Distilling Secondary Figures from a Geomantic Chart

Distilling Secondary Figures from a Geomantic Chart

Even after all this time, one of the things I love about the Geomantic Study-Group on Facebook is that it’s actually fairly active, at least as far as geomancy groups go, and it maintains its activity over long durations of time.  Between group chart analyses, questions about techniques, and sharing of neat finds online or in books about geomancy, it’s always a source of joy and delight to drop in and see how the conversation is going.  If you’re on Facebook and are interested in geomancy, I highly encourage you to join!

Recently, one of the members posted a question about a particular taskin he found.  Taskins, for those who may have forgotten or never knew the term, are the mnemonic orderings of figures used in Arabic geomancy to organize and categorize different sets of correspondences.  Though often given as nothing more than a simple order with a name of the order attached, they can refer to pretty much any set of correspondences, such as directions, parts of the body, or how to simply number the figures from 1 to 16.  This one member shared a particular taskin, but because there are few Arabic-style geomancers in the group (and fewer still who are willing to discuss the techniques), there wasn’t much to be shared or discussed about the topic to answer his question.  However, we did find something interesting: one English-speaking author has written at least something that’s used in Arabic geomancy, and I decided to investigate further.number the figures from 1 to 16

Nineveh Shadrach is a Western author who specializes in an interesting and intriguing hybrid of Arabic and Middle Eastern magic with European and more broadly Hermetic styles and techniques, and he’s been on my reading list for ages.  The post in the Facebook group steered me to one of his older books, “Secrets of Ancient Magic: Path of the Goddess” (2001, 2004, Ishtar Publishing), co-authored with Frances Harrison.  The book itself appears to be out of print, and though parts of it were used in later publications, the section on geomancy appears to be kept only in this book.  He discusses the basics of geomantic divination as any larger work on magic generally might and takes an approach that veers closer to Arabic-style geomancy than what most European authors have written, but one technique caught my eye, and that really got me thinking about how to apply it in my own practice.

Shadrach’s “Elemental Analysis” technique doesn’t look at the figures in the chart on their own, but rather generates sixteen (!) new figures based on the elemental lines of those in the chart.  Shadrach uses a system of assigning whole elements to the houses in which figures can fall based on the astrological order of elements (Fire, Earth, Air, Water), extending it to the four houses of the Court:

First
Quadrant
Second
Quadrant
Third
Quadrant
Fourth
Quadrant
Fire
Houses
I V IX XIII
Earth
Houses
II VI X XIV
Air
Houses
III VII XI XV
Water
Houses
IV VIII XII XVI

Based on this, one can make a “Fire of Fire” figure by taking the Fire lines of the figures in houses of Fire, i.e. houses I, V, IX, and XIII.  To make the “Air of Fire” figure, one takes the Fire lines of the figures in houses of Air, i.e. houses III, VII, XI, and XV.  In other words, to make a figure “X of Y”, one takes takes the Y-element lines from the X-element houses.   In this sense, one generates a figure such that the elemental lines taken provide the secondary element, and the elemental houses provide the primary element.

The resulting figure can be considered a kind of “elemental distillation” of the chart that hones in on a particular aspect of the situation as filtered through a primary and secondary elemental framework.  For instance, Shadrach gives the example that, in a relationship reading, one would look at the Water figures (i.e. the figures generated from distilling the figures found in houses of Water) generated by this technique, and should the Air of Water figure (Water lines from houses III, VII, XI, and XV) be unfortunate, then it could be said that there might be “communication problems when it comes to emotional expression”.  This figure would then be further inspected to see where in the actual geomantic chart it might be found to further whittle down where such problems might occur.  For instance, should the Air of Water figure be Carcer in such a reading, perhaps indicating isolation and a sense of loneliness in the relationship, and should Carcer be found in house V, it could indicate that there are issues involving intimacy, a lack of sexual communication or agreement, and possible unspoken and undiscussed fears of of sexual impotency causing feelings of inadequacy.

There are a few neat things about this technique, but also a few things I would change.  For one, Shadrach uses the elements in the order of how they appear in the Zodiac: Fire, Earth, Air, Water.  I disprefer this ordering in favor of the usual geomantic order: Fire, Air, Water, Earth.  The latter works better, as well, since I don’t like involving zodiacal schemas and systems where they’re not explicitly called for, and this overall idea of elemental distillation seems more appropriate for the Shield Chart.  For that, I already have a system of assigning elements to the “fields” (not “houses”!) to the Shield Chart:

Mothers Daughters Nieces Court
Fire First First First Right Witness
Air Second Second Second Left Witness
Water Third Third Third Judge
Earth Fourth Fourth Fourth Sentence

Additionally, I don’t like how the phrasing of Shadrach’s technique works in what elements you take from where.  In his system, “X of Y” indicates that you’d take the Y-element lines from the figures in X-element locations, and the Y-element is dominant.  However, this seems backwards to me; the elemental lines take place within the figure found in a given elemental location, so it seems like the the overall “contextual” (or primary) element would be that determined by the location/house/field, and the “modifying” (or secondary) element would be that determined by the line.  So, if Shadrach’s system would define “Air of Water” as being the Water lines taken from the figures in Air locations, I would instead say that it’s the Air lines taken from the figures in Water locations.  This would make more sense to me in lining up with his example about the Air of Water figure representing communication in emotional matters: taking the Air lines from the Water figures would represent the combined powers of Air within the overall context and world of Water.  So, when I would say “X of Y”, I would indicate taking the X-element lines from the Y-element figures: again, the Y-element is primary.

So, in my version of the method, I would make my elementally distilled figures as such:

  • Fire of Fire: Fire lines of First Mother, First Daughter, First Niece, and Right Witness
  • Air of Fire: Air lines of First Mother, First Daughter, First Niece, and Right Witness
  • Water of Fire: Water lines of First Mother, First Daughter, First Niece, and Right Witness
  • Earth of Fire: Earth lines of First Mother, First Daughter, First Niece, and Right Witness
  • Fire of Air: Fire lines of Second Mother, Second Daughter, Second Niece, and Left Witness
  • Air of Air: Air lines of Second Mother, Second Daughter, Second Niece, and Left Witness
  • Water of Air: Water lines of Second Mother, Second Daughter, Second Niece, and Left Witness
  • Earth of Air: Earth lines of Second Mother, Second Daughter, Second Niece, and Left Witness
  • Fire of Water: Fire lines of Third Mother, Third Daughter, Third Niece, and Judge
  • Air of Water: Air lines of Third Mother, Third Daughter, Third Niece, and Judge
  • Water of Water: Water lines of Third Mother, Third Daughter, Third Niece, and Judge
  • Earth of Water: Earth lines of Third Mother, Third Daughter, Third Niece, and Judge
  • Fire of Earth: Fire lines of Fourth Mother, Fourth Daughter, Fourth Niece, and Sentence
  • Air of Earth: Air lines of Fourth Mother, Fourth Daughter, Fourth Niece, and Sentence
  • Water of Earth: Water lines of Fourth Mother, Fourth Daughter, Fourth Niece, and Sentence
  • Earth of Earth: Earth lines of Fourth Mother, Fourth Daughter, Fourth Niece, and Sentence

This is all well and good, but what exactly does this get us?  We already have sixteen figures in our geomantic chart, each in its own house that provides the context of each figure, along with how to group the figures into triads, using the Way of the Point, and a variety of other techniques, so why should we come up with more figures for the sake of them?  To get more detail out of the reading, of course!  It always bears remembering that there’s no one single school of geomancy, nor has there ever been, and many techniques were used only by certain people in certain locations or traditions within geomancy.  As it spread across Africa, Europe, and the Middle East, geomancy could almost always be recognized as geomancy, but it also adapted itself to the cultures, tribes, and specific strains of knowledge it found itself practiced within.  The use of elemental distillation can be seen as another example of such a technique to extract as much information out of a chart, either on its own or in tandem with other techniques available at the geomancer’s disposal.

Above and beyond just interpreting the figures in the fields (or houses), the technique of elemental distillation can be used to note the specific energetic currents present in a situation, how they’re resolving, and to what end.  Using the elements of field and figure technique, we can see whether the energies in a given aspect of one’s life are able to flow freely and do what they need to for the sake and benefit of the querent, or whether they’re stymied, blocked, and undone based on whether the element of the figure matches the element of the field within which it’s found.  Using this elemental distillation technique, we can get a similar notion of what energies are present in a situation, but from the other side of the equation: we’re seeing what the actual powers and forces at work are, and then seeing how they interact and affect the situation.  So, if we find that the Air of Water figure is fortunate, then we know that the Water energies in the situation are able to to travel, mix, and match more-or-less freely, and if the Water of Air figure is fortunate, then we know that the Air energies in the situation are able to congeal, stick, and be understood in a more profound way than the merely intellectual.

We could take this technique in another direction, though.  I’ve previously established a system of primary and secondary elemental rulers for the figures, such that every geomantic figure is ruled by a main element and a sub-element based on their elemental structure.  In that case, we can consider our elemental distillations to be like the sixteen original figures themselves in an applied sense, with the sixteen original figures being their ideal “fields”.  Consider: if we’re looking at the Air of Water distillation, then we’ve got a figure that is primarily Water and secondarily Air.  The figure that is primarily Water and secondarily Air is the figure Via.  Thus, the Air of Water distillation of a chart indicates how well the situation described by the chart can facilitate the energy of Via, or total change and flow.  Likewise, the Fire of Fire distillation of a chart indicates how well the situation described can facilitate the energy of Laetitia, or joy and uplifting motion.  If we were to find fortunate figures, especially figures that agree in element or the very same figure itself, then we can say that the energies and forces represented by that ideal figure are present and able to effect change in the situation; if unfortunate figures result from distillation, then the forces represented by the corresponding ideal figure are weakened or absent.

One way we could apply this in divination would be to think of a given figure that represents something the querent wants or is aiming for in the situation.  For instance, in a query about promotion, Laetitia would be an excellent figure, because it represents upwards motion and is a figure I find particularly well-suited to promotions and elevations in general and the workplace in particular.  Laetitia, then, is the ideal figure we want to investigate in the chart, and since the corresponding elemental phrasing of Laetitia is “Fire of Fire” (primarily and secondarily fire), we’d look at the Fire of Fire distillation of the chart.  If we find a favorable figure here, we can say that a promotion is likely; if an unfavorable figure, unlikely.  This technique could be used to get subsidiary or unrelated information out of a chart, too, in addition to the main situation the chart is focused on.

To remind us all of the elemental rulerships of the figures, using both primary and secondary elements:

  1. Fire of Fire: Laetitia
  2. Air of Fire: Fortuna Minor
  3. Water of Fire: Amissio
  4. Earth of Fire: Cauda Draconis
  5. Fire of Air: Puer
  6. Air of Air: Rubeus
  7. Water of Air: Coniunctio
  8. Earth of Air: Acquisitio
  9. Fire of Water : Puella
  10. Air of Water : Via
  11. Water of Water : Albus
  12. Earth of Water : Populus
  13. Fire of Earth: Carcer
  14. Air of Earth: Caput Draconis
  15. Water of Earth: Fortuna Maior
  16. Earth of Earth: Tristitia

I’m sure there are a bunch of other ways to incorporate such an elemental distillation technique of generating secondary figures out of a chart, including using the Via Puncti to determine an element and seeing which of those elemental distillations can further clarify the root causes of a situation, incorporating the distillations into the House Chart as Shadrach suggests, and other techniques.  What’s fascinating about this technique, however, is that we’re using a single chart to make new figures for the sake of interpretation.  Generally, whenever secondary figures are generated in the geomantic corpus (i.e. using the figures of one chart to make new figures that aren’t part of that chart), it’s generally within the context of making up four new figures for a new chart because the old one can’t be read or is too confusing to be read.  Shadrach’s technique is pretty much the only technique I’ve come across that uses the figures to make new figures without using addition—at least in a system that still calls itself “geomancy” by name.

In the variant of geomancy practiced in Madagascar called sikidy, we see something similar.  A sikidy chart contains sixteen figures; though its arranged in an unfamiliar way, it turns out that the first four figures are generated randomly and are read downwards, the next four are just the first four read horizontally, and the other eight are the results of adding two of the other figures together.  In other words, a sikidy chart follows the same exact algorithm as a geomancy chart to get a set of four Mothers, four Daughters, four Nieces, and a Court, just not by those names.  As in geomancy, the field or house of each position in the chart indicates a general realm of life or aspect of the situation, and the figure inside each house indicates how that area of life is effected or affected.  Since sikidy was introduced by means of Arabic trading, we see Arabic and Hermetic influence in how sikidy is read, such that the second field is about property (just as our house II), the third field about local or familial relations (house III), the fourth field about one’s town or village (house IV), and so forth.

What’s interesting, however, is that sikidy practitioners are not just limited to 16 fields, but instead can find up to 34 based on how they combine the individual rows of the total chart.  According to Stephen Skinner (here taken from his 1980 book “Terrestrial Astrology: Divination by Geomancy”), he gives an additional 18 secondary figures for a total of 34:

Field Name Meaning Generation
1 Talè Querent Randomly generated
2 Harèna Property Randomly generated
3 Fàhatelo Relations of the querent Randomly generated
4 Vòhitra Town or village Randomly generated
5 Zatòvo Young person, descendants First line of 1, 2, 3, and 4
6 Marìna Slave, strong men Second line of 1, 2, 3, and 4
7 Vehivavy Woman, i.e. wife Third line of 1, 2, 3, and 4
8 Fahavalo Enemies Fourth line of 1, 2, 3, and 4
9 Làlana Way, road 1 + 2
10 Asorotany Nobleman, king, ancestors 3 + 4
11 Nía Food 5 + 6
12 Fahasivy Spirits of the dead 7+ 8
13 Mpanontany The enquirer 9 + 10
14 Masina The diviner 11 + 12
15 Andriamanitra God 13 + 14
16 Trano House 1 + 15
17 Zatòvo an-trano hafa Young persons generally First line of 16, 9, 13, and 10
18 Marìna an-trano hafa Slave Second line of 16, 9, 13, and 10
19 Vehivavy an-trano hafa Women generally Third line of 16, 9, 13, and 10
20 Firiariavana an-trano hafa Escaping enemy Fourth line of 16, 9, 13, and 10
21 Kororozy Dragon’s head Fourth line of 12, 14, 11, and 15
22 Olon-dratsy Bad omen Third line of 12, 14, 11, and 15
23 Alika Dog Second line of 12, 14, 11, and 15
24 Tsinin’ny velona Fault of the living First line of 12, 14, 11, and 15
25 Akòho Hens Diagonally down-left of 1, 2, 3, and 4
26 Vòromboahàzo Pebbles Two down-left then two down-right of 1 and 2
27 Ondry Sheep Diagonally down-right of 4, 3, 2, and 1
28 Osy Goats Two down-left then two down-left of 4 and 3
29 Ra be mandriaka Much bloodshed, disaster Two down-right then two up-right of 12, 14, 11, and 15
30 Tsinin’ny maty Fault of the Dead Diagonally down-right of 12, 14, 11, and 15
31 Biby ratsy Wild Cat Two up-right then two down-right of 12, 14, 11, and 15
32 Tsinahy Unexpected Fate Diagonally up-right of 12, 14, 11, and 15
33 Tsi-efa The Incomplete Diagonally down-left of 16, 9, 13, and 10
34 Mamòha éfa Revival of Past Evils, e.g. disease Diagonally up-left of 16, 9, 13, and 10

These aren’t all possible ways to obtain secondary figures from a sikidy chart, either.  Marcia Ascher in her 1997 paper Malagasy sikidy: a case in ethnomathematics describes the following 15 secondary figures (though, unfortunately, with neither names nor significations), but who also gives a different arrangement of the bottom set of eight figures (our Nieces and Court):

Knowing that fields 1 through 16 are generated in the same way as before, just with a different arrangement of 9 through 16:

Field Generation
17 Diagonally down-right of 9, 13, 10, and 15
18 Diagonally down-right of 10, 15, 11, and 14
19 Diagonally down-right of 11, 14, 12, and 16
20 Diagonally down-left of 16, 12, 14, and 11
21 Diagonally down-left of 14, 11, 15, and 10
22 Diagonally down-left of 15, 10, 13, and 9
23 17 + 20
24 18 + 21
25 19 + 22
26 Two down-left then two down-right of 16 and 12
27 Two down-right then two down-left of 11 and 14
28 Two down-left then two down-right of 15 and 10
29 Two down-right then two down-left of 9 and 13
30 26 + 27
31 28 + 29

To be fair, Ascher is less concerned with the practice of divination and more with how recursive and spacial mathematics factor into traditional practices among Malagasy traditions.  Still, she does also imply that there are other secondary series besides the ones she enumerated, too.  Again, there’s always that “variant lineages within traditions” bit to contend with that makes geomancy a vibrant and varied garden instead of a sterile and monolithic chamber.

What this detour into sikidy shows us is that there are more ways to generate figures besides simply adding two figures together or transposing the Mothers into the Daughters; indeed, sikidy practitioners seem to delight in finding new ways to come up with such figures in regular patterns.  Though we can’t really adopt many of the same exact techniques, it does show us an otherwise unexplored venue (unexplored, at least, by all except Shadrach) in how we can generate other figures from a chart using non-additive means, and that the process has been used elsewhere to continuing success by geomancers in other traditions.  This suggests that, with the proper logic and testing, we can adopt similar techniques in our own Western kind of geomancy, much as the version given above of Shadrach’s elemental distillation.  In fact, “distillation” is a good way to describe the generation of such figures, I claim, as you’re necessarily looking across four (or two, in the cases of some sikidy figures) different figures to come up with one.

Unlike some of the other techniques I’ve proposed on this blog before, this one is exceptionally exciting but also exceptionally hazy; Shadrach’s guidance on divvying things up by their overall element weirds me out and I claim it could use more rigor, and there are other possibilities such as using my ideal figure interpretation as well as incorporating it into the usual interpretations of the fields and houses.  Though it’ll eventually make its way into my geomancy textbook (which, god, yes, is still in editing and it takes forever especially with everything else going on), this is one I want to play around more with to see exactly what it does and how it does it, as well as how well it might play with other techniques such as the Via Puncti or the field element analysis method.

The Candle Blitzkrieg House Blessing

I try to keep my home a stable place of safety; after all, the home is the foundation of all that it is we do. It’s where we rest, recover, and rejoice, where we sleep, study, and settle, where we live, love, and laugh. The home is the most sacred place we have, our own personal temples where we are established in our sanctuaries. Without someplace to call our own, our little niche in the world, we really don’t have much. As part of my own spiritual maintenance, I try to keep my home in as good a condition as I try to make myself, complete with its own cleansings and blessings and purifications and wardings so that it can be a place of safety and sanctuary where I feel safe and sacred in.

In addition to keeping the house clean and cleansed and everything else, one of the more effective things I find myself doing is a particular type of blessing upon the house that doesn’t take a lot of labor but does give quite the return on its work. The central idea behind this is that, after the house is more-or-less emptied of unwanted influences and filth, you want to fill the house with greatly-desired influences and Light. For this, what better way than to literally give light to each room, and better, a consecrated light? Because this process uses a lot of candles throughout the house all at once (small ones, not the large novena candles), I call this the Candle Blitzkrieg technique, and I’ve put it to good use both in my home and in others’. After all, one of my favorite tools is fire, and lots of it. May as well turn it to a beneficial use once in a while, eh?

While I tend to use it for a general purpose for just bringing divine Light into the home, I’ve also used it for more specific needs, such as a whole-house prosperity or peace blessing. You’ll note that this ritual takes on a distinctly Abrahamic/Christian tone at times, because that’s just the general mode I work in for this type of work. For many of my conjure-based or Western magician friends, this is fine; however, this ritual format doesn’t need to be held to that religion; using similar prayers to open, consecrate, and bless, you can adapt it to any spiritual tradition you find appropriate to use. The ritual presented below is my general-use form, but adapt it to however you need to.

This ritual may be done at any time as needed, but avoid using it too often, both to avoid an overuse of candles and an overfilling of a home with too many influences all at once, say at most once a month. Especially good times would be during the dark of the Moon, winter solstice, or any other times when Light is needed in the home, as well as after any thorough cleansing or banishing that needs to be sealed up with good influences. Doing this before moving into a new house is also a good practice. I prefer to do this after sunset and before midnight so that the light of the candles really stands out, but any time of day will do. Planetary hours and days may be observed if the blessing is geared towards a specific goal, but this is not strictly necessary.

For this ritual, you will need:

  • One large white candle (a tall taper or glass-encased candle work perfectly)
  • A bunch of small candles, one for each room in the house (tealights are most preferred, especially in their metal tins). These candles must all be the same color; white is always a good option, but they may be colored appropriately for a specific end of your choosing.
  • Three small white candles
  • Two small white dishes
  • Holy oil
  • A blessing oil of your choosing
  • A long match or igniting stick
  • Optionally, a crucifix or other symbol of Divinity
  • Optionally, a wand

First, as I mentioned before, it’s best to have already cleaned and cleansed the home before doing this work. Sweep, mop, vacuum, dust, take out the trash, do the dishes, do the laundry, beat the rugs, wipe the windows, and so forth, whatever you need to do to get the house physically clean; banish, light cleansing incense, use spiritual floor washes, sweep with a consecrated broom, and so forth, whatever you need to get the house spiritual cleansed. The usual protocol is to do these cleansings in a direction from top-to-bottom, back-to-front of the house, all out the front door. Doing so will allow the rest of this work to go much smoother and take effect more strongly and quickly in the home. Similarly, be sure you’re clean and cleansed yourself before taking on this work.

On a large, clean working space, preferably in the kitchen or living room or other “center” of your house, arrange all your supplies. Anoint the large white candle with holy oil on one of the white dishes, and the other candles (less the three white ones) around it with the blessing oil of your choosing; this can also be the same holy oil as you used on the large candle and is best for general blessings, but it can also be something more directed for a specific purpose (money-drawing, peace, reconciliation, joy, love, etc.). Set the three extra white candles on the other white dish, and set it aside for the time being. If so desired, take your chosen symbol of Divinity and set it up on the table or behind it where it can be seen during this work.

Once all the candles (except those last three) are anointed, light the large candle, and consecrate it:

I conjure thee, thou creature of fire, by him who created all things both in heaven and earth, and in the sea, and in every other place whatever, that thou cast away every phantasm from thee, that no hurt whatsoever shall be done in any thing. Bless, oh Lord, this creature of fire +, and sanctify it that it may be blessed +, and that it may burn for your honor and glory +, so neither the enemy nor any false imagination may enter into it, through the Most High and Holy Creator of All. Amen.

Recite a preliminary prayer that allows you to set your mind to the work. For this and other general works, I use the following, which is based off the Preliminary Invocation from the Arbatel (aphorism II.14) and with an invocation from the Heptameron:

O God, mighty and merciful!
O God, great, excellent, and honored throughout endless ages!
O God, powerful, strong, and without beginning!
O God, wise, illustrious, just, and divinely loving!
O God, Lord of Heaven and Earth, maker and creator of all that is visible and invisible; I, though unworthy, call upon you and invoke you, through your only begotten son our Lord Jesus Christ, in order that you give your Holy Spirit to me, which may direct me in your truth, for the good of all. Amen.

I ask you, most holy Father, that I should fulfill and perfectly realize my petition, my work, my labor today. Grant to me your grace, that I may use these great gifts of yours only with humility, fear, and tremblings, through our Lord Jesus Christ with your Holy Spirit, You who live and reign, world without end. Amen.

Pray:

Grant, o Lord, that as I light this candle in your honor and glory, that your divine Light may fill up this home as light fills up the dawn to cast away the darkness of night. Bless this home with your grace, bless this home with your protection, bless this home with your presence that all darkness, all defilement, and all death may flee this place and that only joy, life, and light remain. May the seal of your holiness descend upon this house, and may all those who abide within it rest easy under your guidance. Amen.

After this, recite the Our Father, the Hail Mary, and the Glory Be over the candle.

From the large candle, light all of the smaller candles for each of the rooms of the house. If the large candle is a taper, use that candle to light all of the others; if you can’t do that, use a long match or other wooden stick that can hold a flame to transfer the flame from the large candle to the smaller ones. , As you do this, say a quick blessing upon the smaller candle as you light it that quickly and succinctly captures the intent for the blessing. Examples of something like this might be, depending on your intent:

  • “May the light of God fill this home.”
  • “Fill this home with peace.”
  • “Grant prosperity upon this home.”
  • “Heal those who abide in this home.”
  • “Protect the body and soul of all those who live here.”
  • &c.

This next step is optional, but I prefer doing it. Once all these candles are lit, using your dominant hand’s index finger (or a wand, if you have it, or whatever’s left of the long match/igniting stick you may have used), energetically link the flame of the large candle to each of the smaller candles. The process I use is tapping into the flame of the large candle, forging an energetic channel to the flame of the smaller candle, then back to the large candle; I then do this process again, starting from the flame of the small candle to that of the large candle and back. Then, I push a bit of energy of the Divine (avoid using your own, even if you’re already in a state of cleanliness and purity, which you should be in anyway) through something like the Hymns of Silence or other quick one-word intoned “amen” into the large candle to fix the connection. Do this for each of the smaller candles that have been lit. Even though a strong connection was already formed between the large candle and the smaller candles by spreading the flame out, I prefer to reinforce that connection energetically as well; those who use crystal grids will be familiar with this or similar techniques.

At this point, pray over all the lit candles for your intent. This part is really up to you, so long as you pray from the heart about it. You can use any number of psalms, invocations, litanies, or other prayers for this purpose, so long as it supports what you’re trying to do. For instance, you might use Psalm 122 if you’re blessing the house for prosperity, or Psalm 29 to purify the home generally, and so forth. Take as long or as short as you need; use whatever resources you feel moved to use. Essentially, pray that as each of these candles shines their light into each room of the house, that God may shine Light throughout the entire home, that all those who abide, live, reside, visit, or are invited in may dwell in his Light, and that you may obtain the blessing of his grace for what you seek in the home.

Take all the candles one by one and set them in each room of the house. The most essential places are where you spend most of your time, but it really is best to put one in every room: bedrooms, bathrooms, closets, garage, basement, hallways, crawlspaces, attic, everywhere. The idea is that, no matter where you are in the home, you can see at least one candle burning; if you need to use more than one candle in a room to achieve this effect, do so. Any shelves, wall sconces, or hanging candleholders or candelabras can be put to good use for this purpose. Just take care that the candleflame doesn’t go out in the process of moving and establishing that candle from the large candle to wherever it needs to go, and be careful of where you put each candle that it doesn’t cause a fire hazard. If their spirits, saints, angels, or gods agree to it, set candles in already-existing shrines around the house where you may have them to further empower the work at hand (just check with them before you do so). Try to go from the inside outward from where you started, so that the Light “spreads” throughout the home.

Once the candles have been set throughout the entire house, return to the large candle. If, in the course of setting lights throughout the house, you noticed that there’s a particularly strong “heart center” of the house, take this large candle and your chosen symbol of Divinity (if you have/want one) and establish it there. Otherwise, leave the large candle and the symbol of Divinity where it was where it can burn out completely, such as on the kitchen table, empty counter, fireplace mantel, or living room coffee table. While the large candle is burning, throughout the house generally but especially in the light of this candle, avoid engaging in any arguments, heated words, violence, blasphemy, or other actions that run counter to the presence and blessing of God.

At this point, take the plate with the three white candles on it. For the final part of this ritual as an act of thanksgiving, leave these candles unanointed, but set them up in a triangle pointing upwards on the dish in front of or just beside the large candle already lit. Light the candles one by one, and recite Jonah 2:9 once for each candle:

But I will sacrifice unto thee with the voice of thanksgiving;
I will pay that that I have vowed.
Salvation is of the Lord.

(That part comes from Draja Mickaharic’s Magical Spells of the Minor Prophets, which is one of my favorite go-to sources of pretty dang effective magic. Short as it may be, it is a true treasure of that old-school Bible magic. I cannot recommend it enough. This particular working is simple and sweet, but is immensely powerful as an act of gratitude at the close of a working.)

Follow this up with any other silent prayers of thanksgiving, gratitude, respect, and honor to God. Once done, go about your business. Let all the smaller candles (including the thanksgiving ones) burn out on their own before collecting any tins or residue from around the house. The larger candle should be left to burn out on its own as well; if this is a multi-day candle, such as a novena candle, pray over it at sunrise and sunset for as long as it burns to continue the blessing of God into the home. Once this candle is burnt out, dispose of it as well. Enjoy your happily blessed home.

On the Meanings of the Geomantic Houses

Probably the most confusing thing about the Shield Chart in geomancy that people go right to the House Chart for is that, with the House Chart, we have clear delineations of what figure applies to what part of a situation.  For instance, the first house is about the querent, the second house about wealth, the third house about siblings and neighbors, the fourth house about the home, and so forth.  Thus, if we know what the query is about, we know what house we’d want to inspect right off the bat (and if you don’t, think about the query some more before you draw up a chart).  The Court, of course, will answer the query, but it can be hard to see exactly how the Court applies to the situation if it’s so broad.  This is, perhaps, one of the failings of the Shield Chart when it’s not used properly, in that we don’t immediately know how to clarify the broad, though correct, meaning of the Judge and Witnesses.  After all, if those were really the only figures we’d need, then we’d likely do as well with generating two figures and making a third rather than generating four Mothers and making another twelve.

So, if we want to use the individual houses (or fields, as I put it in the last post) of the Shield Chart, then how do we do that?  We’d need some sort of system to assign meanings to each of the twelve fields, rather than generalized meanings relating to groups of three figures or assigning elemental correspondences to each of them.  Honestly, while it might be in some traditions of geomancy that each of the twelve fields of the Mothers, Daughters, and Nieces have meanings independent of the House Chart houses, especially in non-European and non-Arabic styles of geomancy,  I think it’s best to just use the same meanings for both.  After all, the tradition of doing this very thing, even using Shield Charts without the House Chart, extends very far back in Western geomancy; Cattan, Fludd, and other geomancers of yore have all considered the houses of the House Chart as identical to or overlapping significantly with the fields of the Shield Chart.

After all, consider: when we draw up a House Chart for a geomantic reading based on the Shield Chart, we’re not actually making anything new.  We’re taking the same figures in the same order and dropping them into a circular arrangement (House Chart) instead of a binary tree structure (Shield Chart).  As I’ve said before, whatever information you get from the House Chart can be gotten from the Shield Chart, because they’re the same chart presented in different ways.  It’s not that Cattan or Fludd thought of these two styles of chart as different with overlapping meanings, but that there was no difference in meaning at all.

So, what are the meanings of the twelve houses?  You can pick up pretty much any book on astrology and find the same meanings for the 12 houses of the House Chart as you can the 12 fields of the Shield Chart, though I recommend using a traditional text from before the 1800s on what those things are (modern astrologers tend to add in some weird changes that neither I nor traditional astrologers agree with).  I was considering translating another section of Robert Fludd’s Fasciculus Geomanticus (book III, chapter 5) for his meanings of the houses, but they’re pretty much exactly what you expect.  Because this is such common knowledge and so easily accessible, I’ll save my time and yours by foregoing another recitation of the same list here.

Of course, there’s a bit of an issue here.  I’ve mentioned before that there are multiple ways of allotting the figures from the Shield Chart to the House Chart.  I know specifically of three ways to do this:

  1. The traditional way is to simply go through the Mothers, Daughters, and Nieces from right to left and allot them to the houses of the House Chart in order.  Thus, the First Mother is given to house I, the Second Mother to house II, the Third Mother to house III, the Fourth Mother to house IV, the First Daughter to house V, and so forth until we get to the Fourth Daughter to house XII.  This is the most traditional and most common way of assigning the figures to the houses, and is seen in all geomantic works prior to the Golden Dawn.  This is also the way I draw up my charts.
  2. The Golden Dawn way is based on the importance of the houses in the House Chart, dividing them into the cardinal (strongest; I, IV, VII, X), succedent (middling; II, V, VIII, XI), and cadent houses (weakest; III, VI, IX, XII).  Because Aries is often associated in modern times to house I, this means that Capricorn is given to house X.  Capricorn, being the earthiest of the signs, was thought to resonate most closely with geomancy, and thus being the strongest house for starting geomantic studies.  Thus, the Mothers, being considered the strongest of the figures, are given to the cardinal houses starting in house X and proceeding clockwise (First Mother to X, Second Mother to I, Third Mother to IV, Fourth Mother to VII).  The Daughters, coming after the Mothers, are given to the succedent houses starting in house XI and going clockwise.  The Nieces, coming last as combinations of Mothers or Daughters, are given to the cadent houses starting in house XII and going clockwise.
  3. The esoteric way is a variant of the Golden Dawn way, and likely came before it and used by other modern or early modern occultist groups.  Again, this manner allots the Mothers to the cardinal houses, Daughters to the succedent ones, and Nieces to the cadent ones, but we start with houses I, II, and III, respectively, and go clockwise from there.

In all honesty, I claim that any of these three systems work for someone who chooses to use them.  The difference, as I see it, is much the same as what kind of house division system you use in astrology; some prefer Placidus, some Porphyry, some Koch, some Regiomontanus, some equal house, and so forth.  All their results are pretty much the same, though how they arrive tends to differ in the details.  Likewise, if you find that you resonate most with a particular house system, then go ahead and use it; I can’t fault you for using what works.

However, I will say that the Golden Dawn and esoteric methods of allotting the figures from the Shield Chart to the House Chart don’t jive with me very well, and seem to be very late hacks to morph geomancy to a particular ideology that doesn’t always work.  Plus, these newer methods have been around for one or two hundred years, while the traditional method has been with us for at least nine hundred.  Add to it, the traditional method preserves the connection between the meanings of the fields of the Shield Chart with those of the houses of the House Chart; the other methods mess with that severely, since a figure as the Second Mother (field II) no longer relates to the wealth or possessions of the querent but, in the Golden Dawn system, then becomes the condition and well-being of the querent itself (house I in the Golden Dawn system).

As a result, I claim that the Golden Dawn, esoteric, and other ways of allotting the figures from the Shield Chart to the House Chart are suboptimal for use in geomancy.  I’m holding myself back from calling them “wrong”, but I don’t think they mesh well with the rest of geomantic technique and seem to be innovations with an agenda, and I would suggest that geomancers stick to the standard traditional manner.  Not only is it cleaner and simpler, but it preserves an integral link between the Shield Chart and House Chart that allows them to be truly in sync with each other rather than shuffling them up for purely pseudo-astrological considerations.

Search Term Shoot Back, November 2014

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of November 2014.

“wicks for middle eastern oil lamp” — Honestly, for those little clay, metal, or terracotta lamps you find from the Middle East, the best type of wicks are those you make yourself from a cotton ball.  Every cotton ball is actually a tiny roll of cotton; simply unroll it into a flat-ish sheet, then roll it again tightly lengthwise like a dreadlock.  Stick it into the spout of the lamp, soak in oil for five minutes before lighting, and boom, you have yourself a perfectly good wick.  Follow the rest of the rules for oil lamps here.

“seven sphere rufus opus”, “‘seven spheres’ opus”, “seven spheres rufus opus”, “rufus opus seven spheres”, “seven spheres by rufus opus” — Yes, Fr. Rufus Opus (my instructor, who is not me) released a book this month, “Seven Spheres” by Nephilim Press.  It is an awesome book (that I did not write).  You should totally buy it from him (who is not me).  I have my copy that I’m working through, and it’s truly an awesome text.

“cinnamon powder spell benefits to sprinkle in four corners” — I don’t know of any, myself, but cinnamon is used to sweeten things up, as well as bring prosperity and joy into one’s life; given its connections to the Sun (cassia and Saigon cinnamon are a little spicier and given to Mars), it also has some mildly protective benefits in magic.  Some ideas for sprinkling cinnamon in this fashion would be to do so in an hour of Jupiter in the day of the Sun, praying for prosperity and happiness to fill up your home, hearth, and house, that all rooms in the house and all places on the property be blessed with the grace of the Lord.  Simple stuff like that, perhaps also setting a white candle dressed in cinnamon oil in each room.

“how to relate question to geomancy houses” — The twelve houses of geomancy are the same twelve houses in astrology.  You, as the querent, have a query to ask.  That query has a topic.  Find the house that best relates to that topic: e.g., if marriage then house VII, if children then house V, if job then house X, if curses then house XII, etc.  It really doesn’t get any simpler than that.  If your query doesn’t have a topic, then you don’t have a query.  If your query can be associated with several houses equally, then inspect each of those houses.  Take your time.  There is no rush to ask a question of geomancy.  Make sure your query is clear, concise, and concrete enough for you to handle instead of being vague, complicated, and abstract.

“tetractys divination” — This is an idea I’ve been experimenting with, using the Tetractys (especially in mathesis) for divination.  I haven’t yet found a suitable way to do so, but there are opportunities here I may not be looking at yet.  My idea would be to use two ten-sided dice (2d10) from a tabletop gaming set, with the 0-9 die given to “answer #1” (where you’re coming from, where you’re based out of, past experiences) and the 00-90 die given to “answer #2” (where you’re headed to, what you need to become, future experiences).  The number on each die could be associated with one of the ten sphairai on the Tetractys, such that if I rolled a 3 and a 50, that’d indicate the sphairai of Fire and of Salt, respectively, indicating that it’s time for me to reduce myself from pure action in the world to a base of nothing, to burn out completely, to focus on the substance that keeps me burning rather than focusing on the results of acting.  That kind of thing.  It’s a side project, but one that could be useful.

“penis growth curse” — …is this really a curse? I mean, usually you’d want to shrink or remove the penis as an effective curse, which is actually a cultural phenomenon in Africa known as koro.  People actually get killed for being accused as wizards or witches there who shrink or disappear away men’s penises, so this is a pretty big thing, but cursing a penis to get bigger?  Dude, that’s like a fetish of everyone who likes penises, especially their own, unless you’re talking about something so big that it’d crush cars.  Even then, there’s a fetish for that, too (hyper and/or macro).

“huge dick images.” — You won’t find any of those on this blog, sadly; I may be a little colorful with my vocabulary, but nothing here is generally NSFW.  I do make the “big anointed wand” joke occasionally, though.

“how to use elohim gibor in prayer” — Technically, you don’t.  From my point of view, you let him use you.  Elohim Gibor (lit. “Strong God”) is one of the names of God, associated in Western qabbalistic practice to the sephirah of Geburah and thus to the planet Mars.  I’ve used this name when working with a martial aspect of God or when working with martial spirits who respond to this name of God.  However, the process is the same otherwise as with any other name of God: you seek the aid of God for his blessing, grace, guidance, and protection that his will be done and not your own lest it be in accordance with his, that you work with the authority of God that God may work through you, etc. etc.  So, really, the answer to this turns out like that Soviet Russia joke, with Elohim Gibor using you.  Beyond that, gematrialize it, intone it, contemplate it, meditate on it, calligraphy it, and whatever else you want to use to figure the name out.

“rufus opus review” — Dude’s cute but in a relationship, also straight, so I typically don’t have my eye out for him like that.  He’s charismatic, for sure, especially once he’s got a few whiskeys in him.

“do males born on a leo/virgo cusp have big dicks” and also “do guys born on a leo/virgo cusp have big penises like greek god hermes” — I’m not surprised I got these searches (again), though I am surprised that they came apart several days away from each other.  Either this is one very concerned searcher, or two separate searchers who have similar tastes and problems.  Hermes, if you look at his Homeric Hymn, would actually be born sometime around the end of Pisces or the start of Aries (a few days after the third New Moon after the winter solstice), and he’s not generally the most sexualized of the gods (though he has his own thing going on), and isn’t exactly a god of giant endowments.  Then again, he might be totally the god to go to if you have a koro curse to enact on someone, which would be hilarious for everyone except those who’d get killed in Africa for it, so I dunno.

“geomancy blog” — While this blog covers many topics, I do occasionally write about geomancy.  A while ago, I wrote a 20-post series on geomancy that covers each of the 16 figures in depth and at length along with four aspects of geomantic technique. the I even wrote a translation of a medieval text on geomancy, which is available on my Etsy that you should check out!  Spread the word, check it out, and I hope it helps.

“congo men biggest cocks” — Since I’ve never slept with someone from the Congo region of Africa, I can’t say whether this is true or not. Also, seriously, I know the US had two federal holidays this past month, but if having two extra days off (for only a percentage of the population here, mind you) gets you that hot and bothered that I’m getting a higher than average hit count for people looking for giant pictures of dicks or for people with giant dicks, I seriously question why you’re using Google and WordPress and not Grindr or Scruff.  Tumblr’s where I go to get my porn, generally speaking, so you might also check that out.

“material used in summoning a spirit” — Technically speaking, you don’t need anything material to summon a spirit; intent, prayer, and a mental connection are all you strictly need.  Some people do a bit of centering prayer to contact a spirit, some people go to their astral temples, and other people just see them, flag them down, and have a conversation with them.  That said, many people (including myself) find it extraordinarily useful to have material tools, for which I suggest a scrying medium (e.g. crystal ball, glass of water, mirror), a summoning platform (e.g. Triangle of Art, Table of Practice), a tool of will (wand or knife or dominant index finger), a few candles, some appropriate incense, and the usual stuff.  Again, none of it is strictly needed, but it helps.

“books on loan from australian libraries about hinese and japanese astrology specifically nine star ki” — I know literally nothing about any of these these things.  I am definitely not an Australian library, nor have I ever been to one nor gotten a book out on loan from one. I’ve talked about these things exactly zero times on my blog or my Twitter.  Why did Google lead you here.  I apologize.

“adherent bandage and jelq” — For those who don’t know, jelqing is a method some men use to increase their penis size (both length and girth) by forcing more blood than normal into it with an extra-firm grip, using an almost udder-milking technique.  The jury’s out on whether this works, but I’ve heard good things with it, so long as you keep at it regularly like any workout; the idea is that you’ll slowly stretch the blood cavities in the soft tissue of the shaft, which allows it to hold more blood when you get an erection, which means getting a bigger hardon.  It’s not recommended for everyone, and there are definitely unsafe ways to do this.  Since you’re forcing more blood into the cock than normally goes in, if you have a cut or scrape or other wound on it that requires a bandage, you really really shouldn’t be handling it that roughly, if at all.  But then, who am I kidding, if you’re already into jelqing then you’re probably not looking to play by all the rules.

“do quadrivium.oils work” — Absolutely!  Some of my favorite oils comes from Quadrivium Supplies, and I’m a big fan of her work.  She charges a pretty reasonable amount for pretty powerful magical oils, and occasionally stocks some other useful and interesting supplies.  By all means, take a look; this time of the year, she has some good sales going on, so have at!

“san lazaro bead pattern” — San Lazaro, more commonly known in English as Saint Lazarus, can be a bit confusing for some people, since there are two Lazaruses in the Bible.  One is Saint Lazarus of Bethany, the brother of Mary and Martha and the one who was raised by Jesus Christ from the dead after being in his tomb for four days.  The other is…well, he has no formal appellation, just “Lazarus” from the parable of Jesus known as “The Rich Man and Lazarus”, from the Gospel of Luke.  San Lazaro kinda merges these two Lazari, mostly from the second, and is often depicted as a beggar covered in sores, walking on crutches, and licked upon by dogs.  He’s syncretized with the orisha Babaluaye, the orisha of illness, poverty, death, and the like.  However, there are many paths or aspects to San Lazaro, each possessing their own name, focus, and bead pattern for their elekes.  While you should always go to your local olorisha or Santero/a for real information, you can find some information online that may not be as trustworthy.

“hermes/mercury and legba” — They’re all pretty cool guys who don’t afraid of anything.  However, they are not the same entity, and you’d do well to take heed of that.  Hermes is Greek, Mercury is Roman; these two basically grew up together, with Mercury being solidly based on Hermes (the name “Mercurius” literally means “god of the merchants” and isn’t a native Roman god).  Legba is one of the variants of the name Eleggua, the childlike trickster and messenger of the crossroads who opens the ways.  Yes, they both preside over crossroads, messages, pranks, children, medicines, and many other things, but there are also important differences, too.  Legba, specifically, indicates more of a Haitian variant from Vodou, which has its own means of contacting Legba than Santería does Eleggua.  I highly suggest against conflating Legba with another crossroads gods, especially from a white or European culture.

Search Term Shoot Back, September 2014

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of September 2014.

Before I start with the actual search terms, I’d like to point out that September is generally the month of Virgo.  And yes, if you’ve kept up with the other Search Term Shoot Back posts, then you can probably guess that I’ve gotten a large number of queries involving the Greek god Hermes, the Zodiac sign Virgo, men, and huge dicks.  These search terms are a thing (though I can’t fathom why).  I can’t really speak to whether Virgo men generally have huge dicks; I have my reasonable sample size of them (that I’ve sampled in more than one way, ohhh my), of course, and I can’t draw any good conclusions one way or the other.  Hermes is a god, and generally speaking everything involving the gods is big, so, yeah.  Anyway, onto the more legitimate queries!

“how the moon affect the invocation of angels?” — In my experience, not much, but it depends on the angel you’re calling and for what purpose.  The only times astrological phenomena have negatively interfered with my conjurations of the angels is during periods of Mercury retrograde, when the voices of the angels tends to be more distant or unclear or I might get the wrong spirit in the crystal, but it’s a problem that’s easily worked around.  I’ve also noticed that the angels of the zodiac tend to like being conjured when their sign is rising or culminating, but that’s another issue.  Rather, the Moon affects the purpose of conjuration.  Generally, you want the waxing Moon to bring things into manifestation or achieve worldly ends (since the Moon is reflecting more of the Sun’s heavenly light to the Earth), and you want the waning Moon to take things away from the Earth or achieve spiritual initiations (since the Moon is reflecting more of the Sun’s light away into the heavens).  The Full Moon is good for opening up clear communication and all matters generally, while the Dark Moon is good for obscurity, binding, and hidden matters generally.  I haven’t noticed Void of Course Moon affecting conjurations themselves, but again, consider it as part of a larger project rather than in conjuration alone.

“crucible omnimancers” — The Omnimancers are good people who do good work, and I’m hanging out with them this coming weekend at Crucible Convention 2014 in Princeton, NJ.  More than that, I’m speaking there this year on my mathesis research!  You should totally come by if you’re anywhere in the mid-Atlantic US region during this weekend of October 4.  Not only will you get to meet me and the Omnimancers, but you’ll also get to meet a slew of other awesome people and magicians!

“the great book of saint cyprian pdf download” — You can do so for $10 off my Etsy!

“roman alphabet with english translation” — Technically, English already uses the Roman alphabet.  We use the same letters, generally speaking, as the Romans did for Latin, and have for at least 2500 years or so.  We’ve developed a few extra letters since then (J which is a variant of I, and U and W which are variants of V), and other languages written with the Roman script have developed others (like Nordic and Germanic languages, which use Æsh, Þorn, Eð, Ƿynn, among others).  Still, for a comparison between how the Romans used the alphabet and how we English-speakers use it, compare their corresponding pages on Omniglot.

“greek god sigils” — The Greeks didn’t use sigils for their gods; they may have used special characters to represent the language of the gods or the barbarous words of magic, but they didn’t have seals or sigils like how we developed them for the angels.  The more traditional way is to use isopsephy, or Greek gematria, to reduce their name to a number and use that as an esoteric symbol for them, or you might use my Greek Sigil Wheel to make a sigil for them much as how the Golden Dawn uses their Rose Cross wheel for Hebrew sigils.

“venus conjuration to bind someone to love you in angel magic” — So, while I understand what you’re trying to say, the way this is phrased irks me.  Technically, Venus is not an angel, so you can’t directly use Venus in angelic magic.  Venus is either a Roman goddess or an astrological planet, magically speaking.  Depending on your mythology and theology, you might consider the goddess Venus as an angel or deity subservient to the One, but this is somewhat rude and a little brusque when approaching her.  Instead, you’d want to contact the angel presiding over the sphere of Venus, whose name is Haniel (in Cornelius Agrippa) or Anael (in Pietro d’Abano’s Heptameron).  That’d be the spirit you’d be conjuring.  Second, binding someone to you in love magic does work, but logistically speaking, if you have to compel someone to stay with you, it’s probably not that great.  It’s like how the saying goes, “love is like a fart; if you have to force it, it’s probably shit”.  Rather, while Haniel (or Saint Cyprian, for that matter, since he’s known for love spells) can do love-bindings, you’d be better off smoothing things out so they’d willingly want to stay without the need for compulsion or impelling them, or using Venereal energies to put you in the right place where you’d find the truly right person for yourself.  But hey, if you know what you want, by all means, reach for it however you want.

“joseph lisiewski vs poke runyon” — I’d pay to see this cagematch.  If I recall correctly, Poke Runyon was in the Army, so if his radio show and magical lifestyle haven’t kept him too sedentary, I’d put my gold lamen on him (even if he can be delightfully crotchety).

“the greek way to bless your house from spirits” — So, an ancient Greek household would have three principle gods: Hestia (Lady of the Hearth), Zeus Ktesios (Zeus of the Property), and Hermes (protector from thieves).   What you’d do is have a small herm, a square pillar with a phallus on the shaft (heh) and a bust of the god on top and place it at the gate or entry to the property; this represents Hermes, and he’d watch out for thieves and robbers and keep them away; after all, he rules and leads them, so he can also lead them away from your house.  You’d have Hestia’s shrine set up at and as the hearth of the home, and a bit of every meal as well as a bit of every sacrifice made to any other god was always reserved for her both at the beginning and the last of the worship.  Zeus Ktesios watched over the property in general and its prosperity, but specifically over the pantry, and he’d have a special ktesios jar made as an offering to him as a matter of prosperity.  I really should get around to making a herm for my house and driveway one of these days, and I’ve already written about Hestia earlier this month; I haven’t gotten around to experimenting with Zeus Ktesios yet or ktesios jars, but I may in the future.  Beyond that, it helps to do a monthly cleansing ritual on the Noumenia or on the date of the new moon itself by sprinkling holy water around the house, lighting incense, and making offerings to one’s ancestors and household spirits besides Hermes, Hestia, and Zeus.  I keep thinking that there’s a ritual to get rid of unclean spirits by throwing beans and the like from the entry of the house outside into the street, but I may be conflating traditions here.  Generally speaking, if you have a good relationship with Hestia, Hermes, and Zeus, your house is basically going to be protected and blessed.

“isidore seville chaplet” — Chaplets, or a short prayer rule often done with a set of prayer beads, are an excellent devotion that the Catholic Christian tradition uses, and I’ve written up chaplets for the archangels Jehudiel, Barachiel, and Sealtiel as well as for Saint Cyprian of Antioch before.  However, not all saints and angels have their own chaplets, and there’s no set rule on how to pray them or make them; they’re basically personal devotions.  The most common form of chaplet is the “niner” chaplet, which consists of a medallion of the saint, three sets of three beads, and sometimes a crucifix; you pray the Lord’s Prayer, the Glory Be, and the Hail Mary on the three beads of each set in the honor of and seeking the intercession of whoever is on the medallion.  You can use this as a chaplet for Saint Isidore of Seville who, as far as I know, doesn’t have a specific chaplet form for himself.  I may get around to writing one up one of these days, however, since he’s the patron saint of the Internet and is pretty important in most of our modern lives.

“how big is the magical circle to be draw by trithemius” — Interestingly enough, Trithemius (really, Francis Barrett, since this ritual historically wasn’t likely to have been written by the pre-Agrippan Christian abbot) doesn’t specify how big the magic circle should be.  He specifies that the Liber Spirituum (Book of Spirits) must be about seven inches long, and that the crystal ball should be about an inch and a half in diameter, but those are the only concrete sizes he offers.  Presumably, the magic circle should be large enough to comfortably fit two people, one to conjure and one to scry, though I’ve only needed space enough for the altar and myself.  Thus, a circle about 6′ in diameter should be made at minimum if you’re including the altar in your circle, like I do under Fr. Rufus Opus’ instruction; alternatively, if you’re like Fr. Ashen, you might want the altar outside of the circle, in which case you don’t need as big a circle.  The most well-known size of circle is that from the Lemegeton Goetia, which specifies a circle 18′ in diameter, which is huge.  The rule of thumb I’d go by is, so long as you have enough space to expand your arms without breaking the circle and as long as you have enough space to hold all the gear you need, you have a big enough circle.

“big grids penis image” — …I don’t even.  Like, what, are you looking for low-resolution pictures of penis? Do you have a video compression fetish?

“saint cyprian nine days novena” — Yes, there are novenas for this good saint (as I’m sure many of us are now aware, now that the season of Saint Cyprian is done), and you can find a collection of them in my Vademecum Cypriani ebook, which you can buy off Etsy for US$9.00.  Just a note, however: traditional practice says that, when you’re timing a novena to a saint’s feast day, you normally coincide the final day of the novena with the feast day itself.  The process is a little different for Saint Cyprian, since people culturally do his novenas on the nine days before and not including his feast day (the Days of the Cyprians, the nine days between the Feast of Saint Cyprian of Carthage and the Feast of Saint Cyprian of Antioch).  Generally, time the final day to the feast day itself.  However, both of these rules are superseded by the more important rule of novena timing: whenever you need to do one.

“st cipriani evil saint magic” — I detest the notion that the saints can do “evil magic”.  They’re saints; by definition, they’re holy, and what’s holy is not evil.  That said, depending on how you ask, they might be more lenient to granting certain favors.  I mean, some of the saints are morally flexible.  Some are so morally flexible as to be part of a philosophical Cirque du Soleil.  After all, when you have the power of God to intercede with, theodicy becomes less a problem to puzzle out and more a resource to exploit for profit/prophet.

“hours and days for conjuring oriens” — Oriens is commonly known as a demonic, daemonic, or hellish king of spirits in the East (his name means “East” in Latin), and Cornelius Agrippa mentions him in his Scale of Four as a prince of spirits associated with Fire under the archangelic king Michael (book II, chapter 7).  Since Oriens is a sublunar spirit, planetary days and hours don’t need to be used for him, though since he’s associated with Michael who also happens to be the angel of the Sun, you might consider days and hours of the Sun for him.  Beyond that, though, I don’t think there are any special times associated with this spirit beyond what you might need for other works involving him (cf. the moon/invocation query above).

“enochian angels seals, digital-ambler.com” — You won’t find any of those on this site, I’m afraid.  Partially it’s because I have my hands full with so much other stuff, angelic and otherwise, but mostly it’s because Enochiana freaks me the fuck out.  I honestly can’t say why; it’s not the stories that people have told about furniture getting upended by Enochian angels (that’d actually be kinda awesome), or how people go crazy (they probably already were), or whatever.  Something about Enochiana just wigs me out and makes me uncomfortable, and I’m not sure why that is, nor do I particularly care to explore the reasons.

“can i use solomon seal drawing to summon spirits” — Absolutely not.  The Seal of Solomon is used to bind, constrain, and constrict spirits, like keeping them trapped in a prison.  You do not use it to summon them.

Alright.  Now that September is done and the Season of Saint Cyprian with it (though of course there’s always more Work to do), now I get a few days of rest before heading to Crucible this weekend.  Hope to see you there!

Cleansing, Defending, and Blessing a House

A group of friends living together near me were going through some tough times recently, and I offered to help cleanse and bless their house, just to get rid of any lingering bad stuff and keep it out while inviting more and more good things in.  It’s a small thing I can do, and I offered since it was the least I could do for them.  I’ve only ever done this piecemeal on my own place, touching up the apartment as needed, so getting to work on someone else’s place was a new experience for me.

Being the engineer that I am, I decided to come up with a plan of attack, dividing up this working into four different stages: preparation, cleansing, defense, and blessing.  Preparation covers getting the supplies, making sure both myself, my friends, and their house are ready for the project, etc.  Cleansing involves getting rid of anything stuck in the house, any negative entity or force that’s causing any kind of harm to the tenants or property.  Defense involves setting up protections, shields, and wards to keep out any further negativity, letting in only positive or neutral things that help instead of harm.  Blessing helps make the house a home, and involves benedictions upon the place, using luck-, peace-, or prosperity-bringing oils and incenses, and the like.  I let my friends know in advance what I was going to do and got their permission for doing so, because being ethical rocks and so does having informed clients.

The supplies I needed were:

  • Holy water
  • Cleansing water (Uncrossing oil, Banish and Cleanse oil, Van Van oil, 7-11 Holy oil, lemon ammonia, Florida water, holy water)
  • Blessing water (peace water, holy water, rose water, Florida water, and champagne)
  • Fiery Wall of Protection oil
  • Abramelin Oil, or another suitable anointing oil
  • Cotton swabs
  • Banishing incense (dragon’s blood, star anise, crushed red pepper, and black peppercorns)
  • Blessing incense (frankincense, copal, cinnamon, and Power powder)
  • Blessed candles, one for each room of the house (I used white tealights anointed with 7-11 Holy oil and consecrated according to the Key of Solomon, book II, chapter 12), plus a few extra for thanksgiving and prosperity work
  • Large steel nails, one per corner of the property (iron railroad spikes are perfect for this)
  • Instrument of Will (wand, staff, sword, dagger, athame, &c.)
  • Instrument of Protection (amulet, Solomonic ring, &c.)
  • Offerings (large candles, sweet incenses, flowers, simple cakes, &c.)

Once I gathered all the supplies, I prepared myself by cleansing myself and doing a thorough banishing and cleansing including a hyssop bath and meditation, making sure I wasn’t going to track in any more filth into their place.  I also conjured the angel Kammael to charge up my instrument of Will and nails to act as defensive wards.  Before I arrived, I asked my friends to clean the house with the usual things: sweep, vacuum, dust, etc.  I went over to their house on a Sunday in an hour of the Sun during a waxing moon; the first words out of my mouth upon entering were “pax huic domui”, or “peace upon this house” (Luke 10:5).  I offered each of the tenants a bit of holy water to sprinkle themselves with and cleanse themselves as they saw best; since the household was largely Catholic, I suggested the usual Asperges Me that I use myself.  With everyone clean, I donned my Solomonic ring, said a few prayers for guidance and protection, and started my work.

I had a brief chat with the genius of the house (I didn’t do a formal conjuration for this, just reached out and had a quick discussion), letting him know what was up and what I was about to do.  I asked for permission for performing my work, and he gave me his permission to continue.  I also asked the genius for an image of what the house looked like to him, to compare with my own feelings of the place as well as what it’d result in once I did my working, and also asked about any problem areas that needed special attention.  With this information, the first thing was to demarcate the area of working, so I took my instrument of Will (my new ritual sword) and walked around the boundaries of the property clockwise, sealing off the area for the working.  Until I finished, I asked nobody to leave the boundaries of the property or to let anyone in.

To cleanse the house, I opened up every window and door in the house (good thing the weather was good for this, neither too hot nor too cold, not a terrible amount of pollen or dust or noise).  Although not necessary, I find it helpful to have a fresh breeze blow through the house, getting rid of some of the more natural pests naturally and literally as well as symbollically “airing out” the place.  I lit a candle in every room of the house and consecrated the flames, so that the light could shine throughout the entire place; these candles were left to burn completely, and the remaining tins were disposed of respectfully.  The light from the candles was to illuminate the place and bring the light of the Ain Soph Aur down into the house, as well as to watch over and empower all the rest of the working.

I went to the entrance of the house facing inside and gave a general license to depart for all the spirits that had taken residence up in the place (the genius was specifically excepted).  I went through each room and waved around a thurible of banishing incense in each room, repeating the Greek phrase “ΑΠΩ ΑΠΩ ΠΑΝΤΟΣ ΚΑΚΟΔΑΙΜΟΝΕΣ” as I did so.  I did the bottom level first, the top level second, and the ground level last, going from the back of the house to the front.  After reciting Psalm 6, I went over the house again by spraying the cleansing water, repeating the Latin phrase “ABI ABI OMNI PROFANI”.   The incense was used to smoke out any blatantly negative or harmful spirits, and the cleansing water was sprayed around to wipe up and out any harmful residue, malice, and other astrally icky junk that had built up around the place.  I then went around the house clockwise flinging holy water around the place (not the cleansing solution), repeating “BEGONE, BEGONE ALL EVIL SPIRITS”.  With this done, the house was cleansed to my satisfaction, and all the windows and doors were shut to begin building up the fortifications.

To defend the house, I returned to the front of the house and recited the Prayer to St. Michael, which I use before anointing things with Fiery Wall of Protection oil.  Again, bottom to top and back to front, I went through and dabbed the oil on every window and door in the house. I wanted to do a five-spot pattern (one on each corner, one on the center/handle) on every window and door, but the house was bigger than I anticipated and had a lot of windows; I used a single spot on every window, and a five-spot on the front and back doors as well as all the bedroom doors.  The anointing of every entry-point into the house with this oil forms a tight shield through which nothing harmful can even approach, much less break through.  Although I used my own fingers for my own house, I used cotton swabs this time for the oil so as to keep it from dripping or making a mess; besides, some people are sensitive to the oil, and it may burn their skin.  I then dabbed Abramelin oil on the front and back doors, charging them to let in only that which helps and keep out that which harms.  After this, I went to the four corners of the property clockwise and drove a large steel nail into each corner, calling on the angel Kammael of Mars for defense against all evil, harmful, malicious, wicked, or negative spirits, entities, bodies, or forms.  These serve as wards, and I dabbed each with Fiery Wall of Protection oil after I drove them into the ground and charged them to defend the property.

With the cleansing and defending done, the only thing left was to bless the house and make it livable again.  I returned to the front of the house and gave a benediction of the place, then went through the house and fumigated it with blessing incense while repeating the Trisagion, along with spritzing the blessing water through the house while repeating “blessed be, clean be, safe be, happy be, prosperous be”.  I also used a quick prosperity spell used from the Bible (light three candles and repeat Zechariah 8:12 three times over the candles) as an extra step.  I went to the “hearth” of the house (the kitchen) and made offerings to the goddess Hestia (to watch over and nurture the home), the god Zeus Ktesios (to defend the boundaries and walls of the home), and the genius of the house (to manage and coordinate the homeliness of the house), thanking them and asking for their help in protecting the home and keeping it hale, whole, and happy.  I returned to the front of the house, released the spirits back to their places if they were helpful and not harmful in any way, and offered a few prayers of thanksgiving and exaltation at the end.  I then went outside and untraced the circle I made with my instrument of Will, going counterclockwise this time, and let the house stand on its own again.  I finished the whole thing by making a few thanksgiving prayers to the Almighty, then enjoyed the rest of my day.  The only tenant of the household who was out during all this came back just as I untraced the circle, which was extremely fortuitous timing.

Not including the preparation, the working took about an hour and a half to walk through every room of the place multiple times (candle, banish, cleanse, anoint, bless), circumambulate the house four times (once to circle it, once to asperge it, once to nail in the spikes, and once to uncircle it), and perform offerings and prayers.   Not only is everything negative removed from the place, it’s kept entirely shut out.  The incenses, offerings, oils, and waters I used helped to brighten the house and make it inviting for peace, luck, prosperity, safety, and fortune.  Just like a place needs to be cleaned every so often, it’ll eventually need to be cleansed again; however, with all this work done at once and so powerfully, minor touchups will be all that’s needed anytime soon, and that I can take care of covertly or teach them how to do really easily.  So long as they don’t go deliberately trying to fuck shit up in their own place, the house will take care of itself and they’ll be fine.

Why am I sharing this?  Besides the fact that my blog is essentially a more fun version of my increasingly-neglected magical journal, I figured I’d share my methodology and experiences.  This is also a good chance to get feedback and opinions from other practitioners to see how they would do something like this.  This was a pretty heavy-duty working for a normal household; in all fairness and honesty, most people do not and never will need these levels of protection and blessing.  Most people are content with getting by on their own with no special help from higher or lower worlds, and most people don’t do anything to piss off spirits, magicians, or other powerful entities.  I’m not saying that most people don’t have hardships or fall on hard times, or don’t attract the attention of demons or nagas or the like, or couldn’t use a bit of magic to help out.  That, in fact, was the point: having the ability, means, and skill to do magic, I damn near feel obligated to use it for the benefit of those who need it, and in the process help make my friends’ lives and the world a little bit better and brighter.