A PGM-Style Framing Rite for Pretty Much Any Purpose

This past quarter, the splendid Gordon White of Rune Soup held another of his classes, this time on the Greek Magical Papyri, otherwise known famously as the PGM.  It was a great course; rather than being focused on simply presenting rituals and implementations thereof, Gordon went all out on giving the context, development, influences, cosmology, and theory that really fleshes out the PGM.  No, the PGM cannot be considered a single body of texts, because they’re inherently not: they’re a jumble of papyri from multiple authors across multiple centuries.  However, Gordon’s class really pulls so much of it together into something that could, honestly, feel like it could be presented as part of a single text, or at least a single tradition with more-or-less a single mindset.  It’s a tall order, but it’s a great thing to take if you’re a member of his class stuff.  That said, and to be candid about it, I’m kinda left a little hungry by the course: knowing that Gordon’s been doing PGM magic for…quite some time (probably longer than I’ve been a magician at all), I’d’ve liked to see more implementations and descriptions of ritual rather than just the cosmological backgrounds behind what we have in the PGM.  Still, I also know that I’m often left a little (or a lot) disappointed by other books on PGM-style magic that mostly or only list rituals with only a smattering of cosmology behind them; some of them are worthwhile, at least for a while, but I tire of them easily, probably because I’m a spoiled brat and like to chew on things myself rather than simply have them presented to me, so perhaps it’s really for the best that Gordon focused on the background and theory of the PGM rather than the contents themselves.  Of the other well-known books about the PGM, Stephen Skinner’s Techniques of Graeco-Egyptian Magic is a great analysis of the content of the PGM, and is a helpful index and guide to looking at and investigating parts of the PGM (though I differ with him on some accounts as well).

Flatteringly, Gordon referenced me and my work on my blog and website several times throughout his course.  (I admit, I was caught off-guard each time he did so, and it felt like I was being called out in the middle of a college lecture hall each time I listened into his class, and so promptly spat out my wine and/or energy drink of choice at that moment.)  To my credit, I have done quite a bit of PGM work; not as much as I’d like, but I do write about it quite a bit, and have whole groups of pages up both for PGM and PGM-like rituals as well as prayers from the Hermetic and PGM traditions, and about a tenth of the posts and pages on this website reference the PGM in one way or another.  For other splendid websites and bloggers on PGM stuff, I might also recommend Voces Magicae as well as Sublunar Space, who both appear to do quite excellent stuff on their own.

One of the most hilariously common things one might see in the PGM texts is the phrase “add the usual” (even to the point where Gordon was considering naming parts of his course that phrase).  Bear in mind that the PGM is basically a collection of the notes of working, jobbing magicians who kept track of their observations, rituals, recipes, and the like.  Just like how someone wouldn’t write down something in their journal that they did each and every time they got themselves ready in the morning but merely obliquely referenced it, so too did the PGM authors do the same for their own texts; if they had a particular MO, they wouldn’t waste the ink and papyrus on it, but simply said “add the usual”.  What that “usual” might have been, we don’t often know or have the means to find out, but it does indicate that certain rituals took place within a broader framework or ceremonial practice.  A modern term for this is a “framing rite”, where a particular ritual procedure is established to attune, protect, and generally set things up for a magician to do something specific within the overall ritual.  Examples of framing rites abound in modern systems of magic, and for those who have a daily magical practice, those same rituals can often be used both generally each day as well as immediately before/after a ritual to prepare or wind down the magician for the ritual.  With all the instances of “add the usual”, we have evidence that similar practices were done in the era of the PGM authors, as well.

With that in mind, and bringing my own Mathēsis practices and my other temple procedures into the mix, I was wondering if I could codify and establish a PGM-style framing rite for myself.  I adore the PGM stuff, after all, and I definitely incorporate many of its techniques in much that I do, whether it’s whole rituals or just parts I pick and extrapolate from.  Plus, given all the PGM resources I’ve put out on my blog, including implementations of rituals for which we only have the bare bones from the original source, it’s not like I lack for sources of inspiration.  So, I decided to pluck bits and pieces from a variety of PGM, Hermetic, Neoplatonic, and similar sources of magical praxis and slap them together into an overall procedure that works as a framing ritual for…well, anything, honestly, but with a focus on PGM-style magic (though not necessarily the PGM rituals themselves, especially those that provided inspiration for this framing ritual).  Between the lists of names of spirits, invocations for a variety of purposes, implementations of ritual designs, and the other practices I’ve developed in the meantime, it wasn’t hard to form a synthesis of PGM-inspired ritual.  Is it a mish-mash?  Absolutely, and I make no denial or complaint against that!  Is it effective?  As far as I’ve noted, it definitely is, which is why I have no complaints about it (besides my own quibbles in refining it over time).  I don’t mean to say that the PGM can be treated as a single, coherent text, because it’s absolutely not; that said, it’s not hard to pick the individual techniques that can be separated from particular parts of the PGM and synthesize them together into its own more-or-less coherent whole.

What follows is my attempt at such a generalized magical procedure.  Admittedly, this is still an experimental framework, and I’m still in the process of making minor tweaks and edits to it; however, the bulk of it is stable, and any further changes to be made would be minor indeed.  The framing rite, as the ritual proper itself, will benefit from being done in a previously established or consecrated space, but the framing rite itself suffices to establish a working temple in any space or location.  Further, with minor modifications, anything before the ritual proper according to the framing rite schema given here may also be used as a format for a regimen for daily magical practice.  Not all parts are required, but may be done at the magician’s discretion; when something is optional, I’ve said as much.  The general outline of the framing ritual, in full, is as follows:

  1. Send out any non-initiates.  (optional)
  2. Ablute with lustral water.
  3. Illumine the temple and call on the Lord of the Hour.
  4. Call on the Lord of the Day.  (optional)
  5. Call on the Lord of the Stars.  (optional)
  6. Consecrate the Light.
  7. Call on the Guardians of the Directions.
  8. Opening prayer.  (optional)
  9. Cast the circle.  (optional)
  10. Empowerment and fortification.
  11. Initial offering of incense to the spirits. (optional)
  12. The ritual proper.
  13. Closing prayer.  (optional)
  14. Dismissal offering to the spirits.
  15. Uncasting the circle.  (only if a circle was previously cast)
  16. Extinguishing the Light.

The following materials are required for the framing rite itself, in addition to whatever other materials the ritual proper calls for:

  • A head covering, such as a shawl or scarf
  • A clean basin or bowl
  • A clean towel (optional, if desired)
  • Fresh water
  • Salt or natron
  • Bay leaves, or cotton balls along with a tincture of bay laurel and frankincense
  • A lamp or candle, not colored red or black
  • Incendiary tool, such as matches or a lighter
  • Incense, most preferably frankincense
  • White chalk, a wand, or a knife to draw a circle (optional, only if desired)

In the future, once I make any further refinements and hammer out any other inconsistencies in the framing rite, I’ll eventually add it to the Rituals section of pages on my website.  In the meantime, I hope you enjoy, and if you’re interested, give it a whirl and see how you feel applying the following framing rite, both around a ritual itself as well as a basis for daily practice!

Note that in the following ritual text, except for the few short Greek phrases used and the names of spirits listed in the tables below, I’ve left what few barbarous words of power are used in the framing rite in Greek.  I tried to use selected portions of the PGM that didn’t rely too heavily on barbarous words of power, but their use is still essential to PGM-style magic in general.  None of what are used below are particularly long or complicated strings of words of power as some parts of the PGM are known for, but are rather some of the shorter and most common ones; I’ve left them in Greek to prevent formatting clutter.  If you’re unsure on how to read them, consult the listed PGM sections in the Betz translation or learn how to read basic Greek.  I might also recommend to check out this page on the phonetic and esoteric associations of the Greek.alphabet as well as this post on a primer on how to meditate on them to get used to their sound and power.


If desired, especially if this is done in a group setting, recite Porphyry’s command from On Images to give a general call to dismiss all unwanted or uninitiated entities, incarnate and otherwise, to leave the space in which the ritual is to be performed:

I speak only to those who lawfully may hear:
Depart all ye profane, and close the doors.

If there is a door to the space in which the ritual is performed, now is the time to close it, unless safety concerns mandate it being open; some sort of barrier should be used instead, such as a bar, board, or stone put across or symbolically blocking the entry to the space.

Prepare the lustral water and ablute with it so as to purify yourself and the temple space. This is essentially the process of making khernips for khernimma:

  1. Fill a basin with clean, fresh water.
  2. Pour or sprinkle a small amount of sea salt or natron into the water.  I recommend doing this in a cross formation above the basin.
  3. Light a whole dried bay leaf or a cotton ball soaked in a tincture of frankincense and bay laurel. Hold it above the basin, and say:

    For the sake of purity and becoming pure…

    Quench the fire into the water, and say:

    …be purified!

  4. Mix the water thoroughly with the right hand.
  5. Wash the left hand with the right, then the right hand with the left, then the face with both hands, reciting:

    Χερνίπτομαι (Kherníptomai)! In purity, I cleanse myself and free myself from defilement.

  6. With the right hand or a bundle of bay leaves, sprinkle the khernips around you in a counterclockwise direction, reciting:

    Begone, begone, you polluting spirits, you evil spirits, begone, begone!
    May all that is profane be cast out, that only holiness may here remain.

  7. If desired, pat the face and hands dry with a clean towel or cloth.
  8. Cover your head with a loose-fitting shawl, scarf, stole, hood, or other headcovering.

If more than one person is present, the lead magician prepares the khernips, washes themselves, and asperges the temple space first.  After that, the other ritual participants wash themselves only (reciting only the “Χερνίπτομαι! In purity…” part).

Illumine the temple with sacred fire that shines forth with the light of Divinity. This is a combination of both a conjuration of the flame of the lamp or candle to be used in the ritual as well as an invocation to the temporal Lord of the Hour.  This lamp or candle should not be colored red or black, given the general proscriptions against it in the PGM for most types of work, and should be kept separate from other lights used in the ritual proper unless it’s a lamp divination or theophany that uses such a light.  Light the lamp or candle, ideally while standing to the west of the lamp and facing east towards it, and recite the following conjuration of the flame based on the spell for fires to continue from PGM XIII.1—343 (the Eighth Book of Moses) and the invocation to the lamp of PDM xiv.1—92 and PDM xiv.489—515, depending on whether the ritual is done during the daytime or the nighttime.

  • Diurnal conjuration of the flame:

    I conjure you, Fire, o daimon of holy Love, the invisible and manifold, the one and everywhere, to remain in this light at this time, shining and not dying out, by the command of Aiōn!
    Be great, o light!  Come forth, o light!  Rise up, o light!  Be high, o light!
    Come forth, o light of God!
    O bright face of Hēlios, …,  servant of God, you whose hand is this moment, who belongs to this Xth hour of the day, bring your light to me!

  • Nocturnal conjuration of the flame:

    I conjure you, Fire, o daimon of holy Love, the invisible and manifold, the one and everywhere, to remain in this light at this time, shining and not dying out, by the command of Aiōn!
    Be great, o light!  Come forth, o light!  Rise up, o light!  Be high, o light!
    Come forth, o light of God!
    O bright angel of Selēnē, …, servant of God, you whose hand is this moment, who belongs to this Xth hour of the night, bring your light to me!

The rulers of the unequal hours of the day and the night, taken from PGM IV.1596—1715 (Consecration of the Twelve Faces of Hēlios) and PGM VII.862—918 (Lunar Spell of Klaudianos):

Hour Diurnal
(PGM IV.1596—1715)
Nocturnal
(PGM VII.862—918)
I ΦΑΡΑΚΟΥΝΗΘ
PHARAKŪNĒTH
ΜΕΝΕΒΑΙΝ
MENEBAIN
II ΣΟΥΦΙ
SŪPHI
ΝΕΒΟΥΝ
NEBŪN
III ΑΜΕΚΡΑΝΕΒΕΧΕΟ ΘΩΥΘ
AMEKRANEBEKHEO THŌUTH
ΛΗΜΝΕΙ
LĒMNEI
IV ΣΕΝΘΕΝΙΨ
SENTHENIPS
ΜΟΡΜΟΘ
MORMOTH
V ΕΝΦΑΝΧΟΥΦ
ENPHANKHŪPH
ΝΟΥΦΙΗΡ
NŪPHIĒR
VI ΒΑΙ ΣΟΛΒΑΙ
BAI SOLBAI
ΧΟΡΒΟΡΒΑΘ
KHORBORBATH
VII ΟΥΜΕΣΘΩΘ
ŪMESTHŌTH
ΟΡΒΕΗΘ
ORBEĒTH
VIII ΔΙΑΤΙΦΗ
DIATIPHĒ
ΠΑΝΜΩΘ
PANMŌTH
IX ΦΗΟΥΣ ΦΩΟΥΘ
PHĒŪS PHŌŪTH
ΘΥΜΕΝΦΡΙ
THYMENPHRI
X ΒΕΣΒΥΚΙ
BESBYKI
ΣΑΡΝΟΧΟΙΒΑΛ
SARNOKHOIBAL
XI ΜΟΥ ΡΩΦ
MŪ RŌPH
ΒΑΘΙΑΒΗΛ
BATHIABĒL
XII ΑΕΡΘΟΗ
AERTHOĒ
ΑΡΒΡΑΘΙΑΒΡΙ
ARBRATHIABRI

Similarly, though not necessarily required, an invocation to the ruling god of the day may also be made at this time.  This may be done in one of two ways: either by the ruler of the day according to the planet, or according to the ruler of the Pole using the Seven-Zoned method from PGM XIII.1—343/XIII.646—734.

Using the same section from PDM xiv.489—515 as before, invoke the planetary ruler:

  • Using the day ruler method:

    O blessed god, …, servant of God, you whose hand is this moment, who rules over this day, bring your light to me!

  • Using the Seven-Zoned (Pole ruler) method:

    O blessed god, …, servant of God, you whose hand is this moment, who rules over the Pole on this day, bring your light to me!

Alternatively, another invocation to the appropriate planet may also be used, such as praying the Orphic Hymn to that planet.

Weekday Ruling Planet
By Day Pole Ruler
Sunday Hēlios Selēnē
Monday Selēnē Hermēs
Tuesday Arēs Aphroditē
Wednesday Hermēs Hēlios
Thursday Zeus Arēs
Friday Aphroditē Zeus
Saturday Kronos Kronos

If further desired, though again not required, an invocation may be made to the Zodiac sign that rules the present time, based on PGM VII.795—845 (Pythagoras’ request for a dream oracle and Demokritos’ dream divination).  Given the lunar and nighttime connections of that ritual, it may be best to call upon the sign of the Zodiac in which the Moon is currently found; however, for more solar-oriented rituals, using the Zodiac sign in which the Sun is currently found may be used instead.  A combined method, which I would recommend, calls upon the two signs of both the Sun and the Moon together:

O blessed heavens, solar … and lunar …, you two asterisms that watch over all the works of the world, bring your light to me!

If, however, the Sun and Moon are in the same sign:

O blessed heaven, …, you great asterism who watches over all the works of the world, bring your light to me!

Zodiac Sign Name
Aries ΑΡΜΟΝΘΑΡΘΩΧΕ
HARMONTHARTHŌKHE
Taurus ΝΕΟΦΟΞΩΘΑ ΘΟΨ
NEOPHOKSŌTHA THOPS
Gemini ΑΡΙΣΤΑΝΑΒΑ ΖΑΩ
ARISTANABA ZAŌ
Cancer ΠΧΟΡΒΑΖΑΝΑΧΟΥ
PKHORBAZANAKHŪ
Leo ΖΑΛΑΜΟΙΡΛΑΛΙΘ
ZALAMOIRLALITH
Virgo ΕΙΛΕΣΙΛΑΡΜΟΥ ΦΑΙ
EILESILARMŪ PHAI
Libra ΤΑΝΤΙΝΟΥΡΑΧΘ
TANTINŪRAKHTH
Scorpio ΧΟΡΧΟΡΝΑΘΙ
KHORKHORNATHI
Sagittarius ΦΑΝΘΕΝΦΥΦΛΙΑ ΞΥΥ
PHANTHENPHYPHLIA KSUHU
Capricorn ΑΖΑΖΑΕΙΣΘΑΙΛΙΧ
AZAZAEISTHAILIKH
Aquarius ΜΕΝΝΥΘΥΘ ΙΑΩ
MENNYTHYTH IAŌ
Pisces ΣΕΡΥΧΑΡΡΑΛΜΙΩ
SERYKHARRALMIŌ

With the sacred light lit and the appropriate powers of the present time invoked, uncover your head and recite the Light-Retaining Charm based on PGM IV.930—1114 (Conjuration of Light under Darkness):

I conjure you, holy Light, breadth, depth, length, height, brightness,
by ΙΑΩ ΣΑΒΑΩΘ ΑΡΒΑΘΙΑΩ ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ ΑΒΛΑΝΑΘΑΝΑΛΒΑ ΑΚΡΑΜΜΑΧΑΜΑΡΕΙ ΑΙ ΑΙ ΙΑΩ ΑΞ ΑΞ ΙΝΑΞ
remain by me in the present hour, until I have accomplished all I have set out to do!
Now, now, immediately, immediately, quickly, quickly!

Call upon the Guardians of the Directions.  This is essentially using my Invocation of the Solar Guardians, based on PGM II.64—183 and PGM.XII.14—95, to recognize the four spiritual entities who stand guard of the stations of the Sun at sunrise, noon, sunset, and midnight, as well as the realms and rulers of the heights and the depths, so as to orient and protect both the temple and the magician.  The first guardian to be invoked is the one who controls the quarter of the sky where the Sun currently is: between sunrise and noon, the Guardian of the East should begin the invocations; between noon and sunset, the Guardian of the South; and so forth.

  1. First, face the East or, if preferred, whatever quarter of the sky the Sun happens to be in at the moment of the invocation.
  2. Take a half-step forward with the right foot, raise the right hand forward and out, and raise the hand up and out towards that direction.  Give the salutation to the guardian, lower the hand, bring the right foot back, then turn 90° clockwise to salute the next guardian.  The four salutations for these guardians are, with the order to be changed according to the direction first started with:

    ΙΩ ΕΡΒΗΘ, take thy place in the East!
    ΙΩ ΛΕΡΘΕΞΑΝΑΞ, take thy place in the South!
    ΙΩ ΑΒΛΑΝΑΘΑΝΑΛΒΑ, take thy place in the West!
    ΙΩ ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ, take thy place in the North!

  3. Once all four guardians of the cardinal directions have been saluted, return to the original direction, and stand with both feet together.
  4. Look directly up and extend the right palm outwards and upwards to salute the guardian of the heights:

    ΙΩ ΑΚΡΑΜΜΑΧΑΜΑΡΕΙ, take thy place in the Heights!

  5. Look directly down, and extend the right palm outwards and downwards to salute the guardian of the depths:

    ΙΩ ΔΑΜΝΑΜΕΝΕΥΣ, take thy place in the Depths!

  6. Extend both arms outward with the right hand turned up and the left hand turned down, and give the concluding call:

    For I am ΜΑΛΠΑΡΤΑΛΧΩ standing in the midst of the All!

At this point, if desired, the magician may enter into a phase of prayer before any further work.  This is not required, but those who take a more liturgical or Hermetic priestly approach may consider reciting such prayers as the Prayer of Hermes Trismegistus from the Corpus Hermeticum, the Stele of Aiōn from PGM IV.1167—1226, the Hymn of the Hidden Stele from PVM IV.1115—1166, or other such prayers.  This would be to focus the mind of the magician as well as to further sanctify the temple, but these are not strictly required to be performed.

Before further work, some magicians may feel more comfortable working within a cast circle.  Given the purification, illumination, and warding of the temple in the previous steps, a circle may be deemed superfluous and unnecessary, and though researchers like Stephen Skinner suggest that circle-working could have been a common aspect of PGM-style magic, very few rituals in the PGM and similar works explicitly call for a circle, and most have no need for one.  However, should a circle be desired for further working, one may be cast at this point.  Starting from the same direction that the Guardians of the Directions began and proceeding clockwise, trace a circle on the ground (either drawn out in white chalk or natron, or traced with the fingertips of the dominant hand, a wand, or a knife) while reciting the following (adapted from my older preparatory/framing rite the Q.D.Sh. Ritual).  As there are four lines in the chant that follows, draw the circle slowly and thoughtfully enough such that each line can be recited within the tracing of one quarter of the circle.

In the name of the Nous, this circle is consecrated for our defense.
By the power of the Logos, this circle is defended for our perfection.
For the sake of the Sophia, this circle is perfected for our work.
Through the might of the Aiōn, may all that is baneful be cast out, that only Good may here remain.

Empower yourself.  This is a three-step process, combined from one popularly-known modern one and two adapted from the PGM.  The first part is what I call the “Ray of Heaven and Earth”, which is a variant of the first part of Jason Miller’s “Pillar and Spheres” energy work method from The Sorcerer’s Secrets; the visualization is largely the same, but I’ve replaced the chants from Latin/English with appropriate Greek ones.  The second part is a shorter form of the Heptagram Rite from PGM XIII.734—1077; it’s more involved than a simple Calling the Sevenths (which is fine on its own and may be substituted here instead for time), but it’s also not the entire Heptagram Rite, either; this middle-form is what I call the Minor Heptagram Rite.  This is finished with the final declaration of power and protection from the Headless Rite from PGM V.96—172, using the Crowley form of the ritual (though substitutes may be made here as well).

  1. Perform the Ray of Heaven and Earth.
    1. Stand upright with the back straight. Center yourself.
    2. Visualize an infinite, infinitely white light shining directly above you, infinitely distant in the highest heavens.
    3. Intone: Κατάβαινε, ὦ πέλεια! (Katábaine, ō péleia! or, in English, “Descend, o Dove!”) As you intone this, inhale deeply and visualize a ray of white light shining down from the heavens directly into the crown of the head, down through the spine, through the sacrum, and downwards infinitely below you. Exhale slowly, feeling purifying, soothing, straightening power radiate from the ray into the rest of your body.
    4. Maintain the above visualization. In addition to that, Visualize an infinite, infinitely red light shining directly below you, infinitely distant in the lowest reaches of the earth.
    5. Intone: Ἀνάβαινε, ὦ ὄφϊ! (Anábaine, ō óphï! or, in English, “Ascend, o Serpent!”). As you intone this, inhale deeply and visualize a ray of red light shining up from the earth directly into the sacrum, up through the spine, through the crown, and upwards infinitely above you. Exhale slowly, feeling vivifying, heating, hardening power radiate from the ray into the rest of your body.
    6. Visualize both rays, the white descending from heaven though you into the earth and the red ascending from earth through you into heaven, and mixing in your body, connecting it with all the heavens and all the earth with you in the direct center channel between them.
    7. Intone: Ἅφθητι, ὦ πυρ! (Háphthēti, ō pur! or, in English, “Be kindled, o Fire!”) As you intone this, inhale deeply and let both powers suffuse your body in an infinitely bright light, feeling all the powers of heaven and earth connect within you. Exhale slowly, letting the power radiate through you and from you, having connected with heaven and hell equally.
  2. Perform the Minor Heptagram Rite.  If desired, the shorter Calling the Sevenths may be done instead, but for full rituals, the Minor Heptagram Rite is preferred.
    1. Recite the invocation to Aiōn:

      I call on you, eternal and unbegotten Aiōn, who are One, who alone hold together the whole creation of all things, whom none understands, whom the gods worship, whose name not even the gods can utter. Inspire from your breath, o ruler of the Pole, the one who calls on you who is under you! I call on you as the gods call you! I call on you as the goddesses call you! I call on you as the winds call you!

    2. Face the sunrise in the east with arms raised in the orans gesture.

      I call on you as the east: Α ΕΕ ΗΗΗ ΙΙΙΙ ΟΟΟΟΟ ΥΥΥΥΥΥ ΩΩΩΩΩΩΩ

    3. Face north with arms raised in the orans gesture.

      I call on you as the north: Ε ΗΗ ΙΙΙ ΟΟΟΟ ΥΥΥΥΥ ΩΩΩΩΩΩ ΑΑΑΑΑΑΑ

    4. Face west with arms raised in the orans gesture.

      I call on you as the west: Η ΙΙ ΟΟΟ ΥΥΥΥ ΩΩΩΩΩ ΑΑΑΑΑΑ ΕΕΕΕΕΕΕ

    5. Face south with arms raised in the orans gesture.

      I call on you as the south: Ι ΟΟ ΥΥΥ ΩΩΩΩ ΑΑΑΑΑ ΕΕΕΕΕΕ ΗΗΗΗΗΗΗ

    6. Face down with arms raised in the orans gesture.

      I call on you as the earth: Ο ΥΥ ΩΩΩ ΑΑΑΑ ΕΕΕΕΕ ΗΗΗΗΗΗ ΙΙΙΙΙΙΙ

    7. Face forward with arms raised in the orans gesture.

      I call on you as the sky: Υ ΩΩ ΑΑΑ ΕΕΕΕ ΗΗΗΗΗ ΙΙΙΙΙΙ ΟΟΟΟΟΟΟ

    8. Face up with arms raised in the orans gesture.

      I call on you as the cosmos: Ω ΑΑ ΕΕΕ ΗΗΗΗ ΙΙΙΙΙ ΟΟΟΟΟΟ ΥΥΥΥΥΥΥ

    9. Recite the second invocation to Aiōn, based on the Eighth Book of Moses (PGM XIII.1—343) and the Headless Rite (PGM V.96—172):

      I call on you, who are greater than all, the creator of all, the self-begotten who see all and are not seen! For you gave to Hēlios glory and all power, and to Selēnē the privilege to wax and wane and have fixed courses, yet you took nothing from the earlier-born darkness, but apportioned all things so that they should be equal! For when you appeared, both Order and Light arose! All things are subject to you, whose true form none of the gods can see, who change into all forms! You are invisible, o Aiōn of Aiōns, and through you arose the celestial pole from the earth! Hear me and help me, o lord, faultless and unflawed, who pollute no place, for I bear witness to your glory! Lord, King, Master, Helper, empower my soul!

  3. Recite the final empowerment of the Headless Rite:

    ΑΩΘ ΑΒΡΑΩΘ ΒΑΣΥΜ ΙΣΑΚ ΣΑΒΑΩΘ ΙΑΩ
    Come forth and follow, so that every spirit, whether heavenly or ethereal, upon the earth or under the earth, on dry land or in the water, of whirling air or rushing fire, and every spell and scourge of God may be obedient unto me.

    Alternatively or additionally, if another phylactery is to be used for a given ritual, this is the proper time to don it and recite any accompanying prayers or invocations that go along with it.  These include rings, pendants, headwear, anointing with oils, or the use of other charms, spoken or otherwise.

Now, complete the empowerment and establishment of the temple by reciting the following, again from the Crowley version of the Headless Rite:

Thus have I spoken; thus are the words!
ΙΑΩ ΣΑΒΑΩΘ

At this point, the temple has been prepared and established as a sacred space, and you as the magician have become empowered and placed yourself under the powers of the cosmos and of those who watch over the temple.  If desired, incense may now be lit for its own sake as a means to further purify the temple, as well as an offering for the powers that watch over and already inhabit it, though it is not necessary to do so at this time and is better reserved for the ritual proper that follows.

With all the above done, the ritual proper may then begin in earnest.  Whatever happens here depends on the magician and the ritual itself.

After the ritual proper, prayers of thanksgiving and communion (such as the Prayer of Thanksgiving of Hermes Trismegistus from the Corpus Hermeticum) may be made at this point, especially after purely theurgic or truly divine rituals, but are not required.

Once the ritual proper has come to a close, the temple must also be closed with a general dismissal of spirits and a formal extinguishing of the light:

  1. Light a small amount of incense as a final thanks, general dismissal, and banishing, reciting the following based on the final prayers from PGM I.262—347, PGM IV.154—285, and PGM VII.930—1114.  Frankincense is the best general choice for this, but other types of incense may also be offered based on the nature of the ritual done before.

    I have been attached to your holy form;
    I have been given power by your holy name;
    I have been blessed with your holy emanation of the Good;
    Be gracious unto me, Lord, god of gods, master, daimōn, primal, elder-born one!

    I give thanks to you, o great gods, elder-born, mighty powers!
    Depart, lords, depart into your heavens, into your places, into your courses.
    I adjure by the fire which first shone in the void,
    I adjure by the power which is greatest over all,
    I adjure by him who destroys even in Hadēs
    That all now depart from this place, returning to your abodes,
    And harm me not, but be forever kind.
    Keep me healthy, unharmed, untroubled by ghosts, free from calamity, and without terror.
    Hear me for all the days of my life!

    Thus have I spoken; thus are the words!
    ΙΑΩ ΣΑΒΑΩΘ

  2. If the optional circle was cast earlier, it should be traced counterclockwise starting at the same direction from which it was drawn prior to such prayers.  If the circle was merely traced, e.g. with the fingertips or a wand, trace it in reverse using the same means; if it was drawn in e.g. chalk or natron, make four openings in the circle aligned to the four directions as the circle is otherwise traced with the fingertips.  No invocation or chant is required for this, but a short thanksgiving prayer may be said, such as the following from my own simple thanksgiving practice:

    Nous, Logos, Sophia, Aiōn,
    Thank you very much for everything.
    I have no complaints whatsoever.

  3. Extinguish the light.  With the eyes closed, recite the following over the flame of the lamp or candle using the Dismissal of Light from PGM VII.930—1114 as well as a short form of the method for quenching fire from PGM XIII.1—343, the first to send away the holiness in the flame and the second to put out the physical flame itself:

    ΧΩΩ ΧΩΩ ΩΧΩΩΧ, holy brightness!
    Depart, holy brightness!
    Depart, beautiful and holy light of the highest God Aiōn!

    Hear, o Fire, o work of the works of God, o glory of the Sun!
    Be quenched, become cold, and let your flame be scattered that it may touch no one and nothing!

    Cover your head once more, open your eyes, then put out the fire in one swift motion.

The temple space has now been closed, and the ritual has now come to a complete end.  Follow-up meditation or prayers may be made or a meal may be served, and any clean-up of the temple may now be done.

A PGM List of Nighttime Hour Rulers

One of my favorite things about the Greek Magical Papyri is that, if some technique or concept exists in modern magic, chances are extraordinarily high there’s a parallel, variant, or outright origin of the thing in the PGM.  In some cases, the stuff we find in the PGM is in the same league as the direct ancestors of what we do today; it may not be the great-great-great-great-grandfather of a particular thing, but his brother or adopted sister that he grew up with.  This makes sense, given the naturally syncretic and eclectic collection of texts present in the PGM and PDM, representing a…not a cacophony, but a callophony of Egyptian, Greek, Roman, Indian, Babylonian, Persian, Jewish, Christian, Gnostic, messianic, apocalyptic, theurgic, goetic, mantic, prophetic, and other influences that collectively laid the foundations for Hermetic practice.  Of course, it’d be folly to read the PGM and similar texts as a single grimoire; this is not a cohesive selection of texts from a single author, magician, tradition, or practice, but a collection of texts from a variety of authors, magicians, traditions, and practices that spanned several centuries.  It’s important to bear that in mind, because not all the texts agree with each other in terms of doctrine or practice, and some don’t even agree within themselves.

On occasion, I’ll find something great in the PGM that, even though it’s great, strikes me as being incomplete for something I want to accomplish.  Case in point: the Consecration of the Twelve Faces of Hēlios ritual from PGM IV.1596—1715 gives an incredibly useful list of names, specifically the twelve “faces” of the Sun as he traverses the skies in the twelve hours of the day.  Though these are essentially transformations of Hēlios into different forms, they do describe different temporal realms and, therefore, can be used as a way to refer to the hours of the day in a magical sense, much like how the Heptameron or the Ars Paulina of the Lemegeton give names for the hours or their rulers.  The frustrating thing about the Twelve Faces of Hēlios ritual is that it only gives the names of the twelve hour rulers for the day; it gives nothing for the twelve hours of the night, and as far as I’m aware, there’s no list in the PGM that gives a list of 24 such names.

Recently, however, I think I found something that’d be perfect for what I’d need.

Behold PGM VII.862—918, “Lunar spell of Claudianus and [the ritual] of Heaven and the North Star over lunar offerings”.  According to the text, this “papyrus itself, the personal property of the Twelve Gods, was found in Aphroditopolis [beside] the greatest goddess, Aphroditē Ourania, who embraces the universe”.  Aphroditopolis, in this instance, could refer to one of two ancient Egyptian cities, Tpyhwt (modern Atfih) or Per Hathor (modern Gebelein), with the latter being more likely.  This text associates Aphroditē Ourania (Heavenly Aphroditē) with Selēnē, the Moon.  The ritual is phrased as a love-binding spell, where one calls upon Selēnē to cause a particular person to fall madly in love with the magician by means of sending dreams and images, but dreams of other types may be sent to whomever to accomplish whatever it is you want by them.

The ritual is done by first preparing a special clay statue according to a particular scheme (which is missing in the text, but likely resembles Hathor) and consecrating her in a shrine of olive wood without letting her ever come in contact with sunlight:

  1. Make a shrine of olive wood, being sure to keep it in a place that sunlight does not touch.  (I imagine this is essentially a cabinet with a door that can close.)
  2. Prepare the statue of “Mistress Selēnē the Egyptian…in the form of the Universe” from “clay from a potter’s wheel” mixed with sulfur and the blood of a dappled goat.  (There exist extant images of Isis-Aphroditē which is often also associated with Hathor-Aphroditē, such as examples here, here, and here.)
  3. Dedicate the statue with “the ritual that works for everything”.
  4. Anoint the statue with “lunar ointment” and wreathe it.
  5. Stow the statue away in the shrine in advance of the ritual itself.

In the fifth hour of the night, the magician is to make a “lunar offering” and anointing oneself with “lunar anointment”, face the image of Selēnē, and recite the following invocation:

I call upon you, Mistress of the entire world, ruler of the entire cosmic system, greatly powerful goddess, gracious daimōn, lady of night, who travels through the air, ΦΕΡΟΦΟΡΗ ΑΝΑΘΡΑ…ΟΥΘΡΑ.  Heed your sacred symbols and give a rustling sound, and give a sacred angel or a holy assistant who serves this very night, in this very hour, ΠΡΟΚΥΝΗ ΒΑΥΒΩ ΦΟΒΕΙΟΥΣ ΜΗΕ, and order the angel to go off to her, NN., to draw her by her hair, by her feet; may she, in fear, seeing phantoms, sleepless because of her passion for me and her love for me, NN., come to my consecrated bedroom.

The charge for the angel can likely be replaced with whatever one might need or wish.  At this point, the magician should see the divine statue of Selēnē turning red, which indicates that “she is now attracting”.  The magician is then to continue the invocation:

Mistress, send forth your angel from among those who assist you, one who is leader of night, because I adjure you by your great names, because of which no aerial or infernal daimōn can ignore you, ΜΕΣΟΥΡΦΑΒΑΒΟΡ ΒΡΑΛ ΙΗΩ ΙΣΙ Η!  Come to me, as I summon you, ΟΡΘΩ ΒΑΥΒΩ ΝΟΗΡΕ ΚΟΔΗΡΕ ΣΟΙΡΕ ΣΟΙΡΕ ΕΡΕΣΧΙΓΑΛ ΣΑΓΚΙΣΤΗ ΔΩΔΕΚΑΚΙΣΤΗ ΑΚΡΟΥΡΟΒΟΡΕ ΚΟΔΗΡΕ ΣΑΜΨΕΙ!

Hear my words and send forth your angel who is appointed over the first hour, ΜΕΝΕΒΑΙΝ
and the one over the second hour, ΝΕΒΟΥΝ
and the one over the third hour, ΛΗΜΝΕΙ
and the one over the fourth hour, ΜΟΡΜΟΘ
and the one over the fifth hour, ΝΟΥΦΙΗΡ
and the one over the sixth hour, ΧΟΡΒΟΡΒΑΘ
and the one over the seventh hour, ΟΡΒΕΗΘ
and the one over the eighth hour, ΠΑΝΜΩΘ
and the one over the ninth hour, ΘΥΜΕΝΦΡΙ
and the one over the tenth hour, ΣΑΡΝΟΧΟΙΒΑΛ
and the one over the eleventh hour, ΒΑΘΙΑΒΗΛ
and the one over the twelfth hour, ΑΡΒΡΑΘΙΑΒΡΙ
so that you may do this for me, that you may attract, that you may tame on this very night, so that she, NN. (or “he, NN.”) be unable to have success until coming to me, NN.!  May she remain fully satisfied, loving, desiring me, NN., and may she be unable to have intercourse with another man, except with me alone.

As a personal observation, I like the casual inclusion of “or he” towards the end of the ritual.  I guess it doesn’t just work on women, which pleases me greatly.

Anyway, this second invocation is to be recited many times, and “it will attract and bind, and she will love you for all the time of your life”.  However, after you two meet and have sex, the sacred image of Selēnē is to be stowed away “giving her magical material”; so long as the image of Selēnē is kept from sunlight, your success in the matter will continue.

At any rate, look at what we have here: a list of names for the twelve hours, but focusing on the messengers/angels (in a sense, rulers) under Selēnē!  What’s fascinating about this is that we have, as far as I can tell, the only list of hours of the night in the PGM.  Other instances of hour-name lists focus on the twelve hours of the day, but now we have a matching one for the night.  In addition to that, but this one pairs quite nicely with the Twelve Faces of Hēlios list; while that has a list of explicitly solar daytime hours, here we now have a list of explicitly nocturnal lunar hours.  The only conceptual difference between the two is that the former are all different aspects of the same celestial entity, while the latter are all subordinate spirits who rule in the name of another celestial entity.  In effect, however, the idea is the same: we have a list of names that correspond to the ruling celestial power according to the time in which we call them.

The only issue I can think of is that, because lists of hours for the night are so uncommon while lists of hours for the day are more common, it could be thought instead that the list in the ritual above actually correspond to the twelve hours of the day; after all, Stephen Skinner in his Techniques of Graeco-Egyptian Magic gives the above list as “angels for each hour of the day”.  However, given that everything in this ritual is oriented towards the night and to nocturnal darkness, from keeping the image of Selēnē away from the sun to the ritual being done at night and how Selēnē is explicitly hailed as “leader of night” or “lady of night”, it makes more sense to me that these names are for the nocturnal hours rather than the diurnal hours.

To that end, I present this table of PGM-style hour ruler names, in both Greek script and Roman transcription for use and experimentation:

 Hour Diurnal Nocturnal
I ΦΑΡΑΚΟΥΝΗΘ
PHARAKŪNĒTH
ΜΕΝΕΒΑΙΝ
MENEBAIN
II ΣΟΥΦΙ
SŪPHI
ΝΕΒΟΥΝ
NEBŪN
III ΑΜΕΚΡΑΝΕΒΕΧΕΟ ΘΩΥΘ
AMEKRANEBEKHEO THŌUTH
ΛΗΜΝΕΙ
LĒMNEI
IV ΣΕΝΘΕΝΙΨ
SENTHENIPS
ΜΟΡΜΟΘ
MORMOTH
V ΕΝΦΑΝΧΟΥΦ
ENPHANKHŪPH
ΝΟΥΦΙΗΡ
NŪPHIĒR
VI ΒΑΙ ΣΟΛΒΑΙ
BAI SOLBAI
ΧΟΡΒΟΡΒΑΘ
KHORBORBATH
VII ΟΥΜΕΣΘΩΘ
ŪMESTHŌTH
ΟΡΒΕΗΘ
ORBEĒTH
VIII ΔΙΑΤΙΦΗ
DIATIPHĒ
ΠΑΝΜΩΘ
PANMŌTH
IX ΦΗΟΥΣ ΦΩΟΥΘ
PHĒŪS PHŌŪTH
ΘΥΜΕΝΦΡΙ
THYMENPHRI
X ΒΕΣΒΥΚΙ
BESBYKI
ΣΑΡΝΟΧΟΙΒΑΛ
SARNOKHOIBAL
XI ΜΟΥ ΡΩΦ
MŪ RŌPH
ΒΑΘΙΑΒΗΛ
BATHIABĒL
XII ΑΕΡΘΟΗ
AERTHOĒ
ΑΡΒΡΑΘΙΑΒΡΙ
ARBRATHIABRI

Bearing this in mind, how might we invoke these names of the rulers of the hours outside their original rituals?  Because of the difference in nature between the solar-diurnal hour names and the lunar-nocturnal hour names, I hesitate to give a general invocation, though something short and sweet can easily be made, especially given a line from PDM xiv.1—92.  For instance, for the first hour of the day and the night, I might recommend these short invocations:

  1. Solar-diurnal hour: “Bright face of Hēlios, ΦΑΡΑΚΟΥΝΗΘ, you whose hand is this moment, who belongs to this first hour of the day, bring your light to me!”
  2. Lunar-nocturnal hour: “Bright angel of Selēnē, ΜΕΝΕΒΑΙΝ, you whose hand is this moment, who belongs to this first hour of the night, bring your light to me!”

Of course, fuller invocations can be developed based on the original rituals to more properly call upon the ruler of the hour.  For example, I would suggest these abbreviations of those rituals as a solar invocation of the face of the diurnal hour:

Greatest god, eternal lord, world ruler, who are over the world and under the world, mighty ruler of the sea, rising at dawn, shining from the east for the whole world, setting in the west!  You are the great Serpent, leader of all the gods, who control the beginning of Egypt and the end of the whole inhabited world, who mate in the ocean, ΨΟΙ ΦΝΟΥΘΙ ΝΙΝΘΗΡ!  In the first hour, your name is ΦΑΡΑΚΟΥΝΗΘ!  Hear my words and aid me in this your time!

And a lunar invocation of the angel of the nocturnal hour:

Mistress of the entire world, ruler of the entire cosmic system, greatly powerful goddess, gracious daimōn, lady of night, who travels through the air, send forth your angel from among those who assist you, the one who is leader of night, because I adjure you by your great names, because of which no aerial or infernal daimōn can ignore you, ΜΕΣΟΥΡΦΑΒΑΒΟΡ ΒΡΑΛ ΙΗΩ ΙΣΙ Η!  Hear my words and send forth your angel who is appointed over the first hour, ΜΕΝΕΒΑΙΝ!

As I noted before in my discussion on the angels of the hours of the Ars Paulina, working with these names and at least making a perfunctory gesture to recognize the ruler of the current time can be huge for ensuring success and smoothness in magical workings.  Just as how the Ars Paulina invokes the angels of the hours instead of the angels of the planets because the former “closer” to us on the ladder of manifestation than the latter, especially in a temporal sense, we can recognize these specific emanations of the Sun and Moon as genii temporum, “spirits of the times”, much like how we recognize genii locorum, “spirits of the places”, when recognizing, appeasing, and working with the spirits of the place where we work.  Except, with this combined system, we now have a full PGM parallel to accommodate such a need.

With that, I’m gonna try experimenting with these names as lords of the hours.  And maybe give the Lunar Spell of Klaudianos a try at some point, too.

The Twenty-Eight Faces of Mēnē

The devil of every author hit me the other day when I released my ebook on the Grammatēmerologion, the lunisolar calendar system I developed for associating the days of the lunar months to the letters of the Greek alphabet for my Mathesis work.  Every author can sympathize: within hours of my having made the damn thing public, I found something that would have been an excellent addition to incorporate into the text.  Damn shame, that.  Ah well, live and learn; besides, after actually thinking about it, I couldn’t find a way to incorporate that information neatly into the text anyway.  I’ll write about it here instead, for those who are interested.

To give some backstory, I’d like everyone to know that I first came across grammatomancy—the Greek alphabet oracle that assigns each of the 24 letters of the Greek alphabet to an oracular statement of advice or wisdom—from the Biblioteca Arcana, a treasure trove of pagan, occult, and theurgic resources in a Hellenic current as maintained by Apollonius Sophistes, better known as John Opsopaus.  I took the information from his site, reworked it a bit, expanded on it, and that’s how I got to my current form of grammatomancy, which kickstarted my whole Mathesis thing.  Well, Opsopaus put out a book last year, The Oracles of Apollo: Practical Ancient Greek Divination for Today, which I encourage many of my readers interested in Hellenic and Greek system of occult works to check out.  In that book, he lists a set of image-symbols to link to each of the Greek letters, as well as an ancient source for where he got them, such that the image of the ox is given to Alpha, the vulture to Bēta, and so forth.  Excitedly, I dashed off to check out the source, which of course is the Greek Magical Papyri.  What I found immediately brought to mind my beloved Consecration of the Twelve Faces of Hēlios ritual from PGM IV.1596—1715, except as a lunar parallel to that, with equally as little information in the PGM itself and with equally as much potential for expansion.

PGM VII.756—794, simply titled “Prayer”, is like the Consecration of the Twelve Faces of Hēlios in that all we have is the spoken text to be used for the ritual without any instructions or directions to use it.  The prayer consists of a reasonably short invocation to the moon goddess Mēnē (MHNH) under the power of the great divinity known throughout the PGM and many other magical texts for the past two thousand-some years, Iaō (ΙΑΩ).  However, again like the Consecration of the Twelve Faces of Hēlios, we get some special good insights into how we might think of or perceive the Moon as a sacred entity with many faces, forms, or approaches.  It’s not as complete as the Hēlios rite in that we don’t get names or specific blessings, but instead we get a set of 28 sacred images and 14 sacred sounds.

Below is my rendition of the prayer text, with minor edits to formatting and spelling:

I call upon you who have all forms and many names, double-horned goddess MHNH, whose form no one knows except him who made the entire world, ΙΑΩ, the one who shaped you into the twenty-eight shapes of the world so that they might complete every figure and distribute breath to every animal and plant, that it might flourish, you who grow from obscurity into light and leave light for darkness.

And the first companion of your name is silence,
the second a popping sound,
the third groaning,
the fourth hissing,
the fifth a cry of joy,
the sixth moaning,
the seventh barking,
the eighth bellowing,
the ninth neighing,
the tenth a musical sound,
the eleventh a sounding wind,
the twelfth a wind-creating sound,
the thirteenth a coercive sound,
the fourteenth a coercive emanation from perfection.

Ox, vulture, bull, beetle, falcon, crab, dog,
wolf, serpent, horse, she-goat, asp, goat, he-goat,
baboon, cat, lion, leopard, fieldmouse, deer, multiform,
virgin, torch, lightning, garland, a herald’s wand, child, key.

I have said your signs and symbols of your name so that you might hear me, because I pray to you, mistress of the whole world!
Hear me, the stable one, the mighty one,
ΑΦΕΙΒΟΗΩ ΜΙΝΤΗΡ ΟΧΑΩ ΠΙΖΕΦΥΔΩΡ ΧΑΝΘΑΡ ΧΑΔΗΡΟΖΟ ΜΟΧΘΙΟΝ ΕΟΤΝΕΥ
ΦΗΡΖΟΝ ΑΙΝΔΗΣ ΛΑΧΑΒΟΩ ΠΙΤΤΩ ΡΙΦΘΑΜΕΡ ΖΜΟΜΟΧΩΛΕΙΕ ΤΙΗΔΡΑΝΤΕΙΑ ΟΙΣΟΖΟXΑΒΗΔΩΦΡΑ

The final block of barbarous words, transcribed into Roman script:

APHEIBOĒŌ MINTĒR OKHAŌ PIZEPHYDŌR KHANTHAR KHADĒROZO MOKHTHION EOTNEU
PHĒRZON AINDĒS LAKHABOŌ PITTŌ RIPHTHAMER ZMOMOKHŌLEIE TIĒDRANTEIA OISOZOKHABĒDŌPHRA

The ritual is then concluded with that wonderfully vague direction so common in the PGM: “add the usual”.

One of the things Opsopaus describes about the ritual is that it gives 27 symbols of the Moon, which can be likened to the 27 main days of the lunar month (between the Noumenia and the Hene kai Nea, the first and last days of the month, just on either side of the New Moon itself).  To get 27 symbols instead of the 28 listed above (as in Betz), Opsopaus combines the symbols “multiform” and “virgin” into “multiform virgin”, which is to say the image of Hekate with three faces.  This is a reasonable leap to make; after all, the final set of symbols after that of the deer are all classically associated with Hekate, especially in the PGM.  Still, this is in disagreement with the Betz translation, which clearly distinguishes “multiform” and “virgin” as separate.  Additionally, by bringing the number of symbols down to 27, Opsopaus gets all seven Hekatē-related symbols together in the same seven-day week of the Moon.

However, I disagree with such a combining of “multiform” and “virgin” into a single symbol of “multiform virgin”.  Betz gives 28 symbols, and the prayer explicitly says in the introductory part “the twenty-eight shapes of the world so that they might complete every figure and distribute breath to every animal and plant”.  Plus, though Hekate is often reckoned as being a maiden-virgin, there are stories and myths where she gives birth to Kirke and Medea.  If we’re talking about multiple forms here, then, it makes more sense to me to consider “multiform” (i.e. triple-faced) and “virginal” as two separate faces of the Moon.  Even then, however, with 28 symbols, I couldn’t find a way to link them all to the letters of the Greek alphabet, which has either 24 letters (omitting the obsolete letters Digamma, Qoppa, and Sampi) or 27 (including the obsolete letters).  Given that 28 seems to be the more solid number to go on for this ritual, I’m hesitant to actually associate these symbols to the Greek letters, and would instead consider it its own separate symbol set; this is why I decided against trying to go back and include this information in my Grammatēmerologion text, and instead write about it here as its own separate thing.

So much for the 28 symbols given in the ritual; what of the fourteen “signs”, the sounds that the ritual gives?  Moreover, why fourteen?  I’d liken each of these to the stages of the Moon in terms of her brightness or lack thereof, such that on the first fourteen days of the lunar month (from New to Full), we’d associate that fullness of the Moon with that particular sign, and on the second set of fourteen days, the signs would be given in reverse order.  In other words, if we were to plot them out, we’d get a table like the following:

Day Sign Symbol
1 Silence Ox
2 Popping Vulture
3 Groaning Bull
4 Hissing Beetle
5 Cry of Joy Falcon
6 Moaning Crab
7 Barking Dog
8 Bellowing Wolf
9 Neighing Serpent
10 Musical Horse
11 Sounding wind She-goat
12 Wind-creating Asp
13 Coercive Goat
14 Coercive emanation from perfection He-goat
15 Coercive emanation from perfection Baboon
16 Coercive Cat
17 Wind-creating Lion
18 Sounding wind Leopard
19 Musical Fieldmouse
20 Neighing Deer
21 Bellowing Multiform
22 Barking Virgin
23 Moaning Torch
24 Cry of Joy Lightning
25 Hissing Garland
26 Groaning Herald’s wand
27 Popping Child
28 Silence Key

It’s tempting to think that the symbols are associated with the signs in some way, but that doesn’t seem to be the case.  It’s equally tempting, at least for me, to shift some of the symbols around to match up with their signs, at least in the first 14-day period, such that e.g. horse matches up with neighing, or garland with “cry of joy” (in terms of a wedding garland or other celebratory crown).  Perhaps the orders of the signs and symbols could be experimented and toyed around with, and see if the order actually matters as given or if we could swap some of them around.  There might also be correspondences that could arise from mapping the two symbols together based on their shared sign, but I’m unsure about that; that could be slightly bigger a leap than I currently realize.

So, that’s the prayer and some beginning information on the contents thereof.  I have plans on expanding it into a full, multiply-repeated ritual a la the Twelve Faces of Hēlios ritual, perhaps one that actually spans a lunar month, building up the symbols day by day and actually using the signs in the ritual as a means of focusing concentration and power…even though some of them don’t seem like actual sounds one could make, except as soundless spiritual vibrations that would cause spiritual effects.

In the meantime, what I would recommend (and what I plan on trying out for my own first attempt) is to perform the ritual on the last day of the lunar month before or on the New Moon, the Greek Henē kai Nea also known as Hekatē’s Deipnon, between sunset and sunrise, probably at solar midnight when the Moon is directly underfoot.  Face the North, and light three white candles; if you’re using an altar, these would be arranged in an upwards-pointing triangle towards the North, but if you’re not using a candle, you could use three candles put together in the same configuration on the ground before you or three candles arranged in a triangle around you in a large-enough “circle” to stand in and move about.  With the usual offerings you’d bring to a ritual of the Moon or to a Deipnon of Hekatē, arrange and make use of them as usual: food offerings, libations of dark wine, incenses, and so forth.  Recite the ritual as given above, making the associated sounds physically and/or spiritually (when appropriate) after their enumeration, and visualizing a circle of the symbols around you as you recite each symbol, starting from the North and going clockwise from there.  After the recitation of the barbarous names, give your charge to the Moon goddess Mēnē, and recite the barbarous names once more.  Conclude the ritual with your thanks, then leave the candles to burn out on their own.

A variant of this ritual that springs to mind immediately is, instead of doing the ritual on the New Moon, perform the ritual at the Full Moon instead, outside where you can see the Full Moon, when the Moon is highest in the sky.  Face the Moon, and arrange the candles in a downwards-pointing triangle instead of an upwards-pointing one.  Use the same process as above, perhaps beginning or concluding with my normal Full Moon invocation from the PGM.

Now to get the time and supplies and purpose arranged for such a ritual experiment, then getting a more elaborate system built up.  The next New Moon is just over two weeks away, after all.

Search Term Shoot Back, September 2014

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of September 2014.

Before I start with the actual search terms, I’d like to point out that September is generally the month of Virgo.  And yes, if you’ve kept up with the other Search Term Shoot Back posts, then you can probably guess that I’ve gotten a large number of queries involving the Greek god Hermes, the Zodiac sign Virgo, men, and huge dicks.  These search terms are a thing (though I can’t fathom why).  I can’t really speak to whether Virgo men generally have huge dicks; I have my reasonable sample size of them (that I’ve sampled in more than one way, ohhh my), of course, and I can’t draw any good conclusions one way or the other.  Hermes is a god, and generally speaking everything involving the gods is big, so, yeah.  Anyway, onto the more legitimate queries!

“how the moon affect the invocation of angels?” — In my experience, not much, but it depends on the angel you’re calling and for what purpose.  The only times astrological phenomena have negatively interfered with my conjurations of the angels is during periods of Mercury retrograde, when the voices of the angels tends to be more distant or unclear or I might get the wrong spirit in the crystal, but it’s a problem that’s easily worked around.  I’ve also noticed that the angels of the zodiac tend to like being conjured when their sign is rising or culminating, but that’s another issue.  Rather, the Moon affects the purpose of conjuration.  Generally, you want the waxing Moon to bring things into manifestation or achieve worldly ends (since the Moon is reflecting more of the Sun’s heavenly light to the Earth), and you want the waning Moon to take things away from the Earth or achieve spiritual initiations (since the Moon is reflecting more of the Sun’s light away into the heavens).  The Full Moon is good for opening up clear communication and all matters generally, while the Dark Moon is good for obscurity, binding, and hidden matters generally.  I haven’t noticed Void of Course Moon affecting conjurations themselves, but again, consider it as part of a larger project rather than in conjuration alone.

“crucible omnimancers” — The Omnimancers are good people who do good work, and I’m hanging out with them this coming weekend at Crucible Convention 2014 in Princeton, NJ.  More than that, I’m speaking there this year on my mathesis research!  You should totally come by if you’re anywhere in the mid-Atlantic US region during this weekend of October 4.  Not only will you get to meet me and the Omnimancers, but you’ll also get to meet a slew of other awesome people and magicians!

“the great book of saint cyprian pdf download” — You can do so for $10 off my Etsy!

“roman alphabet with english translation” — Technically, English already uses the Roman alphabet.  We use the same letters, generally speaking, as the Romans did for Latin, and have for at least 2500 years or so.  We’ve developed a few extra letters since then (J which is a variant of I, and U and W which are variants of V), and other languages written with the Roman script have developed others (like Nordic and Germanic languages, which use Æsh, Þorn, Eð, Ƿynn, among others).  Still, for a comparison between how the Romans used the alphabet and how we English-speakers use it, compare their corresponding pages on Omniglot.

“greek god sigils” — The Greeks didn’t use sigils for their gods; they may have used special characters to represent the language of the gods or the barbarous words of magic, but they didn’t have seals or sigils like how we developed them for the angels.  The more traditional way is to use isopsephy, or Greek gematria, to reduce their name to a number and use that as an esoteric symbol for them, or you might use my Greek Sigil Wheel to make a sigil for them much as how the Golden Dawn uses their Rose Cross wheel for Hebrew sigils.

“venus conjuration to bind someone to love you in angel magic” — So, while I understand what you’re trying to say, the way this is phrased irks me.  Technically, Venus is not an angel, so you can’t directly use Venus in angelic magic.  Venus is either a Roman goddess or an astrological planet, magically speaking.  Depending on your mythology and theology, you might consider the goddess Venus as an angel or deity subservient to the One, but this is somewhat rude and a little brusque when approaching her.  Instead, you’d want to contact the angel presiding over the sphere of Venus, whose name is Haniel (in Cornelius Agrippa) or Anael (in Pietro d’Abano’s Heptameron).  That’d be the spirit you’d be conjuring.  Second, binding someone to you in love magic does work, but logistically speaking, if you have to compel someone to stay with you, it’s probably not that great.  It’s like how the saying goes, “love is like a fart; if you have to force it, it’s probably shit”.  Rather, while Haniel (or Saint Cyprian, for that matter, since he’s known for love spells) can do love-bindings, you’d be better off smoothing things out so they’d willingly want to stay without the need for compulsion or impelling them, or using Venereal energies to put you in the right place where you’d find the truly right person for yourself.  But hey, if you know what you want, by all means, reach for it however you want.

“joseph lisiewski vs poke runyon” — I’d pay to see this cagematch.  If I recall correctly, Poke Runyon was in the Army, so if his radio show and magical lifestyle haven’t kept him too sedentary, I’d put my gold lamen on him (even if he can be delightfully crotchety).

“the greek way to bless your house from spirits” — So, an ancient Greek household would have three principle gods: Hestia (Lady of the Hearth), Zeus Ktesios (Zeus of the Property), and Hermes (protector from thieves).   What you’d do is have a small herm, a square pillar with a phallus on the shaft (heh) and a bust of the god on top and place it at the gate or entry to the property; this represents Hermes, and he’d watch out for thieves and robbers and keep them away; after all, he rules and leads them, so he can also lead them away from your house.  You’d have Hestia’s shrine set up at and as the hearth of the home, and a bit of every meal as well as a bit of every sacrifice made to any other god was always reserved for her both at the beginning and the last of the worship.  Zeus Ktesios watched over the property in general and its prosperity, but specifically over the pantry, and he’d have a special ktesios jar made as an offering to him as a matter of prosperity.  I really should get around to making a herm for my house and driveway one of these days, and I’ve already written about Hestia earlier this month; I haven’t gotten around to experimenting with Zeus Ktesios yet or ktesios jars, but I may in the future.  Beyond that, it helps to do a monthly cleansing ritual on the Noumenia or on the date of the new moon itself by sprinkling holy water around the house, lighting incense, and making offerings to one’s ancestors and household spirits besides Hermes, Hestia, and Zeus.  I keep thinking that there’s a ritual to get rid of unclean spirits by throwing beans and the like from the entry of the house outside into the street, but I may be conflating traditions here.  Generally speaking, if you have a good relationship with Hestia, Hermes, and Zeus, your house is basically going to be protected and blessed.

“isidore seville chaplet” — Chaplets, or a short prayer rule often done with a set of prayer beads, are an excellent devotion that the Catholic Christian tradition uses, and I’ve written up chaplets for the archangels Jehudiel, Barachiel, and Sealtiel as well as for Saint Cyprian of Antioch before.  However, not all saints and angels have their own chaplets, and there’s no set rule on how to pray them or make them; they’re basically personal devotions.  The most common form of chaplet is the “niner” chaplet, which consists of a medallion of the saint, three sets of three beads, and sometimes a crucifix; you pray the Lord’s Prayer, the Glory Be, and the Hail Mary on the three beads of each set in the honor of and seeking the intercession of whoever is on the medallion.  You can use this as a chaplet for Saint Isidore of Seville who, as far as I know, doesn’t have a specific chaplet form for himself.  I may get around to writing one up one of these days, however, since he’s the patron saint of the Internet and is pretty important in most of our modern lives.

“how big is the magical circle to be draw by trithemius” — Interestingly enough, Trithemius (really, Francis Barrett, since this ritual historically wasn’t likely to have been written by the pre-Agrippan Christian abbot) doesn’t specify how big the magic circle should be.  He specifies that the Liber Spirituum (Book of Spirits) must be about seven inches long, and that the crystal ball should be about an inch and a half in diameter, but those are the only concrete sizes he offers.  Presumably, the magic circle should be large enough to comfortably fit two people, one to conjure and one to scry, though I’ve only needed space enough for the altar and myself.  Thus, a circle about 6′ in diameter should be made at minimum if you’re including the altar in your circle, like I do under Fr. Rufus Opus’ instruction; alternatively, if you’re like Fr. Ashen, you might want the altar outside of the circle, in which case you don’t need as big a circle.  The most well-known size of circle is that from the Lemegeton Goetia, which specifies a circle 18′ in diameter, which is huge.  The rule of thumb I’d go by is, so long as you have enough space to expand your arms without breaking the circle and as long as you have enough space to hold all the gear you need, you have a big enough circle.

“big grids penis image” — …I don’t even.  Like, what, are you looking for low-resolution pictures of penis? Do you have a video compression fetish?

“saint cyprian nine days novena” — Yes, there are novenas for this good saint (as I’m sure many of us are now aware, now that the season of Saint Cyprian is done), and you can find a collection of them in my Vademecum Cypriani ebook, which you can buy off Etsy for US$9.00.  Just a note, however: traditional practice says that, when you’re timing a novena to a saint’s feast day, you normally coincide the final day of the novena with the feast day itself.  The process is a little different for Saint Cyprian, since people culturally do his novenas on the nine days before and not including his feast day (the Days of the Cyprians, the nine days between the Feast of Saint Cyprian of Carthage and the Feast of Saint Cyprian of Antioch).  Generally, time the final day to the feast day itself.  However, both of these rules are superseded by the more important rule of novena timing: whenever you need to do one.

“st cipriani evil saint magic” — I detest the notion that the saints can do “evil magic”.  They’re saints; by definition, they’re holy, and what’s holy is not evil.  That said, depending on how you ask, they might be more lenient to granting certain favors.  I mean, some of the saints are morally flexible.  Some are so morally flexible as to be part of a philosophical Cirque du Soleil.  After all, when you have the power of God to intercede with, theodicy becomes less a problem to puzzle out and more a resource to exploit for profit/prophet.

“hours and days for conjuring oriens” — Oriens is commonly known as a demonic, daemonic, or hellish king of spirits in the East (his name means “East” in Latin), and Cornelius Agrippa mentions him in his Scale of Four as a prince of spirits associated with Fire under the archangelic king Michael (book II, chapter 7).  Since Oriens is a sublunar spirit, planetary days and hours don’t need to be used for him, though since he’s associated with Michael who also happens to be the angel of the Sun, you might consider days and hours of the Sun for him.  Beyond that, though, I don’t think there are any special times associated with this spirit beyond what you might need for other works involving him (cf. the moon/invocation query above).

“enochian angels seals, digital-ambler.com” — You won’t find any of those on this site, I’m afraid.  Partially it’s because I have my hands full with so much other stuff, angelic and otherwise, but mostly it’s because Enochiana freaks me the fuck out.  I honestly can’t say why; it’s not the stories that people have told about furniture getting upended by Enochian angels (that’d actually be kinda awesome), or how people go crazy (they probably already were), or whatever.  Something about Enochiana just wigs me out and makes me uncomfortable, and I’m not sure why that is, nor do I particularly care to explore the reasons.

“can i use solomon seal drawing to summon spirits” — Absolutely not.  The Seal of Solomon is used to bind, constrain, and constrict spirits, like keeping them trapped in a prison.  You do not use it to summon them.

Alright.  Now that September is done and the Season of Saint Cyprian with it (though of course there’s always more Work to do), now I get a few days of rest before heading to Crucible this weekend.  Hope to see you there!

Dream Divination Ritual and Timing

The Sun enters Sagittarius today, the mutable fire sign and ultimate sign of Autumn in the northern hemisphere.  Among its many significations, Sagittarius rules any kind of higher learning or education: philosophy, theology, religion, mysticism, and the like.  Based on these associations, and there being so few institutions of higher education in the old days (e.g. colleges, seminaries, or universities), it’s perhaps not surprising that Sagittarius is also associated with foreign countries and exotic lands, as well as the people inhabiting them and those who taught high education.  Among the most distant places would be the stars and celestial spheres themselves, hence Sagittarius’ connection with astrology, celestial or high magic, divination, and especially dreams.  The ruling planet of Sagittarius, Jupiter in direct motion, bears many of these same significations, including nobility, greatness, and holiness.

It’s also the sign that rules my 9th house, with which it holds many similar associations.  So perhaps it’s fitting now that I start considering a ritual framework for working with dreams magically.  Dreams are not my cup of tea normally; my dream recall has been mediocre throughout my life, with many nights having no dreams to remember.

The Unlikely Mage during his Agrippa project recently summarized chapter 59 of Cornelius Agrippa’s First Book of Occult Philosophy.  I’ll leave you to read his post summarizing dreams and their significations (and, really, his whole amazing blog) for yourself, but Agrippa has this to say about divination by dreams:

… The rule of interpreting this is found amongst Astrologers, in that part which is wrote concerning questions; but yet that is not sufficient, because these kind of Dreams come by use to divers men after a divers manner, and according to the divers quality, and dispositions of the phantastick spirit: wherefore there cannot be given one common rule to all for the interpretation of Dreams. But according to the opinion of Synesius, seeing there are the same accidents to things, and like befall like; so be which hath often fallen upon the same visible thing, hath assigned to himself the same opinion, passion, fortune, action, event, and as Aristotle saith, the memory is confirmed by sence, and by keeping in memory the same thing knowledge is obtained, as also by the knowledge of many experiences, by little, & little, arts, and sciences are obtained. After the same account you must conceive of Dreams. Whence Synesius commands that every one should observe his Dreams, and their events, and such like rules, viz. to commit to memory all things that are seen, and accidents that befall, as well in sleep, as in watching, and with a diligent observation consider with himself the rules by which these are to be examined, for by this means shall a Diviner be able by little, and little to interpret his Dreams, if so be nothing slip out of his memory. Now Dreams are more efficacious, when the Moon over-runs that Sign, which was in the ninth number of the Nativity, or revolution of that yeer, or in the ninth Sign from the Sign of perfection. For it is a most true, and certain divination, neither doth it proceed from nature or humane Arts, but from purified minds, by divine inspiration. …

Basically, all those books with sets of symbols to be used in dreams?  Worthless; “there cannot be given one common rule to all for the interpretation of Dreams” because everyone’s spirit and soul is different and works in different ways.  Similarities may be observed, but these aren’t reliable enough to be made into rules for mass consumption and application.  The images in dreams are based on what happens in our lives and to ourselves, and so we should be aware of the constant activity going on around us and how we interpret it both consciously and subconsciously.  This helps us to not only understand our own minds and our awareness of the area around ourselves, but it helps to build up a conscious knowledge of the symbol set our minds are constantly building to help understand the world.

Agrippa gives several rules for when “Dreams are more efficacious”, and they all center around the 9th house in an astrological chart or horoscope.  Essentially, dreams for divination are best when the Moon is in the 9th house of someone’s chart; the other rules for yearly revolution charts or “the Sign of perfection” are a little more obscure, but since the Moon visits all the signs for about 2.5 days every 29 days, you’ve got a decent window for about two days running for good, honest, divinatory dreaming.  So, for instance, when the Moon is in Sagittarius (the sign ruling my 9th house), my dreams tend to be more potent and clear than otherwise.  Looking back through some of my journals, this actually makes sense, which is a surprise to me.

Because I don’t like to merely throw away dreams as I would trash, I figured I may as well approach them as any decent magician would: ritual and preparation!  Below is a simple ritual framework I’m gonna start using to work with my dreams more and see where this gets me.  It’s assumed that you know which signs rule over the houses of your natal chart, but if not, I’m sure you can find free astrology sites to do that for you.  Keep track of the Moon’s position, since that’s essential for this working.  Sure, the following ritual is a little involved, but then, it helps to dedicate oneself to dreaming when dreaming is Right for oneself, and it echoes the old asklepeions and temples where dreams were seen as holy messages sent to the worthy supplicant.

  1. The day before the Moon enters the sign of the 9th house, prepare yourself mentally and physically for dreaming.
    1. Banish, take a spiritual bath, and generally cleanse and clean oneself and your sleeping area.  
    2. Start winding down your food and drug intake: no caffeine, no heavy foods, light fruit or stomach-soothing foods only.  You can extend the fasting period as long as you like, but one day should be sufficient.
    3. Pray and ritual as you normally would.
    4. If you have a dream-conducive tea (mugwort, jasmine, rose, and valerian work well for me), start drinking this today and continue drinking it through the operation.
    5. Be sure to get a full night’s rest, at least 7.5 hours’ worth of sleep (or five sleep cycles).  Before resting, make an offering to Morpheus, the god of sleep: sing his Orphic Hymn, make an offering of opium or poppy incense, and light a black or dark candle to him.  Ask for his help in bestowing good and healthful rest, and protection in sleep and dreaming.
  2. The next day, the Moon should be in the sign ruling the 9th house before you go to bed at night.  Be sure you have at least ten hours to spare for proper rest and sleeping, with the addition of ritual.
    1. Fast.  Drink only water, and eat only white food with no salt.  Plain or vanilla yoghurt, bananas, and similar are suggested, if any food is to be eaten at all.  If you have a dream-conducive tea, keep drinking that.
    2. In an hour of Mercury while the Moon is in the sign ruling the 9th house, make an adoration to Hermes Chthonios or similar nighttime, underworld, or otherworld guide.  Say a prayer e.g. the Orphic Hymn to Terrestrial Hermes; make offerings of candles, incense, wine, or other preferred goods.  Ask for clarity, memory, truth, and direction in the realm of dreams and sleep.
    3. In an hour of the Moon while the Moon is in the sign ruling the 9th house, make an adoration to the Moon, a lunar angel like Gabriel, or any lunar deity.  Say a prayer e.g. the Orphic Hymn to the Moon; make offerings of candles, incense, wine, or other preferred goods.  Ask for help, guidance, and illumination in dreams and the realm of night.
    4. Set pen, paper, and flashlight by the bed for later.
    5. Meditate for at least twenty minutes before retiring for the night.
    6. Upon retiring, make another offering to Morpheus as before.  In addition, make an offering to his other role as the god of dreams: sing the Orphic Hymn to the Divinity of Dreams; make an offering of a white or lightly-colored candle, along with wine and sweet floral incense such as jasmine, rose, gardenia, violet, musk, or similar.  Ask for truth, understanding, memory, and power in one’s rest, that true and meaningful dreams be bestowed upon them, and similar.  If you have any specific requests that should be answered, now’s the time to do that.
    7. Go to sleep, but set a (quiet) alarm after 4.5 hours (or however long three sleep cycles would be).  Upon waking, write down any dreams that one may have had immediately.  Make another entreaty to Morpheus as God of Sleep as well as God of Dreams using prayer with more incense; their candles should not have burnt out yet, but if they have, light new ones.  If the request for a specific answer has not yet been answered, pray for it again; if so, and if another question needs to be answered, ask it; if no other questions need to be answered, ask for illumination, truth, and awareness generally in dreams.
    8. Return to sleep for at least another three hours; however much is up to you, since this second sleep is the final sleep of the day.  Upon waking, write down any dreams as before.  Make another offering of candles and wine to Morpheus as thanks for the previous night and dreams.
    9. Repeat the above for as as long as the Moon is in the sign ruling the 9th house, asking for more dreams along the way.

Happy dreaming!

Lunisolar Grammatomantic Calendar

In my first post on grammatomantic calendars and day cycles, I hypothesized that it would be possible to a kinds of calendar suitable for assigning a Greek letter (and, by extension, the rest of its oracular and divinatory meaning) to a whole day without an explicit divination being done, similar to the Mayan tzolk’in calendar cycle.  I did this creating a solar calendar of 15 months of 24 days each, each day assigned to a different letter of the Greek alphabet in a cycle, and also extended it to months, years, and longer spans of time; its use could be for mere cyclical divination or for more complex astrological notes.  At its heart, however, it is essentially a repeating cycle of 24 days, plus a few correctional days every so often to keep the calendar year in line with the solar year.  Because of this, it is essentially a solar calendar, keeping time with the seasons according to the passage of the sun.

Awesome as all this was, it’s also completely innovative as far as I know; the Greeks didn’t note time like this in any recorded text we have, and it takes no small amount of inspiration from the Mesoamerican Long Count calendar system.  Wanting a more traditional flavor of noting time, I also hypothesized that it might be interesting to apply a grammatomantic cycle of days to an already-known calendar system used in ancient Greece, the Attic festival calendar.  In this case, the calendar system already exists with its own set of months and days; it’s just a matter of applying the letters to the days in this case.  No epoch nor long count notation is necessary for this, since it’s dependent on a lunar month a certain number of months away from the summer solstice (the starting point for the Attic festival calendar).  The primary issues with this, however, is that the Attic festival calendar is lunisolar following the synodic period of the Moon, so it has months roughly of 29 or 30 days, depending on the Moon.  This is more than 24, the number of letters used in Greek letter divination, and 27, the number of Greek letters including the obsolete digamma, qoppa, and sampi.  With there being only 12(ish) months in this calendar system, this is going to have some interesting features.  To pair this calendar with the Solar Grammatomantic Calendar (SGC), let’s call this the Lunisolar Grammatomantic Calendar (LGC).

So, to review the Attic festival calendar, this is a lunisolar calendar, a calendar that more-or-less follows the passage of the Sun through the seasons using the Moon as a helpful marker along the way to determine the months.  Many variations of lunisolar calendars have been created across cultures and eras, since the changing form of the Moon has always been helpful to determine the passage of time.  With the Greeks, and the Attics (think Athenians, about whom we know the most), they used the fairly commonplace system of 12 months as determined by the first sighting of the new Moon.  As mentioned, the start date for the Attic festival calendar was officially the first new Moon sighted after the summer solstice, so the year could start as early as late June or as late as late July depending on the lunar cycle in effect, making mapping to the Gregorian calendar difficult.  The names of the 12 months along with their general times and sacredness to the gods are:

  1. Hekatombaion (Ἑκατομϐαιών), first month of summer, sacred to Apollo
  2. Metageitnion (Μεταγειτνιών), second month of summer, sacred to Apollo
  3. Boedromion (Βοηδρομιών), third month of summer, sacred to Apollo
  4. Pyanepsion (Πυανεψιών), first month of autumn, sacred to Apollo
  5. Maimakterion (Μαιμακτηριών), second month of autumn, sacred to Zeus
  6. Poseideon (Ποσειδεών), third month of autumn, sacred to Poseidon
  7. Gamelion (Γαμηλιών), first month of winter, sacred to Zeus and Hera
  8. Anthesterion (Ἀνθεστηριών), second month of winter, sacred to Dionysus
  9. Elaphebolion (Ἑλαφηϐολιών), third month of winter, sacred to Artemis
  10. Mounikhion (Μουνιχιών), first month of spring, sacred to Artemis
  11. Thergelion (Θαργηλιών), second month of spring, sacred to Artemis and Apollo
  12. Skirophorion (Σκιροφοριών), third month of spring, sacred to Athena

Each month had approximately 30 days (more on that “approximately” part in a bit), divided into three periods of ten days each (which we’ll call “decades”):

Moon waxing
Moon full
Moon waning
New Moon
11th
later 10th
2nd rising
12th
9th waning
3rd rising
13th
8th waning
4th rising
14th
7th waning
5th rising
15th
6th waning
6th rising
16th
5th waning
7th rising
17th
4th waning
8th rising
18th
3rd waning
9th rising
19th
2nd waning
10th rising
earlier 10th
Old and New

The first day of the month was officially called the New Moon, or in Greek, the νουμηνια, the date when the Moon would officially be sighted on its own just after syzygy.  The last day of the month was called the Old and New, or ενη και νεα, which was the actual date of the syzygy between the Earth, Moon, and Sun.  The last day of the second decade and the first of the third decade were both called “the 10th”, with the earlier 10th being the first day and the later 10th being the second.  Days in the months would be referred to as something like “the third day of Thargelion waning”, or Thargelion 28.  Only days 2 through 10 were referred to as “rising”, and days 21 through 29 were referred to as “waning”; the middle block of days from 11 to 19 were unambiguous.  When a month was “hollow”, or had only 29 days instead of 30, the 2nd waning day was omitted, leading to the 3rd waning day becoming the penultimate day of the month instead of the 2nd waning day.  Since this was all based on observation, there was no hard and fast rule to determine which month was hollow or full without the use of an almanac or ephemeris.

At this point, we have enough information to start applying the Greek alphabet to the days.  As mentioned before, there are fewer letters in the Greek alphabet than there are days, so there are some days that are simply going to remain letterless; like the intercalary days of the solar calendar, these might be considered highly unfortunate or “between” times, good for little except when you have a sincere need for that bizarre state of day.  A naive approach might be to allot the 24 letters of the Greek alphabet to the first 24 days of the lunar month, then leave the last six or seven days unallocated, but I have a better idea.  If we include the otherwise useless obsolete letters digamma (Ϝ), qoppa (Ϙ), and sampi (Ϡ), we end up with 27 days, which is 9 × 3.  In using the Greek letters as numerals (e.g. isopsephy), letters Α through Θ represent 1 through 9, Ι through Ϙ represent 10 through 90, and Ρ through Ϡ represent 100 through 900.  In other words,

Α/1
Β/2
Γ/3
Δ/4
Ε/5
Ϝ/6
Ζ/7
Η/8
Θ/9
Ι/10
Κ/20
Λ/30
Μ/40
Ν/50
Ξ/60
Ο/70
Π/80
Ϙ/90
Ρ/100
Σ/200
Τ/300
Υ/400
Φ/500
Χ/600
Ψ/700
Ω/800
Ϡ/900

In this system of numerics, it’s easy to group the letters into three groups of nine based on their magnitude.  This matches up more or less well with the three decades used in a lunar month, so I propose giving the first nine letters to days 1 through 9 (Α through Θ) and skipping the 10th rising day, the second nine letters (Ι through Ϙ) to days 11 through 19 and skipping the earlier 10th day, and the third nine letters (Ρ through Ϡ to days 21 through 29, and leaving the Old and New day unassigned.  If the month is hollow and there is no 2nd waning day for Ϡ, then the Old and New day (last day of the month) is assigned Ϡ.  Letterless days might repeat the preceding letter; thus, the 10th day of the month (or the 10th rising day) might be called “second Θ”, but still be considered effectively letterless.

With the usual Attic festivals celebrated monthly (they treated the birthdays of the gods as monthly occurrences), the lunar month with all its information would look like the following:

Day
Name
Letter
Festival
1
New Moon
Α
Noumenia
2
2nd rising
Β
Agathos Daimon
3
3rd rising
Γ
Athena
4
4th rising
Δ
Heracles, Hermes, Aphrodite, Eros
5
5th rising
Ε
6
6th rising
Ϝ
Artemis
7
7th rising
Ζ
Apollo
8
8th rising
Η
Poseidon, Theseus
9
9th rising
Θ
10
10th rising
11
11th
Ι
12
12th
Κ
13
13th
Λ
14
14th
Μ
15
15th
Ν
16
16th
Ξ
Full Moon
17
17th
Ο
18
18th
Π
19
19th
Ϙ
20
earlier 10th
21
later 10th
Ρ
22
9th waning
Σ
23
8th waning
Τ
24
7th waning
Υ
25
6th waning
Φ
26
5th waning
Χ
27
4th waning
Ψ
28
3rd waning
Ω
29
2nd waning
Ϡ
Omitted in hollow months
30
Old and New
— (Ϡ if hollow month)

That’s it, really.  All in all, it’s a pretty simple system, if we just take the lunar months as they are, and is a lot easier than the complicated mess that was the SGC.  Then again, that’s no fun, so let’s add more to it.  After all, the fact that the months themselves are 12 and the Greek letters are 24 in number is quite appealing, wouldn’t you say?  And we did add letters to the months in the SGC, after all, so why not here?  We can also associate the months themselves with the Greek letters for grammatomantic purposes; if we assign Α to the first month of the year, we can easily get a two-year cycle, where each of the months alternates between one of two values.  For example, if in one year Hekatombaion (first month of the year) is given to Α, then by following the pattern Skirophorion (last month of the year) is given to Μ; Hekatombaion in the next year is given to Ν to continue the cycle, as is Skirophorion in the next year given to Ω.  The next Hekatombaion is given to Α again, and the cycle continues.  Note that the obsolete Greek letters digamma, qoppa, and sampi would not be used here; I only used them in the lunar month to keep the days regular and aligned properly with the decades.

The thing about this is that the lunar months don’t match up with the solar year very well.  Twelve lunar months add up to about 354 days, and given that a solar year is about 365 days, the year is going to keep drifting back unless we add in an extra intercalary (or, more properly here, “embolismic”) month every so often to keep the calendar from drifting too far.  Much as in the SGC with the intercalary days, we might simply leave the embolismic month unlettered in order to keep the cycle regular.  Days within this month would be lettered and celebrated as normal, but the month itself would be otherwise uncelebrated.  For the LGC, we would add the embolismic month at the end of the year, after Skirophorion, so that the next Hekatombaion could occur after the summer solstice as it should.  I depart from the Athenian practice here a bit, where other months would simply be repeated (usually Poseideon).

Of course, figuring out which years need the embolismic month is another problem.  To keep the cycle regular, we’d need to add in an embolismic month one year out of every two or three.  Although there’s no evidence that the Athenians used it, I propose we make use of the Metonic cycle, a period of 19 years in which 12 of the years are “short” (consisting of only 12 months) and 7 are “long” or leap years (consisting of 13, or 12 months plus an embolismic month).  This cycle has been in use for quite some time now in other calendrical systems, so let’s borrow their tradition of having years 3, 6, 8, 11, 14, 17, and 19 be long years, and the other years being short.  Just as with the months, the 12 short years might be assigned letters of their own, while the long years would be unlettered due to their oddness (in multiple senses of the word).  Since the Metonic cycle has an odd count of years, two of these cycles (or 38 years) would repeat both a cycle of letter-years as well as letter-months in the LGC.  Since the use of an epoch for the LGC isn’t as necessary as in the SGC, figuring out where we are in the current Metonic cycle can be determined by looking at another calendar that uses it; I propose the Hebrew calendar, which does this very thing.  In this case, the most recent Metonic cycle began in 1998, with the long years being 2000, 2003, 2005, 2008, 2011, 2014, and 2016; the next Metonic cycle begins in 2017.  The two Metonic cycles, which we might call a LGC age or era,  starting in 1998 and ending in 2035, are below, and the same cycle is repeated forward and backward in time for every 38 years.

Year
Cycle
Length
Letter
1
2
3
4
5
6
7
8
9
10
11
12 (13)
1998
1
12
Α
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
1999
2
12
Β
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2000
3
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2001
4
12
Γ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2002
5
12
Δ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2003
6
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2004
7
12
Ε
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2005
8
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2006
9
12
Ζ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2007
10
12
Η
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2008
11
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2009
12
12
Θ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2010
13
12
Ι
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2011
14
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2012
15
12
Κ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2013
16
12
Λ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2014
17
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2015
18
12
Μ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2016
19
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2017
1 (20)
12
Ν
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2018
2 (21)
12
Ξ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2019
3 (22)
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2020
4 (23)
12
Ο
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2021
5 (24)
12
Π
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2022
6 (25)
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2023
7 (26)
12
Ρ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2024
8 (27)
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2025
9 (28)
12
Σ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2026
10 (29)
12
Τ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2027
11 (30)
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2028
12 (31)
12
Υ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2029
13 (32)
12
Φ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2030
14 (33)
13
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2031
15 (34)
12
Χ
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2032
16 (35)
12
Ψ
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2033
17 (36)
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω
2034
18 (37)
12
Ω
Α
Β
Γ
Δ
Ε
Ζ
Η
Θ
Ι
Κ
Λ
Μ
2035
19 (38)
13
Ν
Ξ
Ο
Π
Ρ
Σ
Τ
Υ
Φ
Χ
Ψ
Ω

A few others of these cycle-epochs include the following years, covering the 20th and 21st centuries, each one 38 years apart from the previous or next one:

  • 1884
  • 1922
  • 1960
  • 1998
  • 2036
  • 2074
  • 2112

Creating an epoch to measure years from, although generally useful, isn’t particularly needed for this calendar.  After all, the Attic calendar upon which the LGC is based was used to determine yearly and monthly festivals, and years were noted by saying something like “the Nth year when so-and-so was archon”.  Similarly, we might refer to 2013 as “the 16th year of the 1998-age” or 2033 as “the 35th year after 1998”.  In practice, we might do something similar such as “the sixth year when Clinton was president” or “the tenth year after Hurricane Sandy”; measuring years in this method would still be able to use the system of letter-years in the LGC, simply by shifting the start of the epoch to that year and starting with letter-year Α.  The Metonic cycle would continue from that epoch cyclically until a new significant event was chosen, such as the election of a new president, the proclamation of a peace between nations, and so forth.

Associating the letters with the years and months here is less for notation and more for divination, since the LGC is an augmentation of the Attic festival calendar (with some innovations), and not a wholly new system which needs its own notation.  That said, we can still use the letters to note the years and the months; for instance, the 16th year of the cycle given above might be called the “year Λ in the 1998-age”, while the 17th year (which has no letter associated with it) might be called just “the 17th year” or, more in line with actual Attic practice, “the second Λ year”, assuming that (for notational purposes) a letterless year repeats the previous year’s letter.  Likewise, for embolismic months, we might say that the 12th month of a year is either “the Μ month” or “the Ω month”, and the 13th month of a year (if any) could be said as “the 13th month”, “the empty month”, or “the second Μ/Ω month” (depending on whether the preceding month was given to Μ or Ω).

Converting a date between a Gregorian calendar date and a LGC date or vice versa is much easier than the SGC conversion, but mostly because it involves looking things up.  To convert between a Gregorian calendar date and a LGC date:

  1. Find the year in the cycle of the LGC ages to find out whether the year is a long or short year.
  2. Count how many new moons have occurred since the most recent summer solstice.
  3. Find the date of the current moon phase.

For instance, consider the recent date September 1, 2013.  This is the 16th year in the LGC age cycle, which has only 12 months and is associated with the letter Λ.  The summer solstice occurred on June 21 this year, and the next new moon was July 8, marking the first month of the LGC year.  September 1 occurs in the second month of Metageitnion, associated with the letter Ξ this year which starting on the new moon of August 7, on the 26th day of the lunar month, or the 5th waning day, associated with the letter Χ.  All told, we would say that this is the “fifth day of Metageitnion waning in the year Λ of the cycle starting in 1998”; the letters for this day are Λ (year), Ξ (month), and Χ (day).

Now that your brain is probably fried from all the tables and quasi-neo-Hellenic computus, we’ll leave the actual uses of the LGC for the next post.  Although the uses of the SGC and LGC are similar in some respects, the LGC has interesting properties that make it especially suited for magical work beyond the daily divination given by the letter-days.  Stay tuned!

Crying of Calls 49: Lunar Recap

I mentioned recently that I got Jason Miller’s excellent Advanced Planetary Magic, which, again, you should totally get, since it’s worth far more than the cost.  It’s a collection of 49 short prayers or invocations to be used during different combinations of the planetary hours and days for different ends (so there’s a Moon/Saturn call to be done in an hour of the Moon on the day of Saturn, a Saturn/Moon call to be done in an hour of Saturn on the day of the Moon, etc.).  As part of his goal to get this magic out in the world and practiced by the masses, Mr. Miller started up a project called The Crying of Calls 49, where people participate by calling out one of the calls each for 49 consecutive days in the proper hour for a given week.  So, the first week is for the Moon calls, the second week for the Mercury calls, and so forth.  I’m posting my results in the Facebook group for the project, but I also thought I’d share my results and experiences with you all as well.    I won’t share what the Calls are or what they’re for, since you should go buy the ebook and find out for yourself, but the astute among you will figure it out.

This past week, Monday 7/8 through Sunday 7/14, we did the calls to the Moon.  Below are my experiences and thoughts:

7/8: Moon/Moon (No original write-up for this one)

Did the Luna/Luna call in the first hour of the Moon at dawn, as part of my morning prayers, but before any other occult or prepwork.  Lit a candle and two sticks of jasmine incense, called on the presence and power of the Moon, then visualized the symbol of the Moon (dark indigo on purple).  I drew out the sigil of the Moon silver on purple, then called out A nine times and the Call nine times.  Afterwards, I inhaled the Lunar sigil and closed out.

Very smooth, relaxed feeling.  Soothing, calming, but also very clear, as if clouds had opened up.  Little else, though; this wasn’t a spectacularly powerful call, but perhaps it was due to the lack of preparation and alignment with the planets beforehand.  Will try to Call the Sevenths and some other prepwork in the future.  Still, that bit of clarity…it’s like opening up in a weird, back-and-top-of-the-head spiritual way, like I’m just a lil’ more aware, a lil’ more out there than just all here.

7/9: Moon/Mars (Combined with a chat with the lovely Rachel Izabella)

Just did the Luna/Mars call, in the second hour of the Moon. Opened up with my version of Calling the Sevenths, lit a candle and some jasmine and pine incense, and prayed the Orphic Hymn of the Moon. I then called for her aid, visualizing her glyph purple on a red background, and visualized drawing the sigil of the Moon, silver on red. I intoned O-A nine times, then cried out the Luna/Mars call nine times as well; afterwards, I inhaled the Lunar sigil and closed out.

Dang, this is like being really pumped up, like a near-dire pep rally before a big battle. I haven’t felt this kind of emotional boiling in a while, much less with this kind of weird clarity and sharpness that doesn’t often accompany it. (If only I had this call back in my Linkin Park days…)  Basically, it’s a rush of emotion but with this weird pointed clarity. I’ve felt similar rushes before, often in no good times (think Rubeus), but this is different. Much different. Like it’s a distinct blending of Mars and Luna, like in a cake that’s been badly blended: it’s overall good, but you can taste the individual ingredients.  The blend of emotion I feel now gave me a kind of rushed, pointed epiphany: self-identification with emotion, and by extension anything, is pretty much BS. Parable of the mirror and that kind of shit.  Distinctly fiery, yet still distinctly emotional.

7/10: Moon/Mercury

Spoke the Luna/Mercury call out loud without any prepwork in the second lunar hour of the day today. Got a light, smooth feeling, but not much else. I redid the call in the third lunar hour, preceding it with a short Calling of the Sevenths, lighting a candle, lighting jasmine and cinnamon incense, praying the Orphic Hymn to the Moon, and visualizing the Moon’s glyph (in purple) and sigil (in silver) on orange. Called out E-A nine times, then did the call nine times. I thanked the powers, “inhaled” the sigil, and closed the ritual.

It’s definitely a smooth and cool influence, much different than the Luna/Mars combination yesterday, and it “blends” a lot better, too. It’s a very lofty, swift feeling, mostly in my head and neck area, but it’s pretty mental, too. Calming without slackness, observant but not detached; I feel like I could easily get into someone’s head and compassionately/intuitively understand and work with them.

7/11: Moon/Jupiter

Performed the Luna/Jove call in the second lunar hour today, with the same setup as last night (short Sevenths-Calling ritual, candle, jasmine and cedar incense burning, Orphic Hymn to the Moon). Pictured the glyph of the Moon in purple on blue, and the sigil of the Moon in silver on blue. The silver didn’t seem to “stick” this time; it seemed tarnished and darkened against the blue, which was interesting. Called out Υ-A nine times, then the Call nine times.

This is definitely a peaceful feeling, strongly and deeply calming. Despite being an eternal caffeine junkie, this almost feels like I’m in an isolation tank; my mind is very calm and steady, but there’s something deeper further down as well that’s not often felt. Despite the “silver” of the sigil being darkened, I’m wondering if that reflects the deeper, darker reaches of this Call, since it still felt appropriate to the night and settings. The forces of the planets don’t seem to “blend” tonight as much as they resonate together; it’s whole and unified, ambient yet pervasive. Still maintains that “clear” feeling I’ve had with the rest of the Lunar calls thus far, too.

7/12: Moon/Venus

Did the Luna/Venus call in the third lunar hour today. Same setup as before: short Sevenths-calling, candle, rose/jasmine incense, Orphic Hymn to the Moon, Moon’s glyph purple on green, Moon’s sigil silver on green, called out H-A nine times, followed by the Call nine times. I also managed to read out the call three times under my breath on the train this morning in the first hour with no prep otherwise.

Very subtle effect this time; it may be due to a headache or fatigue I had at the time of the ritual, but it’s very toned-down in nature. Still, what I do feel is highly pleasant, like a massage running up and down my spine. I got a slight tingle this morning when I read it barely out loud on the train, and noticed that work went smoother and more relaxed than normal; now that I’ve done the ritual proper, I just feel pleasant and cuddly. (This may be to my own astrological influences of Venus and Luna, which are both in Virgo in my chart in house 5, but this is just conjecture on my part.) Still, it does make me wish my boyfriend were here at the moment, but not in any wistful or sad way; it’s like a happy longing, if it can be said that way.

Over the night, I had a fairly in-depth and detailed dream, which was pretty sexual in nature. It was like one long tease for both me and the Other, who was somehow alluring but was “composed” or based off of people I’d find otherwise, well, unfuckable. Hot tubs were also involved, which was awesome.

7/13: Moon/Saturn

Did the Luna/Saturn call tonight in the second lunar hour of the day. Cleansed myself beforehand with holy water, did a full Sevenths-calling ritual, lit a candle and myrrh/jasmine incense, called on the Moon picturing her glyph purple on black, called out the Orphic Hymn to the Moon, then visualized the sigil of the Moon silver on black intoning Ω-A nine times, followed by the Call nine times. Since this is the first one whose target is not me, I dedicated this beforehand to any who would stand in my way or would stand to strike me down.

This is interesting. Once the sigil was drawn (the silver of it took on an ephemeral, misty, cloudy quality this time, though bright all the same), the “mood” changed and gained that familiar, heavy, somber Saturnine feeling to it, but not oppressively so as it has in past purely-Saturn rituals. The Moon gave it that continuing clarity, like a single silver light in the darkness kept only to myself. I felt oddly satisfied, though grimly so, as if I just had to take care of unpleasant business. I’d call this feeling mischievousness if it weren’t for the heaviness of it. It feels like I’m a little extra alert, like I have nightvision or something, and while my own sphere feels calm and guarded, outside it feels like satisfying chaos.  I’d liken this feeling to Santigold’s music video for L.E.S. Artistes.

7/14: Moon/Sun

Did the Luna/Sol call in the first hour today, after my prayers, meditation, weekly banishing, and Sevenths-calling rite. Opened up as normal, lighting a candle with jasmine and frankincense incense, visualized the Moon’s glyph purple on yellow, called upon her and sang the Orphic Hymn to her, then intoned Ι-A nine times followed by the Call nine times, visualizing the Moon’s sigil silver on yellow. Afterward, I inhaled the sigil, as usual. (Hey, at least the ritual setup is easy enough to follow.)

The smell of frankincense and jasmine didn’t really work too great at first, and there was some similar confusion in the feel of the ritual as the sigil was being drawn; once I-A was intoned, things seemed to “align” like at a new or full moon, and it was just a feeling of pure Lux, neither moonlight nor sunlight, neither nighttime nor daytime. I felt this “cycle” reaching down from the heavens down through me, and likewise back up from the earth through me to the heavens, like I was plugged into something much greater. This is definitely a solar effect, and there’s less of the clarity I’ve experienced with the other Luna/* calls (maybe the force of the Sun on his day overpowers that of the Moon in her hour?).

Still, it felt like there was much greater access to the higher realms, and put a good finish on this week of lunar calls that opened up with a call for celestial clarity and astral action (oh god, now I’m alliterating too). Here’s looking forward to the next 42 days and Calls!