunset.  We might consider a free-standing shrine that we can position ourselves around, or we might put a shrine in a southeast corner of a room that we might sit at the west (facing east) in the morning and at the north (facing south) in the evening, or just facing southeast in general (if it’s something like a corner/triangular desk).  That said, with the exception of putting something in a southeast corner and calling it a day, I find all those options kinda…awkward, really.  I dislike things like this not being against a wall and, frankly, I like using east in general for matters of the divine and holiness; as a rule, if nothing else speaks more strongly for another direction (like actual space constraints in someone’s home), placing this towards the eastern wall of a room is probably a reasonable choice for most people.  Likewise, it should be in a respectful place, ideally a room with a door that can be closed where one can have some measure of solitude and peace, which won’t have mundane or sexual activity happening within it.  This would be ideal, of course, as with any concerns for establishing a temple space, but as I’ve said before, it’s far from essential.  Do what you can as best as you can.  If the room has access to a window that faces outside, all the better.

Getting back to the shrine itself, what about things to go on it besides just the lamp?  In my post about the shrine lamp, I also mentioned that I’ve experimented with other things placed on my shrine(s) in the past, in various orders or combinations or arrangements:

  • A natural tall-ish stone, or a brick/stone pyramid, situated and rising from a bowl of water to represent the Benben mound of Egyptian cosmogonic myth
  • An image (statue, scroll, painting, etc.) of Hermēs Trismegistos, either with or without accompanying (and perhaps smaller) images of his students Tat, Asklēpios, and Ammōn
  • An image of the Agathodaimōn or HGA
  • An image of the Divine Cosmos or of Divine Nature (much as one might find in Jeffrey Kupperman’s excellent Living Theurgy: A Course in Iamblichus’ Philosophy, Theology, and Theurgy)
  • A small abstract model of Adocentyn (or, as one might consider it, Hermopolis Theia) from the Picatrix
  • A pair of images to represent the Sun and Moon, or seven such images of the seven planets
  • Images or symbols of one’s general faith and religion, especially if one syncretizes Hermeticism with another religion or practices it as a mystical approach to another religion (e.g. a crucifix for Christian Hermeticists)
  • Calligraphy of sacred words, verses, or statements of faith

These are all possibilities one might consider for their own Hermetic shrine, based on what they might contemplate, or venerate as symbols of the Creator or of Creation.  Additionally, one might also have particular images or statues, such as that of Hermēs Trismegistos or of the Sun and Moon or of one’s Agathodaimōn or whatnot, which one might venerate or actively ensoul, and thus enshrine at their Hermetic shrine (which would then render such a thing a shrine in the technical sense I established at the start of this post).  The thing about all these things, though, is that they aren’t essential to making a Hermetic shrine (that’d be the role of the shrine lamp), and are otherwise all so varied and ultimately based on personal needs and desires for such a shrine that it’s hard to generalize anything about it all.  Again, the Hermetic shrine is effectively a tool for our use, and so should be appropriate for our needs; if something doesn’t serve a purpose to us on the shrine, then it shouldn’t be there, and whatever is on there should always be oriented towards the ultimate goal of Hermetic practice.

So is that it, then?  Beyond it being some sort of raised surface off the ground with a lamp on top and a bit of space, is that all that I’d consider required, and everything else (size, height, location, direction, covering, etc.) is up to one’s own personal discretion?  Basically, yeah.  The whole purpose of a Hermetic shrine, to my mind, is to be a centerpoint of spiritual activity for one’s Hermetic mystical practice, but what does that entail?  Prayer, meditation, offerings to the gods in a Hermetic framework, works of purity and ascent, contemplation, and the like—all of this has a place within Hermeticism, to say nothing of astrological or alchemical works, even trafficking with any number of spirits ouranic or chthonic for the purposes of one’s own Work in this world.  To that end, one doesn’t need a whole lot beyond a bit of space that one can call their own, that one can turn to as a command-center of sorts, that one can trust will be there for them for works both routine or irregular.  As one’s own practice evolves, so too may the specific concerns on the shrine; at one time there may be a cross, at another an image of a solar deity, at another an image of the cosmos as some sort of astrological mandala, but always will the shrine itself be a thing to hold a bit of space apart from the rest of one’s life specifically for one’s own Hermetic endeavors.

To summarize this winding, rambling post:

  • The Hermetic shrine’s primary purpose is to act as a sacred space to engage in Hermetic mystic practices.
  • Required aspects of the shrine:
    • The shrine should be a raised surface, elevated off the floor.
    • The shrine must contain at least one thing at all times in a central and clearly-visible place: a shrine lamp.
    • There should be some sort of storage (underneath or to the side) to keep offering dishes clean and safe when not in use.
    • There should be sufficient space on the surface to hold offering dishes when in use.
  • Suggested or encouraged aspects of the shrine:
    • The shrine should be at a reasonable height for one to kneel or sit at for extended durations without discomfort.
    • The shrine should be kept in a quiet room with a door that closes to be used as a temple space in general, away from mundane or sexual activity.
    • The shrine should be kept facing the east, or positioned in a way that one could face it either east or south.
    • The shrine may be covered with a clean tablecloth.
    • The shrine may hold ensouled statues or devotional images for propitiation or contemplation.

What about actually setting up or maintaining the shrine?  I mean, lots of traditions have particular conditions and processes on sanctifying or purifying implements or space for sacred purposes, but…I mean, one can certainly do that, too, with the Hermetic shrine and every object that goes on it, and I wouldn’t argue against doing so, especially if one feels strongly or is already engaged in a temple/exoteric practice that makes use of such preparatory actions.  The most important thing for actually setting up or maintaining the shrine, though, as I see it?  Just keep it clean and set aside for Hermetic stuff.  If it gets dusty, wipe it down with a clean cloth; if something spills, clean it up quickly.  Don’t use the offering dishes for kitchen stuff again, and don’t use obviously filthy things with or near the shrine.  Maybe sprinkle a bit of holy water over the furniture before using it as a shrine, maybe do a monthly or seasonal cleansing of the shrine and all its tools as you use it.  Cleaning or maintaining the shrine doesn’t need to be a whole affair or anything beyond routine tidiness unless you really want it to be.  To be sure, the more thorough and dedicated you turn everything towards, the better off things will be overall, but the more expert stuff can be left for a time when you have more expertise.  If you’re just getting started, the most important thing is to just start, and everything else will proceed from there.  You can always improve on the shrine over time, just as you improve upon yourself over time.

Based on my own experiences and practices, there are a few things I could suggest that one might keep at such a Hermetic shrine.  These are just extra tools or supplies to have on hand for a variety of works and practices, all of which might also be kept in storage with the offering dishes if needed.  Again, nothing here is required, but the things in the lists below are those which I have personally found to be useful in fulfilling the vast majority of my regular (and a good number of irregular) spiritual operations that I get up to, or which make the things I do at my Hermetic shrine just more convenient in general:

  • Recommended tools, utilities, or fixtures of a shrine:
    • A bowl or vessel for preparing lustral water to make ablutions from (e.g. a khernibeion for khernips)
    • An aspergillum for sprinkling things with liquid
    • A bowl for making liquid offerings from
    • A cup or goblet for partaking in libations or for mystic works
    • A snuffer and trimmer for wicks of candles or oil lamps
    • A knife for cutting cloth, string, or other things
    • A set of tweezers and/or tongs for holding things at a distance or which require fine dexterity
    • A lighter or set of matches for lighting lamps or incense
    • A shawl (preferably of natural plant-based fibers and of a white or natural light color) for covering one’s shoulders and/or head while praying or engaging in particular works
    • A prayer rug (whether a small fabric carpet or a grass mat) to kneel or sit on while at the shrine
    • A shallow but wide non-porous, fireproof tray for performing particular works with
    • Small wooden or stone stands for elevating sacred images or to act as mini-altars for particular works
    • A quiet timer for meditation
    • A bell (whether one with a handle or a singing bowl/gong struck with a mallet)
    • A set of prayer beads for reciting chants
    • A book of prayers and ritual to recite and perform
    • A book of sacred texts or scriptures to read and contemplate
    • Clean white washcloths
    • Glass jars with airtight lights for storage of liquids, powders, or the like
    • A wastebin with liners/bags for any detritus or rubbish for immediate disposal
  • Recommend supplies for works and operations at a shrine:
    • Clean water
    • Olive oil
    • Wine
    • High-proof neutral alcohol
    • Coal for censers and loose incense
    • White chalk, whether for drawing out patterns or crumbling into powder
    • Pens, ink, and clean paper
    • Twine or string made from hemp, cotton, or linen
    • Natron
    • Pure salt (whether sea salt or rock salt, or one might have different kinds available for different purposes)
    • Pure soil or sand

Still, all these are just things I might recommend as extras that might be good to have on hand, all of which may depend more importantly on your own practice, and any of which might be called for or not depending on the direction you take things in for yourself.  The big thing to remember is that, so long as the shrine lamp burns, there’s a Light to guide you, and beyond that, the shrine gives you a place to pray, read, meditate, and work.  There doesn’t need to be a whole lot else to this, and in this regard, simplicity really can be (and is) best.  At times, I do find it helpful to have separate shrines or work-spaces for different traditions or styles of work; in that regard, while the Hermetic shrine might be good for a good number of operations, it may not be good for all possible works one might get up to.  Still, not all such work-spaces need to be permanent fixtures in one’s temple space, or sometimes one just needs to do enough for a spirit or god to take care of the rest.  Just as the Hermetic shrine gives us a focus for our Hermetic work, so too should we be focused on Hermetic stuff while we’re at it; that’s the big thing to remember, and everything else will take care of itself from there.

De Regnis: Altars and Sacred Spaces

Although most of my writing is visible and accessible through my blog and my ebooks, there are a bunch of writing projects that I don’t necessarily intend for public release.  When I was recently going through my old documents folder on my computer, I found a writing project I had intended to be a compendium of Hermetic and Neoplatonic knowledge, guidance, and advice that would serve to document my understandings and work as a textbook unto itself, both for my benefit and any who might come after me.  This project, De Regnis or “On Kingdoms”, got pretty far along before it got abandoned, though parts of it serve as seeds or are outright cannibalized for some of my other works.  Though I have no plans to continue writing this text, I want to share some of the sections I wrote that can act as a useful introduction to some of the practices of Hermetic magic in a modern context.  My views and practices and experiences have grown considerably since then, but perhaps it can help those who are just getting started or are curious about how to fortify their own practices and views.  If you have any views, comments, suggestions, or ideas on the topics shared in this post, please feel free to share in the comments!

Today’s selection will be on the topics of altars and sacred spaces.

On Altars

Altars are important in the work of any spiritual person, as they provide a focus for one’s work.Altars may be any sacred place where one addresses the gods or spirits, or where one performs rituals or sacrifices at. At its most general, an altar is a dedicated spot that is not one’s own but so that one may work with the larger cosmos. Altars can take many forms, but are most often raised platforms, from the size of large hills to small corner tables or portable boxes. Depending onthe purpose of the altar or its target of sacredness, however, the altar may also take the form of a pit, a cast iron cauldron, or some other focus of reverence and spiritual power. Although all altars express the same idea of a place where one interacts and works with the sacred and the spiritual,altars commonly fall into two main categories based on their primary use: devotional altars for divine sacrifice and operational altars for magical ritual.

Devotional Shrine. The devotional shrine is a place or surface, such as a table or a cairn, where one makes prayers, performs sacrifices, and exalts the Divine. Holy symbols or images, such as statuary or icons, are common at devotional altars, and such altars are commonly decorated or embellished in manners pleasing to the devotee and devotor. Devotional altars may be prepared for accepting sacrifices of liquid, blood, meat, fire, incense, or other offerings as deemed acceptable by both spirit and man alike, or may be simple surfaces where one presents plates or bowls of the offerings to them. Devotional altars may be a single surface with many spirits or gods represented on them, or one may have multiple such altars each dedicated to a particular divinity. Any spirit, force, or god to be communed with or revered should have at least some representation and offering at an altar.It is always recommended to have at least one candle burning at all times on a devotional altar, or at least while one is making devotions there.

Operational Altar. As opposed to the devotional altar which is intended for prayers and sacrifices, the operational altar is a construction specific for the magus to work magical ritual. While supplicating the Divine may be done at the devotional altar, the operational altar is intended for a magician to directly contact and work with the forces of the cosmos directly or through the conjuration and invocation of other spirits. Instead of offering sacrifices, the operational altar typically holds the tools of the Work, such as wands, chalices, candles, talismans, and other such magical goods in order to perform ritual. Operational altars may be used for consecrating, blessing, en-chanting, or otherwise empowering objects to be made into talismans or amulets; for conjuration of spirits and angels; or for other particular magical endeavors such as energy work and healing. The primary distinction between an operational altar and a devotional altar is that operational altars are for one to interact with the cosmos on one’s own, while a devotional altar is for one to interact with the divinities and spirits of it on their own

Altar Care. Whether an altar is intended for one’s devotions or one’s operations, it is necessary to keep altars in good condition. Unless one has the direct suggestion from a spirit, altars should be kept clean and free from debris, dust, and all filth. Old offerings and sacrifices should be removed from the altar when the offerings have been consumed, usually immediately after the ritual or a day or so afterwards, depending on the spirit. Ash, extra herbs and powders, and loose supplies should be disposed of appropriately. The altars should ideally be kept hidden from outsiders or anyone who does not work with them, preferably in a separate room free from pollution and miasma; however,when in public or in a space where guests may be present, covering the altar with a clean cloth used only for that purpose may suffice. Before approaching an altar, one should be clean and purified physically and spiritually. Just as with one’s tools, altars should be taken care of for as long as they are in use. When an altar is no longer required, all its tools and equipment should be respectfully removed, a prayer or working done to officially deconsecrate the space or furniture used for the altar, and the furniture respectfully removed or given away.

On Sacred Spaces

Just as an altar provides a concentrated focus for one’s spiritual activities, larger spaces may also be used for devotion and ritual. While altars may be placed anywhere, they are commonly found in nested levels of sacred spaces, while some sacred spaces have no altars or only temporary ones erected for a specific purpose for a short time. Sacred spaces may be dedicated entirely to one particular spirit or type of working, or may be more generally consecrated for any number of rituals.

Circles. A circle is the simplest form of sacred space, consisting of a closed off area for protection or purity drawn about in a circle. The use of a circle is important, though features outside the circle such as braziers or stands may be in a square, pentagonal, or some other shape. The circle itself is sacred, due to its shape and property of consisting of a single unbroken line. A circle should be drawn clockwise and erased counterclockwise, as a symbolic means to create and remove the circle. Circles may be drawn by tracing a wand or blade on the ground, or may be drawn out in paint, powder, salt, or some other material. The defining feature of a circle is that it is inherently a temporary space, though a fixed circle drawn in something permanent may be reused in multiple rituals. Circles may also be drawn to be pushed out to the boundaries of whole rooms, such as by pointing the wand or blade up at the corner edges of a room in a circle instead of down on the ground.

Temples. Unlike the temporary circle, a temple is a dedicated space for spiritual work. A temple consists of some sort of structure, from a single small room to a sprawling construction complex,which is completely given over to spiritual work. Non-spiritual work should be limited or prohibited in the temple, which may house multiple altars for separate divinities or operations. Though the word “temple” is used, it may be applied to any similar structure, such as a church, synagogue, mandir, jinja, or masjid. Personal or small-scale temples may be set up in a house by dedicating a whole room or a corner of one to spiritual work, often with an altar and keeping it separate from the rest of the house and household activities. Other structures that may be related to spiritual work but not used for spiritual work itself, such as storerooms or galleries for religious art, maybe considered part of the temple if the actual temple space used for spiritual work encloses or is connected to the other structures or rooms. While a circle may be used to interact with the spirits,the temple is often seen to be the home or residence of a spirit. Small temples, such as those which occupy only a part of a room, may often be referred to as shrines, especially when they house some sort of cult image or relic. Oratoria, or prayer rooms, may be considered a type of single-room or part of a room dedicated to prayer and devotional work.

Precincts. Enclosing whole temples, large spaces known as precincts or temenoi are large areas of land and real estate given over to a temple, often including groves, parks, lakes, or other natural features of the land. These are most often reserved for large temples, but the precinct is sometimes the temple itself, especially if a spiritual tradition has an emphasis on open-air rituals such as in ancient Greek rituals. Sacred precincts serve to provide a retreat both in body and spirit to provide an immersive environment separate from worldly matters. These sacred lands may also be seen to provide an earthly paradise for man and god alike, as well as a place where man may be closer to divinity through nature or through meditation in a large area dedicated to a particular divinity.

Space Care. Similar to altars and tools, sacred spaces must be cared for and maintained, though the area covered by a particular sacred space may be difficult to maintain. Any sacred space must be kept clean and free from miasma; regular cleaning and cleansing of the area is good, as is ensuring that all who enter are pure and cleansed. Any who try to enter a sacred space with contrary or ill desires, or with an intent to harm, steal, or defile the sacred space, should be kept from entering at all costs. If the sacred space is not meant to be opened to the public, the space should be locked or somehow protected from trespassers. If a sacred space is created for a temporary purpose, the area should be thoroughly cleaned first in every way before consecrating the area. If the sacred space is dedicated to a particular god or divinity, the blessing and guidance of that spirit should be invoked both for the consecration of the space as well as for its maintenance. When a temporary sacred space is deconsecrated, all the spirits and work there should be honored and all tools, supplies,sacrifices, and work should be respectfully removed according to the wishes of the spirits and gods there; this done, the space itself should be thoroughly cleaned once more and all altars and furniture decommissioned and disassembled in a respectful manner, followed by the invocation of the spirits there to release the area back to the world to no longer be used for a holy purpose. If a sacred space was dedicated to a particular spirit or a particular type of working, workings or worship of spirits antithetical or opposed to that consecration should not be done in that area.

Temple Room Efficiency and Efficacy

Finally, I have a trash can in my temple room.  The joy and relief of this simple thing cannot be understated.

In recent weeks, I’ve been getting myself back up and working in the temple again.  It’s a slow build-up, but given the evidence of fancily over-done prettily-filtered photos of shrines and works I’ve put on social media lately, I’m building up for sure, getting reacquainted with the sacred and barbarous names of power I said in…god, what seems like another lifetime, pouring out libations of wine and oil, surrounding myself with clouds and tendrils of frankincense and myrrh and benzoin.  With each new act I perform in the temple, old doors I closed once a while back are opened up again, some slowly inch by inch and others flying wide open at the merest touch, giving me both reminders of things I once did and ideas for things that can yet be done.

And yet, I have to admit, the feel is different now.  Not just because of all the stuff that went on in the meanwhile between when I was templing it up every day, but also because the setting has changed.  I have a much larger, more proper space for temple work in a newer house than where I was living before, which is pleasant, but it hadn’t yet strongly sunk in how different the procedures have to change along with it.  I’m no longer across the hallway from the bathroom for quick water access and feet away from the kitchen, but in a basement room underneath the house.  I no longer have a window facing a field where I can just dump old offerings out from; in fact, I have no windows in the basement room at all.  Though I may have all the constituent parts of my temple supplies and shrines there, it necessitates a completely different system.

And one of the most important things I lacked—until very recently, at least—was a trashcan.  All I had was a simple bag on the floor by the door, which looked tacky and felt off to me, and wasn’t at all convenient for all the cleanup I was doing and constant maintenance of cleaning off surfaces, emptying old tealight tins, throwing away soaked cottonballs or paper towels, or the like.  I didn’t need a trashcan in my temple room for spiritual purposes in and of itself (although there are mysteries in the garbage, to be fair!), but I needed one so I could keep up my spiritual purposes throughout the rest of the temple room.  Being able to just walk a few steps over to dump incense ash or tealight tins or paper towels instead of looking around wondering where to put my debris without having to leave the temple space is a relief I have a hard time putting into words.

For similar reasons, I also bought myself a large pitchers.  It’s nothing fancy, just a simple 2L plastic pitcher like one might bring on a picnic, for the purpose of bringing water down.  From making khernips to washing out bowls to offering glasses of water to spirits, or having something to dump old amounts of water in for easy carrying upstairs to the sink, a pitcher was also something I wasn’t aware I needed so badly.  There were too many times I was caught off-guard and needed to head back upstairs to get to the faucet when everything else was ready to go, but a simple tool like this takes so much of a mental burden off my mind.

Having or running a temple, whether it’s a whole room or a single corner of a bookshelf, is more than just having a bunch of statues and cups established so nicely on shrines and altars, with candles lit and incense filling the airs.  There’s so much more to running a temple that necessitates constant labor and upkeep beyond spiritual obligations.  From organizing and reorganizing shrines, which involves making sure the surfaces and areas for them are physically and spiritually clean, to organizing and replenishing supplies in an orderly, clean, efficient way, there’s labor to maintaining a spiritual practice, both physical and mental.  The physical labor comes in in just keeping things clean, refreshed, and able to be used, and the mental comes in for knowing how to organize, structure, and arrange everything so that nothing, neither schedules nor shrine placement nor sacred substances, conflict with each other.

When you do have your own sacred space, whether it’s a part of a room, a whole room, or more than one room, it’s good to keep your supplies organized and have the right supplies and tools you need, and you have the access to the things you need as well.  Consider the following questions for your own temple space, and see if you can make any refinements based on a few requirements:

  • What is the most convenient way to get water?
  • What is the most convenient way to dispose of liquid waste?
  • What is the most convenient way to dispose of solid non-perishable waste (i.e. candle remains, paper towels, etc.)?
  • What is the most convenient way to dispose of solid perishable waste (i.e. food)?
  • Where will you store generic supplies (candles, incenses, washes, waters, cleaning supplies, etc.)?
  • Where will you store tools when not in use?
  • Where can you sit, kneel, lie down, stand, move around, or have other people do the same in the temple space?
  • Where can others sit or otherwise wait when they’re waiting on being called into the temple space?
  • Will parts of shrines be used as storage, at least for the things relevant for those shrines?
  • How will you clean the temple space as needed?

Besides that, there are a few things I’d recommend to have on-hand, preferably in some sort of storage in the temple space, for any occasion:

  • Paper or cloth towels
  • All-purpose cleaner (dilute vinegar or ammonia works perfectly)
  • Trash can and bags
  • Sink and faucet, or a pitcher for easy carrying of fluids to and from the temple
  • Pen and paper
  • Lighters or matches
  • Chair
  • Extra small tabletop or small surface

I could go on about also having things like a bottle of this or that alcohol, a bag of this or that incense, and so forth, but these are all really and incredibly tradition- and practice-specific.  On the other hand, the stuff listed above is all-purpose for anyone and everyone, regardless of how you’re working, so long as you are.  It’s hard to do any Work if you can’t actually work, and we call it “work” for a reason.  Some people treat their temples like studies, but you don’t have to go that far; so long as you’re ready for tackling any of the mundane stuff that might happen, including your own forgetfulness or an accidental spill, you’ll be ready for starting the Work as well as keeping the Work moving once you start.

Broke but not Cheap: Altars and Shrines

The last post I wrote on doing magic “broke but not cheap”, which is to say doing magic for as little a cost as possible, focused on magical goods and supplies, like oils and tools and the like.  This is what many people consider to be the most expensive part of doing magic, and in general it can be, but there are other topics on doing magic on a budget that I want to touch on as well.  For instance, say you have all your supplies and you’re an active magician.  Where do you put your things together?  If you take a devotional practice, how do you house your gods or spirits you work with?  Is it possible to build a temple on the cheap?

This next bit on doing magic for cheap is how to organize and put your stuff together, and this is where I find a good distinction that the Anomalous Thracian made a bit ago between an altar and a shrine.  Simply put, a shrine is where a deity or spirit lives, and an altar is a place where one does workings.  Consider how we say that some god is “enshrined” here, but never “enaltared”.  Some of us blur the lines between altars and shrines, and some of us keep them completely separate.  As an example, I have shrines to a few of the Greek gods, and I make offerings and the like of wine, incense, candles, and prayer at their shrines.  Then again, I’ll also occasionally do a working there and leave someone’s picture or a statue or something with one of the gods at their shrine.  However, I also have my ceremonial magic altar, or my Table of Manifestation as Fr. Rufus Opus calls it, which has no gods enshrined on it but has my magical tools and a space to do stuff like conjure spirits or focus a particular force into an object.  That said, this distinction is largely meant for the priests and vocational magicians among us; for most people, myself included, this distinction can be a little artificial and not always helpful.

And yes, it’s spelled “altar” (with an a).  Never “alter” (with an e).  Please, for the love of Hermes Logios, get your spelling right.

Now, this next part may get me into some hot water, but I claim that it is never necessary to build a permanent shrine or altar.  The gods and spirits we work with, being incorporeal, do not require a material home, since they usually already have one of their own in the heavens, hells, or in their own neck of the woods.  The powers we work with do not require a single fixed location in order to be summoned and manipulated.  Material places may be fixed, but spirits do not have to be.  Thus, if you cannot afford the time or space to build and maintain a shrine to a deity, or do enough magic to require the need for a permanently-built (and therefore continuously-active) altar, then you are under no obligation to do either.  That being said, it is extraordinarily helpful to do just those things.  No, they’re not necessary; yes, they are awesome to have.

Building a shrine or altar is not just a matter of money, but it’s also a matter of space, which is in many ways tied up with money.  Consider the magicians who employ the Lemegeton Goetia or the Clavicula Solomonis and do everything by the book.  The Circle of Art is required to be 9′ in radius, or 18′ in diameter, along with a bit more space on one side to house a 3′ equilateral Triangle of Art with a bit of space between the Circle and the Triangle.  This means that we’d need to have a minimum working space of 18′ × 22′, or a room that’s about 400 square feet.  This is a nontrivial size, and some of us are lucky to live in studios with that much space including the kitchen and bathroom.  When you add in the notion of having a smaller Tables of Manifestation and other shrines to deities and spirits, the total space required to maintain all this can be overwhelming.  Some of us are lucky to live in a large enough house on our own with a spacious basement or living room that we can use for magic without disturbances, but most of us aren’t.  We have to deal with smaller spaces or other people living with us, and that latter bit causes a whole slew of other problems.

As a whole, especially in the United States where I live, people have never before lived in bigger houses than what we live in nowadays.  What we consider to be studio apartments and small houses were, by and large, the standard for most people for decades and centuries leading up to our own, leading me to believe yet again that the style of magic described in many Renaissance and medieval grimoires really was intended for the wealthy and magistral among us.  Being able to afford such a mansion (and yes, McMansions qualify) is simply not in the financial reach of most people, whether in the US or abroad, and so we have to make do with substantially smaller places.  Happily, it’s not hard to do powerful work with powerful spirits in a small space, and one needs a large space much less than one needs a full set of ebony and 24k gold tools for their altar.

Let’s first consider someone who has neither space nor money to make a permanent shrine to a spirit or deity or saint, but still wants to work with them.  There are several ways they might go about doing this, as I reckon it:

  • Find a clear and quiet space to sit or stand.  Pray.  Reach out to them, let them come, and simply talk with them.  You don’t need a shrine at all to just make contact.
  • Build a temporary shrine on a table or shelf or against the wall on the floor.  Clean the area first, then place an image of the spirit (a statue if you can build one or afford to buy one, or a drawn-out or printed-out picture of them) along with votive gifts (if available).  Things like a cloth to cover a shrine with, tiny baubles or statuettes of animals associated with the spirit, and the like can all be placed to help give the spirit a “throne” to sit on, if you will, and these can all be stored safely and respectfully when not in use.  A small glass can be used to pour offerings into, and a candle and incense can be burned as a sacrifice.  Pray in the presence of the shrine and invite them to take their seat there, talk with them, and so forth.  When you’re done, invite them to stay if they will or go if they will, being the spirit that they are.  When the candle and incense have burnt out, respectfully dispose of anything perishable and pack the shrine away respectfully in a shoebox or something to hold everything in.
  • Build a portable shrine.  You can find guides to this for a dime a dozen on building miniature shrines out of Altoids tins or other small boxes or containers, which can often be better than building a temporary shrine that you repeatedly put up and take down again.

When making a shrine, you don’t need to go all out.  Household shrines have, historically, been minimalist and tiny, with often little more than a statue and a candle burning in front of it, but even these have palpable power radiating off them when worked and venerated appropriately.  Elaborately decorated and embellished shrines full of baubles and artifacts and rarities are pretty much for those who can afford them, and are sometimes more for the person who maintains them rather than the spirit who’s enshrined there.  Intricate statues and works of art to represent the spirits are nice, but you often don’t need to go that far.  A simple printout of a historical statue or mural of the spirit or deity, perhaps suspended from thread or put into a picture frame, is more than sufficient; unusual pieces of wood or stone that have a particular feel on them can also work well as focal points of veneration for the spirit.  Likewise, any of the votive offerings, gifts, and decorations you want to give them would be better made or harvested yourself rather than bought, much as with any tool or talisman you’d make from before.  The difference here is, instead of creating something for the sake of kinetic meditation or contemplative exercise, you’re giving and dedicating something to the spirit that you yourself are making or supplying, which some find to be a more personal, intimate, and powerful type of offering.  Just be aware that what you offer is no longer yours but belongs to the spirit; if you want it back, you should ask and make sure that you have their blessing to do so.  If you dedicate to a spirit something like a tool, use it only with their permission and blessing.

Add to it, you only need to build a shrine to those spirits whom you really want to live with you and with whom you really want to work with pretty much constantly.  If you’re just calling a spirit a few times a year, you don’t need to build a shrine to them.  If you’re working with a spirit on a weekly or daily basis, you should probably consider building a shrine to them.  When you build a shrine, you’re making a commitment to that spirit to maintain it and maintain them.  It’s generally better to not build a shrine than to build one if you don’t have the time to give them the upkeep and veneration they deserve.  When in doubt, don’t build a shrine.  If you want to build a shrine, or if a spirit demands it, see what space you have available.  You don’t need some elaborate shadowbox when a corner of a bookshelf can suffice; I’ve seen some of my colleagues have shrines lining the floors of their hallways or have a dozen spirits on a single desk shelf, and their shit works all the same.

Also, when you’re building and maintaining a shrine, you need to keep in mind that you need to work with the spirit to maintain it.  It’s silly if the spirit you’re building the shrine for ignores it or doesn’t even respond when you go to it, and it’s as silly if you keep giving them things they don’t want or, conversely, ignore their requests for certain things and designs that they keep making.  If the spirit demands flowers, and flowers are in your ability and budget to obtain, don’t deny them that!  If they demand something that you can’t afford or procure, tell them that they’re requesting something you can’t get and they either need to help with getting it, provide for it themselves, or retract their request.  Building a shrine is building a relationship, and a relationship is a two-way street of compromise and cooperation.  Work with the spirit you have enshrined, but make sure they work with you, as well.  If you find that things simply aren’t working, respectfully tell them that you want to break this relationship and disassemble their shrine; they can determine what becomes of the stuff that has accumulated in their shrine, but beyond that, disassemble their shrine and go back to a more basic way of working with them.  This doesn’t mean you failed, it just means it wasn’t working, and that’s okay.

Anyway, I digress; so much for shrines and houses for spirits.  What about altars, though?  Well, an altar is one type of “working area” that isn’t necessarily connected to a particular spirit, and I’ll use the more generalized concept here because it can apply to more than one tradition.  In that sense, then, use whatever available surface you can so long as it won’t be disturbed by another person.  If you’re doing a one-off working for a particular end, use the kitchen floor or a coffee table.  If you’re doing repeated workings for a particular end, or have gotten used to doing a set of related workings on a frequent basis, consider setting aside a corner of a room or a particular surface to keep the required tools and patterns and supplies present; the top of an armoire or a desk or a side table will work well for this.  If you can’t afford the space or money for the furniture, keep all the tools and required things stored together when not in use, and when you’re ready to use them, ritually clean off a particular surface available to you and set everything out in a planned, regular manner.

Likewise, just as one doesn’t need elaborate and embellished altars, it’s quite possible to downsize some of the larger works described in grimoires and spellbooks of old while still getting good results.  I have never once found a need for a full 18′ diameter circle when my 6′ diameter circle is more than sufficient, and even then I use it only rarely; my own temple room is hardly sufficient for even that, and I do well enough by confining my conjuration work to a 4′ × 4′ space, big enough for me to sit in with a Table of Practice and a few candles.

Just like before when I mentioned that you can get the vast majority of your supplies and tools from going outside, I’d be remiss if I didn’t touch on the topic of going outside for shrines and working areas.  Thus, if there’s anything you can do by going outside, do it outside.  Gods of the wild, of the forest, of the untouched and untamed places are always better encountered in their own turf rather than setting up some neat and clean shrine inside, and you’d be better of contacting spirits of forests, lakes, rivers, and mountains by going up to their homes rather than taking some of them back with you and contacting them from the convenience of your own chair.  Going out to a crossroads and talking with the spirits of the crossroads is basically going to a naturally-made shrine for them, and one that’s more powerful and much cheaper than simply building one in your own home.  Of course, there’s the bit about privacy and convenience that you’d be gaining from having them in your own home, but giving these things up as a sacrifice is a sacrifice all the same.

Likewise, if you can find a clearing or field outside that is generally desolate and unsupervised, you’d do well to do some larger workings out there (with the approval of spirits who reside there, of course) rather than trying to cram things you can’t downsize into your own home.  If any friends own a backyard, especially with a privacy fence, see if you can do something there that they won’t turn you down for.  The only issue here is privacy, which you might not always get, and which can sometimes get you in trouble for trespassing (and worse, if you live in a rather conservative place fearful of witches and non-Christian religions).  Then again, what’s a little magic without a bit of risk?  If your need is great enough, this kind of thing will seem trivial.

Again, I speak from a position of privilege here; I’ve never been so poor as to live in such a tiny place where I couldn’t do my magic, and I’ve been good to my spirits and building them shrines (oftentimes on the more elaborate end than not) because I’ve had the time, space, and resources to do so.  Some of my friends have lived in much tinier places, sometimes in a mobile home or sometimes homeless while still maintaining contact with their gods and spirits.  Like last time, I would greatly appreciate it if others who have lived through some of these things and who have built or maintained shrines on a budget or done workings in a particular space when money and space are sparse could comment below and offer their thoughts and fill in any holes I’ve left.