The Royal Praises from Book XVIII of the Corpus Hermeticum

Like with the wonderful Praise of the Invisible and Visible God that I wrote up (or, rather, rewrote from the original material from prose into something more structured) back in January or the simple Hermetic prayer rule and “prelude prayers” I discussed back in February, there’s plenty else in the Corpus Hermeticum that can be thought of as ripe material for coming up with prayers, devotions, and hymns for the Divine.  Much of it, of course, is prose rather than poetry, as the Corpus Hermeticum wasn’t really written as hymnal stuff, but there are frequent exhortations to “show devotion”, instances of thanksgiving, and other praises given to the Divine that are to ignore.  It’s what makes the Hermetic canon so hard to consider in a strictly philosophical or scientific light apart and away from mysticism or faith; as Willhelm Boussett has said, “the Hermetica belong to the history of piety, not philosophy”.

One of the more odd inclusions in the Hermetic canon is Book XVIII of the Corpus Hermeticum, which has the title “On the soul hindered by the body’s affections”, but which A.D. Nock suggests was a later assignment by a redactor, and which only really applies to the first few paragraphs of the book.  The bulk of Book XVIII, instead, focuses on giving praise to God, both in his own right as well as a prelude to give praise of kings (more the general class of kings rather than any king in particular).  Brian Copenhaver includes Book XVIII in his translation, but Clement Salaman pointedly does not, noting that:

Scott and Nock-Festugière agree in regarding [Book XVIII] as not belonging to the Corpus.  It is manifestly inferior to the other books, both in content and in style (Festiguère refers to it as: ‘Cette insipide morceau de rhétorique’ [Copenhaver translates this as “an insipid piece of rhetoric in rhythmic prose”]).  No real single theme develops, but merely disconnected remarks relating to the praise of kings and of God.

I’ll grant it that, to be sure: it lacks either the atmosphere of the temple or clarity of the classroom that so many of the other parts of the Hermetic canon have, and rather suggests something more of a philosopher at a courtly symposium.  Still, it’s not hard to see why this would be bundled with the rest of the Corpus Hermeticum, given how it treats the soul as affected by the body’s weaknesses by way of an extended metaphor involving musicians and their instruments, as well as its sincere (and rather beautiful) praise to God.  What’s weird is the “royal panegyric” that Book XVIII also gives a praise and hymn to kings and their virtues generally.  It’s not like the Hermetica doesn’t involve kings at all; after all, Book XVI (“Definitions of Asclepius to King Ammon”) is written as a letter to a king, Book XVII preserves an interaction between Tat and an unnamed king, and the 24th Stobaean Fragment (the middle part of the Korē Kosmou) discusses the various natures of souls and how some souls are specifically kingly and royal ones.  In the broader context of the Hermetic canon, and given the important role of the king (rather, pharaoh) as incarnated divinity on Earth in ancient Egypt, it doesn’t make too much nonsense to have something treating the topic of kings or praising their virtues, if indeed they are a force of divinity here explicitly and locally manifest in the cosmos as opposed to implicitly and ambiently manifest.

To that end, I decided to rework the praise bits of Book XVIII into a pair of prayers that I call “The Royal Praises”.  The first part is the one I think more people will find more useful: “The Royal Praise of the Almighty”:

Come, come all, let us hasten and praise the Almighty!
In all things do we begin with God and the power above, and so too do we end.
In the end of all things do we return to the beginning, from God unto God!
The Sun partakes of all in its rising, the nourisher of all that grows,
its rays stretched out like great hands to gather in the crops,
its rays partaking in the ambrosial radiance of the harvest;
like crops in the warmth of the Sun do we take in the wisdom of God,
like crops under the light of the Sun do we grow under the light of God,
and like crops from the Earth, in beginning with God we return to God,
our praise becoming the bounty of God that waters every shoot we plant.

O God, Whole of the All, wholly pure and undefiled, Father of all our souls,
may praise rise up from a myriad mouths in a myriad voices to you,
even though none can say anything worthy of you or before you,
for no mortal speech can equal your might, power, or presence.
As the child cannot properly praise their father,
still the child exclaims their love with all their strength,
and, honoring their father as they can, receives his love and mercy.
So too may we praise you with all the strength of our souls!
For you, our Creator, are greater than all of creation;
let all our praise always confess your boundless power and endless extent!

To praise you, o God, is in our nature, in our hearts, and in our very souls,
for as your descendants, like attracting like, we are like unto you,
and as your children, seeing ourselves in you, we can only love and praise you.
Yet even should you grant it to us before we even ask,
we still ask for your forgiveness, your forbearance, your mercy, and your grace.
As the father does not turn away the child for their lack of strength,
but delights in their coming to grow and to know him,
so too do you delight in us coming to know you and all your creation,
for the knowledge of the All confers life unto all,
and our understanding becomes our praise to you for all that you give us.

O God, o Good of the Beginning, o Ever-Shining, o Immortal,
alone containing the limit of divine eminence, encircling the All that is all that is!
Always flowing from your own energy from beyond to within the cosmos,
from yourself above in Heaven to mankind below on Earth,
you send the message of promise that leads to the praise that saves us,
to the work that lifts us, to the way that guides us beyond to you!
For beyond there is no discord among beings, neither dissonance nor difference;
all think one Thought, all have one Knowledge, all share one Mind.
One sense works within them all, one charm unites them all:
love, divine love, love of the Good that makes all act together in harmony as One!

When it comes to the bit in the first paragraph about the Sun and its rays like hands, Copenhaver notes that:

The image of the sun reaching down with hand-like rays became an artistic motif in the Egypt of Akhenaton; the sun’s rays were a manifestation of heka, a magical power that energizes the universe, but [Festugière] sees this allusion to solar magic as an empty metaphor in this “purely literary” text.

Although the reign of Akhenaten was removed from the writing of the Corpus Hermeticum by about a thousand years, give or take a few centuries, it is a compelling image of the power of the Sun, and given the importance of the Sun in the Hermetic canon (cf. Book XI, “the sun is an image of the cosmos…the human is an image of the sun”; Book XVI, “in this way, the craftsman (I mean the sun) binds heaven to earth, sending essence below and raising matter above”), it’s not surprising how this image might be carried through the centuries into Hermetic symbolism and praise.

The second part is a shorter hymn (the panegyric proper of Book XVIII), the “Royal Praise of Kings”:

As the Creator has all power and presence in the cosmos of his creation,
so too does the king possess all power and presence in the order of his kingdom.
We praise God, and so doing, we praise the one who takes his scepter from him,
o divine among us mortals, o arbiter of our peace,
o king of kings, o image of God on Earth, you who are our king!
In singing our reverent love of God, we know to praise what is divine;
thus do we hymn and glorify the king, even as we hymn and glorify God! For in raising
our voice first to the Supreme King of All, the Good, the God,
we must then lift our song to those whom God has established in his might!
O foremost of the security of the people, o prince of peace of the world!
Authority, victory, honors, and trophies were established by God for you!
As God is the source of your dominion, so too are you the source of our hope!

The virtue of a king, the name of a king, is to be the judge of peace,
and with such peace comes prosperity for which we cannot but give tribute!
Setting his kingly grace kindly upon even the highest of worldly powers,
achieving over all discourse and discord the mastery that brings all peace,
panicking all barbarian armies and outdoing all their tyranny,
the very name alone of the king is the very symbol of peace!
For the king’s threat drives the enemy off with fear,
and the king’s statue succors the tempest-tost with haven;
for the icon of the king brings the warrior quick victory,
and the presence of the king gives the besieged an aegis.
Let us always praise and proclaim, treat and tribute the king,
that the king, free in peace from threat and harm, may ensure the same for all!

In our day and age, when we’re so far removed from any real notion of divine kingship or the divine right of kings (unless you’re an old-school British royalist or Japanese imperialist), it’s weird to give such praise for such a human being who happens to be a ruler over other people.  We typically conceive of rulers as coming into power through worldly means for rather less than cosmic reasons (cf. John Bradshaw’s “in the name of the People of England of which you were elected king” at the trial of King Charles I, conceiving of kingship as something random, arbitrary, and unearned).  But the Korē Kosmou (the 23rd through 25th of the Stobaean Fragments) discusses mortal kings as being in a league different from other kinds of humans.  From Litwa’s translation:

…On earth dwell humans and the other animals, ruled by the current king. Gods, my child, give birth to kings worthy of being their offspring on earth.  Rulers are emanations of the king, and the one nearest the king is more kingly than the others. Hence the Sun, inasmuch as he is nearer to God, is greater than the Moon and more powerful. The Moon takes second place to the Sun in rank and power.

The king is last in the rank of the other gods, but premier among human beings. As long as he dwells on earth he is divorced from true divinity. Yet he possesses a quality superior to other human beings—an element like unto God. This is because the soul sent down into him is from that realm higher than the one from which other people are sent. Souls are sent down from that realm to rule for two reasons, my child.

Some souls, destined to be deified, run through their own lifetime nobly and blamelessly so that, by ruling, they train to hold authority among the gods. The other group of souls are already divine and veer only slightly from the divinely inspired ordinance. They are sent into kings so as not to endure embodiment as a punishment. On account of their dignity and nature, they suffer nothing like the others in their embodiment. Rather, what they had when free (of the body) they possess while bound to it.

Now the character differences that develop among kings are distinguished not by a distinction in their soul. All royal souls are divine. The differences arise by virtue of the soul’s angelic and daimonic retinue during its installation. For such great souls descending to such great tasks do not descend apart from an advance parade and military escort. For Justice on high knows how to apportion dignity to each soul, even though they are pushed from the placid realm.

In the Hermetic view, there are particular people who are incarnated with a specific role to play in the world, and that role is to be divine as they are already among the foremost of souls in nature and rank; it is this that makes one a king when incarnate, assuming that kings live otherwise good lives “so as not to endure embodiment as a punishment”.  And, knowing that the Egyptians conceived of kings as not just being divine beings on Earth, and knowing that they strove to immortalize and deify them after death, we can conceive of this as being the end-game for the metempsychosis of humans: to refine ourselves through the knowledge of God to become more and more divine, and thus become as divine as a human can possibly be before being outright deified by other humans.

Admittedly, this notion is hard to swallow for many of us nowadays who would much rather an egalitarian view of souls (which, admittedly, much of the rest of the Hermetica would seem to encourage) and who don’t agree with the divinity of rulership (I mean…look at the current state of the world, and tell me that there’s anything new under the Sun).  Still, I suppose there’s plenty that could be said about a more generalized notion of “kingship”, either as something relatively detached from governance and dominion of people as a geopolitical power, or perhaps (and better) closer to what my mentor, Fr. Rufus Opus, discusses in his Seven Spheres:

I feel the same about the term King. To me, a King is anyone who rules, regardless of their gender. The need for different words to differentiate between genders is silly, in my opinion.

But the LOGOS pointed out something really important. The things we seek, they are part of what automatically comes with a kingdom. They are secondary manifestations, the results. Look at Kings. They have everything they need, and then some. LOGOS was saying, look, don’t go after that stuff; that’s what other people do with their lives, people who have not been chosen to know who they are, who have not had their divine nature and true paternity revealed to them. Instead of going after all that stuff, or the means to get that stuff, focus instead on the Kingdom. Learn that you are a King already. Learn what that means, learn the art of being the Royal You. Train yourself, improve yourself, be Kingly, and you’ll find that you have a Kingdom of a God all around you, and that you are its ruler.

But what are Kings?

Kings are people who were personally (or through the source of their noble lineage) positioned by fate and fortune and gifted with the quality required to lead their world naturally. They were linked to the gods either by favor or by blood, and they received a Kingdom as a result of their nature and the quality of their deeds. They were noble.

What he says in his introduction to Seven Spheres smacks of what Isis tells Horus in the 25th Stobaean Fragment.  If we broaden the notion of “kingdom” to be one’s whole life and sphere of influence, then each and every one of us is a king—regardless of our external gender, station, or condition.  It’s being able to carry ourselves as such, to rule our lives as such, that makes us so: it’s a matter of waking up to the reality of the matter and behaving accordingly.  Those who can are kings, and those who can’t aren’t.  After all, if God is with you, who can be against you?  If you’re living your True Will in tune with your Perfect Nature, then how could you not be among the royalty of souls?  And if royal souls are divine, then divine souls must also be royal ones.  And are Hermēs, Asclepius, Tat, and Ammon not thus kings?  After all, in the Prayer of Thanksgiving from the final part of the Asclepius, does Hermēs not say “we rejoice that you have deigned to make us gods for eternity even while we depend on the body”, or as I personally phrase it based on the similar prayer from PGM III.494—611, “we rejoice, for you have made us [who are incarnate] divine by your knowledge”?  If the knowledge of God makes one divine (literally deification, even while alive), then it must also make one a king, at least in some sense.

I’m sure there’s more that can be discussed along these lines of what it means for deification and kingship in a Hermetic context, especially understanding the historical and cultural implications of the such and how that might compare or translate to the modern world, but that’s a topic for another day.  For now, I’ll leave this with these two brief rephrasings and restructurings of Book XVIII of the Corpus Hermeticum to use for further devotional works to the Divine.

A Hymn to Hermēs Sōtēr

I know I don’t speak a lot much nowadays about my devotional work with Hermēs, or at least as much as I used to.  Admittedly, my focus and practices have shifted over the years, and as an arrangement I entered into willingly on both my terms and the terms of the god, my devotional work with the Son of Zeus and Maia waxes and wanes over time.  But, through it all, despite it all, and even because of it all, Hermēs has never left me, and I have never left him.  Even with my house more full of more gods than I would ever have anticipated, I still maintain my own practice and service to the god, and lately I’ve been spending more time getting back in touch with him since the last Mercury retrograde period ended.  It’s…well, not gonna lie, it’s pretty nice to do this again, and to remind myself why I got his emblem emblazoned on my flesh all those years ago.

Lately, between a renewed sense of his presence and a concern for the world, I was moved to write a simple hymn for the god.  It’s nothing special, but it’s something I wanted to share and spread, a hymn to Hermēs Sōtēr (the Savior).  Although he’s not usually considered among the usual savior-type gods, I feel like there’s something to be said for the blessings of swiftness, slyness, and quick motion (in the sense of both speed and life) that we could call on from the god in our time of need.  So, in this day of Jupiter and in this hour of Mercury, I dedicate these words to the god of my heart who accompanies on my ways.  May these words ring out in the air around me and throughout the entire world as a small token of my honor to the god, that all people of all cultures and all habits and all tongues may come to honor, sing, praise, and exalt the god who guides all men, spirits, souls, heroes, and gods!

Hail, Hermēs, o bright and swift savior through the paths of all the worlds!
O you who loves to be a close friend to mankind,
o you who cuts to the heart, knowing all that is within,
o you who stands keen watch at every cross and every fork,
o you who cannot be denied by any god or any man!

Son of Maia and scion of Atlas who knows the secrets of all the stars,
messenger of Zeus and all the gods who delivers words hither and thither!
Giving to all minds the wit to discern the gods and all their many works,
giving to all hands the skill to join in the very work of the very gods,
great are you who established the heavenly rites of offering and worship!

Ram-bearer, wand-bearer, leader of robbers and thieves!
You care for the well-being of all flocks of all kinds, kind Hermēs!
You lead them away amid motley heart-broken cries, sly Hermēs!
You defend them from those who would devour them, fierce Hermēs!
Driver of herds, shepherd of the living, o guide of all the dead!

Be kind to us, lord of the world, for all our travels and travails in it!
Lead us to the right place at the right time in the right way on the right day;
keep our hands as clean as they can, yet no dirtier than we need them to be.
By your guidance, keep us safe on our roads from all the awful nosoi;
by your wiles, o Hermēs, lead them afar by a different road entirely!

Be gracious, lord of the world, who collect the goods of gods and men!
Lead us all to sweet safety, to calm harbors, to a place to call our own,
to a shelter unafflicted by blight or the waste of terrible, hateful decay!
Let your lyre soothe the raging hearts of the bright children of Mother Lētō;
stay their fatal arrows, o lord, but when let fly, take us out from their flight!

Come, lord savior Hermēs, and hear this my heartfelt prayer;
be kind and be propitious to all those who seek your care.

Most people who are familiar with the god will understand most of the references, but I admit the one to the nosoi is probably a weird one.  These were a class of daimones in ancient Greek belief, the spirits of plague and sickness; for the Romans, these would be considered the Morbi, like Morbus (Disease), Pestis and Lues (Pestilence), Macies (Wasting), and Tabes (Corruption).  In Homeric literature, plague and disease was typically seen as being the arrows sent forth in wrath from the bows of Apollōn and Artemis, the two children of Lētō, but I also felt that the nosoi are a useful thing to ward against on their own right.  After all, there are two approaches to health, sanitization and inoculation, and in the absence of one, we must resort to the other; in the absence of vaccines or other defenses against the attacks of heavenly arrows or hellish claws, we must evade them entirely, and who better among the theoi to help lead us on the route to escape than Hermēs himself?  Who else but Hermēs to help us, the one among all the gods closest to the cries of all humanity, most familiar of all tongues, who guides us both in our world and in the next?  After all, although there aren’t all that many connections between Hermēs and plague, as Kriophoros (“Ram-bearer”), Hermēs is one who has helped before to save people from pestilence and plague, and with later connections of Kriophoros and Christ, lends a definite savior link to the noble son of Zeus and Maia.

May God and all the gods be charitable and propitious unto us all, and grant us all all life, all prosperity, and all health.

Original Greek and faithful transcriptions up for two ancient Hermetic prayers!

As many of my readers know, I have my Etsy shop set up for the things I make.  I tend to stick to beadwork nowadays, bracelets and necklaces and chaplets and rosaries and that sort of thing as well as my ebooks (which you can also find directly on my website on the Books page), but in the past, I’ve taken commissions for wands, Tables of Practice, and other woodworking things.  I don’t do the woodworking thing as much anymore; there are several others I would recommend on Etsy, instead, for things along those lines, who have better setups and tools and skill than I do.  Still, depending on the need and the medium, I’m certainly not opposed to taking on commissions.

Recently, I received an interesting request for a commission.  Rather than it being a physical thing, it was a digital item; sure, I can do those, too, and I’ve made designs and the like for others by special request.  After all, art is art, and craft is craft.  This, though, was also unusual; I suppose it could be said to that I was contracted rather than commissioned.  I was contacted by one Soror MNA to help her with some of her own research and work.  She took a heavy interest in two of the things I’ve shared previously on my website, the Hermetic prayers from the Greek Magical Papyri known as the Hymn of the Hidden Stele (PGM IV.1115—1166) and the Stele of Aiōn (PGM.1167—1226).  These are beautiful hymns indeed, and I’ve used them to powerful effects in the past for serious and heavily theurgical purposes.  However, I’ve only basically given my (minor) variants of them in English, with the Greek barbarous words of power rewritten in the Greek script for ease of analysis and preservation of nuances in pronunciation.

What the good Soror MNA wanted me to do was to get her copies written in Greek of these two prayers.  After all, it’s not hard to find Preisendanz’s transcriptions of the PGM online (volume 1 for PGM I through PGM VI, volume 2 for PGM VII and after); all she needed was these prayers in their original Greek as well as transliterated into Roman script for study and use in her own rituals.  So, since this was a pretty clear-cut job of typing and transcribing, I gladly took the job.

All of this is simple and straightforward and otherwise unmentionable and not worthy of note if it weren’t for the fact that, at the end, I requested a change to the terms we had agreed to that would be in both our favor.  As it was, I was just going to give her a document with the transliterations she requested, but for the same reasons she found it valuable to have these prayers in their original Greek and transliterated into Roman script, I figured it would be good for the broader occult community, especially those interested in PGM-style Hermetic work, to have access to the same.  She agreed, and to that end, graciously permitted me to share the fruits of my labors on my website.

To that end, the Hymn of the Hidden Stele and the Stele of Aiōn pages on this website have been updated and augmented with the orignal Greek and their transliterations.  All of this is thanks to the gracious and generous support and sponsorship of Soror MNA, who has my thanks for helping me and funding improvements to my website!  If it’s been a while since you last checked these hymns out, or if you’re unfamiliar with them and have any interest in some pretty potent prayers, go and take a look!  The transliteration scheme I use is custom to my own work, which I feel preserves the pronunciation and accenture of the original Greek slightly better than other texts; most of the accenture is unnecessary unless you’re intimately familiar with the byzantine Byzantine use of polytonic Greek, but in order to keep it as faithful as possible, I included it all the same.  Thank you again, Soror MNA, for your generous support!

Just to remind all my wonderful readers: if you’d like to support the Digital Ambler in my projects, writing, and other work, remember that you can do so through Ko-fi!  Every little bit counts, and you’ll have my unending, undying thanks and appreciation.  Heck, if you wanted to sponsor a post or something big for my website like what Soror MNA said, suggest something in the comment when you donate and I’ll see what I can do!

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On Repurposing Ritual Parts for New Practices

This PGM train won’t stop, at least, not yet.  I hope you’re not bored of this talk of the Greek Magical Papyri, dear reader, because there’s so many awesome things about it, not least for its historical value in understanding some of the origins and foundations of Western magical practice as we know it today and how their rediscovery continues to shape it in modern occulture, but because of all the wonderful techniques they contain.  And just think: what we have in Betz’s famous translation is still only a fraction of what’s still out there, both discovered and undiscovered, translated and untranslated.

So, I meant to have this post out shortly after the ritual writeup of the Royal Ring of Abrasax was put up, but then the last post happened where I also introduced it, so…whoopsie.  Anyway, this ritual, PGM XII.201—269, describes the consecration of a kind of ring of power, “useful for every magical operation and for success”, which it claims is constantly sought after by kings and other types of rulers.  In a sense, this particular ring can act as a general phylactery or protective charm against spirits in magical works and conjurations as well as a charm for success, victory, and fortune in all of one’s endeavors.  In some sense, it can be considered something resembling a conceptual forerunner of the Ring of Solomon known to later magicians; this isn’t to say that PGM XII.201—269 is an ancestor of the Ring of Solomon, but it indicates a transition of magical rings and how they evolved from simple empowerment and fortune charms into phylacteries and guarantors of magical success.  If you haven’t seen my write-up and analysis yet, it’s up under the Occult → Classical Hermetic Rituals menu.  Take a look!  It’s a fine example of a solid Graeco-Egyptian consecration ritual which can be seen as a kind of forerunner to later Hermetic and Solomonic ones.

The reason why I’ve been looking over this ritual is because Gordon White over at Rune Soup used this ritual as his (only) group exercise for his recent 2018 Q2 course on the PGM.  It’s an excellent course, as I’ve mentioned before, especially as it focuses less on the actual rituals present in the PGM and more about the background, context, development, and general methodology behind them.  Of course, it’s not like Gordon only wanted to just talk about them, but he wanted to get people up and running with them in a sensible way that involves some measure of rigor and spiritual connection.  For that purpose, Gordon set up a group exercise for those participating in the course to recite a portion of PGM XII.201—269 as a kind of semi-self-initiation before other PGM work.  As to how, specifically, Gordon accomplishes this, I recommend you head over to Rune Soup to check out the members section and go through his course material.  It’s worth the small cost of admission, I claim.  Just because the course is finished doesn’t mean you can’t perform the self-initiation ritual at any time you want or need, especially now that a current-connection has already been established in the same way by quite a number of other magicians.

Gordon explains his reasoning for adapting this ritual for this purpose at the end of the first module of the course.  Essentially, the author (or compiler) of these parts of the PGM texts was, in all likelihood, an actual Egyptian initiated priest who moonlighted as a magician-for-hire.  Because of his initiated status, he had access and license to work with the gods and spirits found in the PGM in such a way that we never can at this point, or at least, not in the same way; those initiations and lineages are long since vanished, and there’s no way to achieve the exact same status as our original author friend; as I’ve discussed before, lineage can make a world of difference when it comes to starting out at the same point of power based on initiation and lineage or the lack thereof.  To that end, Gordon set up a specially-modified form of PGM XII.201—269 as a sort of quick self-initiation into the powers and currents of the PGM to make our future PGM work that much more effective, serving as an introduction to the PGM powers.  Without performing such a self-initiation, it’s possible that we can get some results out of doing PGM work, but not necessarily to the same extent without a formal introduction, for which Gordon’s modified PGM XII.201—269 serves decently enough for any beginner to PGM-style magic.  Plus, it benefits from the fact that it’s a comparatively simple ritual (at least in Gordon’s modified form) without onerous barbarous names of power, which can be terrifying for those new to the PGM.

The Royal Ring of Abrasax ritual is not a particularly complex or difficult ritual to do; sure, there’s a bit of animal sacrifice involved, but that’s nothing that we can’t work with, either by actually bleeding the required birds or by making a sincere and appropriate substitution (I go over one such method in my write-up for those who are unable or unwilling to perform such a sacrifice, and for more information, check out my last post).  The main hymn of it is rather beautiful, but it also struck me as familiar, and I wasn’t entirely sure why that was the case.  It was some of the footnotes from Betz that tipped me off; part of the hymn was annotated with a reference to PGM XIII.734—1077, which titles itself the Tenth Book of Moses, from which the Heptagram Rite comes (along with its smaller variant the Calling of the Sevenths, aka Heptasphere).  The preliminary invocation of the Heptagram Rite (at least in its Major form that I’ve written about) is basically the entirety of the main hymn of the Royal Ring of Abrasax, just fleshed out with more barbarous names of power, including close variants of the same barbarous name that the Royal Ring of Abrasax ritual centers around.  This was fantastic to discover on its own, that these two PGM sections from different papyri could be tied together in this way, but there was another part to discover; the end of the Tenth Book of Moses (after the Heptagram Rite is discussed) introduces a consecration for a particular kind of phylactery that, itself, bears many parallels to the consecration ritual of the Royal Ring of Abrasax.  So, not only do we have a near-identical prayer in these two PGM sections, but we even have a rough match of a consecration for a charm of power and protection!  Finding two such similar rituals in close proximity within the same PGM would be one thing (a la the Eighth Book of Moses from PGM XIII.1—343, 343—646, and 646—734), but this is an even more important realization.  It either indicates that both papyri were compiled or written by the same author, or that two separate authors had the same source for almost the same procedures; I’m not sure which is more likely, but both are exciting things.

However, the parallel parts between PGM XII.201—269 and PGM XIII.734—1077 are separated by quite a lot of content, and what’s present in one is not used in the same way as it’s used in the other.  The near-identical hymn that’s present in both is used for two radically different rituals: in PGM XII.201—269, it’s used as part of a consecration of a charm, and in PGM XIII.734—1077, it’s used as part of (what is essentially) a theurgic ritual.  It’s an interesting example of using the same ritual act or performance for different ends, especially because it’s in the source text of the PGM which we all admire and love.  What this indicates to me is that there’s an implicit acknowledgment that certain things can be used in different ways, a kind of magical upcycling or repurposing of techniques.  This isn’t particularly uncommon; after all, consider the PGM-style framing rite I put out a few days ago.  The vast majority of that is slapped together from a variety of PGM sources, picking and choosing this and that to come up with a more-or-less unified whole.  Heck, one of the sources I picked some techniques from, PGM IV.930—1114 (the Conjuration of Light under Darkness ritual) itself has the markers of being slapped together from two different rituals for different purposes brought into a more-or-less unified whole.  What I did to come up with my framing rite may not sit well with PGM-focused grimoire purists, but it’s solidly within the same tradition and following the same meta-methodology that’s present within the PGM itself.

Consider our modern use of PGM V.96—172, the Headless Rite.  Originally, it was intended as a simple exorcism, but thanks to the innovations of Aleister Crowley, it was adapted into a theurgic self-empowerment and self-elevation ritual, and the way he did it allows for further customizations to be made.  Where Crowley changed “deliver NN. from the demon that restrains him” to “hear me and make all spirits subject unto me” (a reuse of one of the last lines of the ritual), other adaptations can be made to the Headless Rite that can turn it from an exorcism ritual into a banishing, empowering, or theurgic ritual:

  • Exorcism: “Deliver NN. from the demon that restrains him!”
    • Here, NN. is the name of the person to be exorcised.
    • This is the original “rubric” as used in the PGM version of the text, since this was originally intended as an exorcism ritual.
  • Banishing: “Deliver me, NN., from any and all demons, death, defilement, illness, impurity, infirmity, pain, plague, or poison that restrains me!”
    • Here, NN. is your own name.
  • Empowering: “Subject to me all spirits so that every spirit whether heavenly or ethereal, upon the earth or under the earth, on dry land or in the water, of whirling air or rushing fire, and every spell and scourge of God may be obedient to me!”
    • This is the version used in Liber Samekh, which is just a more fleshed-out version of the charge used for donning the coronet, as discussed below.
  • K&CHGA: “Send to me my neverborn friend and guardian, my supernatural assistant, my agathodaimon, my holy guardian angel!  Send to me the spirit NN. whose duty it is to guide, lead, assist, and protect me through this and all lives!”
    • Here, NN. in this case refers to the name of the guardian angel, if known.  Otherwise, omit the use of a name entirely and refer to the guardian angel generally.

Consider also our modern use of the Orphic Hymns, especially those for the planets.  One of my good colleagues suggests that the original use of the Orphic Hymns were that they were to all be sung in succession as a kind of diagnostic theurgic rite so as to call out specific divinities that might be affecting someone at a given time, and not necessarily that individual hymns were to be used on their own.  Yet, magicians have been using them for centuries as individual prayers for individual entities outside their original contexts; consider what Cornelius Agrippa has to say about them in his Three Books of Occult Philosophy (book I, chapter 71):

Besides, with the divers sorts of the names of the Stars, they command us to call upon them by the names of the Intelligencies, ruling over the Stars themselves, of which we shall speak more at large in their proper place. They that desire further examples of these, let them search into the hymns of Orpheus, then which nothing is more efficatious in naturall Magick, if they together with their circumstances, which wise men know, be used according to a due harmony, with all attention.

After all, most people in the modern Hermetic/astrological magic scene (especially those who work outside the Golden Dawn and similar systems) are familiar with the use of the Orphic Hymns for the planets and use them in their rituals, whether as a kind of daily adoration of the ruling planet of the day or as part of a chant for the consecration of a planetary talisman during an election of that planet or for other purposes.  For instance, as a gesture of worship to Hermēs, I recite his Orphic Hymn whenever I enter a post office, no matter the day or time; this is certainly a modern adaptation of the use of such a prayer, and one that wouldn’t fit into any classical scheme except the broadest notions of “general worship”, but it goes to show that bits and pieces of ritual and religious texts can be used in ways that may not have been anticipated by their original authors, yet work well all the same for their new purpose.

In a similar vein, consider the use of the Psalms of the Old Testament.  These were originally devised as songs for worship, celebration, and religious meditation, yet parts of them have been in use in a variety of religious rituals and ceremonies; consider the Asperges Me, a few lines of Psalm 51 that’s recited in some Catholic Masses as well as in folk ceremonies of purification.  Heck, consider the wide and deep practice of psalm-based magic, where particular psalms are recited, either on their own or accompanying other ritual acts such as dressing and lighting candles.  A good example of a similar type of Old Testament-based magic is that of Draja Mickaharic’s Magical Spells of the Minor Prophets, where Mickaharic describes how to use individual verses of the minor prophetical books from the Old Testament for a variety of magical ends, including one chapter where every verse from an entire book can be used magically.  This is definitely magical repurposing on a whole new level, and yet is so firmly grounded and founded in classical magical meta-methodology that it’s hard to see how deep these foundations have been dug.

The trick when repurposing bits and pieces of extant ritual and texts, as always, is to be smart about it.  Cherry-picking without care or caution can get you into a lot of trouble real quickly, because not all individual parts of rituals can be extracted or extrapolated for different use.  For instance, the Conjuration of Light under Darkness is absolutely a conjuration ritual, combined from a lamp divination spell and a theophanic ritual.  However, at a large scale, the Conjuration as a whole cannot be adapted to the conjuration of other entities generally, like how the Trithemian rite of conjuration I use can be used for angels, natal genii, genii loci, and so forth with the right adaptations; instead, it’s pretty specifically geared to the conjuration and communion of one entity.  However, particular parts of this ritual may be used outside of it; I chose the Light-Retaining Charm and the Dismissal of Light, specifically, which kind of come as a set, since if you use one, you need the other.  My whole dismissal prayer I use is cobbled together from two different PGM sources (PGM I.262—347 and PGM VII.930—1114) which work well when mixed together due to overlap of particular phrases, and the fact that they do the same thing.

The compatibility and extensibility of particular techniques, and at what level and for what purpose, is important to consider when trying to pick and pull things together.  This can be difficult with PGM stuff, given the use of barbarous names of power; in general, we don’t know what they mean, and so we don’t know if we’re calling on something generally by their use in a given situation or if we’re calling on something particularly specific for a specific function.  Moreover, we don’t know whether what we’re calling is compatible only with its original context and not with the repurposed one we’re putting it to.  What makes things dicey is that we can’t just omit the barbarous names of power, either; consider Zoroaster’s injunction #155 from the Chaldaean Oracles, “change not the barbarous Names of Evocation for-there are sacred Names in every language which are given by God, having in the Sacred Rites a Power Ineffable”.  The words have power, which is why we say them; to remove the words is to remove the power, and to change the words is to change the power.  Better to use them than not, where present, unless you know precisely what you’re doing and how to get around it.  That’s why one of the reasons it took me so long to cobble together a PGM-style framing rite from off-the-shelf PGM pieces, because I needed to make sure that they were either naturally general enough to be used, or could safely be made general while still being effective as well as compatible with the other parts I was using.

The reuse of the hymn to the Agathos Daimōn between the Royal Ring of Abrasax ritual and the Major Heptagram Rite presents us with a unique opportunity, then, to see how one particular magical technique can be repurposed and even reworded; note that the Royal Ring of Abrasax version of the hymn contains far fewer barbarous names, indicating that—perhaps—not all of those are needed here for this purpose, or their use would have been more appropriate to a theurgic ritual rather than a consecration ritual, or that their use was not needed at all for the sake of praising and honoring the Agathos Daimōn.  Noting how the same prayer can be used in different rituals, it’s also easy (and, I’d argue, fruitful) to think how the prayer can be used in other contexts, such as in a daily prayer routine alongside other PGM-derived prayers like PGM IV.1115—1167 (the Hymn of the Hidden Stele, which has no purpose stated either as a header or as part of this section of the PGM) or PGM IV.1167—1226 (the Stele of Aiōn, which works as both a powerful prayer generally as well as being “useful for all things; it even delivers from death”).

When going about cobbling together from parts of other rituals (PGM or otherwise), I would recommend to a few questions to bear in mind to make sure you’re on the right track:

  1. Have you studied or, even better, performed the original ritual you’re choosing parts from to get an intimate understanding of what it does, both as a collection of ritual parts and as a unified whole?
  2. What is the nature of the original rituals, both as a whole and as parts, and how does it compare with the goal of the new ritual, both as a whole and as parts?
  3. What entities are being called upon in the original ritual, and do they conflict with other entities from other original rituals?
  4. Does the part of the original ritual being chosen require something else to be done with it, or can it stand alone on its own?
  5. Can the part being chosen from the original ritual be picked up and used as it is, or does it require modifications to wording or performance?
  6. Does the original ritual use barbarous or divine names of power?  Does the intent behind them in the context of the original ritual work for a different use?
  7. Can the charge or purpose of the part being chosen from the original ritual be modified or generalized while still keeping true to the power of the original ritual?
  8. Is taking a part from an original ritual really needed?  Is that part serving an actual use or function within the cosmological and methodological understanding of the new ritual?
  9. Is a new ritual being put together from parts of original rituals necessary, or will an original ritual suffice, either with or without modifications to charges, commands, or ritual implements?

There is value in knowing and understanding the dozens, hundreds of rituals in the PGM, or in any system or tradition or collection of magical works, and accomplished magicians can pull any ritual they need from their handbooks or private collections to accomplish anything they need or want.  However, there is at least as much value in being able to understand the parts of those same rituals, know what works, know what can be extended or abridged or adapted, and being able to whip something up (big or small) from parts off the shelf that’s at least as effective because they know how to plug certain ritual actions into each other.  The trick is being smart about it and knowing what can—and should—plug into what.