The devil of every author hit me the other day when I released my ebook on the Grammatēmerologion, the lunisolar calendar system I developed for associating the days of the lunar months to the letters of the Greek alphabet for my Mathesis work. Every author can sympathize: within hours of my having made the damn thing public, I found something that would have been an excellent addition to incorporate into the text. Damn shame, that. Ah well, live and learn; besides, after actually thinking about it, I couldn’t find a way to incorporate that information neatly into the text anyway. I’ll write about it here instead, for those who are interested.
To give some backstory, I’d like everyone to know that I first came across grammatomancy—the Greek alphabet oracle that assigns each of the 24 letters of the Greek alphabet to an oracular statement of advice or wisdom—from the Biblioteca Arcana, a treasure trove of pagan, occult, and theurgic resources in a Hellenic current as maintained by Apollonius Sophistes, better known as John Opsopaus. I took the information from his site, reworked it a bit, expanded on it, and that’s how I got to my current form of grammatomancy, which kickstarted my whole Mathesis thing. Well, Opsopaus put out a book last year, The Oracles of Apollo: Practical Ancient Greek Divination for Today, which I encourage many of my readers interested in Hellenic and Greek system of occult works to check out. In that book, he lists a set of image-symbols to link to each of the Greek letters, as well as an ancient source for where he got them, such that the image of the ox is given to Alpha, the vulture to Bēta, and so forth. Excitedly, I dashed off to check out the source, which of course is the Greek Magical Papyri. What I found immediately brought to mind my beloved Consecration of the Twelve Faces of Hēlios ritual from PGM IV.1596—1715, except as a lunar parallel to that, with equally as little information in the PGM itself and with equally as much potential for expansion.
PGM VII.756—794, simply titled “Prayer”, is like the Consecration of the Twelve Faces of Hēlios in that all we have is the spoken text to be used for the ritual without any instructions or directions to use it. The prayer consists of a reasonably short invocation to the moon goddess Mēnē (MHNH) under the power of the great divinity known throughout the PGM and many other magical texts for the past two thousand-some years, Iaō (ΙΑΩ). However, again like the Consecration of the Twelve Faces of Hēlios, we get some special good insights into how we might think of or perceive the Moon as a sacred entity with many faces, forms, or approaches. It’s not as complete as the Hēlios rite in that we don’t get names or specific blessings, but instead we get a set of 28 sacred images and 14 sacred sounds.
Below is my rendition of the prayer text, with minor edits to formatting and spelling:
I call upon you who have all forms and many names, double-horned goddess MHNH, whose form no one knows except him who made the entire world, ΙΑΩ, the one who shaped you into the twenty-eight shapes of the world so that they might complete every figure and distribute breath to every animal and plant, that it might flourish, you who grow from obscurity into light and leave light for darkness.
And the first companion of your name is silence,
the second a popping sound,
the third groaning,
the fourth hissing,
the fifth a cry of joy,
the sixth moaning,
the seventh barking,
the eighth bellowing,
the ninth neighing,
the tenth a musical sound,
the eleventh a sounding wind,
the twelfth a wind-creating sound,
the thirteenth a coercive sound,
the fourteenth a coercive emanation from perfection.
Ox, vulture, bull, beetle, falcon, crab, dog,
wolf, serpent, horse, she-goat, asp, ibex, he-goat,
baboon, cat, lion, leopard, fieldmouse, deer, multiform,
virgin, torch, lightning, garland, a herald’s wand, child, key.
I have said your signs and symbols of your name so that you might hear me, because I pray to you, mistress of the whole world!
Hear me, the stable one, the mighty one,
ΑΦΕΙΒΟΗΩ ΜΙΝΤΗΡ ΟΧΑΩ ΠΙΖΕΦΥΔΩΡ ΧΑΝΘΑΡ ΧΑΔΗΡΟΖΟ ΜΟΧΘΙΟΝ ΕΟΤΝΕΥ
ΦΗΡΖΟΝ ΑΙΝΔΗΣ ΛΑΧΑΒΟΩ ΠΙΤΤΩ ΡΙΦΘΑΜΕΡ ΖΜΟΜΟΧΩΛΕΙΕ ΤΙΗΔΡΑΝΤΕΙΑ ΟΙΣΟΖΟXΑΒΗΔΩΦΡΑ
The final block of barbarous words, transcribed into Roman script:
APHEIBOĒŌ MINTĒR OKHAŌ PIZEPHYDŌR KHANTHAR KHADĒROZO MOKHTHION EOTNEU
PHĒRZON AINDĒS LAKHABOŌ PITTŌ RIPHTHAMER ZMOMOKHŌLEIE TIĒDRANTEIA OISOZOKHABĒDŌPHRA
The ritual is then concluded with that wonderfully vague direction so common in the PGM: “add the usual”.
One of the things Opsopaus describes about the ritual is that it gives 27 symbols of the Moon, which can be likened to the 27 main days of the lunar month (between the Noumenia and the Hene kai Nea, the first and last days of the month, just on either side of the New Moon itself). To get 27 symbols instead of the 28 listed above (as in Betz), Opsopaus combines the symbols “multiform” and “virgin” into “multiform virgin”, which is to say the image of Hekate with three faces. This is a reasonable leap to make; after all, the final set of symbols after that of the deer are all classically associated with Hekate, especially in the PGM. Still, this is in disagreement with the Betz translation, which clearly distinguishes “multiform” and “virgin” as separate. Additionally, by bringing the number of symbols down to 27, Opsopaus gets all seven Hekatē-related symbols together in the same seven-day week of the Moon.
However, I disagree with such a combining of “multiform” and “virgin” into a single symbol of “multiform virgin”. Betz gives 28 symbols, and the prayer explicitly says in the introductory part “the twenty-eight shapes of the world so that they might complete every figure and distribute breath to every animal and plant”. Plus, though Hekate is often reckoned as being a maiden-virgin, there are stories and myths where she gives birth to Kirke and Medea. If we’re talking about multiple forms here, then, it makes more sense to me to consider “multiform” (i.e. triple-faced) and “virginal” as two separate faces of the Moon. Even then, however, with 28 symbols, I couldn’t find a way to link them all to the letters of the Greek alphabet, which has either 24 letters (omitting the obsolete letters Digamma, Qoppa, and Sampi) or 27 (including the obsolete letters). Given that 28 seems to be the more solid number to go on for this ritual, I’m hesitant to actually associate these symbols to the Greek letters, and would instead consider it its own separate symbol set; this is why I decided against trying to go back and include this information in my Grammatēmerologion text, and instead write about it here as its own separate thing.
So much for the 28 symbols given in the ritual; what of the fourteen “signs”, the sounds that the ritual gives? Moreover, why fourteen? I’d liken each of these to the stages of the Moon in terms of her brightness or lack thereof, such that on the first fourteen days of the lunar month (from New to Full), we’d associate that fullness of the Moon with that particular sign, and on the second set of fourteen days, the signs would be given in reverse order. In other words, if we were to plot them out, we’d get a table like the following:
|5||Cry of Joy||Falcon|
|14||Coercive emanation from perfection||He-goat|
|15||Coercive emanation from perfection||Baboon|
|24||Cry of Joy||Lightning|
It’s tempting to think that the symbols are associated with the signs in some way, but that doesn’t seem to be the case. It’s equally tempting, at least for me, to shift some of the symbols around to match up with their signs, at least in the first 14-day period, such that e.g. horse matches up with neighing, or garland with “cry of joy” (in terms of a wedding garland or other celebratory crown). Perhaps the orders of the signs and symbols could be experimented and toyed around with, and see if the order actually matters as given or if we could swap some of them around. There might also be correspondences that could arise from mapping the two symbols together based on their shared sign, but I’m unsure about that; that could be slightly bigger a leap than I currently realize.
So, that’s the prayer and some beginning information on the contents thereof. I have plans on expanding it into a full, multiply-repeated ritual a la the Twelve Faces of Hēlios ritual, perhaps one that actually spans a lunar month, building up the symbols day by day and actually using the signs in the ritual as a means of focusing concentration and power…even though some of them don’t seem like actual sounds one could make, except as soundless spiritual vibrations that would cause spiritual effects.
In the meantime, what I would recommend (and what I plan on trying out for my own first attempt) is to perform the ritual on the last day of the lunar month before or on the New Moon, the Greek Henē kai Nea also known as Hekatē’s Deipnon, between sunset and sunrise, probably at solar midnight when the Moon is directly underfoot. Face the North, and light three white candles; if you’re using an altar, these would be arranged in an upwards-pointing triangle towards the North, but if you’re not using an altar, you could use three candles put together in the same configuration on the ground before you or three candles arranged in a triangle around you in a large-enough “circle” to stand in and move about. With the usual offerings you’d bring to a ritual of the Moon or to a Deipnon of Hekatē, arrange and make use of them as usual: food offerings, libations of dark wine, incenses, and so forth. Recite the ritual as given above, making the associated sounds physically and/or spiritually (when appropriate) after their enumeration, and visualizing a circle of the symbols around you as you recite each symbol, starting from the North and going clockwise from there. After the recitation of the barbarous names, give your charge to the Moon goddess Mēnē, and recite the barbarous names once more. Conclude the ritual with your thanks, then leave the candles to burn out on their own.
A variant of this ritual that springs to mind immediately is, instead of doing the ritual on the New Moon, perform the ritual at the Full Moon instead, outside where you can see the Full Moon, when the Moon is highest in the sky. Face the Moon, and arrange the candles in a downwards-pointing triangle instead of an upwards-pointing one. Use the same process as above, perhaps beginning or concluding with my normal Full Moon invocation from the PGM.
Now to get the time and supplies and purpose arranged for such a ritual experiment, then getting a more elaborate system built up. The next New Moon is just over two weeks away, after all.