Pole Lords and Northern Stars: The Names and Roles of the Planets, Pole Lords, and Fates of Heaven

We’ve been discussing lately this interesting thing from PGM XIII, the Eighth and Tenth Hidden Books of Moses, known as the Rulers of the Pole, a system of determining which planet rules over the celestial pole on any given day of the week, which is different from how we would consider planets to rule the days of the week.  At first, it didn’t seem like it was used much, but after seeing parallels in what we’re talking about throughout the rest of the PGM, we realized that we’re not just talking about the celestial pole, but the northern constellations of Ursa Minor and Ursa Maior, and specifically Polaris the North Star.  More than that, we also found out that there is an entirely separate but absolutely equivalent group of seven Pole Lords from the Mithras Liturgy of PGM IV.  With a little bit of innovation and star-mapping, we were able to link the seven Pole Lords and their paired Fates of Heaven to the seven stars of Ursa Minor and Ursa Maior, respectively, and each pair of such stars to each of the seven planets.  We’re really getting somewhere now, guys!

So, now we know how to attribute the seven bull-faced Pole Lords of Heaven to the stars of Ursa Minor and the seven snake-faced Fates of Heaven to the stars of Ursa Maior, and we know how to associate each to one of the seven planets.  This is all well and good, but what does it mean to approach them in this way?  Well, recall from the first post I made about this topic that we’ve got two systems of understanding an “order” to the planets: the weekday arrangement (Sun, Moon, Mars…Saturn) and the heavenly arrangement or the “Seven-Zoned” (Moon, Mercury, Venus…Saturn).  One of the things that I thought of was how PGM XIII might be treating each arrangement differently for different purposes, the weekday arrangement for a microcosmic or worldly purpose and the heavenly arrangement for macrocosmic or theurgic purposes.  This struck me as similar to the Earlier Heaven and Later Heaven sequences of the Ba Gua, where one sequence refers to a primordial state of archetypes, the other a manifested state of change and volatility.

Not to keep bringing up Taoist or Chinese practices like this, because we’re not talking about the same exact thing, but the notion of ascending through the individual stars of Ursa Maior or Ursa Minor in a theurgic process of elevation and henosis brings to mind the Steps of Yu dance of Taoist practices.  In this practice. priests and shamans ritually “dance” in the pattern of the stars of the Big Dipper to “step through” each star and obtain the power of the entire constellation, which is hugely revered in traditional Chinese religion.  Going back to the PGM, perhaps the closest parallel we’d find to a sort of “Steps of Yu” would be the Calling of the Sevenths from the Heptagram Ritual, PGM XIII.734—1077 specifically lines 824ff:

The instruction: speaking to the rising sun, stretching out your right to the left and your left hand likewise to the left, say Α.  To the north, putting forward only your right fist, say Ε.  Then to the west, extending both hands in front [of you], say Η.  To the south, [holding] both [hands] on your stomach, say Ι.  To the earth, bending over, touching the ends of your toes, say Ο.  Looking into the air, having your hand on your heart, say Υ.  Looking into the sky, having both hands on your head, say Ω.

[Then invoke:] “I call on you, eternal and unbegotten, who are one, who alone hold together the whole creation of all things, whom none understand, whom the gods worship, whose name not even the gods can utter.  Inspire from your breath, ruler of the pole, him who is under you; accomplish for me the NN. thing.  I call on you as by the voice of the male gods…”

The text gives a crude diagram that tries to illustrate the general layout of the vowels, which I’ve included from Betz along with my own rendition, and with Stephen Flower’s diagram from Hermetic Magic: The Postmodern Magical Papyrus of Abaris (1995):

Consider what we’re doing here: we’re first facing the four directions in a square, then going from down to up.  We can think of this as standing in the middle of the “ladle” of Ursa Minor as Little Dipper to face the four stars at the corners of the most distant part of Ursa Minor, finishing with the Sun; the three stars on the “handle” of the Little Dipper reflect the vertical ascension represented by Mars and culminating with Saturn, appropriately looking directly up into the sky.  The use of the counterclockwise motion (facing east, north, south, and west for the first four planets) is odd, as usually we’d be accustomed to doing things clockwise; this would also be expected if we look at the stars of Ursa Minor, where going from Kochab to Pherkad etc. is also done in a clockwise way.  But, that’s from our point of view “down here”; if we were to consider the perspective of Aiōn who is above the stars, then looking down from that super-celestial perspective, it’d be from a counterclockwise perspective.  Plus, there’s also the notion that while the stars appear to revolve around the Earth in a clockwise motion, the planets themselves pass through the skies in a counterclockwise motion (which is why the Zodiac is always drawn in that way).  What we’re doing, then, is starting out with the assumption that we’re already celestial, and acting in this world accordingly; it’s the same logic as to why we’d use the macrocosmic Seven-Zoned heavenly-arrangement order of the planets to determine the Pole Lord of the day instead of the microcosmic weekday-arrangement order of the planets.

Backing me up, however, Leonardo of Voces Magicae wrote this excellent post some years ago on the nature of counterclockwise motion in the PGM, indeed referencing this very same ritual and the very same things as the celestial pole and why counterclockwise motion mimics the actual motion of things in the skies from a heavenly perspective, backing it up with evidence from the Corpus Hermeticum itself:

In the spatial-spiritual landscape of the Hermetic magicians,  the celestial pole would be seen as nothing less than a direct portal to celestial divinity. As such,  it is fitting that in the Heptagram Opening Rite – a ritual concerned with orientation – the polar divinity is invoked directly…

Perhaps, this was the intent of countermovement in the ritual practices of the PGM. Not necessarily a specific manifestation of a single countermovement cycle, the universe is resplendent with such examples; but rather orienting the practitioner towards the equilibrium and unity of the celestial pole as a source of stability and power by which to approach the deeper mysteries of our cosmos.

Admittedly, this is a bit of a stretch; it’s one thing to understand this tiny Heptagram rite, this dinky Calling of the Sevenths that so many who are familiar with PGM-style magic are aware of, as a planetary attunement ritual to balance and fix planetary powers within ourselves.  It’s something else entirely to say that it’s an act of theurgic elevation unto itself by imitating the arrangement of the stars of Ursa Minor.  That said, it’s the performance of the Calling of the Sevenths immediately before an invocation of Aiōn, where we call on Aiōn as the gods, as the goddesses, as the winds, as the four directions and as the Earth, Sky, and Cosmos itself that makes me think that we’re essentially “stepping” our way through the seven heavens, gaining the power of the seven Pole Lords all at once so that we can finally approach and address Aiōn as the true Ruler of the Pole above the Pole Lords themselves.

This can further help out what we’re doing towards the end of that same invocation, where we see an interesting thing:

I call on your name, the greatest among gods!  If I say it complete, the earth will quake, the sun will stop, the moon will be afraid, the rocks and the mountains and the sea and the rivers and every liquid will be petrified, the whole cosmos will be thrown into confusion!  I call on you, ΙΥΕΥΟ ΩΑΕΗ ΙΑΩ ΑΕΗ ΑΙ ΕΗ ΑΗ ΙΟΥΩ ΕΥΗ ΙΕΟΥ ΑΗΩ ΗΙ ΩΗΙ ΙΑΗ ΙΩΟΥΗ ΑΥΗ ΥΗΑ ΙΩ ΙΩΑΙ ΙΩΑΙ ΩΗ ΕΕ ΟΥ ΙΩ ΙΑΩ, the Great Name!

Become for me Lynx, Eagle, Snake, Phoenix, Life, Power, Necessity, images of God!  ΑΙΩ ΙΩΥ ΙΑΩ ΗΙΩ ΑΑ ΟΥΙ ΑΑΑΑ Ε ΙΥ ΙΩ ΩΗ ΙΑΩ ΑΙ ΑΩΗ ΟΥΕΩ ΑΙΕΗ ΙΟΥΕ ΥΕΙΑ ΕΙΩ ΗΙΙ ΥΥ ΕΕ ΗΗ ΩΑΟΗ ΧΕΧΑΜΨΙΜΜ ΧΑΓΓΑΛΑΣ ΕΗΙΟΥ ΙΗΕΑ ΩΟΗΟΕ ΖΩΙΩΙΗΡ ΩΜΥΡΥΡΟΜΡΟΜΟΣ ΑΙΩ Η ΙΙ ΥΥ ΗΗ ΟΑΟΗ ΧΕΧΑΜΨΙΜΜ ΧΑΓΓΑΛΑΣ ΕΗΙΟΥ ΙΗΕΑ ΩΟΗΟΕ ΖΩΙΩΙΗΡ ΩΜΥΡΥΡΟΜΡΟΜΟΣ

There’s a fun little note in the text, that ΧΕΧΑΜΨΙΜΜ ΧΑΓΓΑΛΑΣ ΕΗΙΟΥ ΙΗΕΑ ΩΟΗΟΕ ΖΩΙΩΙΗΡ ΩΜΥΡΥΡΟΜΡΟΜΟΣ are “seven of the auspicious ones”, probably names, and I’ve hypothesized before that these names relate to the seven “images” given immediately before, which can also be given to the seven planets themselves:

Direction Vowel Planet Image Name
East Α Moon Lynx ΧΕΧΑΜΨΙΜΜ
KHEKHAMPSIMM
North Ε Mercury Eagle ΧΑΓΓΑΛΑΣ
KHANGALAS
West Η Venus Snake ΕΗΙΟΥ
EĒIOU
South Ι Sun Phoenix ΙΗΕΑ
IĒEA
Down Ο Mars Life ΩΟΗΟΕ
ŌOĒOE
Center Υ Jupiter Power ΖΩΙΩΙΗΡ
ZŌIŌIĒR
Up Ω Saturn Necessity ΩΜΥΡΥΡΟΜΡΟΜΟΣ
ŌMURUROMROMOS

There’s no explanation, whether in the text itself or in footnotes by Betz, as to the origin of these names or images, and I’m associating them to the planets because it does seem appropriate to the context.  How might we reconcile these names and images?  Though I’ve already made an attempt to explain this before, now that I’m thinking about stars, there are four constellations that would match these images verbatim: Lynx, Aquila, Serpens, and Phoenix.  Of these four, Serpens and Aquila kinda match with their corresponding directions, though Lynx is way too far in the south, and Phoenix is way too far in the southern hemisphere to likely have been used as a constellation; Phoenix, after all, doesn’t show up in Ptolemy’s list of constellations, and its first official documentation in the West comes from the early 1600s.  There could be an association with a specific fixed star, but I’m unsure.

However, traditional accounts of the Phoenix also describe it as eagle-like, but neither eagles nor phoenixes played a role in Egyptian mythology.  If we broaden the semantic notion of “eagle” to mean raptor or predatory birds, then we’d also include hawks and falcons, which would lead us sensibly to the solar gods Horus and Ra.  Horus could reasonably be considered more northern in concept, as one of Horus’ forms is Harpocrates, which I associate with the north according to a variety of PGM selections and which is also generally considered to be the Sun’s renewing strength at the winter solstice.  Ra, being Ra, could be considered the more purely solar, and thus southern, of the pair, and has associations with the Bennu, a type of supernatural heron which was likely the inspiration for the original Phoenix myth in Hellenic cultures, and which was connected to Ra.  So…maybe this is less of a solar thing and more of a mythological one.  If we keep going down that road, then there’s also a mythological connection between the Lynx and the Snake in Egyptian belief: Mafdet, the goddess of the execution of judgment and protector against snakes, was sometimes depicted as a lynx, and the lynx fought existential evil embodied by Apophis, the eternal serpent.

Then we have the issue of the images of Life, Power, and Necessity, which seem more Neoplatonic or even gnostic and less Egyptian in essence to me.  I’m not going to explain those here, but I leave it for consideration how Life could be naturally associated with the Earth and those that live upon it, Power with the power of the gods who live in the sky—which is the association given to the “direction” of Jupiter—and Necessity (i.e. Anankē or Adrasteia) with the primordial, hypercosmic forces that determine the fate and role of all that exists below which is fitting for Saturn, the cosmos, and the notions of Pole Lords and the Ruler of the Pole from above.  A simplistic association, but at least it makes sense in a straightforward manner.

So, let’s assess what we have at this point.  We have:

  • Seven snake-faced virgins, associated with the stars of Ursa Maior, the “seven Fates of Heaven” who “wield golden wands” (PGM IV.662—674)
  • Seven bull-faced youths, associated with the stars of Ursa Minor, the “seven Pole Lords of Heaven” who “are in possession of seven golden diadems” (PGM IV.674—692)
  • Seven “images of God” (PGM XIII.880—887)

Each member of each of these groups of seven can be associated with the same order of planets:

Order Planet Fate
of Heaven
Pole Lord
of Heaven
Image of
God
1 Moon ΧΡΕΨΕΝΘΑΗΣ
KHREPSENTHAĒS
ΑΙΕΡΩΝΘΙ
AIERŌNTHI
ΧΕΧΑΜΨΙΜΜ
KHEKHAMPSIMM
2 Mercury ΜΕΝΕΣΧΕΗΣ
MENESKHEĒS
ΜΕΡΧΕΙΜΕΡΟΣ
MERKHEIMEROS
ΧΑΓΓΑΛΑΣ
KHANGALAS
3 Venus ΜΕΗΡΑΝ
MEĒRAN
ΑΧΡΙΧΙΟΥΡ
AKHRIKHIŪR
ΕΗΙΟΥ
EĒIOU
4 Sun ΑΡΑΡΜΑΧΗΣ
ARAMAKHĒS
ΜΕΣΑΡΓΙΛΤΩ
MESARGILTŌ
ΙΗΕΑ
IĒEA
5 Mars ΕΧΟΜΜΙΗ
EKHOMMIĒ
ΧΙΧΡΩΑΛΙΘΩ
KHIKHRŌALITHŌ
ΩΟΗΟΕ
ŌOĒOE
6 Jupiter ΤΙΧΝΟΝΔΑΗΣ
TIKHNONDAĒS
ΕΡΜΙΧΘΑΘΩΨ
ERMIKHTHATHŌPS
ΖΩΙΩΙΗΡ
ZŌIŌIĒR
7 Saturn ΕΡΟΥ ΡΟΜΒΡΙΗΣ
ERŪ ROMBRIĒS
ΕΟΡΑΣΙΧΗ
EORASIKHĒ
ΩΜΥΡΥΡΟΜΡΟΜΟΣ
ŌMURUROMROMOS

Great, okay.  Knowing that the associations of these names (and their corresponding images) are based on highly circumstantial evidence from both PGM IV and PGM XIII as well as other Mithraic and astrological/astronomical connections, let’s talk about what we might be able to ply these names and associations for.  First, let’s summarize some of our findings:

  • Roger Beck (“Interpreting the Ponza Zodiac: II”, Journal of Mithraic Studies, vol. 2, no. 2) says that the Fates of Heaven and the Pole Lords of Heaven are associated with not only moving and controlling the actions and motions of the cosmos, but are also associated with Fate, punishment, and reward.  Moreover, given their role as the stars of the Bear constellations, they are not just symbols of such power and control, but they are agents of it.  Because they have exactly parallel structures, they may also be considered to be seven pairs of deities, one snake-faced virgin and one bull-faced youth, each pair related to one of the seven planets.
  • As indicated from all those Bear charms from before, and based on some of the invocations of PGM XIII, the Pole Lords are not the highest power in the cosmos; they may rule the Pole, and their rulership of the Pole amongst themselves changes from day to day, but they rule the Pole in the name of and under the supervision of a true Ruler of the Pole, which is Aiōn, and in a more properly Mithraic context, Mithras himself, the god of revelation in the Mithras Liturgy.
  • There’s a subtle distinction being implied in PGM XIII that there are planetary rulers and then there are planetary Lords: the ruler of the day “in the Greek reckoning” is not the true Lord, which follows a different method of reckoning.  This recalls the notion of the Greek versus Phoenician method of navigating according to the northern stars: the Greeks originally used Ursa Maior as a general indicator of north, but this gave them varying and vague and wandering results.  The Phoenicians, however, used Ursa Minor and Polaris, which doesn’t wander or vary as much, and so obtained a truer and more steady path north.  What we’re arriving at is an understanding that one can approach the planets “down here” in a microcosmic way or “up there” in a macrocosmic way that is more true and real than the microcosmic.
  • By approaching the macrocosmic (or even hypercosmic) planetary Pole Lords “up there” through imitating their motions and calls upon the true highest, hypercosmiciest Divinity, we can break past the “images” and into a truly higher state of being in communion with the highest divinity, Aiōn, who has power over all fate and happenings.  This is done not through the usual planetary motions, but through the planetary harmonies and rulership of the celestial pole and the stars found there, Ursa Minor.
  • By identifying with the Sun, we start off as “a star wandering about with you and shining forth out of the deep” (PGM IV.574ff), but eventually we come to identify with Aiōn itself in a process not unlike that of the magician in the Headless Rite, where one begins addressing Akephalos but eventually becomes Akephalos.  By becoming the only one who can say the full name of Aiōn, a name “not even the gods can utter”, one takes on the full power of Aiōn, which can only be done through working through, assimilating, and being accepted by the various Pole Lords to become the true Ruler of the Pole.

Not too shabby a result, I suppose.

Now, I’m not in a position to carry out the entire Mithras Liturgy from PGM IV or the entirety of the Eighth and Tenth Hidden Books of Moses from PGM XIII; those are endeavors I’m not willing to commit myself to at the present time.  However, we’ve wheedled enough information out of them to apply some of the cosmological bits from them more generally in PGM-style practice.  Here’s what I would suggest based on my current understanding:

  • The names and images of God from PGM XIII can be used as microcosmic presences of seven planets; thus, an “esoteric” name for the Moon can be KHEKHAMPSIMM, which may be used in PGM rituals to refer to the Moon instead of just saying “the Moon” or Selēnē.
  • The Fates of Heaven from PGM IV are the macrocosmic presences of the seven planets, subservient to the Pole Lords but which are higher than the names and images of the microcosmic planets.  It is these stellar entities that determine what is permissible in the world we live in, and wield authority (their “golden wands”) over the world.  They determine order and structure of things.
  • The Pole Lords of Heaven from PGM IV are the hypercosmic presences of the seven planets, subservient only to Aiōn.  These entities permit powers and ideas to pass in and out of the world under them which they rule (their “golden diadems”) but whose orders the Fates execute in their name.

In other words, it is through the seven Pole Lords that blessings, curses, creations, and destructions are ordered in the world we live in.  Once they give the order, the corresponding Fate executes the will of her Pole Lord through the work of the seven images of God, not just the one specifically granted to the same ruling planet of that Fate and Pole Lord.  Even then, amongst all the planets, it is still the Moon that is most important; knowing that its image is the Lynx, associated with the divinity Madfet, it is the Moon that truly opens up the light and presence of all the Pole Lords and Fates of Heaven, because it is the Moon that is closest to the heart and presence of the constellations of the Pole.  We must always start with the Moon, and through the Moon honor the entirety of the Pole Stars; through the passage of and through the Moon, we can ascend through the other planetary heavens and achieve the blessing and acceptance of the other Fates and Pole Lords of Heaven until we reach the final pair, the last stars of Alkaid and Polaris.  Once we reach them, we have finished our approach to the Pole and then may surmount it, leaving behind this world under their power and entering into the presence and power of Aiōn.

I’m tempted to draw a parallel between the later notions of planets having spirits and intelligences, or to how all the different spirits of the planets in the Picatrix may be thought to have particular roles in the governance and execution of the powers and presence of a planet.  However, that’s not quite the same feeling I get from the Pole Lords and Fates of Heaven.  I’m content with considering the names and images of God from PGM XIII to be esoteric associations of the planets, and I look forward to applying them in rituals that call on them (e.g. “o blessed light of Selēnē shining forth from the East, you who are KHEKHAMPSIMM…”), but it’s calling upon the Pole Lords and Fates that I want to figure out.  Honoring the Pole Lord of the day makes sense, sure, but it also makes sense to honor the Pole Lord with its corresponding Fate, almost as a supercelestial King and Queen, or divinity with its consort.  It makes for a beautiful theurgic mystery, at any rate, and I’d like to take that into meditation and consideration in future works.

I suppose it can make sense to call on the Pole Lord and Fate as PGM-style “planetary intelligences” to guide and direct the powers of the planets “down here”, much as we’d call on Michael and Nakhiel to guide the activities of Sorath, but something about that nags at me.  Still, it’s probably not a bad idea to do just that, especially if what we’re trying to do is plug into a true source of Divinity and bring down immortal power from the immortal heavens.  If nothing else, we’ve figured out a little more about the Pole Lords and the Seven-Zoned of PGM XIII, and now I’m content.

Time to share my findings back on that Facebook post in the PGM group and see if it can’t start more conversation.

Pole Lords and Northern Stars: The Seven Pairs of Divinities from the Mithras Liturgy

Okay, let’s continue.  In the last post, we introduced a funny thing from PGM XIII, the Eighth and Tenth Hidden Books of Moses that I’ve brought up before on this blog now and again.  This thing is the notion of Rulers of the Pole, a type of planetary rulership of a given day that doesn’t follow the normal weekday rulership we’re accustomed to.  There’s not a lot in PGM XIII that describes their use, but similar language is present throughout the PGM when we talk about things involving the Bear-related spells, i.e. the rituals and incantations associated with the northern constellations of Ursa Maior and Ursa Minor, which generally have lunar or Artemisian-type qualities.

This is all well and good, but it’s not really helping us with the whole Pole Ruler thing except giving us interesting detours, especially with the whole serpent thing; serpents are mentioned already in the doxology and cosmogony in the PGM XIII texts and don’t have a relationship to what we’re investigating here.  However, while I was looking through the PGM for other references to serpents and dragons, of course I’d also stumble upon the Mithras Liturgy, PGM IV.475—829.  There’s one particular section in it that definitely caught my eye, lines 264ff:

There also come forth another seven gods, who have the faces of black bulls, in linen loincloths, and in possession of seven golden diadems.  They are the so-called Pole Lords of Heaven, whom you must greet in the same manner, each of them with his own name:

“Hail, of guardiants of the Pivot, o sacred and brave youths, who turn at one command the revolving axis of the Vault of Heaven, who send out thunder and lightning and jolts of earthquakes and thunderbolts against the nations of impious people, but to me, who am pious and god-fearing, you send health and soundness of body and acuteness of hearing and seeing, and calmness in the present good hours of this day, o my lords and powerfully ruling gods!
Hail to you, the first, ΑΙΕΡΩΝΘΙ!
Hail to you, the second, ΜΕΡΧΕΙΜΕΡΟΣ!
Hail to you, the third, ΑΧΡΙΧΙΟΥΡ!
Hail to you, the fourth, ΜΕΣΑΡΓΙΛΤΩ!
Hail to you, the fifth, ΧΙΧΡΩΑΛΙΘΩ!
Hail to you, the sixth, ΕΡΜΙΧΘΑΘΩΨ!
Hail to you, the seventh, ΕΟΡΑΣΙΧΗ!”

Now when they take their place, here and there, in order, look in the air and you will see lightning bolts going down, and lights flashing, and the Earth shaking, and a god descending, a god immensely great, having a bright appearance, youthful, golden-haired, with a white tunic and a golden crown and trousers, and holding in his right hand a golden shoulder of a young bull: this is the Bear which moves and turns heaven around, moving upward and downward in accordance with the hour.  Then you will see lightning bolts leaping from his eyes and stars from his body.

Seven bull-faced youths.  Seven bulls, septem tritones.  We’re getting somewhere, and getting somewhere good!  Interestingly, Betz has a footnote that says: “in the Mithras mysteries, the seven grades of initiates were each under the tutelage of a planetary deity”, and refers to a chapter in Albrect Dieterich’s Mithrasliturgie (1910).  The relevant portion of that text where Dieterich describes these seven youths is as follows (in a crappy translation from the German into English):

Das wahrscheinlichste ist mir, daß bei Einführung der sieben Jünglinge mit Stierköpfen die Repräsentanten der sieben Sterne des großen oder des kleinen Bären mitgewirkt haben; denn die Ägypter dachten sich jedenfalls den großen Bären als Stier oder als Teil eines Stieres. Darüber habe ich gleich weiter zu handeln; wenn Mithras selbst, wie wir sehen werden, mit seiner Hand die Stierschulter, d. i. das Bärengestirn lenkt, so ist es sicher, daß die sieben stierköpfigen Gestalten, die die Achse des Himmels drehen, die sieben Sterne des kleinen Bären sind. Wie es zusammenhängt, daß für unsere Kenntnis gerade der große Bär als Stier oder Stierschenkel oder Schulterblatt eines Stieres gedacht war, kann ich nicht mehr erkennen… Sicher ist auf jeden Fall, daß die Πολοκράτορες die sieben Sterne des kleinen Bären sind.

The most probable thing is that when the seven youngsters with bull heads are introduced, the representatives of the seven stars of Ursa Maior or Ursa Minor are involved; because the Egyptians thought in any case Ursa Maior as a bull or as part of a bull. I have to act on it immediately; if Mithras himself, as we shall see, with his hand the bull’s shoulder, i.e. the Bear Star steers, so it is certain that the seven bull-headed figures, which turn the axis of the sky, are the seven stars of Ursa Minor.  As it is related, that for our knowledge just Ursa Maior was intended as a bull, thigh of a bull, or shoulder blade of a bull, I can no longer recognize… In any case, it is certain that the Polokratores are the seven stars of Ursa minor.

Now we’re getting somewhere, indeed!  Though precious little is known of the ancient Mithras cult, and though the Mithras Liturgy doesn’t really have an official connection with the Mithras cult, it’s folly to deny a connection between the two.  Manfred Clauss describes in The Roman Cult of Mithras: The God and His Mysteries (2001) the seven grades and their most likely planetary associations, from what is likely the lowest rank to highest:

  1. Corax (Raven): Mercury
  2. Nymphus (Bridegroom): Venus
  3. Miles (Soldier): Mars
  4. Leo (Lion): Jupiter
  5. Perses (Persian): Moon
  6. Heliodromus (Sun-runner): Sun
  7. Pater (Father): Saturn

These can be seen and guessed at by the floor mosaic of the Mithraeum of Felicissimus in Ostia, where each grade is symbolically described through its attributes on the way to the focal devotional point of the temple: the Raven with the caduceus of Mercury, the Bridegroom with the circlet of Venus, the Soldier with the weapons of Mars, the Lion with the wreath and sistrum of the King and Queen of the Gods, the Persian with the Crescent and crescent sickle of the Moon, the Sun-runner with the torch and sun-crown and chariot-whip, and the Father with the shepherd’s staff, robes, and other implements of the leader of the cult.  It’s certainly compelling.

However, despite this floorplan of a sacred initiate-only space, it’s unclear whether the order given above really is the order to be considered official, especially given its apparent strangeness; there’s no way to draw a heptagram, for instance between these planets in this order that can get us anything we’ve seen before unless we were to swap a few things around.  That feels like bending things way too much for my comfort level, so let’s just set this initiation order aside.  What’s important is that we have a definite connection between the seven planets and the seven stars of Ursa Minor, each of which can be seen to be representative of one of the planets in an elevated state, each of which rules over the axial pole of rotation of the Earth itself from day to day.  Betz refers to the scholar Roger Beck on a particular zodiacal depiction at the Mithraeum at Ponza (first paper here, second paper here) which also give interesting insight on the role of Ursa Minor (and Ursa Maior) and the pole stars generally.  To summarize Beck’s findings and theories, it really does seem like the depiction of the stars of Ursa Minor really are about an “upwards and inwards” motion of theurgy, as “we pass from the planetary world of the zodiac to the realm of the Sun…and finally to the supreme god at the polar centre”, and that “in both it is a journey of refinement to orders of a higher spirituality”.  If we were looking for a reason to work with the Ruler of the Pole, this is a strong confirmation that our hunch earlier about the parallel with the Earlier Heaven/Later Heaven Sequence of the Ba Gua was on the right track.

At this point, it’s tempting to make that one final leap: linking the seven stars of Ursa Minor to the seven planets, giving the Pole Lords of PGM XIII the names of the seven bull-headed youths from PGM IV.  We’re so close, but we’re missing a definite connection of which youth (and name) is supposed to go with which planet.  Do we use Clauss’ hypothetical ranking of grades, from Mercury to Saturn?  Or do we use the heavenly order of the planets from the lowest heaven of the Moon to the highest heaven of Saturn?  Personally, I’m inclined to use the heavenly order, such that the name of the Moon when she is the Pole Lord is the name of the first bull-headed youth AIERŌNTHI, the name of Mercury as Pole Lord is MERKHEIMEROS, and so forth, but…something about this seems hollow, and I don’t get a confirmation gut-feeling like I normally (recklessly, haphazardly) do.  I’m not willing to bet on it, though I love the simplicity and convenience; something seems missing, even if it’s just confirmation.

If we know that the Pole Lords are the seven stars of Ursa Minor—and we do—is there another way we can consider an “order” to them?  There are two options I can think of: one going by distance out from the end of Ursa Minor and going inwards with the most polar of the stars at the end, or going by brightness by starting from the dimmest and going to the brightest of them.  If we go by distance along the constellation, we get:

  1. β Ursae Minoris, Kochab
  2. γ Ursae Minoris, Pherkad
  3. η Ursae Minoris, Alasco
  4. ζ Ursae Minoris, Ahfa al Farkadain
  5. ε Ursae Minoris
  6. δ Ursae Minoris, Yildun
  7. α Ursae Minoris, Polaris

If, instead, we were to go by the brightness of the stars:

  1. η Ursae Minoris, Alasco
  2. ζ Ursae Minoris, Ahfa al Farkadain
  3. ε Ursae Minoris
  4. δ Ursae Minoris, Yildun
  5. γ Ursae Minoris, Pherkad
  6. β Ursae Minoris, Kochab
  7. α Ursae Minoris, Polaris

Personally, I’m most inclined to think that Polaris itself is given to the quality of Saturn; note how Saturn is the ultimate grade in the Mithraic Mysteries given above, and Saturn is also the only planet that rules both the pole and the day on the same given weekday, as well as it being the highest and most distant of the planetary heavens.  Giving Polaris the final position of honor, I would be comfortable giving it the name of the seventh bull-faced youth, EORASIKHĒ.  That just leaves the remaining six.   It doesn’t seem like we can use traditional stare-lore here; there’s not much in the way about the planetary natures of this set of fixed stars, and many such fixed stars share in multiple planetary similarities.  It’s good to know that Ptolemy gives bright stars to Saturn with a hint of Venus mixed in (especially for Polaris), but that’s about it.

I’m reminded that Kochab and Pherkad are considered even by ancient Egyptians as “guardians of the pole star”, which makes sense as they’re the next two brightest stars in the constellation of Ursa Minor, but they also stand furthest away on the “dipper” part of the Little Dipper while Polaris stands at the tip of the handle.  I’m tempted to give these to the Sun and the Moon, respectively, as representative of their corresponding brightness in the planets; this would also mean that the corresponding planetary Greek vowels for the three brightest stars would be the same three vowels in that almighty name of divinity, ΙΑΩ.  That would mean Kochab gets the Sun, and Pherkad gets the Moon.  These two planets given to these two stars with Polaris given to Saturn collectively set up a pattern where we use the distance-along-the-constellation-lines method along with the weekday ordering of the planets, which gets us the following order and correspondence of names, such that Kochab gets the Sun, Pherkad the Moon, Alasco Mars, and so forth.

Heck, why stop there?  Just before the Mithras Liturgy introduces the seven bull-faced youths, it also introduces seven serpent-faced (!) virgin ladies:

After saying this, you will see the doors thrown open, and seven virgins coming from deep within, dressed in linen garments, and with the face of asps.  They are called the Fates of Heaven, and wield golden wands.  When you see them, greet them in this manner:

“Hail, o seven Fates of Heaven, o noble and good virgins, o sacred ones and companions of ΜΙΝΙΜΙΡΡΟΦΟΡ, o most holy Guardians of the four pillars!
Hail to you, the first, ΧΡΕΨΕΝΘΑΗΣ!
Hail to you, the second, ΜΕΝΕΣΧΕΗΣ!
Hail to you, the third, ΜΕΗΡΑΝ!
Hail to you, the fourth, ΑΡΑΜΑΧΗΣ!
Hail to you, the fifth, ΕΧΟΜΜΙΗ!
Hail to you, the sixth, ΤΙΧΝΟΝΔΑΗΣ!
Hail to you, the seventh, ΕΡΟΥ ΡΟΜΒΡΙΗΣ!”

With this, we have seven snake-headed women and seven bull-headed men.  The men represent the stars of Ursa Minor, and the women represent the stars of Ursa Maior.  We can use the same system, starting at the end of the cup of the Dipper and headed towards the tip of the handle, to associate planets and names to the stars of Ursa Maior.

However, there’s one thing that bugs me about this method being used for this: the name of the fourth lady of Fate, ΑΡΑΡΜΑΧΗΣ or ARARMAKHĒS, which Betz clarifies as being a likely corruption of Harmachis, or Horemakhet, “Horus on the horizon”.  Horus, as we all know, is one of the solar gods of the Egyptian pantheon, and Harmachis specifically represented the dawn and early morning sun.  If we give ARARMAKHĒS to the fourth planet in the weekday system, we’d give it to Mercury, but if we give it to the fourth planet in the heavenly arrangement, we’d give it to the Sun.  So, which do we follow?  Do we keep the same system we built up from before that leads us to the weekday order of the planets, or do we go with a possible etymological connection that can’t be verified to fall in line with the heavenly order?  Given the parallel nature of the snake-headed women of Ursa Maior and the bull-headed men of Ursa Minor and how they mirror each other (“now when they take their place, here [for the women] and there [for the men], in order”), they probably ought to use the same ordering system.  To be honest, the use of the name ARARMAKHĒS is a clue that tilts the system now in favor of the heavenly arrangement of planets, i.e. the “Seven-Zoned”.  This means that we’d give the following stars of Ursa Maior the planets and names of the seven snake-headed women as:

Number Star Planet Mithraic Name
1 α Ursae Maioris
Dubhe
Moon ΧΡΕΨΕΝΘΑΗΣ
KHREPSENTHAĒS
2 β Ursae Maioris
Mirak
Mercury ΜΕΝΕΣΧΕΗΣ
MENESKHEĒS
3 γ Ursae Maioris
Phecda
Venus ΜΕΗΡΑΝ
MEĒRAN
4 δ Ursae Maioris
Megrez
Sun ΑΡΑΡΜΑΧΗΣ
ARAMAKHĒS
5 ε Ursae Maioris
Alioth
Mars ΕΧΟΜΜΙΗ
EKHOMMIĒ
6 ζ Ursae Maioris
Mizar
Jupiter ΤΙΧΝΟΝΔΑΗΣ
TIKHNONDAĒS
7 η Ursae Maioris
Alkaid
Saturn ΕΡΟΥ ΡΟΜΒΡΙΗΣ
ERŪ ROMBRIĒS

Further, because we’d want to use the same system for both the stars of Ursa Maior and of Ursa Maior, that means we’d scrap our weekday order of the planets as discussed above and use the heavenly arrangement of the stars, starting with Kochab as the Moon and Pherkad as Mercury to end with Polaris as Saturn.  This has the nice, pleasing benefit of being that oh-so-special Seven-Zoned arrangement PGM XIII loves so much, but also has a nice geometric arrangement: the closer you get to the pole along the constellated “path” of Ursa Minor from star to star, the higher the heaven you access according to its corresponding planet.

Number Star Planet Mithraic Name
1 β Ursae Minoris
Kochab
Moon ΑΙΕΡΩΝΘΙ
AIERŌNTHI
2 γ Ursae Minoris
Pherkad
Mercury ΜΕΡΧΕΙΜΕΡΟΣ
MERKHEIMEROS
3 η Ursae Minoris
Alasco
Venus ΑΧΡΙΧΙΟΥΡ
AKHRIKHIŪR
4 ζ Ursae Minoris
Ahfa al Farkadain
Sun ΜΕΣΑΡΓΙΛΤΩ
MESARGILTŌ
5 ε Ursae Minoris Mars ΧΙΧΡΩΑΛΙΘΩ
KHIKHRŌALITHŌ
6 δ Ursae Minoris
Yildun
Jupiter ΕΡΜΙΧΘΑΘΩΨ
ERMIKHTHATHŌPS
7 α Ursae Minoris
Polaris
Saturn ΕΟΡΑΣΙΧΗ
EORASIKHĒ

I guess the association of the seven bull-faced youths in order to the seven planets according to the heavenly arrangement would work out well enough in the end, but it was good to actually use the map of the stars of Ursa Minor themselves to make a stronger argument for why that should be so.  I still like the idea of Kochab and Pherkad going to the Sun and the Moon, but on the whole, this system works nicer and cleaner, especially with the connections to the seven snake-faced virgins.  Plus, with the second brightest star being given to the Moon in this scheme, this gives a pleasant balance and return to how important the Moon is when talking about the northern, artic, Bear stars: the Moon represents the initial approach towards sensible divinity, and Saturn the final escape to intelligible Divinity.

This is making huge progress, but we’re not done yet.  Stay tuned, and we’ll talk more about how we might understand the nature, form, and function of these entities, especially when we pair it back to certain things back in PGM XIII.

Pole Lords and Northern Stars: The Ruler of the Pole and the Charms of the Bear

As it turns out, I do belong to other groups on Facebook than just the geomancy one I admin, and just like in that group, many of the discussions in other groups to which I belong are equally as fascinating and helpful.  One such group, the PGM Study & Practice Group, is focused on (mirabile dictu!) the study and practice of rituals and texts from the Greek Magical Papyri (or PGM, as many of my readers know).  I’ve shared some of my works and joined in some conversations there from time to time, and I find it a helpful resource to belong to.

Recently, I made a bit of a post myself, asking for help and experience from others in the group about a particularly interesting and particularly obscure point from PGM XIII, which is a truly fascinating bundle of texts that I’ve discussed before on my blog.  The post I made specifically discussed the nature, purpose, and function of the Ruler of the Pole from these texts:

PGM XIII, the Eighth and Tenth Hidden Books of Moses, uses an interesting device. Before the various spells of PGM XIII.1—343 and at the end of PGM 646—734, we’re given “the technique of determining which god is ruler of the celestial pole” using “The Seven-Zoned” method.

If the day is Sunday (day of Hēlios), the ruler is Selēnē.
If the day is Monday (day of Selēnē), the ruler is Hermēs.
If the day is Tuesday (day of Arēs), the ruler is Aphroditē.
If the day is Wednesday (day of Hermēs), the ruler is Hēlios.
If the day is Thursday (day of Zeus), the ruler is Arēs.
If the day is Friday (day of Aphroditē), the ruler is Zeus.
If the day is Saturday (day of Kronos), the ruler is Kronos.

In other words, however many days have elapsed in the week since Sunday, the further up in the celestial spheres you go. As Sunday marks the beginning of the week, so too does Selēne mark the first celestial sphere; as Saturday marks the end of the week, so too does Kronos mark the last celestial sphere.

My question is: what is this for?

The “celestial pole” is, almost certainly, the pole around which the Earth and all its heavens whirl around, commonly recognized to be Polaris, the North Star, and tail of Ursa Maior. However, PGM XIII doesn’t refer to a way of invoking or referring to the ruler of the pole, just that there apparently is one. In fact, nowhere else in the PGM is the word “pole” used in conjunction with planetary rulers; the only such thing I might be able to even tangentially relate to it is in PGM IV.930—1114, where it calls upon a form of Horus Harpocratēs in a conjuration of sorts by calling upon “you who are seated within the seven poles ΑΕΗΙΟΥΩ”, but this seems unrelated and more about the seven supports of the heavens (cf. PGM V.213—303, “The pole [of the sky] will be brought down…”). PGM XIII.1—343 does mention that the student should “learn who is the ruler of that day” along with the “[names of the] gods of the hours, then those set over the weeks”, but this again appears to be something different, like a different god for each day of the year.

So what are we actually recognizing by this “ruler of the pole” method? Are we saying that the North Star, and thus the immortal gate of heaven itself through which we ascend and address the gods, has a planetary affinity that shifts from day to day in a way separate from the planetary rulers of the day? Are we saying that the usual weekday reckoning of the planetary ruler of the day is a blind for a more magical, more woogity kind of planetary rulership of the days? Or is this referring to something we just don’t have extant in the texts anymore? Would you attach any significance to the fact that Saturn is the ruler of the pole as well as of the day on Saturday?

Unfortunately, my attempt at starting a discussion just garnered a lot of likes and not a lot of comments.  So, let me explain what little I understand and think of this particular aspect of this particular segment of the PGM.

Basically, PGM XIII gives us a table like the following that compares the ruler of any day of the week as we’d normally consider it to the ruler of the Pole on that given day.  No matter what the planetary ruler of the day is “in the Greek reckoning”, which is the system we’re most commonly used to in the West based on the planet that rules the first hour of the day starting at sunrise, PGM XIII says instead to recognize the planet that rules over the Pole according to the “Seven-Zoned” (also called “The Monad of Moses” in PGM XIII.646—734).

Weekday Planetary Ruler
Day Ruler
(“Greek reckoning”)
Pole Ruler
(“Seven-Zoned”)
Sunday Hēlios Selēnē
Monday Selēnē Hermēs
Tuesday Arēs Aphroditē
Wednesday Hermēs Hēlios
Thursday Zeus Arēs
Friday Aphroditē Zeus
Saturday Kronos Kronos

The idea behind this organization appears to be that, as the week gets “older” and later, starting from Sunday all the way to Saturday, the Ruler of the Pole on that day gets “older” and higher in the heavens, starting with the Moon and going all the way until Saturn.  Thus, on the first day of the week (Sunday), the Ruler of the Pole is the first closest heaven (the Moon); on the second day (Moon), the second heaven (Mercury); and so forth.  It’s not a matter of picking, like, the midnight planetary hour on each day, as the order of the planets in the Seven-Zoned method doesn’t fit that result.  Plus, it might be significant that the only planet that overlaps its Pole Ruler day with its own weekday is Saturn.

There is a relationship that can be drawn between these too, however.  Recall the Planetary Heptagram that’s used to determine the order of the week by tracing the planets both in a circle as well as in an acute heptagram.  There are different ways we can draw it that end up with the same result, but this is the basic and traditional order:

If we start with the Moon at the top and work counterclockwise around in a simple circle outside the heptagram, we get the order of the planets ascending through the heavens (Moon, Mercury, Venus, &c.).  If we follow the heptagram around clockwise starting from the Moon, we get the order of the planets for the days of the week (Moon, Mars, Mercury, &c.).  Instead of using that heptagram, consider the following obtuse heptagram:

Here, if we start with Moon at the top and go around the circle clockwise, we get the order of the planets in the days of the week (Moon, Mars, Mercury, &c.), and if we follow the heptagram clockwise around starting from the Moon, we get the order of the planets ascending through the heavens (Moon, Mercury, Venus, &c.).  What we basically end up with is the exact inverse arrangement as before, we’re just flipping the arrangement around.  It might be argued that the author of PGM XIII considered the arrangement of planets for the days of the week to be a blind or corruption of a true order, that of the heavens, and by applying the same function that transformed the heavenly arrangement into the weekday arrangement just in reverse, we end up with a corrected, ideal, true order of the planets (kind of like the difference between the Earlier Heaven and Later Heaven sequences of the Ba Gua).

In fact, that comparison to the Earlier Heaven and Later Heaven sequences of the Ba Gua might not be a bad parallel.  If we consider the usual modus operandi of a magician of the PGM, if they’re not outright apotheotizing themselves into God, then they’re often initiating themselves to be their equals as, indeed, we’re doing in the rituals of PGM XIII.  Aiōn, which is basically the divinity being appealed to in this part of the PGM, is considered an eternal god of time, but who’s to say what “time” looks like to such an entity?  Our methods of reckoning time down here on Earth may not really apply “up there”, where another system entirely might be used.  In other words, the different arrangements of the planets apply on different scales of the cosmos: the weekday arrangement of planetary rulers of the day functions on a microcosmic, human level, while the celestial arrangement of the planets functions on a macrocosmic, divine level.  If (and this is a huge “if”) the author of PGM XIII was thinking in this way, then we’d want to appeal, entreat, and approach the gods on their own temporal terms rather than using our own human and worldly systems of planetary time-keeping.  It’s an idea, I suppose, but I have nothing to back it up.

So much for the method and a potential argument as to its function, I suppose.  Even assuming we understand its function, what about its purpose?  Why is it a thing?  Despite the importance of this table and method of determining the planet that rules over the Pole on any given day of the week, it’s not really that apparent why the Ruler of the Pole is supposed to be called upon.  There are exceedingly few references to such a pole in the PGM, and it doesn’t make much sense to interpret them on the same level as what we might find in PGM XIII.  There are a few such mentions, some of which are explicit and some of which are debatable:

  1. The invocation of Aiōn from PGM XIII.1—343, specifically lines PGM XIII.64ff, and again in a minor variant of wording and barbarous names from PGM XIII.570ff:

    I call on you, who are greater than all, the creator of all, you, the self-begotten, who see all and are not seen.  For you gave Hēlios the glory and all the power, Selēnē the privilege to wax and wane and have fixed courses, yet you took nothing from the earlier-born darkness, but apportioned all things that they should be equal. For when you appeared, both Order arose and Light appeared.  All things are subject to you, whose true form none of the gods can see, who change into all forms.  You are invisible, Aiōn of Aiōns.

    I call on you, lord, to appear to me in a good form, for under your order I serve your angel, ΒΙΑΘΙΑΡΒΑΡ ΒΕΡΒΙΡ ΣΧΙΛΑΤΟΥΡ ΒΟΥΦΡΟΥΜΤΡΩΜ, and your fear, ΔΑΝΟΥΦ ΧΡΑΤΟΡ ΒΕΛΒΑΛΙ ΒΑΛΒΙΘ ΙΑΩ. Through you arose the celestial pole and the earth. …

    I call on you, the creator of all, who are greater than all, you, the self-begotten god, who see all hear all and and are not seen.  For you gave Hēlios the glory and the power, Selēnē the privilege to wax and wane and have fixed courses, yet you took nothing from the earlier-born darkness, but assigned them equality [with it]. For when you appeared, both Order arose and Light appeared, and all things were arranged by you.  Therefore all things are also subject to you, whose true form none of the gods can see, who take different forms in [different] visions, Aiōn of Aiōns.

    I call on you, lord, that you may show me your true form. For under your order I serve your angel, ΑΝΟΓ ΒΙΑΘΙΑΒΑΡ ΒΕΡΒΙ ΣΧΙΛΑΤΟΥΡ ΒΟΥΦΡΟΥΜΤΩΡΜ, and your fear ΔΑΝΟΥΠ ΧΡΑΝΤΩΡ ΒΕΛΒΑΛΙ ΒΑΛΒΙΘ ΙΑΩ. Through you arose the [celestial] pole and the earth. …

  2. Ritual practice from lines PGM XIII.114ff and again from PGM XIII.671ff. Though the use of a god of a day in this context might refer to one of the gods of the individual 365 days of the year, the specific phrasing leads me to believe it’s discussing the Ruler of the Pole of the day.

    Accordingly, as I said before, when you have purified yourself in advance [through the last seven days] while the Moon is waning, at the dark of the Moon begin sleeping on the ground on a pallet of rushes.  Rising at dawn, greet Hēlios through seven days, each day saying first the [names of the] gods of the hours, then those set over the weeks.  Also [each day], learning who is the ruler of that day, keep after him, saying “Lord, on such-and-such a day, I am calling the god to the sacred sacrifices”—doing so until the eighth day.

    Accordingly, as I have said before, when you have purified yourself in advance [through the last] seven days while the Moon is waning, at the dark of the Moon begin sleeping on the ground. Rising at dawn, greet the Sun through seven days, each day saying first the [names of the] gods of the hours, then those set over the weeks. Also [each day], learning who is the ruler of that day, keep after him, saying “Lord, on such-and-such a day I am calling the god to the sacred sacrifices”—doing so until the eighth day.

  3. Sacrifice protocol from PGM XIII.376ff.  However, despite being a “ruler of the day in some sense”, what’s being referred to here probably refers instead to a ruler of one of the 365 days of the year, especially given its use along with gods of the hours, each with their own compulsive or restraining formula that we see traces of later in the Hygromanteia tradition.  This is different than the juxtaposition of the “ruler of that day” from the above section, because it’s separated from the gods of the hours which are bundled with the gods of the weeks.

    The tasting of the victims is done [in] this way: When you are ready to taste them, sacrifice the rooster, so that [the god] may receive lots of spirit, and at the point of tasting, call on the god of the hour and him of the day, so that you may have sponsorship from them.  For if you do not invoke them, they will not hear you, as being uninitiated.  Now you will find [the names of] the gods of the hours and those of the days, and the compulsive formula for each of them in the Key of Moses, for he set them out one by one.

  4. Invocation of Aiōn from PGM XIII.844ff:

    I call on you, eternal and unbegotten, who are one, who alone hold together the whole creation of all things, whom none understand, whom the gods worship, whose name not even the gods can utter.  Inspire from your breath, ruler of the pole, him who is under you; accomplish for me the NN. thing. …

This is basically all I can find in PGM XIII about the Ruler of the Pole, so as important as it might be for the text to point out how to determine the Ruler of the Pole, it’s apparently not that important except in how to address maybe one or two prayers and how to consider the temporal qualities of Aiōn on a day-to-day basis.  None of these few uses, most of which are limited to just references to Aiōn as being a generic ruler (or a sort of hyperstasis of the individual planets, a sort of planet-behind-the-planets or the very Platonic Idea of Planet itself?), give much of a hint of what we’re doing by invoking the Ruler of the Pole.

Let’s back up a bit, I suppose.  What, exactly, is the “Pole” being ruled over?  There are two possible candidates for this: the ecliptic pole (the pole of the planet of the ecliptic, the orbital path of the Sun as viewed from the Earth) and the axial pole (the pole around which the Earth itself rotates on a daily basis).  Though these two poles are similar, they are not identical; after all, the ecliptic is tilted slightly to the rotation of the Earth, which is why we have seasons.  The axial pole of the Earth is basically the North Star, Polaris, which is the tail of Ursa Minor, or the Litte Dipper.  On the other hand, the ecliptic pole of the Earth, along with all the other planets in the Solar System, lies further off in the nearby constellation of Draco.

This was the point of the only small conversation that my post in the Facebook group started, mostly by my good colleague Freeman Presson.  Freeman had the idea that, in a sense, every planet is conjunct the Pole by longitude in the same sense that, if you yourself are standing at the North Pole on Earth, any direction you face or travel will be south.  Because of this, every planet could be seen as being eternally in communion with the Pole, even if they’re separated by latitude.  However, someone else popped in to say that that’s not quite right, and that the pole of the ecliptic is not the same as the pole of the axial rotation of the Earth, and the two don’t really line up that well here.  It was something to consider at least, but it doesn’t really get us much of anywhere.

To be honest, I think it’s far more likely that it really is the axial pole of the Earth (the one that points to Polaris and Ursa Minor) it the one being referred to.  While I’m sure the ecliptic pole was known, there’s far more emphasis in the PGM on the use of the pole stars Polaris, Ursa Minor, and Ursa Maior, with many “bear charms” and other works with the northern stars.  Plus, it does help that both Ursa Minor and Ursa Maior both have seven stars each; indeed, the old Latin word for “north” is “septentrio”, from “septem triones” meaning “seven oxen” or “seven bulls”.  When we look at the Bear-related spells from the PGM, we get a better understanding of some of the power of this figure, or at least the station of this figure (bold text emphasizes similarities with the description of the Ruler of the Pole in PGM XIII):

  1. PGM IV.1275—1322 (“Bear charm which accomplishes everything”): I call upon you, the greatest power in heaven, in the Bear, appointed by the Lord God to turn with a strong hand the holy Pole, ΝΙΚΑΡΠΟΛΗΞ!  Listen to me, Hēlios, Phre!  Hear the holy prayer, you who hold together the universe and bring to life the whole world…ΘΩΖΟΠΙΘΗ, Bear, greatest goddess, ruling heaven, reigning over the Pole of the stars, highest, beautiful-shining goddess, incorruptible element, composite of the all, all-illuminating, bond of the universe ΑΕΗΙΟΥΩ ΕΗΙΟΥΩΑ ΗΙΟΥΩΑΕ ΙΟΥΩΑΕΗ ΟΥΩΑΕΗΙ ΥΩΑΕΗΙΟ ΩΑΕΗΙΟΥ, you who stand on the pole, you whom the Lord God appointed to turn the holy Pole with a strong hand
  2. PGM IV.1323—1330 (“Another [Bear charm]”): ΚΟΜΦΘΟ ΚΟΜΑΣΙΘ ΚΟΜΝΟΥΝ, you who shook and shake the world, you who have swallowed the ever-living serpent and daily raise the disk of the Sun and of the Moon, you whose name is ΙΘΙΟΩ ΗΙ ΑΡΒΑΘΙΑΩ Η, send up to me, NN., at night the daimon of this night to reveal to me concerning the NN. matter.
  3.  PGM VII.686—702 (“Bear charm”): Bear, Bear, you who rule the heaven, the stars, and the whole world; you who make the axis turn and control the whole cosmic system by force and compulsion, I appeal to you, imploring and supplicating that you may do the NN. thing, because I call upon you with your holy names at which your deity rejoices, names which you are not able to ignore…

The thing about many of these Bear charms is that they bear (heh) some semantic similarities and connections to the Hellenic goddess Artemis, due to the myth of her companion Callisto transformed into the constellation of Ursa Maior and the view that Callisto was seen to be an aspect or manifestation of Artemis herself.  From Artemis, connections can be drawn to Selēnē, the Moon, and from the Moon to the Egyptian god Thoth.  Yes, Thoth, who was considered by the Egyptians themselves to be a lunar deity (consider the fact that he is often depicted as wearing a lunar crown and that the crescent shape of the beak of the ibis recalls the shape of the crescent Moon).  Though epithets and praise names of this god are many, some of the more relevant ones are:

  • Who fashioned all things
  • Who made all that exists
  • Bull among the stars (remember the “seven bulls” of the northern stars!)
  • Who determines fate
  • Who glorifies the two eyes (yes, the eyes of Horus, but remember “you gave Hēlios the glory and the power, Selēnē the privilege to wax and wane and have fixed courses…”)
  • Governor of Ma’at (i.e. Truth or Fate) in heaven and Earth
  • Lord of heaven
  • According to whose word the Ennead acts

There are even some texts that give Thoth descriptions and praises in similar patterns and wordings to Akephalos, the Headless One of the Headless Rite.  While I’m not suggesting that Thoth is the Ruler of the Pole or the North Star here, I am suggesting that many of the same qualities of a pantokrator/cosmocrator/all-ruler god transfer over based on similar ideas and notions.  In other words, I’m definitely freestyling my correspondences and connections here, but rather than saying “X is Y”, I’m saying that “X is like Y”.

Anyway.  It’s also fascinating to see mentioned in PGM IV.1323—1330 that reference to “you who have swallowed the ever-living serpent”, which could, if we were to take a staunchly pro-stellar view, refer to the constellation Draco, which might be viewed as a sort of conquering of the ecliptical pole by the axial pole.  It could also relate, as Betz notes in a footnote to PGM IV.930—1114, to the serpent Apophis who daily attempts to devour the bark of Re.  Other references to serpents yields PGM VII.300, another lunar spell that also includes an ibis (!) and a reference to the explicitly lunar god Khonsu, has a particular “circled-ibis” phylactery:

ΣΑΧΜΟΥ ΟΖΟΖΟ, you the one who thunders, the one who shakes the heaven and the earth, the one who has swallowed the Serpent, hour by hour raising the disk of the Sun and surrounding the Moon, ΧΩΝΣΟΥ ΟΧΧΑ ΕΝΣΟΥ Ο ΒΙΒΕΡΟΗΣΟΣ.  Write on your left hand with myrrh ink these things surrounding the ibis.

Similar incantations also exist in PGM VII.359—369 (“Request for a dream oracle”).  PGM VIII.1—63, however, includes a neat little tidbit: an aspect of Hermēs called upon for a binding love spell, but the aspect of which is given the description “in the north you have the form of a serpent”.  Betz notes that this refers to the deity Uto or Wadjet, who is often found associated with the north.  This whole “conquering” or “swallowing of the serpent” could also refer, historically, to the slow shift of the North Star to Polaris in Ursa Minor from Thuban, α Draconis, from some two- to three-thousand years prior.  It’s an idea, I suppose.

This is fascinating, but we’re not where we need just yet to figure out what the Rulers of the Pole are or what they do.  We know that the Pole being ruled over has something to do with Polaris and the constellations of Ursa Maior and Ursa Minor, but that’s about it; we’re not seeing anything in PGM XIII or the Bear charms that are giving us a hint about these specific “rulers of the pole”.  But there are other hints in the PGM and from the classical world that can tip us off in the right direction; we’ll handle that in the next post.

Original Greek and faithful transcriptions up for two ancient Hermetic prayers!

As many of my readers know, I have my Etsy shop set up for the things I make.  I tend to stick to beadwork nowadays, bracelets and necklaces and chaplets and rosaries and that sort of thing as well as my ebooks (which you can also find directly on my website on the Books page), but in the past, I’ve taken commissions for wands, Tables of Practice, and other woodworking things.  I don’t do the woodworking thing as much anymore; there are several others I would recommend on Etsy, instead, for things along those lines, who have better setups and tools and skill than I do.  Still, depending on the need and the medium, I’m certainly not opposed to taking on commissions.

Recently, I received an interesting request for a commission.  Rather than it being a physical thing, it was a digital item; sure, I can do those, too, and I’ve made designs and the like for others by special request.  After all, art is art, and craft is craft.  This, though, was also unusual; I suppose it could be said to that I was contracted rather than commissioned.  I was contacted by one Soror MNA to help her with some of her own research and work.  She took a heavy interest in two of the things I’ve shared previously on my website, the Hermetic prayers from the Greek Magical Papyri known as the Hymn of the Hidden Stele (PGM IV.1115—1166) and the Stele of Aiōn (PGM.1167—1226).  These are beautiful hymns indeed, and I’ve used them to powerful effects in the past for serious and heavily theurgical purposes.  However, I’ve only basically given my (minor) variants of them in English, with the Greek barbarous words of power rewritten in the Greek script for ease of analysis and preservation of nuances in pronunciation.

What the good Soror MNA wanted me to do was to get her copies written in Greek of these two prayers.  After all, it’s not hard to find Preisendanz’s transcriptions of the PGM online (volume 1 for PGM I through PGM VI, volume 2 for PGM VII and after); all she needed was these prayers in their original Greek as well as transliterated into Roman script for study and use in her own rituals.  So, since this was a pretty clear-cut job of typing and transcribing, I gladly took the job.

All of this is simple and straightforward and otherwise unmentionable and not worthy of note if it weren’t for the fact that, at the end, I requested a change to the terms we had agreed to that would be in both our favor.  As it was, I was just going to give her a document with the transliterations she requested, but for the same reasons she found it valuable to have these prayers in their original Greek and transliterated into Roman script, I figured it would be good for the broader occult community, especially those interested in PGM-style Hermetic work, to have access to the same.  She agreed, and to that end, graciously permitted me to share the fruits of my labors on my website.

To that end, the Hymn of the Hidden Stele and the Stele of Aiōn pages on this website have been updated and augmented with the orignal Greek and their transliterations.  All of this is thanks to the gracious and generous support and sponsorship of Soror MNA, who has my thanks for helping me and funding improvements to my website!  If it’s been a while since you last checked these hymns out, or if you’re unfamiliar with them and have any interest in some pretty potent prayers, go and take a look!  The transliteration scheme I use is custom to my own work, which I feel preserves the pronunciation and accenture of the original Greek slightly better than other texts; most of the accenture is unnecessary unless you’re intimately familiar with the byzantine Byzantine use of polytonic Greek, but in order to keep it as faithful as possible, I included it all the same.  Thank you again, Soror MNA, for your generous support!

Just to remind all my wonderful readers: if you’d like to support the Digital Ambler in my projects, writing, and other work, remember that you can do so through Ko-fi!  Every little bit counts, and you’ll have my unending, undying thanks and appreciation.  Heck, if you wanted to sponsor a post or something big for my website like what Soror MNA said, suggest something in the comment when you donate and I’ll see what I can do!

Buy Me a Coffee at ko-fi.com

I was on a podcast over at My Alchemical Bromance!

Personally speaking, my preferred medium is the written word.  I get to clarify and refine my thoughts into an actually acceptable format, it’s easy to peruse if you have time or skim through if you don’t, and searching through it is trivial with most modern search functions (though I have my issues with the WordPress search from time to time).  It’d be a weird day indeed if I were to start making videos or podcasts of my own as a Thing, but I’m certainly not opposed to other people doing it, especially when they’ve got good practice at making it work well for them and entertaining to boot!  I like leaving this sort of thing to the good people who’ve mastered it.

Not that long ago, I was invited to chat with the good Rev. Erik L. Arneson over on his podcast of My Alchemical Bromance,  Rev. Arneson, who also manages the website, blog, and reading services of Arnemancy which focuses on a variety of Hermetic topics old and new, invited me onto the show to chat about the Greek Magical Papyri, geomancy (which I think is becoming almost my cliche thing? eh, it’s definitely my thing, to be sure), ceremonial magic, and a variety of other topics as we share a drink.  He had a fancy beer, while I drank my already-half-emptied 1.5L bottle of Barefoot Sweet Red blend, leftover from offerings done earlier in the week, which he mirthfully mocked me for (and rightfully so).

What?  Y’all knew I don’t bother with taste if I don’t need to.

You can listen to the episode directly on their website at this page, or you can listen to the 1hr37min debaculous chat here:

Once you’re done (and I do hope you enjoyed it—it was super fun chatting with the good reverend), be sure to like them on Facebook, follow them on whatever RSS feeder you prefer, and subscribe to their podcast!

On Repurposing Ritual Parts for New Practices

This PGM train won’t stop, at least, not yet.  I hope you’re not bored of this talk of the Greek Magical Papyri, dear reader, because there’s so many awesome things about it, not least for its historical value in understanding some of the origins and foundations of Western magical practice as we know it today and how their rediscovery continues to shape it in modern occulture, but because of all the wonderful techniques they contain.  And just think: what we have in Betz’s famous translation is still only a fraction of what’s still out there, both discovered and undiscovered, translated and untranslated.

So, I meant to have this post out shortly after the ritual writeup of the Royal Ring of Abrasax was put up, but then the last post happened where I also introduced it, so…whoopsie.  Anyway, this ritual, PGM XII.201—269, describes the consecration of a kind of ring of power, “useful for every magical operation and for success”, which it claims is constantly sought after by kings and other types of rulers.  In a sense, this particular ring can act as a general phylactery or protective charm against spirits in magical works and conjurations as well as a charm for success, victory, and fortune in all of one’s endeavors.  In some sense, it can be considered something resembling a conceptual forerunner of the Ring of Solomon known to later magicians; this isn’t to say that PGM XII.201—269 is an ancestor of the Ring of Solomon, but it indicates a transition of magical rings and how they evolved from simple empowerment and fortune charms into phylacteries and guarantors of magical success.  If you haven’t seen my write-up and analysis yet, it’s up under the Occult → Classical Hermetic Rituals menu.  Take a look!  It’s a fine example of a solid Graeco-Egyptian consecration ritual which can be seen as a kind of forerunner to later Hermetic and Solomonic ones.

The reason why I’ve been looking over this ritual is because Gordon White over at Rune Soup used this ritual as his (only) group exercise for his recent 2018 Q2 course on the PGM.  It’s an excellent course, as I’ve mentioned before, especially as it focuses less on the actual rituals present in the PGM and more about the background, context, development, and general methodology behind them.  Of course, it’s not like Gordon only wanted to just talk about them, but he wanted to get people up and running with them in a sensible way that involves some measure of rigor and spiritual connection.  For that purpose, Gordon set up a group exercise for those participating in the course to recite a portion of PGM XII.201—269 as a kind of semi-self-initiation before other PGM work.  As to how, specifically, Gordon accomplishes this, I recommend you head over to Rune Soup to check out the members section and go through his course material.  It’s worth the small cost of admission, I claim.  Just because the course is finished doesn’t mean you can’t perform the self-initiation ritual at any time you want or need, especially now that a current-connection has already been established in the same way by quite a number of other magicians.

Gordon explains his reasoning for adapting this ritual for this purpose at the end of the first module of the course.  Essentially, the author (or compiler) of these parts of the PGM texts was, in all likelihood, an actual Egyptian initiated priest who moonlighted as a magician-for-hire.  Because of his initiated status, he had access and license to work with the gods and spirits found in the PGM in such a way that we never can at this point, or at least, not in the same way; those initiations and lineages are long since vanished, and there’s no way to achieve the exact same status as our original author friend; as I’ve discussed before, lineage can make a world of difference when it comes to starting out at the same point of power based on initiation and lineage or the lack thereof.  To that end, Gordon set up a specially-modified form of PGM XII.201—269 as a sort of quick self-initiation into the powers and currents of the PGM to make our future PGM work that much more effective, serving as an introduction to the PGM powers.  Without performing such a self-initiation, it’s possible that we can get some results out of doing PGM work, but not necessarily to the same extent without a formal introduction, for which Gordon’s modified PGM XII.201—269 serves decently enough for any beginner to PGM-style magic.  Plus, it benefits from the fact that it’s a comparatively simple ritual (at least in Gordon’s modified form) without onerous barbarous names of power, which can be terrifying for those new to the PGM.

The Royal Ring of Abrasax ritual is not a particularly complex or difficult ritual to do; sure, there’s a bit of animal sacrifice involved, but that’s nothing that we can’t work with, either by actually bleeding the required birds or by making a sincere and appropriate substitution (I go over one such method in my write-up for those who are unable or unwilling to perform such a sacrifice, and for more information, check out my last post).  The main hymn of it is rather beautiful, but it also struck me as familiar, and I wasn’t entirely sure why that was the case.  It was some of the footnotes from Betz that tipped me off; part of the hymn was annotated with a reference to PGM XIII.734—1077, which titles itself the Tenth Book of Moses, from which the Heptagram Rite comes (along with its smaller variant the Calling of the Sevenths, aka Heptasphere).  The preliminary invocation of the Heptagram Rite (at least in its Major form that I’ve written about) is basically the entirety of the main hymn of the Royal Ring of Abrasax, just fleshed out with more barbarous names of power, including close variants of the same barbarous name that the Royal Ring of Abrasax ritual centers around.  This was fantastic to discover on its own, that these two PGM sections from different papyri could be tied together in this way, but there was another part to discover; the end of the Tenth Book of Moses (after the Heptagram Rite is discussed) introduces a consecration for a particular kind of phylactery that, itself, bears many parallels to the consecration ritual of the Royal Ring of Abrasax.  So, not only do we have a near-identical prayer in these two PGM sections, but we even have a rough match of a consecration for a charm of power and protection!  Finding two such similar rituals in close proximity within the same PGM would be one thing (a la the Eighth Book of Moses from PGM XIII.1—343, 343—646, and 646—734), but this is an even more important realization.  It either indicates that both papyri were compiled or written by the same author, or that two separate authors had the same source for almost the same procedures; I’m not sure which is more likely, but both are exciting things.

However, the parallel parts between PGM XII.201—269 and PGM XIII.734—1077 are separated by quite a lot of content, and what’s present in one is not used in the same way as it’s used in the other.  The near-identical hymn that’s present in both is used for two radically different rituals: in PGM XII.201—269, it’s used as part of a consecration of a charm, and in PGM XIII.734—1077, it’s used as part of (what is essentially) a theurgic ritual.  It’s an interesting example of using the same ritual act or performance for different ends, especially because it’s in the source text of the PGM which we all admire and love.  What this indicates to me is that there’s an implicit acknowledgment that certain things can be used in different ways, a kind of magical upcycling or repurposing of techniques.  This isn’t particularly uncommon; after all, consider the PGM-style framing rite I put out a few days ago.  The vast majority of that is slapped together from a variety of PGM sources, picking and choosing this and that to come up with a more-or-less unified whole.  Heck, one of the sources I picked some techniques from, PGM IV.930—1114 (the Conjuration of Light under Darkness ritual) itself has the markers of being slapped together from two different rituals for different purposes brought into a more-or-less unified whole.  What I did to come up with my framing rite may not sit well with PGM-focused grimoire purists, but it’s solidly within the same tradition and following the same meta-methodology that’s present within the PGM itself.

Consider our modern use of PGM V.96—172, the Headless Rite.  Originally, it was intended as a simple exorcism, but thanks to the innovations of Aleister Crowley, it was adapted into a theurgic self-empowerment and self-elevation ritual, and the way he did it allows for further customizations to be made.  Where Crowley changed “deliver NN. from the demon that restrains him” to “hear me and make all spirits subject unto me” (a reuse of one of the last lines of the ritual), other adaptations can be made to the Headless Rite that can turn it from an exorcism ritual into a banishing, empowering, or theurgic ritual:

  • Exorcism: “Deliver NN. from the demon that restrains him!”
    • Here, NN. is the name of the person to be exorcised.
    • This is the original “rubric” as used in the PGM version of the text, since this was originally intended as an exorcism ritual.
  • Banishing: “Deliver me, NN., from any and all demons, death, defilement, illness, impurity, infirmity, pain, plague, or poison that restrains me!”
    • Here, NN. is your own name.
  • Empowering: “Subject to me all spirits so that every spirit whether heavenly or ethereal, upon the earth or under the earth, on dry land or in the water, of whirling air or rushing fire, and every spell and scourge of God may be obedient to me!”
    • This is the version used in Liber Samekh, which is just a more fleshed-out version of the charge used for donning the coronet, as discussed below.
  • K&CHGA: “Send to me my neverborn friend and guardian, my supernatural assistant, my agathodaimon, my holy guardian angel!  Send to me the spirit NN. whose duty it is to guide, lead, assist, and protect me through this and all lives!”
    • Here, NN. in this case refers to the name of the guardian angel, if known.  Otherwise, omit the use of a name entirely and refer to the guardian angel generally.

Consider also our modern use of the Orphic Hymns, especially those for the planets.  One of my good colleagues suggests that the original use of the Orphic Hymns were that they were to all be sung in succession as a kind of diagnostic theurgic rite so as to call out specific divinities that might be affecting someone at a given time, and not necessarily that individual hymns were to be used on their own.  Yet, magicians have been using them for centuries as individual prayers for individual entities outside their original contexts; consider what Cornelius Agrippa has to say about them in his Three Books of Occult Philosophy (book I, chapter 71):

Besides, with the divers sorts of the names of the Stars, they command us to call upon them by the names of the Intelligencies, ruling over the Stars themselves, of which we shall speak more at large in their proper place. They that desire further examples of these, let them search into the hymns of Orpheus, then which nothing is more efficatious in naturall Magick, if they together with their circumstances, which wise men know, be used according to a due harmony, with all attention.

After all, most people in the modern Hermetic/astrological magic scene (especially those who work outside the Golden Dawn and similar systems) are familiar with the use of the Orphic Hymns for the planets and use them in their rituals, whether as a kind of daily adoration of the ruling planet of the day or as part of a chant for the consecration of a planetary talisman during an election of that planet or for other purposes.  For instance, as a gesture of worship to Hermēs, I recite his Orphic Hymn whenever I enter a post office, no matter the day or time; this is certainly a modern adaptation of the use of such a prayer, and one that wouldn’t fit into any classical scheme except the broadest notions of “general worship”, but it goes to show that bits and pieces of ritual and religious texts can be used in ways that may not have been anticipated by their original authors, yet work well all the same for their new purpose.

In a similar vein, consider the use of the Psalms of the Old Testament.  These were originally devised as songs for worship, celebration, and religious meditation, yet parts of them have been in use in a variety of religious rituals and ceremonies; consider the Asperges Me, a few lines of Psalm 51 that’s recited in some Catholic Masses as well as in folk ceremonies of purification.  Heck, consider the wide and deep practice of psalm-based magic, where particular psalms are recited, either on their own or accompanying other ritual acts such as dressing and lighting candles.  A good example of a similar type of Old Testament-based magic is that of Draja Mickaharic’s Magical Spells of the Minor Prophets, where Mickaharic describes how to use individual verses of the minor prophetical books from the Old Testament for a variety of magical ends, including one chapter where every verse from an entire book can be used magically.  This is definitely magical repurposing on a whole new level, and yet is so firmly grounded and founded in classical magical meta-methodology that it’s hard to see how deep these foundations have been dug.

The trick when repurposing bits and pieces of extant ritual and texts, as always, is to be smart about it.  Cherry-picking without care or caution can get you into a lot of trouble real quickly, because not all individual parts of rituals can be extracted or extrapolated for different use.  For instance, the Conjuration of Light under Darkness is absolutely a conjuration ritual, combined from a lamp divination spell and a theophanic ritual.  However, at a large scale, the Conjuration as a whole cannot be adapted to the conjuration of other entities generally, like how the Trithemian rite of conjuration I use can be used for angels, natal genii, genii loci, and so forth with the right adaptations; instead, it’s pretty specifically geared to the conjuration and communion of one entity.  However, particular parts of this ritual may be used outside of it; I chose the Light-Retaining Charm and the Dismissal of Light, specifically, which kind of come as a set, since if you use one, you need the other.  My whole dismissal prayer I use is cobbled together from two different PGM sources (PGM I.262—347 and PGM VII.930—1114) which work well when mixed together due to overlap of particular phrases, and the fact that they do the same thing.

The compatibility and extensibility of particular techniques, and at what level and for what purpose, is important to consider when trying to pick and pull things together.  This can be difficult with PGM stuff, given the use of barbarous names of power; in general, we don’t know what they mean, and so we don’t know if we’re calling on something generally by their use in a given situation or if we’re calling on something particularly specific for a specific function.  Moreover, we don’t know whether what we’re calling is compatible only with its original context and not with the repurposed one we’re putting it to.  What makes things dicey is that we can’t just omit the barbarous names of power, either; consider Zoroaster’s injunction #155 from the Chaldaean Oracles, “change not the barbarous Names of Evocation for-there are sacred Names in every language which are given by God, having in the Sacred Rites a Power Ineffable”.  The words have power, which is why we say them; to remove the words is to remove the power, and to change the words is to change the power.  Better to use them than not, where present, unless you know precisely what you’re doing and how to get around it.  That’s why one of the reasons it took me so long to cobble together a PGM-style framing rite from off-the-shelf PGM pieces, because I needed to make sure that they were either naturally general enough to be used, or could safely be made general while still being effective as well as compatible with the other parts I was using.

The reuse of the hymn to the Agathos Daimōn between the Royal Ring of Abrasax ritual and the Major Heptagram Rite presents us with a unique opportunity, then, to see how one particular magical technique can be repurposed and even reworded; note that the Royal Ring of Abrasax version of the hymn contains far fewer barbarous names, indicating that—perhaps—not all of those are needed here for this purpose, or their use would have been more appropriate to a theurgic ritual rather than a consecration ritual, or that their use was not needed at all for the sake of praising and honoring the Agathos Daimōn.  Noting how the same prayer can be used in different rituals, it’s also easy (and, I’d argue, fruitful) to think how the prayer can be used in other contexts, such as in a daily prayer routine alongside other PGM-derived prayers like PGM IV.1115—1167 (the Hymn of the Hidden Stele, which has no purpose stated either as a header or as part of this section of the PGM) or PGM IV.1167—1226 (the Stele of Aiōn, which works as both a powerful prayer generally as well as being “useful for all things; it even delivers from death”).

When going about cobbling together from parts of other rituals (PGM or otherwise), I would recommend to a few questions to bear in mind to make sure you’re on the right track:

  1. Have you studied or, even better, performed the original ritual you’re choosing parts from to get an intimate understanding of what it does, both as a collection of ritual parts and as a unified whole?
  2. What is the nature of the original rituals, both as a whole and as parts, and how does it compare with the goal of the new ritual, both as a whole and as parts?
  3. What entities are being called upon in the original ritual, and do they conflict with other entities from other original rituals?
  4. Does the part of the original ritual being chosen require something else to be done with it, or can it stand alone on its own?
  5. Can the part being chosen from the original ritual be picked up and used as it is, or does it require modifications to wording or performance?
  6. Does the original ritual use barbarous or divine names of power?  Does the intent behind them in the context of the original ritual work for a different use?
  7. Can the charge or purpose of the part being chosen from the original ritual be modified or generalized while still keeping true to the power of the original ritual?
  8. Is taking a part from an original ritual really needed?  Is that part serving an actual use or function within the cosmological and methodological understanding of the new ritual?
  9. Is a new ritual being put together from parts of original rituals necessary, or will an original ritual suffice, either with or without modifications to charges, commands, or ritual implements?

There is value in knowing and understanding the dozens, hundreds of rituals in the PGM, or in any system or tradition or collection of magical works, and accomplished magicians can pull any ritual they need from their handbooks or private collections to accomplish anything they need or want.  However, there is at least as much value in being able to understand the parts of those same rituals, know what works, know what can be extended or abridged or adapted, and being able to whip something up (big or small) from parts off the shelf that’s at least as effective because they know how to plug certain ritual actions into each other.  The trick is being smart about it and knowing what can—and should—plug into what.

Soapbox Time: Animal Sacrifice and “Black Magic”

I tried to not put a post out about this again.  I really did, you guys, especially since I was fortunate enough to completely miss the recent Internet debacle-argument about this topic, and moreso since I wrote one post on the one topic and another on the other years ago and was hoping to not have to succumb to this particular urge again.  But, then again, it has been like five years since I wrote those posts, and though quite a lot has happened, my views on these two topics hasn’t particularly changed much except for being refined.

So, the other day, I put out my write-up on PGM XII.201—269, which I’ve entitled the Royal Ring of Abrasax ritual, a consecration of an engraved ring of power that protects the wearer and also ensures their success in magical workings, a sort of forerunner to the Ring of Solomon found in later centuries.  Part of the ceremony calls for the sacrificial offering of seven birds—a pure white goose, three roosters, and three pigeons—but since I’m fully aware that not everyone is willing, trained, or able to perform such a ceremony, I also offered an alternative approach using sacrificial, animal-less cakes made to symbolize the offering of the birds instead.  I think that it’s a wonderful ritual that I’m eager to try at some point in the future, using the cake substitutions instead of bird sacrifices, not because I’m unable or unwilling to use birds here, but because I want to keep things simple for a first honest attempt, along with other personal accommodations for my own circumstances and situations.

Well, shortly after I shared it on one of the social media platforms I use, the ritual got a particular comment that rubbed me the wrong way, which was all of: “Whoa. That’s some serious black magick“, complete with a sadface. Granted, with such a terse comment that gave no justification for saying what it did, I honestly can’t say why that particular person commented that this was “black magic”, but I’m pretty certain I can hone in on it.  And I just…I just can’t, y’all.  I did make a reply to that comment, but since this particular thing set me off sore on two volatile topics at once, I figured if I was gonna get this urge out my system, I may as well get it out in full, in depth, and at length here.

First, let’s get the easy bit out of the way: “black magic” is a ridiculous term that we should have abandoned long ago, right along with “white magic”.  For some, it’s an issue of racism; for others, an issue of not understanding other traditions; for yet others, a shaming mechanism to get people to “evolve” into “higher states of spiritual being” from “backwards” or “primitive” or “dark” places.  Whether for these or other reasons, “black magic” is a deplorable term that’s often used to (a) make someone seem way more spooky than they are (b) market themselves as an edgelord sorcerer a la E.A. Koetting (c) shame the practices, rites, and occulture of others because one is uncomfortable with what they do.  Yes, I know the world is wide and full of awe, things that are both awesome and awful.  At the same time, you generally don’t have the right to judge other practices and cultures, especially those which are foreign to you or those which are from antiquity, unless you can also claim some measure of expertise in the context, development, and reasoning behind those practices of those cultures.

“Black magic” is a phrase that’s often more in line with really spooky witchcraft, devil-working, demon-summoning, cursing, and other outright maleficia in the sense of magic that’s intended to cause harm, pain, suffering, or death to others, generally out of a sense of wrath, greed, malice, or other vice-fueled emotion.  Then again, the term “black magic” is used at best when it “accurately” refers to these things as they are actually done; just as often as not, if not more so, the phrase “black magic” is used to describe any type of magic that one might find transgressive, dangerous, unpalatable, or frightening.  This is ridiculous, to be frank about it; the use of magic in general is transgressive and dangerous, and to anyone who isn’t familiar with anything in magic, it’s all unpalatable and frightening.  I can’t tell you how many people I’ve scared off by saying I conjure angels, much less work with ancient subterranean deities, and those are generally the more appealing and “kinder” spirits we work with (though angels are terrifying as shit, too, and we should never forget why the first thing they say in biblical literature is “be not afraid”, nor should we ever forget our place amongst the gods lest we fall into hubris and suffer the extreme penalties for doing so).  If you call something “black magic” because it’s unpalatable or frightening, it’s because it’s unpalatable or frightening to you.  Others, for whom it’s their bread and butter, may find it normal and natural, even holy and sanctified in its own right.  It’s much like how many Christians think of a variety of non-Christian religions as “evil”, “wicked”, “witchcraft”, or even “black magic”; to call the practices of another that you don’t understand “black magic” is just as farcical; consider Mark Twain’s The War Prayer, which would be an example of maleficia that’s otherwise grounded in normalized, culturally-acceptable religion.  Heck, even if you do understand it, call it what it is: is it a curse, or devil-working, or maleficium?  Call it that, and be clear and accurate about it!  But don’t call it “black magic” and think that by being judgmental you’re preserving your pristine ethics and morals, because you’re not, and you end up making yourself look ridiculous.

So, the Royal Ring of Abrasax ritual got called “black magic”.  Why might that be?  Considering any of the “accurate” meanings of what “black magic” might mean (and I use the term “accurate” very loosely here), we simply don’t find any of that in this ritual.  In fact, we find a pretty standard, pretty pious hymn to the Agathos Daimōn, the “Good Spirit” of Hellenic influence that became a sort of personalized almighty God figure, much as how many modern Christians conceive of God as not just the God of all the cosmos but also their own personal, private God that watches out for them.  We find the preliminary invocation calling upon all the beneficent gods who rule over the world in all its forms and in all its ways, almost in an animist worldview rather than a polytheistic one, so as to establish the authority of the magician in mythic terms with the right to call upon them.  We find the consecration of the ring to be such that the magician “may wear this power in every place, in every time, without being smitten or afflicted, so as to be preserved intact from every danger while I wear this power”, so that “none of the daimones or spirits will or can oppose” them.  If it weren’t for the explicit Egyptian references and comparatively outdated terminology in the ritual, we might be forgiven for thinking this was something from one iteration or another of the Key of Solomon.  I think we can pretty solidly establish that whatever type or field of magic might be referenced by “black magic”, the Royal Ring of Abrasax doesn’t fall into it.

If you want good PGM examples of maleficia, you don’t have to search hard: PDM xiv.675—694 (the Evil Sleep of Seth; much of PDM xiv has similar recipes and poisons for causing “evil sleep” i.e. catalepsy, as well as blindness or death), PGM IV.2622—2707 (the Slander Spell of Selēnē), PGM IV.3255—3274 (Seth’s curse of punishments), PGM VII.396—404 (for silencing, subjecting, and restraining), PGM XII.365—375 (for inflicting the separation of Seth and Osiris or Seth and Isis on two friends or lovers through strife, war, odiousness, and enmity), and PGM CXXIV.1—43 (to inflict illness), to say nothing of all the other restraining and binding spells, as well as all the love spells which verge on domination, subjection, and inflicting pain so as to make someone love the magician.  Then there are also the curse tablets, also known as defixiones or katadesmoi, which we find across the entire western Old World across many, many centuries (more information available at Ancient Esotericism).  Those are all undoubtedly maleficia of various types and kinds, which may or may not have their justifiable uses; the Royal Ring of Abrasax, however, bears nothing in common with these.

The only objectionable part of the Royal Ring of Abrasax ritual, then, must be the use of animal sacrifice, which is seen as a generally distasteful thing amongst…well, let’s be honest: urbanite or suburbanite, middle-class or upper-class, Western-centric practitioners who are separated from the cycle of life and death present in agriculture and animal husbandry as well as social, religious, and magical practices that go back literal millennia across every culture and continent.  On the other hand, I’m a proponent of animal sacrifice, for the ceremonies that call for them, when there’s a recognizable need to incorporate them in those ceremonies, and when performed by someone who is properly capable of carrying out such an act of sacrifice.

Before I continue, I want to mention a bit about the gravity of animal sacrifice.  While a staple of the religious and magical practices of most (not every) culture at some point on Earth, it’s a pretty big deal to sacrifice an animal; more than fruit or grain, raising animals is an investment.  Sure, agricultural goods are investments, too, but the nature of animal sacrifice is different because they’re expensive and, more importantly, have the blood and breath of life in them.  This is what makes them far more potent than offerings of libations, incense, foodstuffs, or other votive gifts, no matter how rare or intricate.  To sacrifice an animal is truly a sacrifice, because you have to come to terms with the cycle of life and death that enabled you to come into the presence of such a sacrifice as well as the process by which you cease its life for the dedication and offering to a divinity, or using its life force in a directed way for magical ends that cannot (whether easily or at all) be accomplished through the use of non-animal means.  It’s not like setting out a cup of barley grains for Hermēs or a plate of pears for Obatala, then tossing it out the next week; the process of animal sacrifice is not to be taken for granted, and neither is the life of the thing to be sacrificed.

Given that, I recognize that there are a variety of reasons one might choose to abstain from animal sacrifice, many of which were brought up in the comments on my original post on this topic from 2012:

  • One takes an egalitarian animist view of the cosmos: everything has a spirit, nothing is spiritually master or owner of another.  In this light, the notion of “dedication” and “sacrifice” become moot, because there is no point in dedicating a sacrifice to an entity that cannot own anything.
  • One takes a strictly pacifist, nonviolent approach in all their works: no harm done to anything as a result of ritual or as part of it.  This may or may not overlap with animal rights activism and vegetarianism/veganism out of concern for the well-being of animals.
  • One has a sincere love and care for the well-being of animal life, whether they are people, pets, or livestock.  This may or may not overlap with animal rights activism and vegetarianism/veganism out of concern for the well-being of animals.
  • The rules and restrictions of one’s own practices and religion forbid it (e.g. Orphism).
  • The gods and spirits one works with insist on or mandate bloodless sacrifice for their worship and works.

One common argument I see against animal sacrifice is that “you wouldn’t sacrifice your pet dog or cat, so why would you sacrifice a chicken or goat?”.  You’re right; I wouldn’t sacrifice my pet, because pets aren’t livestock.  Pets are animals we raise for support, companionship, protection, and entertainment; for all intents and purposes, pets are family, and I wouldn’t sacrifice a member of my family.  Livestock, on the other hand, do not fall into that category.  They are raised for food, for breeding, for their hair, for their eggs; livestock are animals for consumption.  To cross the semantic boundary between pet and livestock is…even I find it distasteful, but I also recall myths and stories where such things were done in times of extreme need or revelation (e.g. Baucis and Philemon about to sacrifice their pet goose when they realized that it was truly Zeus and Hermēs visiting them in their hovel).

Heck, even if one is okay with animal sacrifice, there are plenty more reasons why one might not do it:

  • Lack of skill in safely and, as much as possible, humanely slaughtering an animal
  • Lack of funds for animals
  • Lack of appropriate space or privacy to keep animals, whether on a short- or long-term basis, as well as to conduct the ceremony
  • Lack of means or skill to properly process and butcher the animal for ritual or personal consumption, if applicable to the ceremony
  • Lack of means or space to dispose of any non-sacrificial and non-processable parts
  • Lack of knowledge of the proper ritual procedure for conducting such a sacrifice

That said, farms that raise livestock for personal use are often quite skilled in quickly and safely slaughtering animals, and butchery is a time-honored profession that overlaps significantly with slaughtering animals.  So long as one is willing to get their hands and apron bloodied, it’s not hard to learn these skills at least to a rudimentary, acceptable level, and make accommodations where needed for processing, disposal, and the like.  Most humans eat meat to some extent, and for many people, it’s a necessary part of their diet and culinary culture.  (Some might argue that nobody needs to eat animals and that everyone should be vegan, but it’s not a sustainable practice for many parts of the world, and it negates the fact that the human body does not operate on a one-diet-fits-all approach.)  Many people don’t get any sort of glimpse into the process of raising, slaughtering, or processing animals for consumption nowadays, especially in the Western urban world, but we can’t lose sight of the fact of where our sliced deli meats, Thanksgiving turkeys, grilled hot dogs and hamburgers, and pork chops come from, especially considering how many people thoughtlessly and mindlessly pick up such animal products from their supermarkets and grocery stores to eat them later.  More people in the past were far more familiar with what it takes to process animals from field to plate; heck, if your grandparents are still alive, ask them what it was like to pluck chickens.  It wasn’t that long ago that many people killed animals on their own properties for their own benefit and sustenance in many Western first-world countries, either, and many still do, especially outside the Western first-world sphere.

When it comes to the religious use of animal sacrifice, we need to think about the role religion plays in our lives.  In some cultures, mainly the Greco-Roman ones I’m thinking of, there was no word for “religion” in the sense of a distinct field of human activity; there were words to describe particular modes of worship, but they struggled with a way to define the role of religion in their lives, because they couldn’t separate it out from the other things they did on a day-to-day, moment-to-moment basis.  More than just religious festivals and rites of passage, religion was intertwined with every breath of every day.  In that sense, if we’re going to kill something that took time and effort to raise, why not honor the gods by it and give them their fair share?  Also consider the Jewish practice of shechita, the kosher-permissible ritual slaughter of animals for consumption, which ties in with the practice of qorban, the acts and regulations of sacrifice permitted within the Temple of the Jews.  Then, bring in the long-standing and vital role that animal sacrifice plays in a variety of African religions, both practiced to this day within Africa as well as in the diaspora in forms such as La Regla de Ocha Lukumí, Candomblé, Vodou, and so forth; in these moments, animal sacrifices are often special occasions, celebrating a particular divinity, festival, or other sincere need, and are often communal celebrations where the meat is shared.  Indeed, in many traditional cultures, it’s more often than not that people got a substantial amount of their meat intake from participating in religious ceremonies.  And, more recently, some reconstructionist and revivalist pagan traditions are reincorporating the practices of animal sacrifice in their modern practices as was documented to have been done before Christianity knocked them off the map.

There are lots of schools of thought on the exact, precise role animal sacrifice plays (and, moreover, ought to play) in religious works, and generally these are limited to at most a handful of practices and traditions that involve them; I wouldn’t use Neoplatonic views on the appropriateness of animal sacrifice in Santería, nor would I try to impose Jewish ritual practices in a Hellenic ceremony.  Likewise, I would find it unconscionable for someone to judge the practices of another to which they don’t belong.  The most that I would personally agree with would be, if you have an issue for one reason or another, do your best to neither participate or benefit from it.  That’s fine!  In that case, you don’t need such practices, and they don’t need you.  If it comes to pass that you do, for some reason, need such practices as requires animal sacrifice, on the other hand, follow their rules, because they’ve been doing this a lot longer than you have and, simply put, still don’t need you to change, judge, or opine on the appropriateness of their ritual process.  There are a variety of legitimate needs and purposes for animal sacrifice; heck, even in a Neoplatonic setting, Porphyry and Iamblichus are in agreement that it has its place, and for some people, it’s a valuable and useful part of worship and theurgy to make use it in the right circumstances (cf. this excellent paper by Eleonora Zeper on the subject).

Then, on the other hand, we have magical practices.  Rather than following the institutions of religion and their practices that are typically carried on for many generations, magical practices may overlap with religion, take on religion as an independent and asocial activity, or have no overlap whatsoever.  Because of the variety of these practices, it’s hard to say anything about them in general besides the fact that they exist: they’re in the PGM, they’re in the Picatrix, they’re in the Key of Solomon, they’re in the Book of St. Cyprian, they’re in pretty much any and every pre-modern tradition and source text we have (and a number of modern ones, too).  Ranging from frogs to falcons, swine to swans, there are endless purposes for a variety of particular animals, some of which require no more than some hair or a feather plucked from them, some which require blood but without killing the animal, which require their whole burning once sacrificed (as in the Royal Ring of Abrasax), some require torture and deforming (such as a variety of frog-based spells in the Book of St. Cyprian), and so forth.  If you’re able and willing to do such acts for the sake of ritual, do it; if not, don’t do it and move on with your life.

There’s also the case of substituting blood sacrifices with bloodless sacrifices.  I give one example of this in the Royal Ring of Abrasax ritual, where instead of sacrificing seven birds, one sacrifices seven specially-made cakes that represent those birds.  Substitution of one ritual process with a similar-enough stand-in is a longstanding practice both ancient and less-ancient; we have records of Egyptian rituals where this was done, we know many folk practices across the world that once relied on animal sacrifices have come to use substitutions instead, and similar substitutions are made in particular traditions of Tibetan and some (but not all) other Vajrayana or Vedic practices, as well.  If done appropriately, done with the right intent, and done in a situation where a bloodless substitute is deemed acceptable by both the magician/priest and the forces they’re working with, then there’s no reason to worry for those who wish to perform a ritual but who are either unable or unwilling to perform the animal sacrifice for it: just use the substitute instead.  However, as Jason Miller points out in his recent post about animal sacrifice and using substitutes, this isn’t always possible: if the use of substitutes is not deemed necessary, whether because there’s a sincere need for a proper animal sacrifice or because the spirits reject bloodless substitutes, then you’re out of luck with substitutes.  I’ve heard stories of at least one modern ATR community that insisted on using bloodless sacrifices for their ceremonies until one of their gods came down in the flesh and demanded it of them, lest he take it from them by force; this type of thing can happen, though hopefully though less extreme measures such as through ceremonial divination and regular check-ins with the spirits you’re working with.

There’s also the possibility of reworking the format and structure of a ritual that calls for animal sacrifice to avoid using it entirely.  Consider that the Royal Ring of Abrasax ritual given in PGM XII.201—269 has a parallel, closely-related consecration ceremony of a phylactery later on in PGM XIII.734—1077, where no animal sacrifice is required (though an offering of sweetbreads is called for along with bread, seasonal flowers, and pine-cones).  It is entirely feasible to use this alternate ritual procedure, or adopt and adapt the methodology of one with the prayers and purposes of the other, to come up with a blend of ritual praxis that can (but not necessarily promised to be) as effective as either.  Additionally, consider that one may try to avoid the use of sacrifices entirely and simply use the prayers of the Royal Ring of Abrasax ritual in an otherwise usual, normally-conducted consecration ritual according to one’s regular process.  Is this always acceptable?  Not necessarily; the more you change the format or requirements or implements of a ritual, the further you get from being able to claim that you “did” the ritual, and the less likely you’ll end up with the expected results.  However, it is possible to come up with a new version of an old ritual, so long as you know what you’re doing.

This is a lot of digital ink to spill on something, but in short?  Animal sacrifice does not equate to “black magic”, and “black magic” is a ridiculous term that shouldn’t be used anyway.  If you find the practice distasteful, consider your own dietary habits, your own cultural heritage, your own biases about such practices, and whether you really think you know better than both age-old religious institutions and the gods and spirits they work with before you voice such opinions.  Don’t disparage the works and methods of others from a place of privilege, naiveté, and badly-conceived ethics; if you absolutely have to be judgmental about something, judge on the purpose and merits of the ritual.