On the Zodiacal Names and Characters of PGM VII.795—845

On the Zodiacal Names and Characters of PGM VII.795—845

Man, going through the PGM has been productive lately.  One of the reasons is because I finally picked up a copy of Stephen Skinner’s Techniques of Graeco-Egyptian Magic, finally, after way too long.  Though I take issue with some parts of his analysis and contextualization of the material in the PGM, it’s still another solid resource for me to tap into, especially given how thorough he is with categorizing all the different rituals and parts of the PGM in a readable reference.  There are things I wish I could have seen more of in the book, but on the whole, it was still a solid purchase to make.  And, plus, relying on his organization helps point me into new directions to explore, or old roads to go down further than I have before.

I’m also realizing how big PGM VII, specifically, is.  This part of the PGM is huge, if not the hugest, and includes so much material, including (most of) the Homeromanteion, the Twenty-Eight Faces of Mēnē, some of the invocations to the Northern Stars and the Full Moon I make, lists of dates and signs for recommended magical or divinatory actions, and that recent Lunar Spell of Klaudianos I shared the other day.  Lots of good stuff in there, amongst many other things to look at and try out.  (It’s also the source for that ancient PGM meme of “grind up a pepper with some honey and coat your ‘thing'”.)  Well, one of the things in this text is PGM VII.795—845, titled “Pythagoras’ request for a dream oracle and Demokritos’ dream divination”; the attributions here are likely spurious, but then, so are most attributions to mythical or famous mathematicians or prophets in this sort of literature.  This specific ritual is much like others: it’s a particular way to obtain divinatory or prophetical knowledge through ritualized dreaming by means of the angel Zizaubiō who hails from the Pleiades.

What sets this ritual apart from so many other dream oracle rituals in the PGM is that this one relies on the use of a particular apparatus of a branch of laurel with leaves on it, on which you write a mystical name of each sign of the Zodiac as well as a magical character for each sign, one sign per leaf.  This attribution of magical names and characters to the Zodiac signs is unlike anything else in the PGM; if there are references to the Zodiac, they’re usually direct and unmagical about it.  To have a magical approach to these signs with barbarous words and characters would be a massive boon for deploying other kinds of zodiacal invocations or conjurations in the style of the PGM, but unfortunately, the list of characters didn’t…make sense at all.  Some signs seemed to have several characters, others none, and some seemed to be clustered together in weird ways.

I don’t like clutter or confusion, so I decided to sit myself down with whatever PGM source materials I could find, and do a bit of forensics and research to see if I couldn’t suss this out.  Get a drink and strap in, because this is going to be a bigger post than even I’m accustomed to making; if you just want to see my results, skip ahead to the end.  Otherwise, you get to learn how some of the words and characters from the original PGM documents got changed slightly from version to version through academia; I hope you enjoy!

So, what does Betz give us for this part of the ritual?  I’m just going to post a quick scanned excerpt, because I want to show exactly how Betz gives the characters for this section:

The two footnotes in this section, just for reference:

  1. “In this list most of the numerical designations 1 — 12 can be recognized in the far right column of the papyrus manuscript, numbering downward from Aries to Pisces.  These numbers were erroneously included in the magical symbols by Preisendanz.”
  2. “Har-Month is Horus-Montu.  Montu is the Egyptian god of war and therefore the proper counterpart of Ares, the ruler of the zodiacal sign Aries.  Horus is also associated with this sign, for “Horus the Red” was the name of Mars which governs Aries. [R.K.R.]”

For kicks, here’s the corresponding entry in Preisendanz (broken down into two images because they were on different pages):

We can see that the Betz version of the characters pretty closely matches the Preisendanz version, except that the characters that suspiciously look like Greek letter-numerals to the right are instead interpreted, rightly so, as numbers.  Fair enough; plus, we can kinda get a slightly better resolution idea of what these characters actually are.   Note also the weirdness for Libra and Scorpio, how instead of there being two characters in two horizontal lines, one for each sign, there are two characters together, and it’s not clear how to distinguish which sign gets which character.  Also note that Aries gets no character in either Betz or Preisendanz, which is odd.

Now, to throw things for a bit of a loop for the sake of being better informed, let’s take a look at the Kenyon transcription of the same text:

Now things are getting interesting!  Between the Kenyon and Preisendanz versions, there are quite a few differences.  In Kenyon:

  • Most of the zodiac sign names are abbreviated, terminating with an upwards hyphen.  Only Aries, Taurus, Scorpio, and Sagittarius are unabbreviated; Libra is there in full, but is marked as abbreviated.  Capricorn gets a full slash rather than an upwards-hyphen, and Pisces gets a weird spelling and grammatical form (might just be a typo or mistranscription).
  • A number of the characters, though similar, have subtle differences.
  • There’s an extra character above the list at the end of the preceding paragraph (line 808).
  • The second glyph for the Libra-Scorpio pair (with the upright sheaf-like character) does not have a Z shape under it; instead, it has a Zēta to the side, which is properly the Greek numeral for 7, with lowercase stigma above it for the numeral 6.  Still, though, we have these two characters side by side again.
  • The character for Sagittarius is radically different.  Even noting Kenyon’s reuse of similar-looking letters for characters based on graphical similarity, we can’t help but be caught off-guard, especially with the separator of spacing and a middle dot in there, too.
  • The Greek numeral 4 (represented by the letter Delta) is clear in Kenyon, but look at how deformed it is in Preisendanz as the rightmost character (line 813).
  • The Greek numeral 5 (represented by the letter Epsilon) is joined into the rightmost character for Virgo (line 815); note how it’s also conjoined in Preisendanz, but not in Betz.  However, Virgo should be the sixth sign, not the fifth, which is Leo.  Yet, Leo (line 814) doesn’t have an Epsilon, but a funny-looking squiggly-b letter both in Kenyon and Preisendanz.  Something got mixed up here.
  • The numbers for the signs are clearly labeled on the right as separate letters, though oddly  Ēta (8, for Scorpio) and Iōta (10, for Capricorn) seem to have been skipped.  Alpha (1, for Aries) is actually present, just put on the end of the mystical name for Aries (line 810); Preisendanz makes this clear.
  • The esoteric names for Aries (line 810) and Aquarius (line 820) do not have spaces in them.

As for the footnotes Kenyon has for the transcription, only one is pertinent to this excerpt, line 819: “αιγογερ- : so, for αιγοκερ” (referring to the abbreviation for Capricorn, Aigokerōs (Αἰγόκερως).

Now, we can clearly see some solutions to some of the problems presented by Betz and Preisendanz:

  • The long arrow-like symbol on Kenyon’s line 808 could be the character for Aries, though its placement in Kenyon is weird.
  • The weird squiggly-b symbol to the right of the character for Leo on Kenyon’s line 814 should be interpreted as a Greek numeral Epsilon, because this is the fifth row/sign/character we get.  This means that the “conjoined-epsilon” on the right character for Virgo on line 815 is actually part of the character, because it doesn’t make sense for Virgo to be given the numeral 5 when it’s the sixth sign; instead, the stigma (Greek numeral 6) put to the upper side of the sheaf-like character on the next line down should be considered Virgo’s numeral.
  • The positioning of the last three characters for Capricorn, Aquarius, and Pisces in Kenyon is a little weird, but the numerals for ΙΑ (11, for Aquarius) and ΙΒ (12, for Pisces) help significantly.  It’s weird that we don’t see a single Iōta for the character for Capricorn, however, but given its vertical placement above the latter two characters, it’s safe to assign this character to Capricorn.
  • We still have the issue of not knowing which character to give to Libra and which to Scorpio.  However, given Zēta’s proximity to the upright sheaf-like character, especially seeing how it was conjoined with it in Preisendanz and Betz, and given that Zēta is the numeral for 7, and given that it’s positioned slightly higher than the left Labmda-like character, I would give this character to Libra (the seventh sign) and the left lambda-like character to Scorpio (the eighth sign)
  • If that’s the case, however, then we would expect to see an Ēta somewhere to clearly delineate that the left Lambda-like character goes to Scorpio, but instead, it appears to be entirely missing from the diagram.  We should look for something that resembles an uppercase H, maybe with a loop connecting the right end of the horizontal bar and the top end of the right vertical bar.

The biggest issue we’ve got, then, is the weirdness for the characters for Sagittarius and whether it might be hiding any letters that would act as an Ēta (to distinguish the sign for Scorpio) and Iōta (to distinguish the sign for Capricorn).  As given in either Betz, Preisendanz, or Kenyon, the character (or characters) for Sagittarius are the most complex and confusing, and something here isn’t what it seems.

Unfortunately, all I have to go on are these three “critical editions” of the PGM, none of which actually translate faithfulness from the original papyrus.  If I had a scan of PGM VII.795—845, that’d make this easier to see what’s precisely going on, especially to see what the original format of the characters would have looked like without resorting to Greek letter lookalikes.  Happily, after scouring the Internet (and, of course, right as soon as I contact an actual professor for help), I found them!  Thus, here are the relevant scans from PGM VII, also known as Papyrus 121 in the London collection, courtesy of the British Library:

Now we can get some more answers!  The character for Capricorn is slightly less embellished in the scan than in Kenyon: note the lack of ring-marks on the vertical bottom end and horizontal left end.  However, there is still no Iōta present to mark the character, breaking with the rest of the pattern.  Besides that, however, the characters for Aquarius and Pisces are, indeed, made clear by positioning.  At least some of our questions can be cleared up at a glance.

For comparison to get a better idea of how the same author in the same document writes his numerals, compare PGM VII.765—778, looking at the leftmost column of two or three letters from just the previous column in the papyrus.  (Coincidentally, this is the list of the fourteen signs of Mēnē from the Twenty-Eight Faces of Mēnē ritual I mentioned not too long ago.)

Okay, so, with the information we now have at our disposal, let’s go down our problems one at a time.  What we need to do is try to decipher not only the text here, but we need to figure out the intent and mind of the original author of the papyrus.

The Mystical Name of Aquarius

This is a minor issue, but an issue nonetheless for me.  How the name for Aquarius should be spelled is a little complicated; Preisendanz and Betz give it as ΜΕΝΝΥ ΘΥΘ ΙΑΩ, while Kenyon gives it as MENNYΘΥΘ ΙΑΩ.  The scan is clear that there is definitely no space between ΜΕΝΝΥ and ΘΥΘ, so those two should be a single name (though I understand Preisendanz’s reason for splitting ΘΥΘ off under the influence of the god Thoth).  However, whether the final ΙΑΩ should be separate is debatable.  ΙΑΩ is definitely a common name in the PGM, that can’t be denied, and there is a pattern of other names that have two parts (Taurus, Gemini, Virgo) to have a second part composed of only three letters.  However, unlike those other names, there isn’t a huge space between MENNYΘΥΘ and ΙΑΩ.  The only indication that there should be a space read here is that the final Thēta of MENNYΘΥΘ doesn’t connect with the Iōta of ΙΑΩ, and the handwriting of the author always (as far as I can tell) connects the horizontal bar of Thēta with the following letter in a non-final position.  Given that, it can certainly be argued that this name should have two parts, but it can go either way.  So, the name would be MENNYΘΥΘ ΙΑΩ (two parts) or MENNYΘΥΘΙΑΩ (one part).

The Delta-Epsilon-Stigma Numerals

Going down the list, we would expect one numeral per line-sign-character: Alpha for Aries, Bēta for Taurus, Gamma for Gemini, and so forth.  Largely, this is true, but we have a bit of an issue when we look at Cancer, Leo, and Virgo.  We would expect, in order, Delta for Cancer, Epsilon for Leo, and Stigma (which was commonly used in lieu of Digamma for the number 6) for Virgo, and indeed, all these numerals appear, but not exactly where we see them.  The line for Cancer has two characters, a Thēta-like character with a long horizontal bar that swishes from the lower left to the upper right and a sort of wide Delta-like character with an upwards slash going through it, followed by a normal Delta though with a weird angular bracket between the slashed-Delta character and the Delta-numeral.  This might indicate that the bracket is part of the characters for Cancer, but let’s keep looking.  As far as that Thēta goes, it’s spaced out far enough from the rest of the name that I’m pretty sure it’s not part of the name, and it forms a character unto itself.

Leo posits more of an issue, however.  We see two glyphs to the right of the name for Leo: what looks like a plain old Delta (though it also looks like a Roman cursive lowercase “a”), and a sort of 6-like glyph.  We would expect to find an Epsilon at the end of this row to act as the numeral 5, but we don’t.  Instead, we find an Epsilon glyph at the end of the second character on the following line, and based on how the horizontal bar of the Epsilon doesn’t match up with the horizontal bar of the character, it seems like this truly is a separate glyph, indicating that that character is marked as for the fifth row.  That said, it occurs right to the side of the other character within the same row for Virgo, which should get the numeral for 6 (which would be Stigma), and we find Stigma immediately under and centered beneath it.

I’m pretty sure the vertical-sheaf character is the seventh character for the seventh sign, Libra, and we see the numeral for 7, the Greek letter Zēta, placed immediately under and centered beneath it.  Additionally, almost all the signs have exactly one glyph that acts as its given character; the only exceptions are Aries and Cancer, and both of those are still debatable at this point, and whatever is going on with Sagittarius. Given that, I would say that the cross-loopy-Z character is the proper (and only) character for Virgo, while the arrow-hourglass character is the proper (and only) character for Leo.

However, if that’s the case, then we end up with a problem: what to make of Cancer’s Delta-numeral?  We find two Delta-numerals, one to the right of the characters and one under them; there’s also the slashed-Delta which might or might not be part of the characters for Cancer along with maybe the angle bracket, and we still have that weird 6-like glyph on the line for Leo.  Given that the Delta on the line for Leo is definitely and clearly a Delta (compare its form to the “εστιν δε” above the list), I’m inclined to think it’s just a numeral to refer to the characters for Cancer on the line above.  This would make the Delta above extraneous, however, and I’m inclined to think that the author slipped up several times here: the slashed-Delta was originally going to be the numerical reference for this line, but it didn’t line up with the numerals Bēta and Gamma from the prior two lines, and it got crossed out and replaced with another Delta to the side, but then that made it messier, so he added another Delta underneath the Thēta-like character to make it clearer what the actual character for Cancer was.  The 6-glyph, then, would be a typographic mark to indicate something amiss here, either to link the Delta-numeral on the line for Leo to its proper, original placement on the prior line, or to “negate” that line’s space and direct the author/reader to look on the next line for the expected character.  I’m pretty sure that the 6-glyph isn’t a character for any of the signs, because it also doesn’t fit in with either the style of the characters, any of the letters, or any of the numerals.

The Characters for Libra and Scorpio

The vertical length of the sheaf-like character makes it difficult to squeeze into the tight rows of the text.  However, given its height and positioning, it seems like it should be given clearly to Libra, especially since it has the Greek letter Zēta immediately beneath it for the number 7.  However, I have one issue with how it’s drawn in Kenyon and Preisendanz/Betz: the four inverted chevrons are connected down the middle with a vertical line, but how far that vertical line should extend seems debatable.  Kenyon has the vertical line extending past the top chevron and below the bottom chevron, and all unconnected to its Zēta numeral; Preisendanz has the line stop at the vertex of the topmost chevron, extending past the bottom one, and in contact with the Zēta numeral; Betz has the line extend past the bottom and top chevrons and coming in contact with the Zēta numeral.  The scan is pretty clear that the vertical line should not extend past the vertex of the top chevron, but there’s a crack/crease that makes the rest of the character hard to read.  It doesn’t seem like the character should come in contact with the Zēta numeral; not only does it seem like there’s an absence of ink that would connect the two, but no other characters are graphically connected to their numerals.  Looking closely, however, there is a faint vertical line that connects the chevrons together by their vertices, but it doesn’t seem to extend past the top or bottom chevron.  So we have a good idea of what this character should actually look like.

This leaves the Lambda-like character to its left; given its smaller size, it seemed easier to slap it right next to the name for Scorpio, and the graphical placement really does make it clear that it’s this that’s the proper character for Scorpio, indeed.  Taking a closer look at the scan, it looks like a proper capital Alpha with two ring marks on the terminals of the legs, and a large ring mark at the apex that seems blurrily filled in.  Kenyon preserves the horizontal bar of this character and shows a larger-than-usual apex ring mark with a cross inside, while Preisendanz/Betz do away with the horizontal bar and leave the apex ring mark small and empty.  It seems clear to me that the horizontal bar really should have stayed in, but it’s hard to make out what exactly is going on with the apex ring mark.

However, we’re still missing an Ēta somewhere here, which is what we expect since this would be the eighth sign and every other character-sign so far has a numeral attached to it.  It’s not present here, in teh previous line, or in the next line, so this leaves us with two options: the apex ring mark has something to do with it, or the author simply left it out.  The former seems unlikely to me; though it does look messy, there’s nothing there that resembles an Ēta the way the author writes them, either in the middle of text or as a numeral.  The latter seems more likely to me, since the context here makes it clear that this character belongs, and can only belong, to Scorpio.

If we rule out that the mess with the apex ring mark has anything to do with a missing numeral, then it looks like the author made another mistake here and tried to fix it by going over the glyph again in more ink.  Looking closely, it seems like there’s a smaller ring mark within the larger one, right at the actual apex of the Alpha-shape of the character.  To me, this would indicate that the author originally drew the ring mark too big, and then tried to draw the smaller one inside in bolder ink to indicate that, no really, it should have been made the same size as the other two ring marks at the terminals of the Alpha-shape.

What the Hell is Going On With Sagittarius

So we have a bit of a mess with Sagittarius.  The end of the line has a Thēta for the numeral 9, which is what we expect, and the glyph immediately to its left is definitely a character.  Then we have the wide-bottomed Ksi glyph and the two Upsilon letters.  Kenyon has that extra dot between the Ksi glyph and the Upsilon glyphs, but that looks like it belongs more to the Zēta directly above as punctuation more than anything else, and Preisendanz and Betz don’t accurately capture how these glyphs aren’t actually connected with each other.  One thought is that these aren’t characters, but actual letters that should continue the name of the sign, so instead of it being ΦΑΝΘΕΝΦΥΦΛΙΑ, we could read it as ΦΑΝΘΕΝΦΥΦΛΙΑΞΥΥ.  However, I don’t think that’s the case, because the Ksi here is written on a different baseline than the name itself with the upper-left terminal of the letter at the base height of the line for the name, and it’s way too angular for the author to write as a normal Ksi when compared with the rest of the text, where it’s a lot more squiggly and starts up at a higher point than x-height, as in the examples below (PGM VII.386, “ΠΟΘΗΞΑΣ ΕΡΑΤΕΥΝ” and PGM VII.504, “δοξασον μοι ως εδοξασα το”).

So, if this angular-Ksi is indeed a character, as I think it could be, then the two Upsilon-chevrons to its right must also be part of it, as well.  This seems weird to me, though, because this, when combined with the definite character at the end of the line before the Thēta numeral, would make Sagittarius the only multi-glyph character, and definitely the largest and most complex of them all.  At the same time, looking through the rest of this author’s writings, the author rarely uses Ksi as a letter in his barbarous words, and it seems to be a phoneme that’s not comfortable in his own magical practice, especially when compared with the other parts of the PGM.  Indeed, this author seems to have a much stronger Egyptian bent to his work than other authors elsewhere, so I suppose it would make sense that we probably wouldn’t see a more Greek-type of phoneme.  Additionally, for a barbarous word of this length and style to end in a double Upsilon also seems unlikely to me.

There is another possibility, however, that these three glyphs form a second part of the name unto itself.  So, instead of reading it as ΦΑΝΘΕΝΦΥΦΛΙΑ followed by several characters or as ΦΑΝΘΕΝΦΥΦΛΙΑΞΥΥ followed by the one definite character, we could read it as ΦΑΝΘΕΝΦΥΦΛΙΑ ΞΥΥ followed by the one definite character.  We already have three names for sure that are two parts, Taurus (ΝΕΦΟΒΩΘΑ ΘΟΨ) and Gemini (ΑΡΙΣΤΑΝΑΒΑ ΖΑΩ) and Virgo (ΕΙΛΕΣΙΛΑΡΜΟΥ ΦΑΙ), with Aquarius maybe having two parts as stated above (MENNYΘΥΘ ΙΑΩ).  The extra long length of the bottom line of the Ksi could be to accommodate the spacing for the two Upsilon letters to its right as well as the Zēta numeral and the character for Scorpio directly above it, since getting all this to fit on one row would be overly cramped at this point.  The angularity of the Ksi here is still a little weird, but then, the author has a tendency to make sharper/more defined the letters at the beginning of words or sentences (basically, capital letters), although it doesn’t seem like any of the names here are capitalized in the same way, and I can’t easily find an example of a Ksi starting a word in the text.  So, for the name of Sagittarius to be a two-parter like Taurus, Gemini, et. al. is plausible, and would also allow us to maintain only a single character for Sagittarius like all the other signs.

To be honest, I’m not comfortable with either choice, that there’s only one barbarous name for Sagittarius and it having several characters, or having two barbarous names, the second of which is pretty unusual for this author, with one character.  However, of the two, the second seems more likely to me, because it fits in better with the pattern set by the other signs in this list with a mystical name that’s either one long part or one long part plus a shorter, three-letter part, and with each sign getting one character.  If I were to bet on one place I’d make a mistake in this analysis, it’d be here, but I’m still comfortable with my choice of analysis, or at least relatively so when compared to the alternative.

The Missing Character for Aries

Though it’s the first sign in the list, I’m saving it for last because this is probably the most perplexing of the issues, even beyond the deal with Sagittarius.  We know that the author of the papyrus tries gives the letter-numeral corresponding to the zodiac sign after the character for the same zodiac sign, either to its right if it can fit on the same line or underneath if there are space issues, with the sole exception of Scorpio with its character due to space constraints.  The line for Aries doesn’t have a noticeable character, but it does end in an Alpha, which Preisendanz/Betz understands to be the numeral, but which Kenyon has as part of the name of the sign.  However, the name here is already pretty long, and is broken down into several units by Preisendanz/Betz.  There’s a crack in the papyrus in the middle of the final…glyphs of this line, between the (possibly) larger than usual Khi and the final Alpha, and Preisendanz and Kenyon are both in agreement that this cracked glyph should be a lowercase Epsilon.  I would claim, then, that either the last one two glyphs before the final Alpha are not part of the name, but rather the character for Aries.  So, we’d end up with the name ΑΡΜΟΝΘΑΡΘΩ with both the Khi and the Epsilon as the character, or ΑΡΜΟΝΘΑΡΘΩΧ if the Epsilon itself is the character.

It can probably be established that my earlier theory was wrong, that the long horizontal arrow before the list was the missing character for Aries; it seems to be a sort of fanciful colon or continuation mark of the author rather than a character of a sign (and which is misrepresented in Kenyon, anyhow, as being three reversed “c” glyphs followed by a long horizontal line), especially given that we see similar signs elsewhere in PGM VII.  This leaves us with the question: where does the mystical name for Aries end and the character (or characters) for Aries begin?  There is a space between ΑΡΜΟΝΘΑΡΘΩ and the following Khi, but it’s nowhere like the other spaces for the other multipart names where there’s a very wide space, like for Taurus, Gemini, and Virgo.  Moreover, the second part of those names always have three characters, while this one wouldn’t; we couldn’t separate the final Ōmega from ΑΡΜΟΝΘΑΡΘΩ because it’s visibly connected to the preceding Thēta.  I’m also not confident that the Khi here is actually part of a separate word, because there doesn’t seem to be that big of a space between it and the preceding Ōmega; elsewhere in barbarous names and in regular text, the author doesn’t usually join Ōmega to its following letter, so the name here should be at least ΑΡΜΟΝΘΑΡΘΩΧ.

However, the more I look at it, the less I’m sure that the final Alpha here actually marks a numeral rather than a plain letter.  Note the long tail at the end of the Alpha; we see long tails in the text parts of the list of lunar symbols from the Twenty-Eight Faces of Mēnē text, and elsewhere where the letter can form a tail at all (like a final Sigma or final Epsilon), while the numeral use of Alpha doesn’t use a tail, there or elsewhere in the text.  Between that and how…lax the letter is written, especially with the hypercorrect numeral-letters elsewhere in sign list, it seems like this Alpha should be part of the text and not marking a character, which would make Aries have the name ΑΡΜΟΝΘΑΡΘΩΧΕΑ.  If the footnote from Betz is correct here, that ΑΡΜΟΝΘ is a rendition of Har-Montu, then we could explain ΑΡΘΩΧΕΑ as Har-Thōkhea, which…doesn’t seem to match anything I can find.  However, there could be a metathesis of letters going on here; if we switch the Theta and Khi, we would get Har-Khōthea.  It’s a stretch, but this could be a way to write Har-[em]-Akhet, better known as Harmachis, or “Horus in the Horizon”.  Harmachis has appeared before (PGM IV.475—829, “Mithras Liturgy”) under the rendition ΑΡΑΜΑΧΗΣ, but there’s no way to explain the drop of the M sound in the name, so I’m not confident that that’s what this name is really getting at.  There is the possibility that the author simply dropped the sound due to dialect or preference, but that’s a questionable assumption I’m not prepared to make.

Either way, to read this name in any way like this would leave it with no character at all, making Aries the one sign without a character, which seems absurd here!  Even if we were to read this name as something like Harmachis, we wouldn’t be able to explain the final Alpha anyway, so it really should be a numeral, though it’s not entirely clear what the character ought to be.  There is the chance that the text simply never included a character for Aries, and I’m finding it hard to escape that conclusion, reluctant though I am to accept it.  The only other alternative is that some of the letters in this name are the character for the sign; the author, elsewhere in this papyrus, has a habit of using Greek letters as characters, and it’s not always clear how to distinguish them, like in PGM VII.411—416.

In the present text, though, it doesn’t even seem like the letters are spaced or delineated in any way that would suggest that they’re supposed to be used as characters instead of letters.  That said, we do have a Thēta as the character for Cancer, and the long crossbar across it isn’t exactly unusual for the author when writing his Thētas elsewhere.  If we leave the name of Aries here as ΑΡΜΟΝΘΑΡΘΩΧ, then we have the final ΕΑ to deal with.  If we read the Alpha here as a numeral, ignoring the lack of spacing and how it looks like the middle bar of the Epsilon is conjoined with the Alpha in a way that looks pretty fluid and standard for the author, then we would use the Epsilon as our character.  But…it still doesn’t seem like that’s the case, precisely because of those very aspects of the way this is written.  It seems like ΑΡΜΟΝΘΑΡΘΩΧΕ or ΑΡΜΟΝΘΑΡΘΩΧΕΑ should be the full name of Aries, and even if the final Α seems weirdly written as a numeral, it still seems like it should be one all the same, giving us ΑΡΜΟΝΘΑΡΘΩΧΕ as the name for Aries.

The only other alternative we have, then, if Aries is to have a character at all, is that weird triple-backwards-C with the horizontal mark from two lines before.  It might be punctuation or “filler” for the rest of this column of text, but it doesn’t really seem like the author uses such filler when ending a column with extra space in the line, nor are these actual letters, and can’t be explained as such.  The fact that it’s not present in the same line as the sign and mystical name for Aries is hard to reconcile, but assuming that the author wrote down a complete set of mystical names and characters for each sign of the Zodiac without any of them missing, then this is the only other thing I can think of that might fill that void.  It being the first character drawn could explain its odd position before the author settled on an actual format when writing them down in an orderly way, but that’s a leap for me to make.  Still, I see no other way to get around this without admitting a missing or forgotten character.

The only argument I have that this set of backwards-C-with-the-line characters are the characters we’re looking for is in that scan from PGM VII.411—416 above; note the backwards-C characters and the horizontal lines, which follow “ος αν βουλε” (“add the usual, as much as you want”) for writing on a scroll.  This could be a kind of ellipsis, but I’m not confident that it is, and again, I’m pretty sure this isn’t line filler because the author doesn’t make a habit of that.  Betz and Preisendanz don’t mention it in their versions of the text, but Kenyon does.  For PGM VII.411—416, this would indicate that you’d write the string of characters first, then your request, then the terminal backwards-C-with-the-line characters.  If these are indeed characters, then it would stand that we see a similar enough set of characters for Aries here, just in a slightly unusual place.  That’s the only thing I can think of for this problem of Aries otherwise being character-less, but it would also make this sign of the Zodiac have a name and character that are disjoint, and there’s also the fact that this set of symbols does appear elsewhere in the text in unrelated parts, so I can’t say that this would be the actual character for Aries.

Of course, there is one other argument which makes so much of the rest of this moot, which makes sense and actually works given the context yet which makes me incredibly frustrated: there is no true distinction between what we’d view as letters versus what we’d view as characters.  The original text here doesn’t use the word χαρακτερ to refer to the things written at all, but rather ζωδιον, which we’d translate as “sign”.  The difference here is nuanced and subtle, but bear in mind that none of these things are part of the spoken ritual, but are all intended to be written down on the leaves of laurel for the ritual.  In other words, all that which is written is part of the zōdia, and is not necessarily meant to be decomposed into a speakable name and a writable character.  In that sense, it’s not that Aries is missing a character, but it simply doesn’t have a non-letter part of its zōdion.  I…I can’t deny that this makes sense, and does make the entire thing simple, but it also has its own weirdness (why doesn’t Aries have a character as part of its zōdion?), and it frustrates me because it would still be great to have something that could be spoken and also could be written.  The intent of the original author may be lost here, but it could be back-hacked to give us what we want, all the same.  While this last argument doesn’t get us anywhere, I wanted to bring it up just in case someone wanted to take this idea further.

Results and Refinements

Based on all the above, here’s what I would end up with as the mystical names for the signs of the Zodiac:

Sign Name
Aries ΑΡΜΟΝΘΑΡΘΩΧΕ HARMONTHARTHŌKHE
Taurus ΝΕΟΦΟΞΩΘΑ ΘΟΨ NEOPHOKSŌTHA THOPS
Gemini ΑΡΙΣΤΑΝΑΒΑ ΖΑΩ ARISTANABA ZAŌ
Cancer ΠΧΟΡΒΑΖΑΝΑΧΟΥ PKHORBAZANAKHŪ
Leo ΖΑΛΑΜΟΙΡΛΑΛΙΘ ZALAMOIRLALITH
Virgo ΕΙΛΕΣΙΛΑΡΜΟΥ ΦΑΙ EILESILARMŪ PHAI
Libra ΤΑΝΤΙΝΟΥΡΑΧΘ TANTINŪRAKHTH
Scorpio ΧΟΡΧΟΡΝΑΘΙ KHORKHORNATHI
Sagittarius ΦΑΝΘΕΝΦΥΦΛΙΑ ΞΥΥ PHANTHENPHYPHLIA KSUHU
Capricorn ΑΖΑΖΑΕΙΣΘΑΙΛΙΧ AZAZAEISTHAILIKH
Aquarius ΜΕΝΝΥΘΥΘ ΙΑΩ MENNYTHYTH IAŌ
Pisces ΣΕΡΥΧΑΡΡΑΛΜΙΩ SERYKHARRALMIŌ

And, based on my analysis of the the original scans, plus clarifications and guidance from Betz, Preisendanz, and Kenyon, and assuming that the zōdia for the signs of the Zodiac can indeed be broken down into separate spoken parts (names) and written parts (characters), here are my renditions of the characters for each of the signs of the Zodiac, with alternatives where possible:

 

Notes:

  • The character for Gemini is unclear from the original PGM, and all subsequent authors have their own interpretation of how exactly to replicate this glyph.  I’ve given several versions based on Betz, Kenyon, Preisendanz, and the original PGM (from what I can ascertain from it).
  • The character for Libra has two versions: one with the vertical line descending beneath the last chevron, and one where it terminates at the vertex of the last chevron.  Either may be used here.
  • The characters for all the signs of the Zodiac are essentially the same as in the text, with the exception of Aries, which does not appear in the text.  By interpreting the name of Aries ΑΡΜΟΝΘΑΡΘΩΧΕ as a corruption of Har-Montu Hor-em-Akhet or Montu-Harmachis, I decided to take the hieroglyphic spelling of the name and combining/corrupting them into something that resembles a character in its own right.  Totally an invention of my own, I admit, but it seems like a good path to follow, until someone else smarter and wiser than me can resolve the issue of the missing Aries character in this part of the PGM.

And, in case anyone wants them, I’ve also made versions of the line-fill glyph used just before this text and from other parts of PGM VII, both in a shallow-C and deep-C form, in case others want to use them as the character for Aries or for other uses.

And there you have it!  A set, largely intact and preserved from antiquity, of magical names and characters for the signs of the Zodiac based on PGM VII.795—845, with refinements from later transcriptions and critical editions of the original papyrus.  I hope this lengthy analysis, with my own mixed-in conclusions and innovations, can be of some use to those who seek to extend the names and characters from this ritual into other uses.

I would also like to give my deepest thanks to Dr. Kirsten Dzwiza of Universität Heidelberg and her excellent resource Charaktêres.com, an online database and series of publications that detail the location, use, function, and types of characters in the PGM and other texts, inscriptions, stones, and other works from the classical period for her insight and assistance in clarifying some of the sources to be used for this particular post.

Well, now, that was a rather busy month of posts; with this, May comes to a close, the summer season informally begins, and I’ve rounded out this month with 13 posts, not a bad number, and it feels good to get back to the research and to the Work.  That said, I really need to focus more on editing and refining my textbook on geomancy so that it’ll come out at some point during the next eon, so for the foreseeable future (a month or three), the number of posts is going to be scaled back to once a week, except and unless anything important pops up that needs to be known or shared with celerity.  I’m still writing for the blog, of course, I’m just throttling back my output so that there’ll always be something to output.  And yes, I’m still going to be around, so if you need me for anything in the meanwhile, feel free to leave comments on my blog or send me an email.  Thank you, dear reader, for sticking around!

Search Term Shoot Back, October 2015

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of October 2015.

“can we change our physical gender by occultism” — First, a clarification: sex and gender are two separate things.  Sex is physical and involves the organs, bone structure, and hormones that your body has and produces; generally, this is male or female, but there are cases where someone is born intersexed with a mixture of the two sexual types.  Gender is a mental and social construct, and is a fluid gradient between masculine, feminine, agendered, and other genderqueer (hence the use of third person singular gender-neutral pronouns, i.e. neither “he/his/him” nor “she/her/her”).  Second, magic doesn’t work this way, not like how you asked.  I can no more change myself from a physical man into a woman any more than I can shoot fire from my palms or cause earthquakes by hitting the ground with my staff.  That’s the stuff of the gods and of myth.  Magic is a spiritual influence, not a physical one, and although it has physical effects, it goes through spiritual means to do so.  The Harry Potter stuff is just fantasy, and no more.  Now, you can certainly use magic to make transgender transition easier or more obtainable (easier access to hormone therapy, increased finances for physical reconstruction/plastic surgery, glamor to convince people easier that you’re a particular gender, persuasion to make bigots accept you easier, safety when alone at night or with friends), but there’s no ritual that will just up and change a man into a woman or a woman into a man.

“kybalion santeria” — Ugh. Ew. No. The two should never mix.  The Kybalion is New Thought trash; I know that many occultists read it as one of their first books, which acts as a gateway to bigger and better stuff.  I know.  I get it.  I do.  But the Kybalion is trash that causes more harm than good, and the fact that a lot of people read it doesn’t make it a good book.  It’s not Hermetic, certainly; heck, the name of the text itself is made up and supposed to recall “qabbalah”.  And, all that said, trying to mix the Kybalion with Santeria is…unpalatable.  Heck, Santeria is closer to actual Hermetic theurgy (complete with emanationist cosmogony and ensoulment of things) than the Kybalion could ever hope to be, and Santeria is a religion from slaves.  Slaves who had nothing but their ancestors and their gods and a crafty way of calling on them by a number of names unfamiliar to them.  Anyway….yeah, no.  Don’t mix the two, kiddo.

“how to consecrate a ring with the power of the sun” — Consecration of jewelry or talismans generally is an important part of my work.  How does one consecrate stuff?  Well, it depends on the force or god you’re consecrating it to.  With the planets, it depends on what tradition you want to work with, since there are dozens of cultures that have some sort of planetary magic, and hundreds or thousands of rituals between them all.  Originally, I got my start with a Christian-Hermetic angelic approach, which is still what I’ll pull out for really heavy-duty long-term projects, but I’ve experimented with many others.  For the Sun, specifically, I’d strongly recommend a ritual I recently came across from the PGM, which I’ve entitled the Consecration of the Twelve Faces of Helios.  Tweak it accordingly to receive the powers you want.

“is it cultural appropriation for magicians to work with saints” — No.  Spirits call whom they call; it’s not up to meatsuits to tell you “no, you can’t work with spirit X because you’re white”.  I’m very much of the opinion that when a god comes to you, regardless of where they come from, you pay attention.  I have no Greek ancestry, yet the Greek gods welcome me and Hermes especially calls to me; I have Jewish ancestry, but I feel less Jewish than a pig farmer in an oyster bar on Yom Kippur.  I’m getting involved with the ATR community, who’ve taken me in and with whom I hope to serve and pitch in as much as any black Cuban.  I’m not baptized, but the Christian saints have helped me out and continue to do so regularly.  Why is this?  Because spirits recognize color and ancestry and culture but (in general) they don’t care.  If you want to work with them, if you learn about them, if you encounter them how they ask and prefer to be encountered, if you fulfill your vows and keep your word to them, if you remember them and respect them, if you do your best to be a decent fucking human being, then you’re probably going to do better than many who are just “born into the culture” and don’t see it as any more than a thing their grandparents do.  However, respect is the key; that’s the difference between cultural appropriation and cultural appreciation.  There can and should be a two-way exchange between cultures, and we should never be binned into a box just because we were born into it.  That said, we shouldn’t loot, disrespect, or forget the origins of those whom we call on, and we shouldn’t transgress boundaries that even people of a particular culture wouldn’t transgress.  Consecrating elekes with your Wiccan pentacle or setting up an “Elegua protection altar” with hematite skulls and candy is not how you respect the gods.  You don’t just read a book written with half-assed, half-correct information by gods-only-know-what-hack and think you’re good to go as some sort of divine initiate.  Lineaged initiations, for instance, cultural mores, and purity laws are things to be respected.  For instance, even though I’m not Christian, I go to Catholic mass all the same when I need to get in touch more with a saint; that said, because I’m not baptized, I won’t take part in the Eucharist and receive communion.  Why?  Because I’m doing it for the same Power that the saint lived and died for.  It’s respect, and I apply that to all my spirits, be they gods, theoi, orisha, saints, angels, ancestors, kami, demons, or whatnot.

“the true table of practice” — There is no “true” Table of Practice, no more than there’s a “true” wand or “true” Triangle of Art.  Tables of Practice are tools used in conjuration as a basis for summoning a spirit, and there are different types of Tables used: there’s the one from the Ars Paulina, the one from Trithemius, the one from Dee, and I’m sure there are yet others that exist in the Western Hermetic tradition.  The Table you use is dependent on what text or tradition of magic you’re working with.  If it exists, by which I mean if you have a tangible version of it you can use in a ritual, regardless whether it’s gilded stone or engraved wood or Sharpie on a cereal box, then it’s true enough to work.

“cyprian of antioch vs st michael” — Why “versus” at all?  Cyprian of Antioch is a saint, and so honors God through His angels, including Michael the Archangel, the Prince of the Heavenly Host.  They work together, although Cyprian might prefer to call on a number of other powers before calling on Michael.  Now, while I strongly recommend developing a relationship with both Cyprian and Michael, and while they both tend to achieve the same end result when it comes to spiritual work, they achieve them in different ways.  Saint Michael the Archangel is the one who conquers and subdues wicked spirits, demons, and devils; think of the usual image of him where he’s impaled the Devil with his sword or spear and has him chained and underfoot; Michael helps you command the spirits as your servants.  Saint Cyprian of Antioch, on the other hand, is the one who ennobles and elevates wicked spirits, making them genteel and dignified so that one may work with them on an equal footing; Cyprian helps you collaborate with the spirits as your partners.  Sometimes it’s better to go with Michael than Cyprian, sometimes the other way, sometimes either way.  It depends on your style of interaction with the spirits, whether you prefer to be harsh or soft and whether you prefer slaves or partners, and it depends on the specific circumstances you’re working with spirits.  Sometimes you need force, and sometimes you need nobility.

“how to do things with quartz crystal” — Yes.  You do the things with the crystal by using it.  You might need to hold it differently or make sure it’s smooth enough for some particular means; you may not want those ridges on a Lemurian crystal (snerk) chafing your anus or vagina.  Not all crystals work as soup ladles.  Crystals generally do not work well as shampoo.  Horses tend to get you from place to place on the streets in rural Pennsylvania better than crystals.  One cannot make good coffee or tea with quartz crystals (or, for that matter, the crystallized powder of dehydrated coffee).  Smoothed crystals work well as back massagers.  Most crystals, except for the tiny ones, can help keep papers on your desk in the case of an unexpected tornado.  So many things!

“scorpio planetary hours” — There’s a bit of a semantic mismatch here.  Scorpio is a sign of the Zodiac, a 30° segment of the ecliptic in the eighth sphere of the fixed stars, beyond the spheres of the planets.  Planetary hours are segments of daytime or nighttime that are associated with the individual planets.  Scorpio is not a planet, and thus receives no planetary hour.  However, Scorpio is associated with the planet Mars in its negative/passive/feminine aspect, so we can say that certain hours of Mars (such as those at nighttime or during the waning Moon) can be associated with Scorpio, as I’ve experimented with before.  However, as my results from said experiment have indicated, there’s no real need to use planetary hours for the zodiac; rather, you’d want to time stuff so that the sign in question is rising (at the eastern horizon) or culminating (at the zenith/midheaven).

“witchcraft entity children summoning conjuration rituals” — I…what?  Are you wondering what spells witches use to summon children?  Is Hansel and Gretel a cautionary tale of “don’t let your children get bewitched”?  Do you think that those Satanic witches summon children to their stoops so that they can dismember them and use them in sacrifices to the Devil?  Pah!  Smart witches understand that one should use the most mundane, innocuous methods and stock up when children are in abundance.  On that note, have fun trick-or-treating this weekend, kids!

“angelic runes chart”, “planetary runes combinations” — Funnily enough, these are not what triggered my recent post on term clarification for different types of symbols, but it was a Reddit post on /r/occult.  Anyway, neither angels nor planets have runes (pace anonymous author of the Liber Runarum).  The word “rune” refers specifically to the letters of the alphabets used for Germanic and Scandinavian languages prior to the introduction of the Roman script in northwestern and northern Europe.  There are runiform scripts out there, like Old Hungarian and Old Turkish, which look kinda-sorta like futhark/futhorc runes, but they’re not themselves runes.  Angels have seals or sigils (such as those given in the Magical Calendar or the Heptameron or Agrippa), and planets just have glyphs.  In general, it’s better to just use the generic word “symbol” to refer to things.

“cassiel ritual for separation of lovers” — Cassiel is the angel associated with the planet Saturn, and is otherwise known as Castiel, Caffriel, Tzaphqiel, or some other mangled form of its original Hebrew name.  Saturn is not exactly the most emotional or sweetest of planets, and is also associated with the metal lead.  You know the story of Cupid?  He has two sets of arrows: gold-tipped ones to cause people to fall in love, and lead-tipped ones to cause people to fall in hate.  I don’t have a ritual handy under the angelic powers of Saturn to cause people to spurn each other, but it’s not hard to see how this might be done.  For instance, if I were to make up such a ritual…get a fishing weight made of lead and hammer it out into a flat disc.  Engrave one person’s name on the left of the disc and the other person’s name on the right, with the symbol of Saturn written three times down the middle of the disc.  On a Saturday night in the hour of Saturn, preferably with the Moon waning and placed antagonistically towards the planet, call on the angel of Saturn with myrrh and asafoetida incense.  Proclaim the love of so-and-so with thus-and-such null and void, that the powers of Saturn sullen and ensorrow their relationship, and that the two lovers be no more; break the disc down the three symbols of Saturn into two, such that the two names are no longer together on the same piece of lead.  Suffumigate the pieces in the incense and set a black candle to burn on each such that the black wax covers the two pieces of lead.  In the morning, instead of using the bathroom as normal, piss on the two pieces of wax-covered lead, and bury each piece where the person will step over it (so-and-so’s piece where so-and-so walks, thus-and-such’s piece where thus-and-such walks).  You’re done!  Go take a shower and enjoy your chaos.

“how to consecrate a 7 day candle”, “burning candle rituals in psalms”, “candle burning rituals psalms”, “burning candle rituals use of psalms”, “florida water and white candle rituals”, “psalms 23 white candle magic”, “how to burn candle to pray with psalm”, “candle burning ritual using the psalms”, “can you use florida water to consecrate a candle” — I’m not sure if I noticed it before or if it’s actually weird this month, but it seems like I’ve gotten a higher-than-normal rate of candle/psalm-related searches.  Chances are these are variants of something a single person was using and kept getting turned back to my blog, and given the inclusion of Florida water in a few of the searches, I’m going to guess they’re looking for something more American in style, like hoodoo or rootworking uses.  Honestly, while the usual all-purpose candle consecration ritual I use comes from the Key of Solomon (book II, chapter 12), that’s generally overkill for something like this.  Washing a candle off in fresh, clean water or holy water is more than enough; Florida water may make it a little “brighter” than you want, but it’s a good spiritual cleanser all the same.  You can anoint candles with olive oil that’s been prayed over or with a specific magical oil, but it’s not strictly needed unless you think it’ll help with your specific need better.  There’re whole books and styles of setting lights and burning candles, especially with Psalm magic, far more than I can describe here, but use candles in ways that make sense, generate spiritual power from the flame, and demonstrate through ritual motion of moving and placing candles according to the specific psalm and purpose of the ritual.

“can i invite pomba gira into my dreams” — Ahahahaha a̴͔͓̰͕̩h̸͙͙̱̲̝a̜̝̦͈̤̦ͅh̕a̝͍̟̯̹̠h̺à̙̖͕h̻̻͚͍͔̼͙a̖͔h͇͟a̛̬̗̥̞̦h̡̠ H̷̹̣̘͈͎̭͔͟À̵̲̖͍̪̱̘H̢͚͈Á̘̳̠̭̰ͅH̥̼̳͎̞̻̖̲A̵̳̗̜̫͍̬̬H̜͇̰̟̜͜A̵̸̳̙H̡̙̯̩͉̼̼̹̳̰̕A̫̬̻͇͖̝̫͜ͅH͖̞͡A̞̳͇̫̕ͅ H͔̞̜̣̟̀͟͟͢A̭̯̹̥̼͙̪̤̩̤͔͟͢͠Ḫ̸̶̢̨̲͉͇̙̫͍̹̥͓̝͈̺̯͟Á̷̟̠̤̼̝̪̙͙͕͕̭̲͉̭̀͜͢H̸̵̴̖͓̪͙̬̹͕̣͔̰̟̥͈̭́͝A̧͙̟̘̞̠̼͍͠H̶̨̡̻͈͈̮͖̬̙̯̳̺̻͉̬̼̗̰̗̣͉̀͢A̴̵̦͖̲̠̯͚̲̜̬͔̪͇̙͈̺̦̺͚ͅH̴͇̟̦̙̦̺̖̭̰̦͕͔́͟Ą̸̪̲̝̯̥̤̲͖̪̥̲͖̗̗̕͜H̞͇̱͉̜̠͖͔̹͓̜̟͈̕͢ͅA̶̕҉̡̤̫͉̦̗̤A̴҉̡͎͈̰͎̘͈̭͙͟A͜҉̖̬͍͚̩̦̬̲̯A͘҉̤̗̭͉̪͇̠Ạ̸̛̛̫̝͈̰͍͉͖̻̝̞̺̭̼̹̣̠̀͢Ą̡̱͓̝̦̼͖̯̞̟̞̻̱̙̠̦̰͠ͅA̷̢͇̹̫̘̥͙̻͙̼̝͍̠̼͡ͅͅA̴҉̴͈͔̬̫͎͙̹̲̰͍͙̕͟ͅͅÁ̴̶̱̘͉͍͈͘A̗̻̯̲̪̟̯͚̠̠̭̥̬͓̻̙̙͢͝ͅ y͖̜o̷͘͏̺̮̭̮͇̪̰ù̧̩̖̪͖̬̀ͅ ̵͖̠̘̯̲͎̙̳͘f̘̮͖͙͝o̗̪̺͉̺̫̣͕o̥̖̳̹͢ĺ͉̥͍̥͇̥̹͞ 

 

And now, since I figure I may as well rejoice in it, here’s the list of all phallus-related searches from this month.  Because people obviously come to read the Digital Ambler for two things, magic and dicks, and I’m not sure which is more popular anymore.

  • anal sex with big black cocks
  • dick big kongo
  • black huge dicks
  • use method large cock
  • egypt massive dick man image
  • pompeii penis depictions
  • ebony dicks
  • huge dick