Propitiation Ritual of Saturn

Many of my friends take note of particular astrological phenomena, whether they’re just for the “planetary weather” effects the stars have on our lives, or for their more in-depth and particular motions for elections and magical workings.  Mercury retrograde is probably the most common, especially to mock for its (perhaps overblown) infamy in pop culture, but there are many other motions people take note of.  One of which is Saturn’s transition into the sign of Capricorn, one of its two domiciles, where Saturn is particularly strong.  Saturn takes just under 2.5 years to transit through a sign of the Zodiac, so the last time Saturn was in Capricorn was around the late 1980s and early 1990s.

This is particularly important for people whose natal Saturn is in Capricorn, as it signals their Saturn return, a rough time in one’s life that was the literal astrological definition of “mid-life crisis”.  To prepare for my own, I erected and worked a personal shrine to Saturn, and wrote a post about it back last year as Saturn came up on its own position in my own natal chart in late Sagittarius.  For that shrine and its works, I came up with a set of altar tools pulling from the Western astrological tradition as well as some things borrowed from the Vedic tradition for his counterpart in that system, Lord Śani.  Granted, I didn’t work with it as much as I anticipated due to everything else going on in my life, but I do feel like it helped stabilize those Saturnine energies into a useful focal point in my physical domain.

Given that Saturn is moving into Capricorn, and the fact that the Sun just moved into this sign through the passage of the winter solstice, I think it’s time to bring something out of my own playbook to the table, yes?  To help those who are interested in forming a stable, beneficial relationship with this great, powerful planet, here’s the basic ritual I use at my Saturn shrine to call upon the god and seek his blessing in my life.

First, let’s talk about the prime piece, the focal point of my Saturn shrine, an altarpiece I call the Platform of Saturn.  Essentially, it’s nothing more than a planetary hexagram, much as we might find in Western qabbalistic or Golden Dawn-type systems, except that instead of the Sun being the center of the hexagram, we place Saturn in the middle instead, and we put the Sun in Saturn’s position.  In this way, Saturn becomes the focus of the piece, with the other planets balancing and reinforcing Saturn’s power as the spiritual “center” of the shrine.  I went a bit extra with my design for the Platform of Saturn by writing the six-lettered name of the Greek god ΚΡΟΝΟΣ between the points of the hexagram, as well as inscribing the magical characters for the planets (taken from the Magical Calendar) around or inside the hexagram.  Plus, when I made the thing, I also put the six-lettered name of God Elohim (אלוהים) at the points of the hexagram on the bevel, using the more angular Phoenician/Paleo-Hebrew script instead of the more modern square script.  On the underside of the Platform, I also inscribed the three-by-three planetary square of Saturn surrounded by the Tetragrammaton, the divine name of the Saturnine sephirah Binah; nothing special, but since the piece of wood I used for the Platform has a plate-like recess on the underside, I also use it to cover the old lead Saturn talisman I made back in 2011, further deploying even more power to the altarpiece as a sort of celestial foundation.


The use of this Platform is to act as a base for setting lights and lamps to the planets: six small candles for the non-Saturn planets, and a larger candle (or, in my case, oil lamp) for Saturn.

For this ritual, you will need:

  • Six white tealights, or other small candles/amps in the appropriate planetary color
  • A clean oil lamp with fresh wick
  • A small amount of sesame oil with three drops of myrrh oil
  • Clean room-temperature water, preferably from a well or other underground source
  • Myrrh resin
  • A dry mixture of rock salt and two of your choice of the following:
    • Black gram (Vigna mungo, commonly sold as “black lentils”)
    • Black rice
    • Black mustard seeds
    • Black sesame seeds
    • Other plants, bark, resins, or organic material associated with Saturn, but most preferably cultivated grains
  • Optionally, prayer beads for chanting
  • Incense holder, offering glasses, charcoal, source of fire, etc.

In the minutes leading up to an hour of Saturn on a day of Saturn, arrange the six smaller lights in a hexagram around the large central lamp, putting each candle on top of its particular planetary glyph following the pattern of the Platform of Saturn.  Get your incense ready, and once you make sure your offering glasses are clean, fill one with water and the other with a few spoonfuls of the dry offering mixture.  Fill the lamp with the oil.  (Alternatively, instead of using a lamp, you could use a large candle, either white if the other smaller candles are white, or jet black.)  Set the incense to the right of the candles, and the water with dry offering to the left of the candles, either in a horizontal line or an equilateral triangle.

At the start of the hour of Saturn, begin the preliminary invocation to the other six planets.  Light each candle in turn according to the design of the Platform:

  1. I light this candle and offer its light to the Moon, Lady of the First Heaven, who sings with a pure, sweet voice into our world: Α

  2. I light this candle and offer its light to Mercury, Ruler of the Second Heaven, who sings with a pure, sharp voice into our world: ΕΕ

  3. I light this candle and offer its light to Venus, Lady of the Third Heaven, who sings with a pure, lovely voice into our world: ΗΗΗ

  4. I light this candle and offer its light to the Sun, Lord of the Fourth Heaven, who sings with a pure, holy voice into our world: ΙΙΙΙ

  5. I light this candle and offer its light to Mars, Lord of the Fifth Heaven, who sings with a pure, strong voice into our world: ΟΟΟΟΟ

  6. I light this candle and offer its light to Jupiter, Lord of the Sixth Heaven, who sings with a pure, royal voice into our world: ΥΥΥΥΥΥ

If desired, energetically link the six smaller lights to the central lamp of Saturn at this point, so that all the lights are dependent upon and reflect the ultimate light of Saturn.

Light the myrrh incense and the lamp of Saturn.  Invoke the planetary presence of Saturn according to a prayer of your choosing; for this, you might use the Orphic Hymn of Saturn, or an invocation from a grimoire such as the Heptameron, the Hygromanteia, or the Picatrix (as I used in my Saturn talisman creation).  Recite this prayer at least once, preferably three times.

Dedicate the light of the lamp to Saturn:

I light this lamp and offer its light to Saturn, Lord of the Seventh Heaven, who sings with a pure, dark voice into our world: ΩΩΩΩΩΩΩ

Grant as this light shines upon this place, so too, Lord Saturn, shine your light upon us, gently and kindly enlightening us, illuminating our paths, and keeping us safe from all harm!

Dedicate the incense to Saturn (putting more on at this point if necessary)

I burn this incense and offer its smoke to Saturn, Lord of the Seventh Heaven, who sings with a pure, silent voice into our world: ΩΩΩΩΩΩΩ

Grant as this incense rises up and fills up this place with its sweet heavenly smoke, so too, Lord Saturn, fill our spheres, souls, and spirits with your blessing, essence, divinity, and presence!

Dedicate the water offering to Saturn:

I pour out this water and offer its power to Saturn, Lord of the Seventh Heaven, who sings with a pure, profound voice into our world: ΩΩΩΩΩΩΩ

Grant as this water is poured out for your refreshment and enjoyment, so too pour over us your blessing, cleansing us from all pollution, cleansing our ways of all obstacles, cleansing our senses from all obstructions, and cleansing our hearts from all wickedness!

Dedicate the dry offering to Saturn:

I set out this grain and offer its strength to Saturn, Lord of the Seventh Heaven, who sings with a pure, heavy voice into our world: ΩΩΩΩΩΩΩ

Grant as this grain and salt are set out for your nourishment and satisfaction, so too strengthen us inwardly and outwardly, in our bodies, souls, spirits, and minds, and protect us from all harm while giving us space to grow without undue burden!

At this point, continue the worship and exaltation of Saturn however you choose.  This is the point where I would first begin a chant for Saturn using a set of prayer beads; in my case, I chanted the Sanskrit mantra for the planet of Saturn 108 times on a mala made from black volcanic rock soaked in a magical Saturn oil.  Such chants, if desired, could be any of the following:


After chanting an appropriate number of times (33, 81, 108, 27000 etc.), continue praying, communing, or meditating with the presence of Saturn thus called.  Once finished, thank Saturn however you will; if this is a once-off ritual, give him a polite and trusting farewell, but otherwise, if this is part of a shrine installation, there’s no strict need for that.

At the end of the planetary hour, put out the lamp of Saturn, and let the other candles burn out on their own.  Once the hour is over, be sure to clean off physically and spiritually, or do some light solar work to balance out and brighten your personal sphere so as to not get too burdened with the heavy weight of Saturn.  This isn’t to banish its energies, but to balance them out so as to be able to better incorporate them as human beings.

Compared to the Western tradition of planetary invocations, Hinduism has a rich body of prayers, chants, and texts to appreciate.  Veneration and worship of the planets as gods in their own rights is alive and well in Hinduism, and many temples have a section just for the Navagraha, the nine planetary gods (seven planets, plus the North Node and South Node as planets of their own).  There are plenty of ways to make offerings in the Hindu system, which is where I got the inspiration for some of the dry offerings and the use of sesame oil.  Still, some of the prayers are positively splendid (when they don’t need to be chanted 23,000 times over), and one of my personal favorites is a prayer to Lord Śani for protection and blessing of one’s body.  In a sense, it’s a Saturnine version of the Lorica of Saint Patrick, and thus, I call it the Vedic Shield of Shani:

I bow down to the slow-moving Śani, whose complexion is dark blue like the ointment of nilañjana. The elder brother of Lord Death, he is born from the Sun and his wife Chāyā.

O god of night-blue skin dressed in night-blue silk, who wears a crown, who rides the vulture, who gives misfortunes, who wields the bow, who has four hands and is the son of the Sun, be pleased with me always and happily grant me your blessing!

Let the son of the Sun protect my head!
Let the darling son of Chāyā protect my eyes!
Let the strong brother of Yama protect my ears!
Let the child of Sūrya protect my nose!
Let the bright god always protect my face!
Let he with a pleasant voice protect my own!
Let the great-armed god protect my arms!
Let my shoulders be protected by Śani!
Let my hands be protected by he who does good!
Let the brother of Yama protect my chest!
Let he who is dark protect my belly!
Let my stomach be protected by the lord of all planets!
Let the slow-mover protect my hips!
Let he who makes all ends protect my thighs!
Let the sibling to Yama protect my knees!
Let my legs be protected by him who goes slow!
Let all my organs be protected by him who wears the cloak of darkness!
Let all my body be protected by the darling son of the Sun God!


With that, I hope that you have a happy time Saturning, no matter whether you’re coming up on your first Saturn return or are looking forward to the blessed release of your fourth!

A Shrine to Lord Saturn

This year, both I and my husband turn 28.  It helps that we’re only born, like, six weeks apart, so our natal charts aren’t too dramatically different from each other’s, at least for the slower-moving planets out there.  This is especially the case for Saturn, which we both have in Sagittarius and dignified by both face and term.  It’s a weird place for Saturn to be, but it’s not a terrible spot for either of us.  This is a good thing, as we’re ramping up to face our first Saturn return together at pretty much the same time, which is awesome and awful.

What is a Saturn return?  Roughly every 30 years (29 years, 5 months, 15 days to be exact), Saturn returns to the same place it was when you were born.  As Saturn gets closer and closer to this position, people start feeling these effects a little early, some as early as 27.  The effects tend to drop off soon after the return is made exact, so the range for feeling the effects of this first Saturn return transit usually goes roughly from when you’re 28 to 31, or three years.  The second time happens from ages 56 through 59, and the third from 84 through 87.  Some very few people ever get to experience a fourth Saturn return, but that’s neither here nor there.  Unlike other planetary returns, Saturn returns are most notable as being fundamental shifts from one stage to another in a person’s life: the first Saturn return marks either the midlife crisis or one’s final ascension into adulthood, the second return one’s passage into senescence, and the third return one’s preparation for death.  In general, how one adapts and responds to one’s return lays out how well or poorly one’s life will go through the next return.

So what is it like during a Saturn return?  Essentially, Saturn becomes the dominant theme of your life, and its energy and power suffuses every day of the transit.  Think: Saturn is the planet of final cosmic justice, restriction, obligation, limitation, scarcity, famine, depression, poverty, disease, and darkness.  By the same token, however, think about the idea of the thick cell wall of prisons or monasteries: sure, they keep one isolated and trapped, but by the same token, they also keep one safe and sound from anything going on outside.  Saturn shows us our limits, where those limits are to be obeyed without question, and where those limits can be pushed back or knocked down.  Saturn is a planet of atrophy, but it is also one of soundness; one might be thinner, but one becomes stronger in the process.  Saturn returns force us to confront ourselves and our own blown-up ideas of ourselves, and deflates us down to a shriveled, wrinkled mess.  In the process of everything we think we are and everything we think we need being taken away from us, however, we find out what it is we’re truly made of and what we truly need to survive on.  Once we know the bare minimum of what we can do and what we can survive on, we can build ourselves up once more in a proper way to truly come into our own.  Saturn return is a time of refinement through intense trial that we cannot escape or delay.  Jobs we think we love get taken away from us, lovers we think we can’t live without leave us, homes we think we will own for the rest of our days get burned down or sold from under our feet.  If you’ve ever asked for “take away everything that hinders me and holds me back”, Saturn return does this in fucking spades.  No need to do a cut-and-clean spell if you don’t want to; if you just wait long enough, the cosmic clockwork of the solar system will make it clear that it’ll happen one way or another.  Saturn is the cosmic judge who takes stock of everything you are and everything you do, and when Saturn comes home, he is going to clean house.

So, faced with this insurmountable trial of fate and gravity, how do I plan on surviving these next few years?  Most people become assholes and fight against it, or depressed and mope about it lamenting their inevitable fate that happens to each and every one of us.  Those are awful ways, and not what I consider to be the easy and proper way: by welcoming it, embracing it, and giving respect and honor where they’re due by setting up a shrine to regularly confront and propitiate the forces, energies, entities, and god of Saturn.  By working with the forces of Saturn, we can better integrate them into our lives, accepting the trials that come to us easier and forewarned that they will happen, acknowledging our pain and actively reaching for our own refinement, treating this as a time of tough cosmic love rather than cruel hellish fate.

With that in mind, let’s do a brief bit of some Liber 777-type research on Saturn.  For the sake of expanding our symbol set and connecting the dots together, what’re some of the attributes we can find about this planet in the Western magical literature?

  • Names in classical languages:
    • Latin: SATVRNVS
    • Greek: Κρονος (Kronos, the god/spirit of the planet), Φαινων (Phainōn, the titan/body of the planet)
    • Hebrew: שבתאי (Shabbathai)
    • Arabic: زُحَل (Zuḥal)
    • Persian: کیوان (Keyvan)
    • Sanskrit: शनि (Śani)
    • Egyptian: herukapet (Ḥeru-ka-pet, also known as Horus the Bull)
    • Sumerian: cuneiform |TUR.DIŠ| (Genna)
    • Babylonian: (Kayyamaanu, written as UDU.IDIM.SAG.UŠ or as above in Sumerian)
    • Chinese: 土星 (Mandarin Tǔxīng, Cantonese tou2 sing1, Middle Chinese /tʰuoseŋ/, Japanese dosei, Korean toseong)
  • Spirits and entities associated with it:
    • Angelic governor: צפקיאל (Tzaphqiel), often rendered into Latin as variants on the name Cassiel
    • Picatrix angel: Isbil (Arabic original), Heylil (Latin translation)
    • Olympic spirit: Aratron
    • Planetary intelligence: אגיאל (Agiel)
    • Planetary spirit: זאזל (Zazel)
    • Choirs:
      • Agrippa: אראלים (Aralim)
      • Pseudo-Dionysus: Thrones
    • Zodiacal angels:
      • הנאל (Hanael, angel of Capricorn)
      • כאמביאל (Cambiel, angel of Aquarius)
    • King of the Jinn:
      • Name: ميمون (Maymon, the Auspicious One)
      • Nickname: ابا نوخ (Abba Nuh̬, the Father of Rest)
    • Heptameron Spirits:
      • Angel: Cassiel
      • Angel of the Air: Maymon Rex
      • Ministers: Abumalith, Assaibi, Balidet
      • Wind: Africus (southwest)
    • Lemegeton Goetic Rank: Knight (only one spirit of this rank, Furcas)
    • Deities associated with Saturn:
      • Sumerian: Ninurta, Ninmah
      • Babylonian: Adar, Nintu, Tiamat
      • Persian: Zurvan
      • Phoenician: Asherah
      • Egyptian: Sobek
      • Gnostic: Yaldabaoth
      • Greek: Kronos
      • Roman: Saturnus, Lua
      • Etruscan: Vetis, Veiovis
      • Hindu: Śaniścara
  • Qabbalistic correspondences:
    • Numbers: 3, 15, 45
    • Shape: Triangle
    • Sephirah: Binah
    • Sephirothic colors: Crimson, black, dark brown, grey flecked pink
    • Path: #32 (the World, connecting Yesod-Malkuth or Moon-Earth)
    • Path colors: Indigo, black, blue-black, black rayed blue
    • Godname: יהוה אלוהים (YHVH Elohim)
    • Hebrew letter: ת (Tav, 400)
    • Greek letter: Ω (Ōmega, 800)
    • Weekday: Saturday
    • Zodiac signs:
      • Domiciles: Capricorn, Aquarius
      • Exaltation: Libra
    • Geomantic figures: Carcer, Tristitia, Cauda Draconis
  • Religious concepts:
    • Deadly Sin: avarice/greed
    • Heavenly Virtue: generosity
    • Hermetic Virtue: silence
    • Hermetic Vision: The Vision of Sorrow
    • Apostles: Simon the Zealot (Capricorn), Jude (Aquarius)
    • Prophets: Enoch, Samuel, Nahum (Capricorn), Habakkuk (Aquarius)
    • Judges: Elon (Capricorn), Abdon (Aquarius)
    • Theological Figure: The Virgin Mary and Mary Magdalene
    • Weekday archangel: Selaphiel or Sealtiel, the angel of prayer to God and who presides over the priesthood
    • Psalms for Pentacles (KJV): 72:8-9, 109:18, 18:7
  • Materials and substances:
    • Metals: lead, black iron, pyrite
    • Stones: onyx, sapphire, brown jasper, chalcedony, lodestone, sulphur, antimony, jet, turquoise, magnesium, all dark and weighty and earthy minerals
    • Plants: white daffodil, asphodel, dragonwort, rue, cumin, hellebore, benzoin, mandrake, cyprus, opium, pine, cypress, black fig, hemlock, yew, myrrh, sesame, aconite, cactus, cocoa, datura, spurge, fennel, male fern, lichen, mos, lungwort, soapwort, weeping willow, tobacco, pomegranate, ivy, orchis root, thistle, coconut, ramthorn, spikenard, galbanum, asafoetida, euphorbium, colophony, stammonia, rhubarb,
    • Animals: ape, cat, hog, mule, camel, bear, mole, donkey, wolf, hare, mole, dragon, basilisk, toad, serpents, scorpions, ants, mice, vermin, cranes, ostriches, peacocks, screech-owl, horned owl, bat, lapwing, crow, quail, eel, lamprey, dog-fish, tortoise, oysters, cockles, sea sponges, cuttlefish
    • Parts of the body: skin, bones, spleen, knees, lower legs, right foot, right ear, right eye, left hand, excretory system, mouth, intestines, bladder, genitals
    • Other organic substances: soma, civet, musk

And, to top it off, a gallery of various Saturn-related seals, sigils, symbols, and signs from all the stuff collected across my blog:

With that said, I now present to you how we combined so much of all of the above into our household’s Shrine to Lord Saturn.

Shrine to Lord Saturn

The primary color of the shrine is black (the primary/Queen color of the planet) accented by crimson (the secondary/King color), accented by a pale Solar gold.  Within the shrine is a particularly pretty (to my mind) metallic print of Saturn eclipsing and illuminated by the Sun.  Surrounded by a the fabric canopy and lengths of chain is a custom talismanic art I made that concentrates the images and seals of Saturn together in a coherent way.  This artwork combines, again, all of the symbols, seals, sigils, numbers, names, spirits, intelligences, angels, and characters of Saturn together, with very subtle nods to the zodiac signs Capricorn and Aquarius (the domiciles of Saturn), Libra (its exaltation), and Sagittarius (where my and my husband’s natal Saturns are) and Aries (our housemate’s natal Saturn).  Additionally, there are three written statements on there: the Sanskrit mantra to Lord Shani, a Greek invocation to Phainōn and Kronos, and a Latin invocation to Saturnus:

  • Sanskrit: ॐ शं शनैश्चराय नमः (Om Śaṃ Śanaiścaraya Namah, “Hail to the great name of Shani”)
  • Greek: ΙΩ ΦΑΙΝΩΝ ΙΩ ΚΡΟΝΕ ΙΩ (“Hail, Phainon! Hail, Kronos! Hail!”)
  • Latin: IAVE SATVRNE MAXIME NITIDE SEVERE IA (“Hail, great, bright, grave Saturn, hail!”)

I had originally planned to do this in stark black and white, but I opted instead to use a blend of silver, gold, white, and a few basic colors to suit the characters or needs.  All told, this painting forms a sort of all-around “map” to the powers and resonances of Saturn.

Talismanic Saturn Painting

The focal point of the shrine table is the oil lamp in the middle.  In Indian astrology, devotees of Lord Shani burn sesame oil in honor of the god, so I figured I can incorporate the same.  I got a traditional ceramic oil lamp glazed in dark brown and dark blue, both colors associated with Saturn, and filled it with cooking-grade sesame oil mixed with three drops of myrrh essential oil.  Here I’m using a simple cotton thread wick, but normally I’d use a linen strip or a cotton ball, rolled out flat, pressed into a thicker cloth-like sheet, written upon with sacred symbols of Saturn in consecrated ink, and twisted back lengthwise into a wick.  I placed the lamp on a wooden placard I made that has the symbol of Saturn in the middle of a large hexagram, surrounded by the symbols of the other six planets in each of the triangular wings of the hexagram.  Around the symbol of Saturn in its central hexagon, and on the outside of each of the triangles, I inscribed the characters of the seven planets from Agrippa (book I, chapter 33) and wrote around the whole thing the name Κρονος in Greek.  Each of the planetary symbols are colored in the usual planetary color, as are their characters.  The word Κρονος, the symbol and characters of Saturn are all filled in silver, while the surrounding circle and the hexagram itself are all filled in gold.  Everywhere else on the placard is covered in black.  I also added on the name of God “Elohim” written in ancient Phoenician script around the edge, split into six characters and colored for the six non-Saturn planets.  On the underside is the name IHVH, again written in Phoenician and colored in gold, around the edge, surrounding a 3 × 3 grid.  I originally was going to have the nine numbers of Saturn etched in here, but my woodburner failed me for good; what I plan to do is draw in a word-sigil on the qamea of Saturn to tune our rituals to a specific need, such as “stability” in times of chaos or “wisdom” when preparing for a ritual.

The reason why I made this planetarily all-inclusive placard, instead of one that just focused on Saturn, is that this would be used for a household shrine for both my use and that of my husband and our housemate.  While I’ve done the Work necessary to simply launch deeply into a planetary energy and come out unscathed, my husband and our housemate haven’t, and even though respecting and honoring Saturn would be good for all of us, there is a notable risk for them to be overloaded by Saturnine energies that could easily overwhelm and devour them.  To that end, I decided to balance out the light of Saturn that we would shine in our house by making a kind of planet-specific Table of Practice that would act to balance out and harmonize all the planets, focusing and building up to Saturn.  Thus, we first light six small candles, one on each of the triangles around the placard, and briefly invoke each planet before lighting the oil lamp for Saturn in the middle, which precedes the rest of our usual offering.

In addition to the crafts above, I also have a three-footed iron censer for burning incense, usually myrrh, placed atop an old Saturn magic square I made, woodburned and painted in gold and black, to the right of the lamp.  I’ve also incorporated and enshrined, in an unseen way not visible from the pictures above, the powerful Saturn talisman I made back in 2011 (almost five years ago to the day, holy crap!).  All this combined, we have a simple yet elegant Saturn shrine that, from the get-go, already brims with dark stellar power.  Over time, we will probably add more talismans, charms, statues, or pieces of Saturnine art, but this is good for now.

We present small glasses of offerings to Saturn: one of pure water, and three small bowls of a dry offering mix made from rock salt, black rice, black gram, and black mustard seeds.  We place these to the left of the oil lamp placard, while we burn incense in the censer.  We then take some time to recite the Orphic Hymn to Saturn (hymn #12), or, if we’re feeling more adventurous, the Picatrix Invocation to Saturn (book III chapter 7, one version as used here for my Saturn talisman consecration).  Alternatively, we might use the Heptameron Conjuration for Saturday or the equivalent from the Munich Manual (see this page) for a more directed purpose rather than a general laudation of Saturn, or we might just be cool and intone the vowel ōmega and offer a more personal prayer to Saturn.  We do this all every Saturday during one of the daytime hours of Saturn, if possible, usually the midday hour, as that’s the time we’re all most likely to do this together.  Barring that, due to scheduling or whatnot, we might do our own thing with a smaller offering.  We let the candles burn out on their own, and we let the oil lamp burning for at least as long or until it starts to sputter.  We let our offerings sit for a whole week, and then clean off the shrine before we make offerings the next Saturday.  We each clean off with our bowl of dry offerings, pour it into the water, and dump the whole thing out into the road.

Besides all these offerings we plan to make weekly and regularly, there’s so much else we can do to honor Saturn in our lives.  Saturn rules over all disabled people, especially those who are crippled, diseased, or handicapped in some way, as well as vagrants, the homeless, and in low social stations and in menial jobs.  Working for their sake, paying them respect, and making donations (especially in groups of three or in amounts of multiples of three) is a good way to get on Saturn’s good side, as well as making fasts in his honor.  It goes without saying that respecting Saturn in our daily lives is also of paramount importance, including not saying disrespectful or joking things about the god.  We still plan to be realistic about his awful, detrimental effects, but we’re not going to blow them out of proportion; Saturn is, after all, the planet of perspective.  Saturn, given the day of Saturday, is also associated with Shabbat and the Jews; observing a set of shabbat-like restrictions regularly is also a way to show one’s devotion to the planet and its spirits.

I’m honestly pleased I was able to set this shrine up, and I’m very happy with how it all turned out.  At the first invocation, I felt that usual Saturnine heaviness seeping into my bones, like wearing multiple heavy Siberian winter coats without the heat, but this time it lingered on the back of my neck and around my ears.  It’s good to finally give Saturn the respect he deserves and has deserved in my life; truly, Saturn now lives in our home, though I specified that this shrine would be set up for three years, with only the possibility of it remaining up longer.  We’ve enshrined Saturn to help facilitate the integration of his energies into our lives during our Saturn return periods, so that Saturn helps us and does not hurt us, so that Saturn gives us succor and not suffering.  He’s still a heavy, grave, serious planet and a malefic no matter what, but he is just as able to give blessing as much as he can dole out curses.  Here’s to hoping we only see his good side, with his bad eye turned and kept turned far away from us.

Do you worship or have a devotional arrangement with Saturn, in any of his incarnations among the world’s religions?  How do you pay your respects to the planet or the spirits associated with it?

Search Term Shoot Back, October 2015

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of October 2015.

“can we change our physical gender by occultism” — First, a clarification: sex and gender are two separate things.  Sex is physical and involves the organs, bone structure, and hormones that your body has and produces; generally, this is male or female, but there are cases where someone is born intersexed with a mixture of the two sexual types.  Gender is a mental and social construct, and is a fluid gradient between masculine, feminine, agendered, and other genderqueer (hence the use of third person singular gender-neutral pronouns, i.e. neither “he/his/him” nor “she/her/her”).  Second, magic doesn’t work this way, not like how you asked.  I can no more change myself from a physical man into a woman any more than I can shoot fire from my palms or cause earthquakes by hitting the ground with my staff.  That’s the stuff of the gods and of myth.  Magic is a spiritual influence, not a physical one, and although it has physical effects, it goes through spiritual means to do so.  The Harry Potter stuff is just fantasy, and no more.  Now, you can certainly use magic to make transgender transition easier or more obtainable (easier access to hormone therapy, increased finances for physical reconstruction/plastic surgery, glamor to convince people easier that you’re a particular gender, persuasion to make bigots accept you easier, safety when alone at night or with friends), but there’s no ritual that will just up and change a man into a woman or a woman into a man.

“kybalion santeria” — Ugh. Ew. No. The two should never mix.  The Kybalion is New Thought trash; I know that many occultists read it as one of their first books, which acts as a gateway to bigger and better stuff.  I know.  I get it.  I do.  But the Kybalion is trash that causes more harm than good, and the fact that a lot of people read it doesn’t make it a good book.  It’s not Hermetic, certainly; heck, the name of the text itself is made up and supposed to recall “qabbalah”.  And, all that said, trying to mix the Kybalion with Santeria is…unpalatable.  Heck, Santeria is closer to actual Hermetic theurgy (complete with emanationist cosmogony and ensoulment of things) than the Kybalion could ever hope to be, and Santeria is a religion from slaves.  Slaves who had nothing but their ancestors and their gods and a crafty way of calling on them by a number of names unfamiliar to them.  Anyway….yeah, no.  Don’t mix the two, kiddo.

“how to consecrate a ring with the power of the sun” — Consecration of jewelry or talismans generally is an important part of my work.  How does one consecrate stuff?  Well, it depends on the force or god you’re consecrating it to.  With the planets, it depends on what tradition you want to work with, since there are dozens of cultures that have some sort of planetary magic, and hundreds or thousands of rituals between them all.  Originally, I got my start with a Christian-Hermetic angelic approach, which is still what I’ll pull out for really heavy-duty long-term projects, but I’ve experimented with many others.  For the Sun, specifically, I’d strongly recommend a ritual I recently came across from the PGM, which I’ve entitled the Consecration of the Twelve Faces of Helios.  Tweak it accordingly to receive the powers you want.

“is it cultural appropriation for magicians to work with saints” — No.  Spirits call whom they call; it’s not up to meatsuits to tell you “no, you can’t work with spirit X because you’re white”.  I’m very much of the opinion that when a god comes to you, regardless of where they come from, you pay attention.  I have no Greek ancestry, yet the Greek gods welcome me and Hermes especially calls to me; I have Jewish ancestry, but I feel less Jewish than a pig farmer in an oyster bar on Yom Kippur.  I’m getting involved with the ATR community, who’ve taken me in and with whom I hope to serve and pitch in as much as any black Cuban.  I’m not baptized, but the Christian saints have helped me out and continue to do so regularly.  Why is this?  Because spirits recognize color and ancestry and culture but (in general) they don’t care.  If you want to work with them, if you learn about them, if you encounter them how they ask and prefer to be encountered, if you fulfill your vows and keep your word to them, if you remember them and respect them, if you do your best to be a decent fucking human being, then you’re probably going to do better than many who are just “born into the culture” and don’t see it as any more than a thing their grandparents do.  However, respect is the key; that’s the difference between cultural appropriation and cultural appreciation.  There can and should be a two-way exchange between cultures, and we should never be binned into a box just because we were born into it.  That said, we shouldn’t loot, disrespect, or forget the origins of those whom we call on, and we shouldn’t transgress boundaries that even people of a particular culture wouldn’t transgress.  Consecrating elekes with your Wiccan pentacle or setting up an “Elegua protection altar” with hematite skulls and candy is not how you respect the gods.  You don’t just read a book written with half-assed, half-correct information by gods-only-know-what-hack and think you’re good to go as some sort of divine initiate.  Lineaged initiations, for instance, cultural mores, and purity laws are things to be respected.  For instance, even though I’m not Christian, I go to Catholic mass all the same when I need to get in touch more with a saint; that said, because I’m not baptized, I won’t take part in the Eucharist and receive communion.  Why?  Because I’m doing it for the same Power that the saint lived and died for.  It’s respect, and I apply that to all my spirits, be they gods, theoi, orisha, saints, angels, ancestors, kami, demons, or whatnot.

“the true table of practice” — There is no “true” Table of Practice, no more than there’s a “true” wand or “true” Triangle of Art.  Tables of Practice are tools used in conjuration as a basis for summoning a spirit, and there are different types of Tables used: there’s the one from the Ars Paulina, the one from Trithemius, the one from Dee, and I’m sure there are yet others that exist in the Western Hermetic tradition.  The Table you use is dependent on what text or tradition of magic you’re working with.  If it exists, by which I mean if you have a tangible version of it you can use in a ritual, regardless whether it’s gilded stone or engraved wood or Sharpie on a cereal box, then it’s true enough to work.

“cyprian of antioch vs st michael” — Why “versus” at all?  Cyprian of Antioch is a saint, and so honors God through His angels, including Michael the Archangel, the Prince of the Heavenly Host.  They work together, although Cyprian might prefer to call on a number of other powers before calling on Michael.  Now, while I strongly recommend developing a relationship with both Cyprian and Michael, and while they both tend to achieve the same end result when it comes to spiritual work, they achieve them in different ways.  Saint Michael the Archangel is the one who conquers and subdues wicked spirits, demons, and devils; think of the usual image of him where he’s impaled the Devil with his sword or spear and has him chained and underfoot; Michael helps you command the spirits as your servants.  Saint Cyprian of Antioch, on the other hand, is the one who ennobles and elevates wicked spirits, making them genteel and dignified so that one may work with them on an equal footing; Cyprian helps you collaborate with the spirits as your partners.  Sometimes it’s better to go with Michael than Cyprian, sometimes the other way, sometimes either way.  It depends on your style of interaction with the spirits, whether you prefer to be harsh or soft and whether you prefer slaves or partners, and it depends on the specific circumstances you’re working with spirits.  Sometimes you need force, and sometimes you need nobility.

“how to do things with quartz crystal” — Yes.  You do the things with the crystal by using it.  You might need to hold it differently or make sure it’s smooth enough for some particular means; you may not want those ridges on a Lemurian crystal (snerk) chafing your anus or vagina.  Not all crystals work as soup ladles.  Crystals generally do not work well as shampoo.  Horses tend to get you from place to place on the streets in rural Pennsylvania better than crystals.  One cannot make good coffee or tea with quartz crystals (or, for that matter, the crystallized powder of dehydrated coffee).  Smoothed crystals work well as back massagers.  Most crystals, except for the tiny ones, can help keep papers on your desk in the case of an unexpected tornado.  So many things!

“scorpio planetary hours” — There’s a bit of a semantic mismatch here.  Scorpio is a sign of the Zodiac, a 30° segment of the ecliptic in the eighth sphere of the fixed stars, beyond the spheres of the planets.  Planetary hours are segments of daytime or nighttime that are associated with the individual planets.  Scorpio is not a planet, and thus receives no planetary hour.  However, Scorpio is associated with the planet Mars in its negative/passive/feminine aspect, so we can say that certain hours of Mars (such as those at nighttime or during the waning Moon) can be associated with Scorpio, as I’ve experimented with before.  However, as my results from said experiment have indicated, there’s no real need to use planetary hours for the zodiac; rather, you’d want to time stuff so that the sign in question is rising (at the eastern horizon) or culminating (at the zenith/midheaven).

“witchcraft entity children summoning conjuration rituals” — I…what?  Are you wondering what spells witches use to summon children?  Is Hansel and Gretel a cautionary tale of “don’t let your children get bewitched”?  Do you think that those Satanic witches summon children to their stoops so that they can dismember them and use them in sacrifices to the Devil?  Pah!  Smart witches understand that one should use the most mundane, innocuous methods and stock up when children are in abundance.  On that note, have fun trick-or-treating this weekend, kids!

“angelic runes chart”, “planetary runes combinations” — Funnily enough, these are not what triggered my recent post on term clarification for different types of symbols, but it was a Reddit post on /r/occult.  Anyway, neither angels nor planets have runes (pace anonymous author of the Liber Runarum).  The word “rune” refers specifically to the letters of the alphabets used for Germanic and Scandinavian languages prior to the introduction of the Roman script in northwestern and northern Europe.  There are runiform scripts out there, like Old Hungarian and Old Turkish, which look kinda-sorta like futhark/futhorc runes, but they’re not themselves runes.  Angels have seals or sigils (such as those given in the Magical Calendar or the Heptameron or Agrippa), and planets just have glyphs.  In general, it’s better to just use the generic word “symbol” to refer to things.

“cassiel ritual for separation of lovers” — Cassiel is the angel associated with the planet Saturn, and is otherwise known as Castiel, Caffriel, Tzaphqiel, or some other mangled form of its original Hebrew name.  Saturn is not exactly the most emotional or sweetest of planets, and is also associated with the metal lead.  You know the story of Cupid?  He has two sets of arrows: gold-tipped ones to cause people to fall in love, and lead-tipped ones to cause people to fall in hate.  I don’t have a ritual handy under the angelic powers of Saturn to cause people to spurn each other, but it’s not hard to see how this might be done.  For instance, if I were to make up such a ritual…get a fishing weight made of lead and hammer it out into a flat disc.  Engrave one person’s name on the left of the disc and the other person’s name on the right, with the symbol of Saturn written three times down the middle of the disc.  On a Saturday night in the hour of Saturn, preferably with the Moon waning and placed antagonistically towards the planet, call on the angel of Saturn with myrrh and asafoetida incense.  Proclaim the love of so-and-so with thus-and-such null and void, that the powers of Saturn sullen and ensorrow their relationship, and that the two lovers be no more; break the disc down the three symbols of Saturn into two, such that the two names are no longer together on the same piece of lead.  Suffumigate the pieces in the incense and set a black candle to burn on each such that the black wax covers the two pieces of lead.  In the morning, instead of using the bathroom as normal, piss on the two pieces of wax-covered lead, and bury each piece where the person will step over it (so-and-so’s piece where so-and-so walks, thus-and-such’s piece where thus-and-such walks).  You’re done!  Go take a shower and enjoy your chaos.

“how to consecrate a 7 day candle”, “burning candle rituals in psalms”, “candle burning rituals psalms”, “burning candle rituals use of psalms”, “florida water and white candle rituals”, “psalms 23 white candle magic”, “how to burn candle to pray with psalm”, “candle burning ritual using the psalms”, “can you use florida water to consecrate a candle” — I’m not sure if I noticed it before or if it’s actually weird this month, but it seems like I’ve gotten a higher-than-normal rate of candle/psalm-related searches.  Chances are these are variants of something a single person was using and kept getting turned back to my blog, and given the inclusion of Florida water in a few of the searches, I’m going to guess they’re looking for something more American in style, like hoodoo or rootworking uses.  Honestly, while the usual all-purpose candle consecration ritual I use comes from the Key of Solomon (book II, chapter 12), that’s generally overkill for something like this.  Washing a candle off in fresh, clean water or holy water is more than enough; Florida water may make it a little “brighter” than you want, but it’s a good spiritual cleanser all the same.  You can anoint candles with olive oil that’s been prayed over or with a specific magical oil, but it’s not strictly needed unless you think it’ll help with your specific need better.  There’re whole books and styles of setting lights and burning candles, especially with Psalm magic, far more than I can describe here, but use candles in ways that make sense, generate spiritual power from the flame, and demonstrate through ritual motion of moving and placing candles according to the specific psalm and purpose of the ritual.

“can i invite pomba gira into my dreams” — Ahahahaha a̴͔͓̰͕̩h̸͙͙̱̲̝a̜̝̦͈̤̦ͅh̕a̝͍̟̯̹̠h̺à̙̖͕h̻̻͚͍͔̼͙a̖͔h͇͟a̛̬̗̥̞̦h̡̠ H̷̹̣̘͈͎̭͔͟À̵̲̖͍̪̱̘H̢͚͈Á̘̳̠̭̰ͅH̥̼̳͎̞̻̖̲A̵̳̗̜̫͍̬̬H̜͇̰̟̜͜A̵̸̳̙H̡̙̯̩͉̼̼̹̳̰̕A̫̬̻͇͖̝̫͜ͅH͖̞͡A̞̳͇̫̕ͅ H͔̞̜̣̟̀͟͟͢A̭̯̹̥̼͙̪̤̩̤͔͟͢͠Ḫ̸̶̢̨̲͉͇̙̫͍̹̥͓̝͈̺̯͟Á̷̟̠̤̼̝̪̙͙͕͕̭̲͉̭̀͜͢H̸̵̴̖͓̪͙̬̹͕̣͔̰̟̥͈̭́͝A̧͙̟̘̞̠̼͍͠H̶̨̡̻͈͈̮͖̬̙̯̳̺̻͉̬̼̗̰̗̣͉̀͢A̴̵̦͖̲̠̯͚̲̜̬͔̪͇̙͈̺̦̺͚ͅH̴͇̟̦̙̦̺̖̭̰̦͕͔́͟Ą̸̪̲̝̯̥̤̲͖̪̥̲͖̗̗̕͜H̞͇̱͉̜̠͖͔̹͓̜̟͈̕͢ͅA̶̕҉̡̤̫͉̦̗̤A̴҉̡͎͈̰͎̘͈̭͙͟A͜҉̖̬͍͚̩̦̬̲̯A͘҉̤̗̭͉̪͇̠Ạ̸̛̛̫̝͈̰͍͉͖̻̝̞̺̭̼̹̣̠̀͢Ą̡̱͓̝̦̼͖̯̞̟̞̻̱̙̠̦̰͠ͅA̷̢͇̹̫̘̥͙̻͙̼̝͍̠̼͡ͅͅA̴҉̴͈͔̬̫͎͙̹̲̰͍͙̕͟ͅͅÁ̴̶̱̘͉͍͈͘A̗̻̯̲̪̟̯͚̠̠̭̥̬͓̻̙̙͢͝ͅ y͖̜o̷͘͏̺̮̭̮͇̪̰ù̧̩̖̪͖̬̀ͅ ̵͖̠̘̯̲͎̙̳͘f̘̮͖͙͝o̗̪̺͉̺̫̣͕o̥̖̳̹͢ĺ͉̥͍̥͇̥̹͞ 


And now, since I figure I may as well rejoice in it, here’s the list of all phallus-related searches from this month.  Because people obviously come to read the Digital Ambler for two things, magic and dicks, and I’m not sure which is more popular anymore.

  • anal sex with big black cocks
  • dick big kongo
  • black huge dicks
  • use method large cock
  • egypt massive dick man image
  • pompeii penis depictions
  • ebony dicks
  • huge dick

Search Term Shoot Back, June 2014

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of June 2014.

“what does it mean to trace the grid from the center crystal to each other crystal using a wand or your fingers show picture” — …I mean, I feel like the idea is pretty explanatory.  Center to crystal 1 to center to crystal 2…to center.  Do you really need more guidance than this?  You already described the method.

“saint cyprian wand” — I’ve never seen something like this, save for maybe the blasting rod of the Grimoirum Verum that forms part of the Book of Saint Cyprian.  The good saint himself is usually pictured with a crosier and a book, though as a magician himself he was likely familiar with the use of wands in the classical and early medieval Mediterranean.  Heck, his crosier itself could be seen as a type of wand, being associated with wisdom, spiritual authority, and guidance, all attributes commonly given to the wand.  Still, a modern wand for use in Cyprianic workings isn’t a bad idea.  Necromantic materials would be of use: an ebony or iron wand packed with graveyard dirt and capped with smoky quartz or jet, engraved with holy symbols and names, perhaps buried for a week at the head of the grave of a priest or magician during the New Moon, fed with the blood of a black chicken or goat.  Not a bad idea at all.

“how to use saturn seals in “key of Solomon”” — If you merely read the book (book I, chapter 19), many sections tell you how to use it.  Generally, you show a pentacle unto a particular spirit like how the FBI flashes a suspect their badge (Saturn pentacles I, II, III, IV, V).  Some of them cause some change in the world by their mere existence and construction and should be kept for future use as a ritual tool, similar to a wand but used to “fire off” work into the cosmos generally (pentacles II, IV, VI, VII).  When a pentacle is not being used, it should be kept hidden and safe, or it should be enshrined on an altar with other magical tools, perhaps reconsecrated every week or so with candle and oil and incense.

“stones in sash black magic santeria” — …do people still consider Santeria to be “black magic”?  Really?  It means “way of the saints”.  It’s about as far you can get from “black magic”, and I’ve written about my thoughts on the term itself elsewhere.  As far as I’m aware, Santeria doesn’t really use sashes, though I’ve seen some massive elekes and collares that are used in limited ritual purposes, but those are all nearly entirely colored glass beads.  Also, I’ve seen sashes of fruit for newly made iyawos.  Beyond that, I can’t think of a Santeria sash, though I’m admittedly no expert in Santeria.  Sashes are sometimes used in other traditions, like the bandera of Palo Mayombe, but that’s a different thing and, again, is nearly entirely glass beads.  Stones might just be a personal flourish.

“h0w t0 consecrate oil with psalm 72” — I wasn’t familiar with this psalm before I wrote this post, but I like it!  Take some good, clean oil and pray over it fervently; that’s all you need to do to consecrate anything, really; the incense, candles, and hoopla of ritual can help but aren’t strictly necessary.  Psalm 72, specifically, sounds beautiful for blessing, dominating, and prosperity work.

“top 10 conjuring rituals real” — What, as if there’s a Buzzfeed list of magic rituals full of spooky GIFs?  C’mon, dude, get your act together.  There’s no such top-ten list of “real” rituals; any ritual that works is real, and different people often get different rituals to work for them.  Once you get the experience of a few conjuration rituals, you can start doing them on the fly with spirits you have a good connection with.

“seal of sealtiel angel” — Unfortunately, even though I’ve been making weekly offerings to Sealtiel the Archangel for a brief time now, I haven’t done much more than that and engaged the archangels in conversation, like I would in a conjuration.  I mean to in the near future, but I haven’t yet.  I don’t know of a seal for the angel, so you might want to stick with making a sigil based off the letters in his name a la chaos magic or by using my Greek Sigil Wheel idea.  Sealtiel often bears a thurible as his badge of office, so you might start with that if you want an image.

“how to use saturn to create prosperity” — Er, that’s not usually Saturn’s job.  Prosperity is usually in line with Mercury and Jupiter, the planets of exchange and expansion generally,

“autobiography of st. jehudiel”, “biography of saint sealtiel”, etc. — Seeing how these are angels who have never technically lived, it’s hard to have a biography of them, since a biography is an account of, you know, a life.  They’re immortal beings who serve the will of God directly; they don’t have lives like we think of them, and they don’t exist apart from God.  Also, an “autobiography”?  Not only does that assume a life of an angel, it also assumes they write and can communicate to us in language.

“horus demon god of sun sygils” — Much of this makes no sense to me on a conceptual level.  First, to spell the word as “sygils” means you’re probably in Thee Temple ov Psychick Youth (or however it’s misspelled) or just some middle-schooler who wants to be all dark and powerful.  That isn’t done with extra “y”s and the metal umlaut, you know.  As for Horus, yes, he’s a god of the Sun, but in no sense is he malefic or demonic.

“locating lost thing by star power” — What, are you Sailor Moon?  There are astrological and geomantic methods of finding lost objects, but unless you’re a Sailor Scout or one of the Three Wise Men, you’re not going to find anything directly through the stars themselves.

“most deadly buddhist mantras” — …I don’t think you understand the point of Buddhist mantras.  There might indeed be powerful spells and mantra-like charms in some distant and extant traditions of magic and applied Buddhism, but none I know that would kill a target or the user.  That tends to go against the Precepts, anyway, but you know, expedient means and all that shit.

“effects of reading saint cyprian book” — In my case, you’ll’ve learned Spanish and published a translation in English (hint: go buy my cheap ebook on Etsy!).  Supposedly, if you read the Book of Saint Cyprian, either front to back or back to front (I forget which), you end up summoning the Devil.  That didn’t happen in my case, and he might’ve just gotten confused with my flipping around randomly through the book.

“how to aproach the abramelin ritual if you already know your guardian angel” — Honestly, if you have contact with your HGA, why do the Abramelin ritual?  The meat of the matter is getting contact with your HGA, after which you go through and bind evil spirits from messing with you in the future.  Once you have your HGA, you can do anything, basically.  I know some friends who are going through the Abramelin as an initiation requirement in some groups, but that’s not the real use of the Abramelin, as I see it.

“is the word geomancy in the bible” — Nope.  Geomancy likely kicked off in the Sahara Desert around 900 or 1000 AD, well after the Bible was written (especially the Old Testament).  However, if you read that the Bible has a prohibition on divinatory arts generally, then that would include geomancy; if you read the Bible supporting the act of divination, then that also includes geomancy.  The word itself is coined more recently than the Bible, as is the art, so you won’t find biblical references to it, although some traditions hold that geomancy was given to the prophet Hermes Trismegistus, Adam, Idris, Daniel, Jesus, or Mohamed to discover more of the secrets of God, so it depends on what you consider meaningful.

Crying of Calls 49: Saturnine Recap

I mentioned recently that I got Jason Miller’s excellent “Advanced Planetary Magic”, which, again, you should totally get, since it’s worth far more than the cost.  It’s a collection of 49 short prayers or invocations to be used during different combinations of the planetary hours and days for different ends (so there’s a Moon/Saturn call to be done in an hour of the Moon on the day of Saturn, a Saturn/Moon call to be done in an hour of Saturn on the day of the Moon, etc.).  As part of his goal to get this magic out in the world and practiced by the masses, Mr. Miller started up a project called The Crying of Calls 49, where people participate by calling out one of the calls each for 49 consecutive days in the proper hour for a given week.  So, the first week is for the Moon calls, the second week for the Mercury calls, and so forth.  I’m posting my results in the Facebook group for the project, but I also thought I’d share my results and experiences with you all as well.    I won’t share what the Calls are or what they’re for, since you should go buy the ebook and find out for yourself, but the astute among you will figure it out.

This last and final week, Monday 8/19 through Sunday 8/25, we did the calls to Saturn.  Below are my experiences and thoughts:

8/19: Saturn/Moon 

Made the Saturn/Luna call tonight in the third hour of Saturn. Standard operating procedure, myrrh/jasmine incense. For Saturn, I’m repeating the call three times.

Heavy, certainly, which is fitting for Saturn. It’s like the smugness of the past */Saturn calls is from being self-important or beyond judgment, which now I’m starting to get more on that side of things. Still, heavy and fixed as Saturn is, the Moon gave everything a rapid, fluid feel, like I was a rock at the center of a whirlpool, or a fixed point in space and time. I felt like being able to reach out and gathering whatever it was I needed from the world outside of me, like everything was circling around and to me instead of me having to catch up to it. For the intent of this call, this is certainly one way to keep up with time, but not the expected one. Inhaling the visualization of the sigil of Saturn lead on violet was…sticky, like trying to breath in wet jello, but it tasted sweet enough due to the incense blend (which lends itself well to each other). This is less a mischievous feel (as in Luna/Saturn) and more of a…confident overseer feel. Interesting.

8/20: Saturn/Mars

Made the Saturn/Mars call twice today, first in the first hour of Saturn at work (just under my breath) and again in the second hour of Saturn, standard operating procedure with pine/myrrh incense.

This one has a kick to it; the heat of Mars is strong, but it’s heavy and restricting in a Saturnine way I haven’t yet felt in this project. Visualizing the sigil of Saturn lead on red made it seem much more…not necessarily sinister, not quite despondent, but something between the two; it felt like a grill or a net, and inhaling it didn’t quite work, but it wrapped around me as a chain blanket and seeped into my bones, which now feel denser and hotter. The heat built up in this isn’t painful, but it is discomfortingly deep. In that regard, it’s probably good paired up with the Jupiter/Mars call to get off one’s ass, especially if one’s weakness (like mine and others, certainly) is sloth.

8/21: Saturn/Mercury

Made the Saturn/Mercury call today in the second hour of Saturn.  I’m visiting a friend today out of town, so I made the call outside in the sunlight; a change, but a pleasant one.  Otherwise, standard operating procedure with cinnamon/myrrh incense.

This is a weird feeling, but perhaps mercurial me doesn’t often like shutting up, with either my voice or my mind.  If Mercury deals with circuits and channels of communication, the normal connections and flows I feel changed drastically; it was like all channels of communication were thrown open and flowing towards me.  The heaviness of Saturn made me feel like the bottom of a well or a lake, with all the buzz of Mercury flowing to me like water to a low spot.  Between feeling low and looking up and this weird centralized-stillness-external-buzzing, this feels like a weird kind of spiritual adderall.  Probably good to use before meditation, classes, or any period of observation that requires focus.  Visualization of the sigil of Saturn lead on orange didn’t have any unusual effects or signs this time, but inhaled smoothly and made me feel solidified and more “here”.

8/22: Saturn/Jupiter

Made the Saturn/Jupiter call tonight in the second hour. Standard operating procedure with myrrh and cedar incense.

Like the Jupiter/Saturn call last week, this feeling of combined forces is difficult to discern in differentiation (oh my god Jason, confound you for getting me stuck alliterating endlessly), and the feeling is really similar: guarded kingship, decisiveness, clarity. The breeziness and coolness of Jupiter mesh well with the heaviness and cold of Saturn, although this call is the exact opposite of the other; while Jupiter/Saturn was about expanding within contraction, Saturn/Jupiter is about contracting on expansion. It’s almost the same sensation, and I feel like I have everything spiritually or metaphorically at hand in a kind of “waste not want not” atmosphere. Inhaling the sigil seemed odd tonight; visualizing the sigil of Saturn lead on blue ended up getting wrapped around my head, looping through my spinal column and forming a kind of ring through my nose, like it’s circulating and pushing stuff down and away from the head elsewhere in the body. Probably some good information in that symbolism, I’ll wager.

8/23: Saturn/Venus

Made the Saturn/Venus call today in the second hour of Saturn. Standard operating procedure with rose/myrrh incense. I tailored my preceding prayer with a specific intent to solidify and make permanent and transcendent my relationship with my partner.

Unlike the other Saturn calls, this one isn’t heavy at all, though it has an interesting other effect; I feel like there’s some weird chain or cable pulling from within my chest out towards the back elsewhere; I know where it ends, my own partner, or my link to him, rather. The heaviness is definitely around my chest due to this weird tethering, but it’s not unwelcome; unlike the Venus/Saturn call, this one is actually fairly pleasant, if not sobering. The kindness of Venus certainly cancels out the otherwise harsh feeling of Saturn, but the way they combine here is almost surprising, showing a weird kind of sober, somber, dedicated love that (for someone as young as I am) I wouldn’t expect to feel anytime soon. The incense has a type of wine-like twinge to it tonight missing from before, and the sigil seemed as normal as ever besides shooting into and through me to form the chain instead of just inhaling it as usual.

8/24: Saturn/Saturn

Changed things up today. Opened up with an invocation of Saturn from the Picatrix and used my lead Saturn talisman from an election a while back as a focus for the ritual. Used three candles and three sticks of myrrh incense, and anointed my palms and the talisman with myrrh oil. Beyond that, standard operating procedure, but with nine repetitions of the Call (three times three): three out loud, three quietly, three silently.

This one knocked me on my back, or rather, on my front; I ended up lying down prostrate on the ground before my altar for a while after making the call, since the heaviness of Saturn turned into a deep, profound sense of falling. Entering the Abyss, indeed. I’ll reserve most of my thoughts on this for later; I don’t even really know where to begin with this tonight. Visualizing the sigil of Saturn lead on black tonight was sharp, and inhaling it into my energy body felt painful or like being macerated inside. Everything is calm, but…

8/25: Saturn/Sun

Made the Saturn/Sun call today in the first hour of Saturn. Performed a ritual cleansing and full Sevenths-calling beforehand, and got out the fancy censer and grains of myrrh and frankincense resin (partially because I ran out of frankincense sticks). Otherwise, standard operating procedure.

After last night’s heavy and depressed call, this one was sorely, sorely needed, but having done it, I feel recharged in the deepest and most thorough way possible. It’s a weird kind of joy; not a temporary or emotional joy, but an existential, survivalist joy that doesn’t quite match up with words or laughter. The stillness of the Sun provides a kind of crystal clarity to the world around me, while the solidity and heaviness of Saturn this time has turned into a kind of support and guide, a chain bridge or a ladder to help me. The visualization of the sigil, though dark like coal on gold, inhaled in among the densest and most spiritually forceful way yet; it seemed to form a chain extending from infinitely above me to infinitely below me, a kind of shivalingam of gold and black that I can neither escape nor lose myself from.

And that does it for me! All 49 Calls have been made, and this project is drawn to a close for me. This has been a fantastic trip for me, you guys, and I give my deepest and sincerest thanks to Jason Miller for writing up this set of prayers.  I wouldn’t’ve thought to combine the planets like how he did, and I’m glad he shared his work with the world.  If you haven’t gotten your copy, do so immediately and start putting them to use.  I can’t emphasize how powerful yet simple this stuff is; it may be Hermetics Lite, but it has no small punch for your Work.

De Geomanteia: Tristitia (give up on this don’t give up on us)

Since one of my most favorite topics in occultism and magic is divination, specifically the divinatory art of geomancy, why not talk about that? I know a lot about it, and not many do, so let’s go with it. If nothing else, you’ll come away slightly more educated, and I’ll come away with something looking like productivity. With that in mind, let’s continue this little series of posts on geomancy, “De Geomanteia” (On Geomancy). This week, let’s talk about this figure:



This is the figure Tristitia.  In Latin, its name means “Sorrow”, but also has the names of “upside down” or “relapsed” in some Arabic traditions, as well as the names of “damned” or “diminished”.  If you (quite literally) connect the dots, you might come up with a figure that looks like a stake, a pit, or a collapsed building.

First, the technical details of this figure.  It’s associated with Saturn in direct motion and the astrological signs of Aquarius or Scorpio; due to its Saturnine qualities, it’s also associated with the sephirah Binah.  It has only the earth line active with everything else passive, and so given to the element of Earth.  It is an odd figure with seven points, relating more to internal states of the subjective mind than external states of objective reality.  It is a stable and entering, showing it to be slow-moving and long-lasting where it appears.  In the body, it signifies the lower legs, ankles, and circulatory system.  Its inverse figure (everything this figure is not on an external level) is Cauda Draconis, the Dragon’s Tail, showing that this figure is not quick to change, not prone to end, not externally calamitous.  Its reverse figure (the same qualities of this figure taken to its opposite, internal extreme) is Laetitia, joy, showing that this figure is not happy, not free, not open or easily-seen.  Its converse figure (the same qualities of this figure expressed in a similar manner) is Caput Draconis, the Dragon’s Head, showing that it is similarly slow-moving, stable, and able to continue in a single direction for a long time.  Tristitia is about going down or going south in any way, including lowered spirits, depression, depressed health, lowered expectations, and getting stuck in a rut.  It often refers to an internal state of failure or self-crossing, as opposed to an external incarceration or being cursed from outside, and is generally unfavorable.  However, it is helpful for anything related to land, subterranean or chthonic matters, and keeping things secret or stable.

Rock climbers can have it tough, especially when they feel obliged by their hobby to scale behemoths of mountain that, no matter how far they ascend, always makes them feel like they’re stuck at the bottom of an infinite height.  It’s slow and rough, too: he has to clutch to any crevice he can find, if he can find one at all.  Any slip or mistake, and he falls, falls, falls, and no matter how much he pretends the distance below him is trivial, he feels like his own progress up the mountain isn’t getting him anywhere at all.  Driving a nail into the rock face (ting, ting, ting) is slow work, and has to be done over and over again to support him.  He has to take out his old stakes, and successfully pulls one out at the cost of tearing a few feet of rope; he yells in a brief shot of fear, though he secures himself just afterward.  His heart sinks with every mistake and mishap he makes, but with every mistake he makes a bit of progress, though not on the mountain itself.  Despite the cold wind whipping around him and feeling desolate and deserted, he has no choice but to continue.  With his only choice to go, go, go, he has to continue toiling to do anything.  Right now, it sucks, and shows no signs of stopping anytime soon.  He will survive and succeed and surmount this cliff, but not before a long, and hopeless journey first.

Climbing Great Sail Peak

Like its reverse figure Laetitia, Tristitia is another emotional figure that represents pretty clearly what its name signifies: sorrow, grief, sadness, depression, malaise, malcontent.  It’s nothing particularly good, and what’s worse is that it takes time for it to pass.  Unlike cheerful, easy-come easy-go Laetitia, Tristitia lingers even when it’s not nailed down.  Happiness is often found in passing while doing things proper to one’s nature, but Tristitia prevents actions from being done due to being in a depression.  It’s tough to deal with, but it too shall pass.  However, the image of Tristitia as a stake or nail also give it the implication of support, structure, stability, foundation, and construction, in all of which Tristitia is fairly favorable.

Having only the earth line active and all others passive, Tristitia is ruled and assigned to the element of Earth.  According to Cornelius Agrippa (book I, chapter 3), Earth is assigned the qualities of being dry, cold, thick, dark, heavy, and quiet.  Earth’s natural motion is downward, since it’s the weightiest and heaviest of the elements, and is also the most mutable and the basis for all other things that exist in our world (pure elements only exist in their respective realms).  Put into human terms, Tristitia is pure work, focusing strictly on material results, but has the effect of bringing melancholy or depression (downward spirits) into one’s life.  Plus, with Earth being the most stable and most rigid of the elements, the effects of Tristitia (and, similarly, toil and depression) last for a long time as well. 

This is closely associated with its association with Saturn, being the slowest-moving and darkest of the planets, also being the Greater Malefic and usually pretty awful to work with.  Saturn rules over pain, trouble, being harassed, melancholy, depression, paucity, scarcity, and sometimes even mortal trouble.  However, Tristitia is associated with Saturn in direct motion, indicating that it’s actually proceeding in matters and accomplishing something, as well as with airy and bright Aquarius.  Though Tristitia represents downward motion, if not the bottom of the barrel, it can also be said that when you’re at the bottom the only way out is up.  Aquarius, unlike rigid Capricorn, is eager to develop new methods of tackling and ruling the world, and so uses its melancholy as a base to build new structures to rise back up.  In this case, Tristitia is like the dark of a tunnel one is wandering through, guided only by the barest glimmer of light, or the promise of a ledge for a weary rock-climber to eventually rest on.

Tristitia has interesting connections with the other two figures ruled by Saturn, Carcer and Cauda Draconis (its inverse figure).  While Carcer represents external delay and obligations, Tristitia represents internal obligation and getting stuck in a rut.  It’s the difference of where the issues of delay and force come from: Carcer indicates outside forces imprisoning one usually due to displeasing or misunderstood aims (fire and earth active), while Tristitia shows an internal depression dragging one down from achieving any good (only earth active).  On the other hand, Cauda Draconis indicates a lack of support and that things are ripe for ending (everything but earth active), while Tristitia represents a lack of support but with no other choice but to continue on (nothing but earth active); having opposite elemental structures, their end goals are different, but they manifest similarly.  Cauda Draconis also indicates someone actively laying a curse against a victim, while Tristitia can show being crossed or being blocked or held down by one’s own choices.  Tristita is a deeply internal figure, showing problems caused or continued by oneself even though the external world may have nothing to do with it.

In geomancy readings, Tristitia means decrease, though not necessarily loss; any amount, health, support, or concordance will be put under strain and often wane under the influence of this figure.  It’s good in matters of acquiring or owning land, agriculture, construction, or keeping things hidden, dark, obscured, secret, or underground in any sense.  Otherwise, Tristitia is pretty unfavorable in most matters, sometimes indicating demotion at work, tightness of funds, a decrease of respect or recognition, and so forth.  Tristitia in magical use is probably best suited to keeping things hidden or secret, and also to keeping things fixed or stable for a long time; inscribing Tristitia on cornerstones or on foundation stones would be very good uses, as well as using it on talismans for agricultural fortune and fecund harvests.  Used maliciously, Tristitia is excellent for inducing lethargy, depression, or malaise in victims, being an offensive and outgoing source of Saturnine energy.

De Geomanteia: Carcer (on the inside of this marble house I grow)

Since one of my most favorite topics in occultism and magic is divination, specifically the divinatory art of geomancy, why not talk about that? I know a lot about it, and not many do, so let’s go with it. If nothing else, you’ll come away slightly more educated, and I’ll come away with something looking like productivity. With that in mind, let’s continue this little series of posts on geomancy, “De Geomanteia” (On Geomancy). This week, let’s talk about this figure:



This is the figure Carcer.  In Latin, its name means “Prison”, which is pretty common in many traditions, but also called “constriction” or “bound together”.  If you (quite literally) connect the dots, you might come up with a figure that looks like a ring, a cell, or two people facing away from each other.

First, the technical details of this figure.  It’s associated with Saturn in retrograde motion and the astrological signs of Capricorn or Pisces, depending on whom you ask; due to its Saturnine qualities, it’s also associated with the sephirah Binah.  It has the fire and earth lines active with air and water passive, and so given to the element of Earth.  It is an even figure with six points, relating to objective situations rather than internal or subjective events.  It is a stable and entering, showing it to be slow-moving and long-lasting where it appears.  In the body, it is associated with the knees and bones.  Its inverse figure (everything this figure is not on an external level) is Coniunctio, the Conjunction, showing that this figure is not decisive, not transient, and not sociable or in contact with others.  Its reverse figure (the same qualities of this figure taken to its opposite, internal extreme) is the same, Carcer itself, showing that this figure is the same from all points of view.  Its converse figure (the same qualities of this figure expressed in a similar manner) is Coniunctio, showing that it is cyclical, pausing, and foundational.  Carcer is fairly negative as far as geomantic figures go, often indicating delay, restriction, obligation, and isolation from one’s desires.  One is often held back or restrained from contact or completing one’s works when this figure appears, even literal imprisonment; however, due to its isolation, it also indicates stability and security.  It is favorable when one wants to maintain or enforce a given situation, but generally poor otherwise.

The inner temple, the inside of a large pyramidal structure, empty and barren, the floor covered with sand.  The ancient large door, once bright and intricately engraved, has been sealed shut long ago, nobody able to open it; the sand eroded its carvings, the dust covers what color remains.  The whole chamber echoes, all softly aglow from the dust.  Light pours in through a single aperture high up on the apex of the pyramid, far out of reach for any contact or assistance.  The only thing present in the entire chamber is an old man, long ago incarcerated in this prison.  He angrily puts around his prison endlessly, forever stuck, forever sealed away, reaching down into the sand with a clenched fist and throwing it at the light in frustration and acrimony, screaming in fury.  He has much to say and much to do, having been planning for years, but has no way to enact what he wants; all he can do is think and wait, held back by the walls that enclose him.  He has no means to interact or to connect with others; he can think of things only so much, and nothing deep due to the lack of inspiration, religion, and philosophy to draw on.  He is both physically, intellectually, and emotionally starved.  All he thinks about are plans; scribbles on the walls and in the sand guide him, shifting here, erasing there, reincorporating old ideas there.  Without anyone to see him, help him, or value his plans, he can do nothing.

Jail Cell

Carcer is a tough figure to deal with, not gonna lie.  As a figure of Saturn, Capricorn, Earth, darkness, and stability, Carcer takes all that symbolism and runs with it in the most concrete way geomancy knows how.  The name itself, meaning “prison”, is again indicative of its significations: something is trapped, held back, restrained, delayed, or refrained from accomplishing or interacting with others.  Then again, this idea of resolute, impermeable structure has its upsides, too.

In the geocentric model of the universe (pretty reliable when it comes to Hermetic philosophy and cosmology in general), where the Earth is at the center of the cosmos, the rest of the planets revolve around the Earth in concentric “shells” or spheres.  Above the Earth, we have, in order, the Moon, Mercury, Venus, the Sun, Mars, Jupiter, Saturn, then the background fixed stars, and beyond that we have, essentially, the Divine Source.  Saturn is the last planet, the last distinctly formed thing, separating the manifested world from the manifesting and unmanifest world; going the other way, Saturn is the first planet where form is possible, coming from the Source of manifestation doing its job, and allowing Matter to afterward fill the outlines of Form that Saturn provides.  Saturn is about limitations, boundaries, walls, and definition, and so is a natural ruler of prisons, obligations, responsibilities, and being held to something.  It represents the guiding forces that show us “up to this point and no further”, indicating where we need to expand and by how much, and often how.

Further, by having set boundaries, one can keep one’s identity and sphere safe from the outside.  Prisons may keep what’s inside from getting out, but they also keep what’s outside from getting in.  Still, outside influences can determine the shape of those boundaries, often in the form of social obligation and restriction, which the prisoner inside must follow; this is where the astrological signs of Capricorn (indicating social responsibility and obligation to goals) and Pisces (being with others and having to fit into a given definition and role) give Carcer some of its astrological symbolism.  Either sign works, but in my experience, attributing the social pressures of Pisces and the need or obligation to fit in and follow through with others works better with the image of Carcer.

Elementally, Carcer is an Earthy figure, but is probably better described as “dry”, having both the dry elements of fire and earth active without the moist elements of air or water present.  Moisture is the quality that allows forces to mingle, flow, and actively interact with each other; Carcer has neither of these.  The natural motions, how the different elements tend to move in their pure states, don’t help the image here, either: Fire burns upward, Earth falls downward, both moving away from each other.  The elemental structure of Carcer implies a total disconnect and separation from other forces, without any sort of emotional or communicative interaction to bridge the gap between them.  One can have all the plans and specifications in the world and all the resources to execute them with, but without a method to bridge the two, one will just be drawing in the sand unable to accomplish anything.

The shape that the figure Carcer makes is a circle, which itself has some valuable information for the geomancer.  Circles are lines with no beginning and no end, completely demarcating a whole area from the rest of the world. As such, circles are often used in magic to separate, isolate, seal in, or shut out, and many conjurations or rituals make use of circles for protection of the magician or for isolation of a spirit to be summoned.  Circles can also be indicative of repetition and getting trapped in a loop, indicating delay, such as when a spirit tries to escape and gets caught in a loop ’round and ’round the circle.  Chain links and wedding rings, both circular, also keep one locked into a given situation for better or for worse.  Without any change in situation, Carcer is a stable figure, and without any change in direction or in perspective from the outside, Carcer is also liminal.

When Carcer appears in a geomancy reading, it’s going to indicate restriction and delay, no matter where it appears.  As Judge, it indicates that the status quo will be enforced, likely due to obligations or a set regulation that must be followed by multiple parties; elsewhere, it indicates stress or tension without chance for resolution, having to put up with something for the time being and dealing with any obligation or responsibility one’s been tasked with.  Being Saturnine, it can often indicate sparseness, poorness, paucity, and having precious little of something.  It’s good when things need strictness, isolation, security, or stability, but otherwise, it tends to be a pretty dour figure.  Carcer is helpful in magic when one wants to lock something down or keep things fixed in a certain situation, such as keeping one’s job when others are being given pink slips, it’s also good when wanting to induce paucity or greed in others’ lives and spheres, if not outright disconnecting them from sources of help or assistance they might otherwise rely on.