Grammatomancy: Divination by Letters

While idly browsing around Reddit and the rest of the vasty deep of the Internet, I encountered an absolutely fantastic website for people working in Greco-Roman or Hellenic pagan paths, the Biblioteca Arcana.  I was directed to the site while looking up some information on dice-based divination, and ended up discovering something a little more interesting: a system of divination that uses the Greek letters much as modern diviners use the Elder Futhark runes.

The system is pretty easy to learn.  There are 24 letters in the Greek alphabet (ignoring the obsolete digamma, qoppa, and sampi), and each letter is associated with a particular oracular verse or lyric that begins with that letter (much as an acrostic).  Select a letter through some random means (dice, selecting a stone from a bag, etc.), and the oracular verse corresponded with the letter is the answer.  This is effectively divination by Greek letters, or grammatomancy.  Since all the oracular verses are fairly short, it’s only a minor chore to associate the Greek letters with the meanings of them, no more tedious than learning runes.  It might even be simpler, since the traditional technique didn’t allow for multiple letters being drawn or reversed letters (though I’m sure the system could be modified to allow for it, definitely something to try out).

The dude at the link above, Apollonius Sophistes, offers three methods of selecting letters randomly: using stones or potsherds inscribed with one letter on each, using four sheep knucklebones, or using five six-sided dice (noted as 5d6 in RPG terms).  The knucklebones and dice, when rolled, give a number associated with a particular letter.  While I’m fond of the first method, I wanted something that was simpler to carry around.  Considering that there are 24 letters in the Greek alphabet, why not use that number to our advantage?  We can factorize 24 into 4 and 6, so one method is to use the a four-sided die (1d4) to select a “hexad” of letters (hexad 1 = Α through Ζ, hexad 2 = Θ through Μ, etc.), and to use a six-sided die (1d6) to select the letter within the hexad.  So, say we roll the dice and get 3 on the d4 and 5 on the d6.  So, we look at the fifth letter in the third hexad, which is Ρ (Greek rho, not Latin pee).

Alternatively, 24 divides into 2 and 12; we could use a twelve-sided die (d12) and roll it twice, once to determine whether we look at the first dodecad of letters (first dodecad =  Α through Μ, second = Ν through Ω) and again to determine the specific letter within that dodecad.  We might say that an odd number on the first roll is associated with the first dodecad and an even number with the second.  So, say we roll 2d12, and we get the numbers 4 and 11.  4 is even, so we look at the eleventh letter in the second dodecad, which is Ψ (Greek psi).  Alternatively, instead of rolling 2d12 and using the first roll for its parity, we might roll a 1d12 with a 1d2 (i.e., flip a coin), but that requires having something extra on hand.

At any rate, what’s awesome about this style of grammatomancy is that we can combine the oracles given above with the technique of stoicheia, where each of the Greek letters is assigned to a particular magical force.  Consider that there are 12 astrological signs, seven traditional planets, and four classical elements plus Spirit/quintessence.  Thus, 12 + 7 + 4 + 1 = 24, the number of letters in the Greek alphabet.  The seven vowels (Α through Ω) are assigned to the planets (Moon through Saturn); the five complex consonants (Θ, Ξ, Φ, Χ, Ψ) are assigned to the elements (Earth, Water, Air, Fire, Spirit); the twelve simple consonants leftover are assigned to the twelve signs of the zodiac in order (Β with Aries through Τ with Pisces).

Through the use of the association of the zodiac signs with the simple consonants, we might use Agrippa’s association of the Olympic deities with the signs (book II, chapter 14) to arrive at big-name gods instead of just signs if we want a less astrological bend to this; similarly, we might use his association of the elements (book II, chapter 7) and of the planets (book II, chapter 10) to the directions.  We might want to go this route if we want to know which god or wind is favorable to appeal to or would hinder us, though all divination and oracles come from Apollo and/or Hermes in traditional reckoning.  This is in addition to using the numerical values of the letters in isopsephy or Greek gematria, as well, for another layer of interpretation that you might consider.

I’ve always held writing to be magical (as it damn well is, coming from Hermes-Thoth-Odin-whoever), and I’ve always wanted to try using writing itself as divination besides automatic writing.  Runes never clicked with me, but this style of Greek grammatomancy seems much more appealing; it’s probably just an aesthetic thing, but hey, aesthetics matter, and it fits much more closely in the systems and currents I work with than a writing system far removed in time, space, and symbolism.  I strongly suggest checking out the dude’s page and experimenting with this and other techniques of his; I know I will.  As a good academic should, he even posts his sources and scans of original Greek texts where applicable, which is pretty awesome.  I’m pretty psyched to learn this style of divination, if you guys couldn’t tell.

Fiery Walls of Protection, Elemental Analyses, and More!

So, I finally finished a few pages posted around the site.  I figured they’d be better off as pages so people could access them easier, even though I originally intended for them to be posts.  I swear I’m not doing this to get myself more traffic, honest.

  • I recently made a batch of Fiery Wall of Protection oil to great success.  It’s up under the Crafts section for ease of reference and for how involved it was (rather).  Beyond simple combinations of loose incense, this is my consumable creation that will eventually need to be redone; however, given the amount and potency of the stuff I made, this will not be for a good while.  Given how it’s made a normally stoic angel rejoice at what I did, and how it made even my natal genius go “WTF is this burning shit”, I think I did it right.
  • I’ve put up another page under the Ritual menu: the Q.D.Sh. (Quick, Dirty, and Short) Ritual.  It’s an all-around preparatory rite to be used in a pinch, but it works and covers all the bases without requiring much in the way of materia or memorization.  As a combination of smaller techniques, it’s got shielding, grounding, banishing, centering, and tuning, pretty much just what everyone needs to begin a ritual in the field on a moment’s notice.
  • Under the Skills menu, you’ll find a page on stoicheia, an alternative method of understanding the occult meanings of words and names written in the Greek alphabet using astrological and elemental concepts.  It’s like a kind of alchemical gematria for Greek, and I highly prefer it over numerical gematria or isopsephy when coming across barbarous words of invocation or voces magicae in sources like the PGM.

As an aside, the kick I got from working with the fiery forces of Mars, the Sun, and Fire for the Fiery Wall of Protection oil for such a sustained period of time was fantastic. It was like I was on a high/energy rush for two weeks straight without burning out, and this is coming from the guy that Michael suggested to calm the fuck down when it came to this kind of work.  Give it a try sometime, I highly recommend it.  Just FYI, there is a chance it might induce extended periods of partying, redoing one’s fashion and appearance, picking up German though Youtube videos, body piercing, doing walks of shame (or strides of pride, depending on your mindset) to work, and launching into new and life-changing musical tastes.  It was a real fun two weeks, you guys.