Interested in Greek alphabet magic and mysticism? Check out the 2020 talk I did on it!

Back in 2020, I participated in the Salem Witchcraft and Folklore Festival, which was a great time, even if was held online.  During the course of that, as I mentioned way back when, I offered my lecture Spelling by Spelling: Greek Alphabet Divination and Magic:

A variety of divination systems were used in ancient and classical Greece, ranging from oracles and prophets to common forms of sortilege. One of the more fascinating kinds of divination that was used in the ancient Hellenic world was that of grammatomancy, divination through the individual letters of the Greek alphabet. This lecture will cover the history of this useful and direct form of divination, and how it can build into an overarching spiritual practice of devotion to the Greek gods, theurgy, contemplation, and magic.

It was a great lecture (even if it had to be postponed from Saturday to Monday due to unfortunate internet/power outage issues), and I’m glad I was able to offer it.

And yes, you should definitely keep up on this year’s SWFF, too, because this summer will be its fourth year running and there is, as usual, a great lineup of presenters and talks being slated!  Jacqui Allouise at The Cauldron Black and Matthew Venus of Spiritus Arcanum (both of whom offer their own events and products the whole year round) do great work, and I definitely encourage checking them out in general on top of the yearly festivities planned.

Anyway, one of the neat things about being a presenter is that I get a recording of my own presentation, and I was finally able to get around to uploading my talk to YouTube!  If you’re interested in grammatomancy (Greek alphabet divination), the grammatēmerologion (Greek letter lunisolar calendar), and other ways to use the Greek alphabet in magic and mysticism for all sorts of ends, check out the talk I did!

In the lecture, I mention a handout for people to study and take home.  You can access the 12-page handout (with reference information and citations for further reading) here on Google Drive.  Likewise, if you just want to check out the slides for your own study, you can also access them at this link.

I thought this was a great talk to give, and a few of my friends thought it went well enough to offer some pleasant thoughts on it.  Hopefully you’ll also find it interesting, dear reader, and this might persuade you to look into this alphabetic system of magic and mysticism!  I’ve written plenty about it, not just as an ebook on the divinatory system of grammatomancy (De Grammatomanteia, available for US$10 through Etsy or through Ko-fi) but also on countless posts on my blog; just search “grammatomancy” or “grammatemerologion”, or just browse the Mathesis category of posts for more.

Now, obviously, while at the time there was a registration fee for the talk since it was a paid event, it being almost two years later, I see no reason to insist on further charging for this sort of stuff.  If you feel moved to contribute anything to my Ko-fi as a donation, I certainly wouldn’t stop you, but much like with my online video course Geomancy in the Reign of the Lady of Crowns, I would instead encourage you to consider donating to a humanitarian charity of your choice that can make a difference in the world, whether locally or globally.  Alternatively, even if I’m not presenting this year, you might also consider spending some of that money towards attending a lecture or five for this year’s Salem event!

Unlocking the Observatory: Actually Performing Divination

Where were we? We’re in the middle of discussing the obscure Telescope of Zoroaster (ZT), a manual of divination and spirituality originally published in French in 1796 (FZT) at the close of the French Revolution, which was later translated into German in 1797 (GZT) and then again in an abridged form as part of Johann Scheible’s 1846 Das Kloster (vol. 3, part II, chapter VII) (KZT), with Scheible’s work then translated into English in 2013 as released by Ouroboros Press (OZT).  Although OZT is how most people nowadays tend to encounter this system, I put out my own English translation of FZT out a bit ago as part of my research, and while that translation was just part of the work I’ve been up to, there’s so much more to review, consider, and discover when it comes to this fascinating form of divination.  Last time, we talked about the origins of the allocation of the lunar mansions, their angels, and the primitive numbers in ZT in Renaissance German pop-astrology texts. If you need a refresher on what we talked about last time, go read the last post!

※ For those following along with their own copy of ZT (get yours here!), the relevant chapters from ZT are the “First Supplement”, “Second Supplement”, and “Third Supplement”.

At this point, I think we’ve covered enough ground to actually get to using the stuff we’ve been covering.  Besides talking about ZT and its history at a high level, we’ve gone over all the basic bits and pieces of ZT, and have gone through enough of its symbolism and understanding of itself so as to finally put things together and describe what a ZT reading would actually look like.  We’re definitely not done talking about ZT as a whole yet, much less what it has to say about humanity and spirituality and how those also play out in the Great Mirror, but at least we can start implementing what we’ve learned so far to start getting our hands familiar with the process.

First up: tool check.  Before we perform any divination with ZT, we need to make sure that all our tools are accounted for—which means we need to make sure we have both Principle tiles, both Spirit tiles, all nine Intelligence tiles, and all 99 Number tiles (and, if desired, the Sum tile as well).  Whether one uses the design of the tiles as given in the Urn foldout or not is up to the diviner; recall that, in the Epilogue, the Editors mentioned that the Redactor sent them tile designs “more detailed than those used by experienced Cabalists” so that “a greater number of amateurs might profit from it”, so if one wants to use a simpler design with just the number or simple glyph on it, that’s also totally fine.  If any of them are missing, warped, broken, or otherwise rendered unfit for use, then it should be replaced as soon as possible.  This is one of the reasons why ZT specifies to have extra blank tiles, which can be taken up and used immediately as replacements as well as for dummy tiles in option-whittling mirrors or other kinds of divination that require miscellaneous tiles of some sort or another.

And, as we said before, there’s nothing specifying any sort of cleansing or consecration of the tools.  After all, the tools are just tools with no inherent power or presence in them; it’s the diviner, guided by the Pure Spirit, that actually does the divination itself.

If you recall at the end of the post on the tools, I mentioned that ZT also specifies “three pieces of paper” which are to be used.  In ZT’s own version of Tarot’s “little white book”, ZT says recommends the use of reference guides in the course of one’s divination, presumably to make sure one doesn’t slip up with associating which tile goes with which planet or what house in the Great Mirror goes to which planet’s orbit.  These reference guides should the Table of Numbers and Intelligences from Plate II, the layout of the Great Mirror from Plate III, and the layout of the Great Dial from Plate IV.  In addition to those, although ZT doesn’t explicitly say so, I also think that the Drum and Border of Plate VI (the version of the Great Mirror with all the angels on it) should also be prepared as a fourth reference sheet; the “Second Supplement” goes on at length explaining every aspect of what this diagram should contain (including a good number of details that aren’t even in the engraving used for Plate VI itself).  There is another possible use of Plate VI, however, but I’ll leave that for a future discussion; suffice it here to say that, in the course of divination, it’s meant to be a guide to remembering which angel gets which houses or tiles, and to assist the diviner in remembering what dates of the year belong to which natal star.

I should note, also, that it’s the plates above that get reference guides to be consulted in the course of divination, but not the table of house meanings given in the “Seventh Step” or the table of tile meanings given in the “First Supplement”.  Recall how ZT emphasizes that those lists of meanings, interpretations, significations, and semantic boundaries are only presented as an illustrative guide to demonstrate what such meanings might be for the houses/tiles, not their sum total of menaings.  Rather, the diviner is to focus on the meanings of the tiles according to their composition of and reduction to primitive digits, what their Intelligences are, what the planetary orbits of a house indicate, and so forth, because that’s where the real meat of the system lies.  Again, ZT extrapolates from simple principles, and we’re expected to do the same in the course of divination, too.

We’ve gotten our tools prepared, but what about ourselves?  ZT doesn’t specify much in the way of preparing the diviner: given that this is ostensibly still a work done by a Christian for a Christian audience (no matter how “cabalistically” inclined they might be), there’s nothing in here about prayer, initiation, meditation, purification, or the like (although, to be sure, these things would absolutely be encouraged as being conducive to honest spirituality).  However, in the “Second Supplement”, we do have encouragements to live according to a “moral conduct and physical regimen which are equally conducive to the difficult task at hand”, namely:

  1. Refrain from eating heavy or stimulating food, especially in the evening.
  2. Protect themselves from heatedness of lust, passion, or strong emotion.

These are in addition to two other (arguably more necessary and crucial) traits required in every diviner (as stated at the end of the “First Supplement”):

  1. Faith and confidence in the presence, efficacy, and truth of the Pure Spirit
  2. Diligence and study in all the techniques, symbolism, and knowledge of the Great Cabala (i.e. the divinatory methods and means of ZT)

So long as the diviner can at least manage those latter two, the former two can be taken as best as one is able to—which, besides, is more meant for spiritual communication and communion in general rather than the specific process of divination.

And then it comes to the query, the actual question put to divination for inquiry and investigation.  Both in my blogs, chats, interviews, and ebooks, I’ve gone on about my “three Cs of good queries”, like I did back in my post on ritual astragalomancy:

  • A good divination query is clear.  There is no obscurity, duplicity, or vagueness in the query; you’re being honest about what it is you want to know, and you’re putting it bluntly, frankly, and openly for both yourself, the diviner, and the gods or spirits who answer.
  • A good divination query is concise.  You aren’t droning on for half an hour telling your life story, nor are you taking the garden path when asking your question.  Instead, you’re able to succinctly phrase your question into a single, short sentence.  This goes hand-in-hand with the clarity of the query.
  • A good divination query is concrete.  You know exactly what you’re asking about and you’re asking it clearly and concisely.  You aren’t talking about abstract concepts or hypothetical theoretical potentialities of what ifs, but something that can actually happen with tangible or viewable results.

ZT doesn’t appear to disagree with this: “before establishing a figure, it is necessary to have posed the question well and to have foreseen its interesting ramifications”.  Partially this is to allow for the diviner to consider which kind of figure is best to answer a particular kind of query (Great Mirror, Great Dial, some other sort of smaller figure for option-whittling?), but also because ZT is not interested in flights of fancy, pipe dreams, or otherwise unrealistic and unobtainable castles in the sky.  ZT gives the examples of asking about the recovery of a sick person or whether someone who is able to marry will do so at some point as being things that are totally fine to ask about, but a Jewish person becoming Pope is not due to the sheer improbability of it (even if it cannot, technically speaking, be ruled out as impossible).  To that end, ZT has a sort of spiel prepared for telling potential querents regarding their hopes and desires:

Let us first form a Great Mirror about what interests you, and let us find out if your vision would be allowed within it and by it. This will be a winnowing pan that we will load, from which we will sort out all the grain that your chaff will include. Beyond that, there is nothing to say, for the Great Cabala must not be profaned by the abuse of compulsively conjuring up chimeras and other childish things.

It doesn’t really matter whether the diviner is also the querent; although parts of the ZT instruct the reader about how to deal with people who come to the diviner for guidance, a good chunk of the text suggests that the diviner is divining for themselves.  As such, warnings like the above are for other people’s benefit as much as the diviner themselves; after all, if it is bad form for others to hope for things not to be hoped for, it should likewise be bad form for the diviner to give people such hopes with outlandish predictions that aren’t justified by a sound interpretation of the signs and symbols they interpret.

That said, the spiel above also indicates something important for us as a matter of technique: that the Great Mirror is to be used as the default, standard, and first go-to when it comes to divination with ZT.  It is the primary method and means of investigation and, while it may provide too much information at times, it also allows for the in-depth analysis and investigation (by means of not only the essential interpretation of tiles in houses but also accidental interpretations of tiles in ideal triangles) of any particular topic that might be asked about.  It might not be sufficient to answer all questions with perfect detail on its own, but it is necessary to do so, especially because if something doesn’t pass the sensibility test of the Great Mirror, then there’s no sense in using any smaller mirror to pursue a further investigation.  While some people might not need to start with a Great Mirror (especially if they’re following up on a previous divination), most people would seem to benefit from that in one way or another, so we should strive to use the Great Mirror as a first approach whenever possible.

Okay, so: we have our tools ready, we have ourselves ready, and we have the query ready (whether or not we’re the ones asking it as the diviner or it’s someone else coming to us to ask it).  At this point, we’re good to go.  We clear off some space on a table, get out our Urn full of our tiles, and, one by one, draw out each tile as necessary from the Urn and place it accordingly in the mirror we’re composing.  Once the mirror is composed—and only once it is composed in full—then we can begin the process of interpretation.  ZT cautions us explicitly to not interpret any given tile on its own as it comes out of the Urn:

…it would only be a charlatan who would dare, as the pieces come out of the Urn, to proclaim what they must signify, not even seeming to read fluently as a whole the contents of the mirror as guided by the very image that forms under the hand. If not, then the cabalistic process would merely be a mummery. There is, therefore, no Cabalist who should pride themselves on being an improviser; the wisest is one who, even when an expressive competition of numbers strikes them, doubts their meaning until the whole mirror is scrupulously analyzed and all possible interpretations are verified.

And even then, once the mirror has been composed, we should do our utmost to be as scrupulous with it as we can to make sure our judgment is as sound as possible given the evidence presented to us.  For particularly grave or serious matters, ZT even encourages us to compose several mirrors on the same query to make sure that we’re issuing as sound a judgment as possible:

There are, after all, particular—and particularly finicky—cases that can yet be highly important, and the Cabalist must beware of relying straightaway on the first projection, for it would be barbaric to issue a prediction lightly on certain events, which might perchance inspire strong fears or instill dangerous hopes. Such a Cabalist, on these serious occasions, only dares to make a judgment after having obtained, out of four projections, three completely affirmative results, which yet involves ten or twelve projections before having decided on such a necessary majority. However, when the Pure Spirit deigns, it is rare that, time after time, the interpreter of Fate does not immediately obtain indications of evidence—often even by the state of the Great Mirror alone—that are striking enough to make the proliferation of small procedures useless.

I wouldn’t uncharitably or skeptically say that this is a matter of normalizing random patterns.  I mean, consider how, in modern meteorology or economics forecasting, sensible predictions are made by generating various models using a number of methods and approaches or with minor components that change from instantiation to instantiation, then seeing what’s most likely based on all of those by comparing them, contrasting them, and investigating what seems senseless or bizarre?  If we conclude that even small shifts in our body, soul, spirit, or mind could influence the outcome of a divination, as well as those of the querent (if separate from us) as well as small shifts in what happens in the outside world where the event to be predicted actually happens, why would such an approach not benefit us here, too?  Sure, it’s a lot of work, but for those rare do-or-die moments where being absolutely correct is absolutely critical, taking the time to perform rigorous analysis is probably time worth spent.  Lesser matters, of course, would not necessarily require this sort of investigation.

Now, assume we’re composing a Great Mirror.  Such a mirror is composed as any others are: start with a tile in the middle and work your way out in an outwards counterclockwise spiral.  The only major difference in the composition of a Great Mirror versus any other is how we treat the Principle tiles: in a Great Mirror, these don’t get put into the Mirror itself, but rather to a point above it (if Sisamoro is drawn) or below it (if Senamira is drawn).  If either of these tiles are drawn, we put them into their appropriate spots as indicated by Plate III, but we should also make a note at which point they were drawn, because ZT says that that sort of information is useful for our interpretation.  For that reason, having a pen and notebook ready to record what gets composed for a mirror would be helpful for the diviner (and the querent, too, as having a record of their own to bring to later sessions if needed).

In fact, we actually have a good number of suggestions for inspecting the Great Mirror, all provided in a nice list from the “Third Supplement”.  To paraphrase and condense somewhat:

  1. On learning the system:
    1. Remember that the process of learning and grasping all the nuances of the Principles, Spirits, Intelligences, Numbers, and houses is a long and slow process, which develops progressively over time.
    2. Constantly contemplate and review the attributes and qualities of the Intelligences, and what among such attributes and qualities of any given Intelligence are compatible or incompatible with another Intelligence.
    3. Constantly contemplate and review the qualities of the primitive Numbers.
    4. Remember that any compound Number, although it has its own overall meaning, still retains some quality or indication of the primitive Numbers that composes it, no matter where it might fall in the Great Mirror.
  2. On applying the system:
    1. Investigate what it might mean when a particular Intelligence dominates a Great Mirror through its tiles, or when a particular Intelligence is notably absent or sparse in a Great Mirror.
    2. Investigate what it might mean when there is an abundance of tiles that belong to two opposing Intelligences in the Great Mirror.
    3. Investigate ideal triangles that all share the same Intelligence or the qualities thereof.
    4. Investigate when a Principle or Spirit (or the Sum tile) appears in a Great Mirror.
    5. Investigate when and where an Intelligence tile appears in a Great Mirror, both in terms of what tiles precede and succeed it, as well as what tiles might form an incidental orbit around such an Intelligence.
    6. Investigate ideal triangles that have two Intelligences, two doublets, two nilled compound Numbers, or two primitive Numbers.

As ZT itself notes regarding all the details a Great Mirror might provide:

Between all the numbers that together compose a mirror, there may be much affinity between them or much opposition, an alliance of friendly Intelligences or a battle between enemies—all of this is significant. There is not a single triangle, whether in a large or small figure, that should not be considered with the utmost care before passing judgment.

Investigating and reading a Great Mirror will take time; ZT makes it clear that it’s an elaborate process with much nuance and detail to sift through.  Because of this, ZT also notes the danger in leaving tiles just out there on a table; they might get knocked around, misplaced, or otherwise mixed up, which could significantly impede (if not abort) the process of reading.  Additionally, ZT notes the possibility of the mere presence of someone else influencing and affecting the diviner, either in how and what they draw from the Urn as well as in how they interpret the reading, and for that reason, ZT suggests that while the drawing of the tiles may be done in the presence of a querent, the interpretation is best done elsewhere.  To this end, ZT recommends the use of some sort of “enhanced reading device” beyond merely using the 112 (or 113) tiles on a flat surface:

  • A special board with tile-shaped recesses cut out of it in the shape of a Great Mirror to securely hold the individual tiles put into the Great Mirror
  • A board with small holes bored into it in the overall pattern of a Great Mirror, into which may be put slips of paper noting each hole’s respective tile or a plug marked similarly
  • A whiteboard or notebook with a hexagonal pattern to note the tiles that come out in a Great Mirror

For most people, that latter approach is probably going to be the most common and reliable; not only does it cut down on the size and number of divinatory tools required, but having a record of divinations done is good for pretty much anyone in any tradition, ZT included.

That being said, ZT is a little weird and unclear on the bit about not doing the reading in the presence of someone else.  After it mentions the contingency methods above, it says (and I’ll provide the original 1796 French here, too, for comparison):

L’un ou l’autre de ces soins étant pris, on est à même de travailler chez soi, ce qui vaut mieux que de le faire en présence de la personne qui a tiré les pieces, attendu que chaque individu par ses atomes sympathiques, ou antipathiques avec le Devin, peut le modifier étrangement, ce à quoi il est de la derniere importance de mettre ordre.

One or the other of these options being taken, one is then able to work at home, which is better than to work in the presence of the person who drew the tiles [lit. “pieces”], since each individual by their presence [lit. “atoms”] sympathetic or antipathetic to the Diviner can modify strangely what is of utmost importance to put in order.

This is an ambiguous statement and somewhat hard to make sense of.  Read literally, it sounds like the one drawing the tiles is not the one interpreting them.  Elsewhere, ZT says that the diviner is the one drawing the tiles and interpreting them, but here, it sounds like there’s a split.  Should there be two diviners involved, one to draw and one to interpret?  Or is it saying that it is the querent who should be drawing the tiles, and the diviner interprets them?  This latter may well be the case as a means for the querent to “get their energy mixed into” the tiles and situation; it’s just that, for most cases, the diviner is the one also asking the query, so they are their own querent.  It’s not wholly clear on this point, and I think that different approaches here are all valid, depending on what one’s stance is.

At any rate, that’s basically it: we have our tools ready, we have ourselves prepared, we have the query stated, we compose the mirror, we investigate the mirror, and then we issue our judgment.  At this point, once the matter is decided from the Great Mirror, if there are any follow-up questions or requests for detailed information that was not or could not be provided from the Great Mirror, then (and only then) would other or smaller mirrors be used to determine the specifics of a particular situation.  Matters of time are the obvious choice here (“oh, I’ll get married? When?”), but matters of place, or the like are also totally acceptable things to investigate.  In a footnote regarding the use of smaller mirrors to determine details from the “First Supplement”, ZT gives a useful anecdote:

In a Great Mirror overloaded with misfortunes, which concerned the unfortunate royal family of France, the Redactor of these cabalistic notions at the end of 1792 came upon an episode of war, a chance of which threatened a certain absent branch made up of three male individuals, a grandfather and a father and a son. The general threat was of bodily injury, and a small triangle made it known that this accident would be suffered by the father. This unfortunate prediction, which the Diviner shared with his friends, unfortunately came true the following year.

In this case, we might see how a Great Mirror would suggest “bodily injury” (something like tile 77), and we might investigate whom in that group.  To that end, we could use the tile 77 with two other random tiles to compose a small triangle, where one tile would represent the son, one for the father, and one for the grandfather.  Using the usual option-whittling approach, we could then determine who would get the 77 tile.  (As a personal note, I’m not familiar enough with the history of the French Revolution or the French Bourbon monarchial family to determine what such an event as described in this footnote of ZT might actually refer to.  If anyone knows, please say so in the comments!)

Unfortunately, although ZT gives small examples of “certain wholly-mechanical processes” involving option-whittling methods and similar approaches to determining matters of details, it doesn’t actually give an notion of what a reading would look like as a whole.  If the Great Mirror is so important, then shouldn’t we have some sort of guide or illustrative example to help us out?  Of course not: ZT is “only a key, not a treatise”, so that would just be too much to ask for.  But that doesn’t mean there aren’t any case studies out there for us to look at, either, and we’ll take a look at just such a case study next time.

 

Unlocking the Observatory: 17th Century German Pop-Divination Texts, Natal Stars, and Numbers

Where were we? We’re in the middle of discussing the obscure Telescope of Zoroaster (ZT), a manual of divination and spirituality originally published in French in 1796 (FZT) at the close of the French Revolution, which was later translated into German in 1797 (GZT) and then again in an abridged form as part of Johann Scheible’s 1846 Das Kloster (vol. 3, part II, chapter VII) (KZT), with Scheible’s work then translated into English in 2013 as released by Ouroboros Press (OZT).  Although OZT is how most people nowadays tend to encounter this system, I put out my own English translation of FZT out a bit ago as part of my research, and while that translation was just part of the work I’ve been up to, there’s so much more to review, consider, and discover when it comes to this fascinating form of divination.  Last time, we talked about the “natal stars”, ZT’s own take on the lunar mansions and the angels associated with them, and how utterly weird the whole thing is. If you need a refresher on what we talked about last time, go read the last post!

※ For those following along with their own copy of ZT (get yours here!), the relevant chapters from ZT are the “Second Supplement” and “Third Supplement”.

Following up on the last post, we talked about how utterly bizarre and obtuse this system is of associating the angels of the lunar mansions, or “natal stars” as ZT calls them, and given that ZT uses them nothing like lunar mansions it may be for the best to use ZT’s moniker instead.  This is all so clearly (and yet so unclearly) depicted by all the oddities of ZT’s Plate VI:

The more I looked at it, the more confused I got.  I tried plotting out all available information every which way: mapping out the house-to-mansion and mansion-to-house-less-the-intelligences-numbers, seeing if there was any repeating pattern of numbers being skipped, trying to trace geometric patterns between mansions on the Great Mirror—nothing.  The more I banged my head against this, the less I understood what was going on.  Heck, I even counted how many of the tiny divisions there are in the Border of Plate VI and found out that, although there are supposed to be 13 of them per mansion to represent the 13(ish) days per Sun traveling through the mansion (which is a super weird notion), which should yield (according to ZT) a total of 365, a handful of them have 14 divisions and one even has 15—and even then, 28 × 13 = 364, which doesn’t match with what ZT says regardless.  Even trying to reverse engineer and come up with my own systems and methods of assigning mansions to the houses wasn’t coming anywhere close to what ZT was doing.

Like, yes, to be sure, there are a number of things about ZT that I don’t have answers for—where it gets its unique take on planetary numerology, for instance—but all of those are relatively minor things that don’t impact the actual function or process of the divinatory method of ZT.  Meanwhile, here we have something that is clearly stated as being important, but which itself is not used in the actual divinatory method at all, which would still be functional (even if somehow potentially incomplete?) without it—and which even the Redactor of ZT says was something thrown on as an extra bit to keep people going in ZT and which wasn’t going to be mentioned at first anyway.  Again, the more I looked and considered this, the less sure I got of what the hell it’s doing.  It was clear that I wasn’t getting anywhere, and even the seeming leads that might have revealed a blind kept going nowhere.

I decided to take a different approach.  I mentioned the various options of what could be going on here last time: either it’s all arbitrary, it’s just a bad and incomplete pattern, it’s a blind, or it’s an importation based on another source that explains something about the method in a way that ZT alone can’t and doesn’t.  Maybe it’s that last option, and I would have to look at non-ZT texts to find something.

First, I tried looking up lists of lunar mansion angels.  It’s a distinct quality of ZT that gives such a list with the three big archangels Gabriel, Michael, and Raphael included; these aren’t in Cornelius Agrippa’s list from TBOP book III, chapter 24, and lists like this tend to be remarkably stable over time even if some of the spelling changes a bit.  The only thing I was coming up with was something from Franz Bardon’s work, specifically the list of angels of the sphere of the Moon which was encoded in Bardon’s work and subsequently decoded by Emil Stejnar, but I cannot for the life of me figure out where Stejnar was getting this list from in any of Bardon’s works, and Stejnar himself doesn’t say; indeed, the annotators of such a website note that the “angelnames are cited according to Stejnar[;] the edition of Agrippa’s ‘Occulta Theosophia’ in my possess gives different angelnames”.  Beyond that one dead-end of a lead, though, I couldn’t find anything.

I backed up and instead reconsidered: what about the lunar mansion names?  The list given in ZT’s “Second Supplement” (Alnacha, Albukaim, Alkoreya, Aldaboran, Almuzin, etc.) are all recognizably the names of the 28 lunar mansions, even considering their variants in older texts, and especially considering all the many and various ways Arabic names and words get corrupted and mangled in European texts.  In general, while such variation can occur from text to text, such changes only happen slowly over the course of many generations of copying, and are as much impacted by the source language as well as the destination language.  In that light, people don’t often just come up with their own transcriptions and spellings; they typically use the ones they’re shown.  While these names of the lunar mansions are definitely intended to represent the lunar mansions, and while they’re kinda close to what Agrippa has, they’re not exactly the same.  Maybe this is an indication of some alternative lineage of astrological information the author of ZT was privy to?

So I started googling for some of the names in older texts, and that’s when I found the 1757 Das Große Planeten-Buch, published in Leipzig by Johann George Löwen (DGPB).  It’s written in an older German in Fraktur, so it’s not the easiest thing to read, but as I was flipping through it, I noticed that it contains a whole lot of information about a lot of different divination systems—astrology, yes, but also geomancy, numerology, palmistry, phrenology, and the like.  In the first part of the book that focuses on astrology, pages 54—96 have information about the lunar mansions, spelled nearly identically to what’s used in ZT.  For example, consider this introductory paragraph from part I, chapter 35 (page 73): Von dem Stern Algayre und seiner Würckung “on the star Algayre and its effects”:

Transcribed and translated:

Dieser Stern so auch Alhayre heißt, und zum Beherrscher Jazariel hat, nimmt seinen Anfang im 2. Grad und 24. Minunten der ♓︎ [♍︎], und reichet mit seiner Kraft bis in den 15. Grad und 54. Minuten der ♎︎, ist temperirter ♃ und ♀︎ Natur, und ist mehr glücklich denn unglücklich.

This star, also called Alhayre, and which has Jazariel as its ruler, begins in 2°24′ of Pisces [Virgo] and its power reaches until 15°54′ of Libra.  It is tempered by the nature of Jupiter and Venus, and is more fortunate than unfortunate.

Here we have a description of DGPB’s mansion XIII Algayre (equivalent to Alhaire in Agrippa), and while the degrees are a bit off from what we’d expect, the chapter goes on to talk about people born in the mansion who have this or that quality, lucky days of the week, colors of clothes to wear and the like, and it even gives an angel name, too—but take a close look at this first paragraph, and you’ll see that it gives a nature of Jupiter and Venus to this lunar mansion.  We see the same with other examples, like mansion XV (Algaphar) being given to the Moon, mansion XVI (Alzibinin) being given to the Moon and Saturn, and so forth.

To be honest, given the contents of the book as a whole, DGPB doesn’t seem to be aimed at actual practicing astrologers; rather, it seems to be more of a manual and guide for non-experts who have an interest (if not quite a full study) in the work, and is meant to offer quick and simple approaches to astrology and other forms of divination and prognosis.  It is, in many ways, a lot like those pop-divination manuals we see for cheap in even otherwise mundane bookstores in the new age section that we often give to beginners or children as a gift to spur their interest.  In that light, consider:

  • It’s uncommon for non-expert guides for astrology to mention the lunar mansions.
  • It’s even more uncommon for such descriptions of lunar mansions to get planetary assignments.
  • It’s still more uncommon for there to be a mix of one or two planetary assignments per mansion.

…and ZT does all those things, too.

And would you look at that: of the 28 mansions that ZT lists, 13 exactly match with what DGPB give and another 6 partially match, for a total of 19 (well more than half):

Mansion ZT DGPB Match
1 ☉ ♃ N/A
2 Full
3 ♀︎ ☿ ☽ No
4 ♀︎ No
5 No
6 Full
7 ☉ ♄ ♀︎ ☽ No
8 ☾ ☽ ♀︎ ☽ Partial ☽
9 ♂︎ No
10 ☿ ☽ Partial ☿
11 ☉ ♀︎ ♃ ♀︎ Partial ♀︎
12 ☉ ☿ ☿ ☽ Partial ☿
13 ♀︎ ♃ ♀︎ ♃ Full
14 ♄ ♀︎ No
15 Full
16 ☽ ♄ ☽ ♄ Full
17 ☽ ☿ ☽ ☿ Full
18 ☉ ♂︎ ☉ ♂︎ Full
19 ☽ ☿ ☽ ☿ Full
20 ♄ ♂︎ ♄ ☽ Partial ♄
21 Full
22 ☽ ♄ ☽ ♄ Full
23 ♄ ♃ No
24 ♂︎ ♀︎ ♃ ♀︎ Partial ♀︎
25 ☉ ♃ ☉ ♃ Full
26 ☉ ♂︎ ☉ ♂︎ Full
27 ♀︎ ♀︎ ♃ Partial ♀︎
28 ♂︎ ♂︎ ☉ Partial ♂︎

Also, I should note, that specific linked copy of DGPB was published just a few decades before ZT in a major printing epicenter, Leipzig—which, I note, was a city that Nerciat himself worked in as a librarian.  Further, this book just happened to be part of a trend of similar books that produced virtually the same information verbatim for centuries.  Like, just searching for the unique spelling of some of the mansion names, I’m able to find dozens of copies of this book dating at least as early as 1650 and as late as 1852, but with even earlier versions under similar titles presenting similar information in a similar format but not the same wording as early as 1544 or 1541.  Notably, however, those earlier versions in the 1500s don’t seem to have the planetary associations, which only appear in the later versions starting (as far as I’ve found) in the 1600s.  At some point between the late-1500s and the mid-1600s, it looks like some minor German tradition of pop-astrology (and I’m only finding books in German in this situation using these similar names) added in planetary associations to the lunar mansions.

At this point, I’m not dragging it out further, because for the purposes of this investigation, we have a solid-enough conclusion, at least to my satisfaction: it appears as though ZT was heavily influenced in its development, at least as far as its angelic stuff is concerned, by some sort of popular or easily-accessible astrological resource (perhaps in or produced from Germany) that provided a brief introduction to the lunar mansions, but weirdly also provided its own innovative system of planetary associations to the lunar mansions, as well, which is not found  (at least to my knowledge) outside this weird “lineage” of “pop-divination” German texts.  The inventor of ZT took this system and adapted it to the geometrical restrictions of the Great Mirror, mapping what it could from these texts to the Great Mirror.  Not all such pairs of planets would work in the Great Mirror, to be sure; DGPB has mansions VII and VIII given to the planetary natures of Venus and the Moon together, but the Great Mirror has these planets on opposite sides of the hexagon, so there’s no such house that falls in both their orbits at the same time.  This would force the inventor of ZT to allocate what they could, and then squeeze in the rest what they couldn’t.  It’s not a perfect match, but it’s far more than just coincidental; barring anything else saying otherwise or any other source coming up with anything better, the notion that the author of ZT was relying on another book of astrology current and available to them and adapting it to their own system is far more likely than there being a blind or this being merely arbitrary.

And, while we’re at it, DGPB also includes a good chunk of numerological stuff.  In that version linked above, on page 14, it has a Tafel der überbleibenden Zahl, dadurch die Planeten den Menschen zugeeignet werden “Table of the remainder-number, whereby the planets are given to humans”.  If you take the numerical sum of someone’s name and reduce it to a single digit, by giving each of the digits 1 through 9 to one of the planets, you can determine the planetary nature of that name (and, by extension, that person).  Such a system doesn’t give numbers their own symbolic meaning, which is otherwise super common in many numerological systems, but rather gives the numbers to the planets and lets the planets define their meanings.  To that end, DGPB gives the following table:

  1. Sun
  2. Venus
  3. Mercury
  4. Moon
  5. Saturn
  6. Jupiter
  7. Mars
  8. Sun
  9. Venus

It’s not an exact match—Venus gets two numbers instead of the Moon, the Sun has one of its numbers off a bit, and Mercury and the Moon (swap with Venus?) would have to be swapped around—but several of the numbers do match between these systems.  This is certainly different than other numerology systems, like that of the Holy Guide (1662) of John Heydon, upon which later numerologists like Sepharial in his The Kabala of Numbers gives a table like:

  1. Sun
  2. Moon (New)
  3. Jupiter
  4. Sun or Earth
  5. Mercury
  6. Venus
  7. Moon (Full)
  8. Saturn
  9. Mars

It seems like those German pop-divination books like DGPB, even if not that specific one, provided both an astrological and numerological basis for ZT’s own system, although not exactly.  Admittedly, it’s just close enough to suggest a connection, but it’s just different enough to suggest that something else is going on, here, too.  I mean, at least with the numbers, if we consider ZT’s Plate II again…

…we can see that there’s this neat symmetry going on in how the planets are associated with the primitive Numbers.  Using Saturn/Lethophoro/5 as a fulcrum, each side is balanced by the other: Mercury with Jupiter (sophist/philosopher or servant/king), Venus with Mars (female/male), matter-Moon with spirit-Moon, and matter-Sun with spirit-Sun, which would also make Saturn in the middle as being the “dark” point between the two extremes of “light”.  By taking a numerological system like that of DGBP as a basis, it’s not inconceivable that the inventor of ZT shifted some of the numbers around to make a more pleasing balance of sorts, and then (like DGPB’s remainder-number planetary system) gives those numbers meanings based on their planets.

It’s all kinda circumstantial, both for the bit about the lunar mansions as well as the planet/number associations, but it’s not too unreasonable or infeasible that this is what happened.  I can’t prove at the present time, unfortunately, that this is what happened, and maybe some reader more adroit at 1600s-ish German (or other continental European languages) with an eye for tracking astrological or numerological texts can help trace and track down more such texts that might afford more leads, especially regarding how such texts like DGPB came to associate planets with the lunar mansions.  However, it’s what I’ve got to go on, and—if I do say so myself—it’s not an unbelievable possibility.

Let’s close down that line of inquiry; I’ve nothing more to go on, after all, and while this is a good thing to stand on, it doesn’t solve the other big issue we raised last time: how do the compound Number tiles themselves get associated to the angels/mansions?  Well, we have at least some inkling of what’s going on, at least.  To go through what we can discern from Plate VI and the table of angels:

  • There are 90 compound Number tiles.  28 goes into 90 a maximum three times with a remainder, so we can allot at least three compound Number tiles per angel.  28 × 3 = 84, and 90 – 84 = 6, so there are 6 remaining compound Number tiles.  ZG gives each of these remainder compound Number tiles to each of the corner houses in the Great Mirror.
  • For most compound Number tiles, we can simply allocate a tile to one of the houses in the orbit of the planet of that compound Number, e.g. how 43 reduces to 7, making 43 a number of Mars/Adamasto, putting this number into the orbit of Mars (specifically house 23 with Raphael).  These seem to have been done first.
  • All of the planets except the Sun have houses in their orbit that belong exclusively to them, while the Sun has no houses in its orbit that belongs exclusively to it.  Additionally, because the Sun and Moon are broken out into their material and spiritual Intelligences for their own houses for the purposes of the Great Mirror for the angelic associations for the rest of the houses (they’re all densely packed into the middle of the Great Mirror), it’s not clear how to cleanly allocate the solar and lunar compound Number tiles.
  • Because of this, the corner houses certainly have to get at least some of these tiles.  ZT says that they’re given to the Sun and Moon, and if we go down the table, the corner houses (mostly marked with a ✠) alternate between the Moon and Sun (mansion VIII/house 34 gets a lunar Number, mansion XI/house 25 gets a solar Number, mansion XVII/house 31 gets a lunar Number, etc.).
  • This also has the result, given how the mansions are allocated to the Great Mirror houses, that the left and upper corners of the Great Mirror all get lunar numbers, and the lower and right corners get solar numbers.  This matches with how the solar and lunar Intelligences themselves are allocated to the Great Mirror, with both Seleno and Psykomena on the upper left side of the Great Mirror, and with Genhelia in the lower right.
  • The rest of the solar and lunar numbers just kinda get…scattered around.

That is…well, frankly, as far as I can discern.  If we take a look at how many tiles fit the patterns above cleanly or not, then out of the 90 total compound Number tiles:

  • 57 tiles have no problem at all getting allocated and are all about where you’d find them; notably, these are almost all tiles of the non-luminaries (e.g. tile 40, given to house 31, a tile of Jupiter/Aglaé and in Jupiter’s orbit).
  • 3 tiles are kinda okay (62, 10, 46), which are in the orbit of their associated planetary Intelligence, but technically speaking these are the “extra” Intelligences of Genhelia (matter-Sun) and Psykomena (spirit-Moon) given to houses 3 and 6, respectively, and it’s not clear whether these Intelligences should be considered to have orbits of their own like the other planets do.
  • 28 tiles are those of Genhelia, Seleno, Psykomena, or Psykelia, which are just sorta scattered all across the Great Mirror.
  • 2 tiles seem completely incorrectly assigned:
    • Tile 39 (expected to be in the orbit of Venus) gets associated to house 23 (Raphael) in the orbit of Mars
    • Tile 94 (expected to be in the orbit of Mercury) gets associated to house 5 (Kiriel) in the orbits of Saturn and Mars.

Notably, of all the angels in the Great Mirror, Kiriel is the only angel that expects a tile of a particular planet (Saturn) but doesn’t have one.  All the other angels get at least one tile of each planet they’re in the orbit of, with the possible exceptions of house 2 (Tagriel) and house 7 (Michael), where they expect solar tiles (specifically of Psykomena) but get the wrong kind of solar tile (Genhelia), but given how closely associated Genhelia and Psykelia are, it’s not clear whether it’s okay that one substitutes in for the other.

Beyond this, I’m stumped.  Unlike the mansion/planet associations or even the possible connections between the planets and numbers, I’m not sure how ZT is actually doing the work of allocating the compound Numbers to the lunar mansion/angelic houses of the Great Mirror beyond the general rules above.  Like, to pick a perfectly regular set of tiles that have no surprises whatsoever (part of that large set of 57), it’s not clear to me why all the Jupiter/Aglaé tiles get associated to the houses they do:

  • Tile 15 with house 27 (mansion 6, Dirachiel)
  • Tile 24 with house 29 (mansion 14, Ergediel)
  • Tile 33 with house 29 (mansion 14, Ergediel)
  • Tile 42 with house 28 (mansion 25, Aziel)
  • Tile 51 with house 12 (mansion 13, Iazekiel)
  • Tile 60 with house 27 (mansion 6, Dirachiel)
  • Tile 69 with house 4 (mansion 1, Gabriel)
  • Tile 78 with house 29 (mansion 14, Ergediel)
  • Tile 87 with house 27 (mansion 6, Dirachiel)
  • Tile 96 with house 14 (mansion 12, Bethunael)

This is, unfortunately, something I’m stumped on.  Beyond the likelihood of the inventor of ZT just allocating what tiles they could based on the overall rules and notions they had and fitting in wherever they could wherever else they had space for it—with the possibility of a slip-up or two, like with the Raphael and Kiriel bits as noted above—I’m not sure what the rhyme or reason is for allocating the compound Numbers to the mansions/angels/houses.  I can’t determine a geometric pattern of triangles or flow, and I’m not seeing anything in DGPB that might indicate anything along these lines in whatever numerological stuff I can find.  It’s a bit of an anticlimax, unfortunately, after the whole bit about finding leads on the other questions I’ve had, but even if I can’t say that there’s a pattern, at least there’s a trend, and that’ll have to be good enough to content myself with for now.

This is, of course, where I plead to the broader community for help, at least for those whose eyes can suffer Fraktur longer than mine can and who can more deftly search Google Books or Archive.org for old German (or other continental European) texts on divination, numerology, and astrology.  If, dear reader, you might have any notions, inklings, or even leads about some of these unanswered questions, do say so in the comments!  It might not lead anywhere, given the obscurity of things like this, but who knows?  I’ve been surprised at a number of points before in this research, and I fully expect to be surprised yet as I continue it.

Unlocking the Observatory: the Great Dial and Determining Times/Options

Where were we? We’re in the middle of discussing the obscure Telescope of Zoroaster (ZT), a manual of divination and spirituality originally published in French in 1796 (FZT) at the close of the French Revolution, which was later translated into German in 1797 (GZT) and then again in an abridged form as part of Johann Scheible’s 1846 Das Kloster (vol. 3, part II, chapter VII) (KZT), with Scheible’s work then translated into English in 2013 as released by Ouroboros Press (OZT).  Although OZT is how most people nowadays tend to encounter this system, I put out my own English translation of FZT out a bit ago as part of my research, and while that translation was just part of the work I’ve been up to, there’s so much more to review, consider, and discover when it comes to this fascinating form of divination.  Last time, we talked about the myriad ideal triangles in the Great Mirror and what sort of interpretive benefit they allow in divination. If you need a refresher on what we talked about last time, go read the last post!

※ For those following along with their own copy of ZT (get yours here!), the relevant chapters from ZT are the “Sixth Step”, “First Supplement”, and “Third Supplement”.

We’ve just finished up talking about the Great Mirror—or, at least, finished explaining and expanding slightly on what ZT has to say about it.  As ZT itself says following its own talk of the Great Mirror:

We are rather far from having said all that it would be possible to say about the astronomical regime…We cannot repeat too often that this text can and should only be a key. Profound meditations, with compass and pen in hand, must have the double success for the Candidate of permanently inculcating in them a tearing-away and breaking of the avarice of indications from the very moment of our march. Now, the Great Cabala does not include a theory of this kind. By it, the road would be made more difficult than easy; by it, the Candidate would find themselves squeezed in some way between the two flanks of a relatively open angle, while they must move freely through all the content of an immense circle, which embarrassed nothing less than all that is for as long as it shall last.

In other words, while one can certainly expand on the various cosmological and interpretive significations of the Great Mirror more than what ZT has, ZT itself declines to say more than it has in the interest of brevity.  (Or it may be that it has nothing more to say about it because it made it up and is masking that fact with claims of mysterious obfuscation, who knows.)  All the same, it is true that the Great Mirror is just one of the two main ways to use the large hexangular figure of 37 tiles.  While the Great Mirror is the so-called “astronomical regime” of the large hexagon, there is another: the “temporal regime”, which is a way to consider the large hexagon as indicating periods of time ranging from individual hours to a whole millennium.  Rather than calling this sort of temporal view of the large hexagon the Great Mirror, the temporal regime calls it instead the Great Dial (as in the dial of a clock-face):

The above is a reproduction of ZT’s own Plate IV, with one minor correction (which I’ll touch on later):

Just as we might say that the Great Mirror (the large hexagram read in the astronomical regime) has both “essential interpretations” (reading the tiles according to their houses) and “accidental interpretations” (reading the tiles according to the ideal triangles they fall into with other tiles)—even if the use of such terms “essential” and “accidental” are my own imposition on ZT here based on astrological usage—the Great Dial has two ways to read it, as well, which ZT itself calls “movements”, where one starts with greater time periods and works its way down to smaller ones:

  • Eccentric movement (movement starting at the center and working towards the edge)
    • Center house: 1000 years
    • Inner belt: 100 years per house
    • Middle belt: 7 years per house (as indicated by the number in these houses)
    • Outer belt: 1 year per house
  • Concentric movement (movement starting at the edge and working towards the center)
    • Outer belt: 5 years per house
    • Middle belt: 1 month per house (as indicated by the sign in these houses)
    • Inner belt + central house: 1 day per house (reckoned according to the weekday, as indicated by the planet in these houses)

Before we go on, let’s clarify a bit about how ZT breaks time into particular segments.  Some segments you likely already know, dear reader: 1000 years makes a millennium, 100 years make a century, 12 months make a year, 7 days make a week, and so forth.  Where does ZT’s use of 7-year segments and 5-year segments come from?

  • Climacteric period: a period of seven years, starting from the moment of one’s birth.  This actually isn’t something that ZT makes up; climacteric periods are a thing that have been recognized since ancient times in medicine and astrology.  ZT explains this as:

    The transitions from the seventh year of life to the eighth, from the fourteenth to the fifteenth, and so on are the so-called “climacteric nodes” where, ordinarily, an individual is subject to revolutions either physical or moral. It is a commonplace in medicine and physiology, and is doubtlessly not unknown to anyone.

    The word “climacteric” has its origins in Greek κλιμακτηρικὀς klimaktērikós “of a critical period”, where every seventh year of a person’s life was considered a time when they undergo particular (often critical or dangerous) changes to their body, life, and surroundings.  Even today in modern medical contexts, “climacteric” is still used in some limited contexts to refer to natural changes in life accompanied by various health consequences.  From an astrological standpoint, the origins of this are probably obvious: given that Saturn returns to its same position in the ecliptic every 27 to 29 years, this means that it crosses 90° of the ecliptic every seven years, causing a transiting Saturn to conjunct, square, or oppose one’s natal Saturn every seven years.

  • Lustral period: a period of five years, starting from the moment of one’s birth (each such period is also just called a “luster”).  We haven’t covered how ZT considers the origin and process of a human life yet—it gets kinda weird involving two angels shedding sparks of divine fire which combust into a human soul at the time of conception—but ZT breaks up a human life into 18 “lusters”, each accounting for five years (or four, or seven, depending on whether a person is a man or woman and how old they are, which we’ll leave for a later discussion as well).  To this end, ZT says that a human life only reaches its maximum of 90 years, because 5 × 18 = 90.

So, looking at the Great Dial, what do we make of the numbers and symbols there?

  • The numbers 1 through 18 in the outer belt indicate single years in eccentric movement, or the number of lusters (5-year periods) in concentric movement.
  • The numbers in the middle belt indicate climacteric years in eccentric movement, i.e. the year in which one moves from one climacteric period to the next. (There is a small error in these numbers: house 9, labeled “Taurus – 15”, should have the number 14, not 15.  I’ve corrected this in my own redrawing of the Great Dial.)
  • The signs of the Zodiac in the middle belt indicate months in concentric movement (identifying March with Aries, April with Taurus, and so forth.)
  • The numbers and planetary symbols in the inner belt and center house indicate the days of the week in weekday order.

One note before moving on: although, in concentric movement, the middle zone is used primarily to determine months, it can also be used to refer to any smaller units of time that can be broken down into a twelvefold division: hours of the day or the night, minutes of an hour (with each house referring to periods of 5 minutes), and so forth.  However, ZT says that the smallest reasonable unit of time to break down inquiries is to the level of the hour, and that while one could break inquiries down into smaller units of time to minutes or seconds:

…this mincing smacks too much of charlatanry to us, at least to seriously give ourselves over to accounting for the fussiest fractionation of time. It is a matter of divinatory nickel-and-diming which gives, at best, a knavish character to the accounts of people acting in bad faith. We indicate the possibility of extracting ever-smaller units of time only so we may establish that, if the Candidate were to find themselves deterred by some lack of teaching, then at least they should not attribute their embarrassment in this to some insufficiency of the means of the Great Cabala.

So, the obvious question arises: when do we use the Great Dial in eccentric movement vs. concentric movement?  The way I like to think about it is that concentric movement deals with the events within a human timeframe, either within a human lifetime or otherwise something that happens in the near term.  Eccentric movement, on the other hand, deals with events that occur over much grander periods of time—up to 1702 years down the line (or, I posit, in the past), beyond such a limit the Great Dial cannot be used.  As a result, when ZT gives examples of determining matters of time, it generally uses examples of concentric movement on the Grand Dial, since it generally deals with events on a human timescale instead of a civilizational one.  That said, at one point ZT does also present a fiery defense that some matters demand the inspection of not just the events of a single lifetime but even unto “the most distant future”, noting that sometimes events indicated in a Great Mirror might occur centuries from the time of the reading itself (e.g. when such a reading says that one’s descendants are destined for royalty or greatness, but such a thing only happens two or three centuries from the time of the reading).

Okay, so, we have the “what” and “why” of the Great Dial understood, so what about the “how”—how do we actually go about using the Great Dial?  Well, uh, let’s back up a bit and reconsider first that the Great Dial is a way to use the large hexangular figure in order to answer matters specifically about time in the sense of when something will happen—assuming that it will, of course, which is a matter for the Great Mirror and other divinatory processes to conclude first.  (This is much the same approach I’d take with geomantic divination: if someone wants to know when something will happen, I first confirm that it will or not, because if it won’t happen, then asking about when would yield a nonsense result.)  As opposed to the use of the Great Mirror, which never earns a proper example or case study in ZT, ZT offers lots of smaller examples throughout the “First Supplement” about various ways to predict the time of an event.

The overall method that ZT mentions for determining details of time (and other such details) generally fall under what I call “option-whittling”:

  1. For the topic under investigation, select a tile that accurately represents the thing being investigated (e.g. the 66 tile for marriage).  This will be the “speaking tile” or, in modern terms, the significator of the questited.
  2. Given a set of possible options, select a figure of the appropriate size that represents the number of those options.  Take the speaking tile and however many other tiles you need to come up with that figure, mix them up without seeing, and arrange the figure in the usual order with all tiles face-down.
  3. Starting from the last tile placed in the figure, announce what the last possible option available, and flip up that tile.  If that tile is the speaking tile, then the announced option is the one indicated.
  4. If, however, the announced option was not the speaking tile, proceed backwards through the rest of the tiles, proceeding through each option in turn in reverse, to find where the speaking tile is.

Say I know that a friend is planning a party in the coming week, but I don’t know what day of the week it’ll be on yet and, given that my friend is in the habit of giving little-to-no advance notice for such events, I want to plan ahead to see if I can make it in my otherwise busy schedule.  For this, I’ll pick the 22 tile “happy associations, friendship” to represent the party, and given that I have seven options to pick from (seven days in the coming week), I’ll pick the figure that makes use of seven tiles: a small hexangular figure.  So, to that end, I’ll take out the 22 tile and six other random tiles (it doesn’t matter what they are, even if they’re Intelligences or Principles or Spirits), put them all face down, mix them up, and arrange them in the usual small hexagon.

So, somewhere in this small hexagon is the 22 tile, but I don’t know where.  Let’s say that the current day is a Wednesday, and I know that my friend isn’t having the party today, so the party could be held as early as tomorrow (Thursday) or as late as one week away (next Wednesday).  What I’ll do is I’ll lift up the seventh tile (being the last) and say/think “is the party being held this coming Wednesday”; if the tile is the 22 tile, then yes, but if not, I’ll proceed to the sixth tile and say/think “what about Tuesday”, and so forth, ending with the first tile laid down representing tomorrow/Thursay.  Wherever the 22 tile is indicates the day of the week the party will be held on.

This “option-whittling” approach is described in many ways, and given the number of options one has to pick, different figures can be used:

  • Three options: small triangle
  • Four options: small diamond
  • Five options: small diamond + one tile held in reserve
  • Six options: hollow triangle
  • Seven options: small hexagon
  • Eight options: small hexagon + one tile held in reserve
  • Nine options: medium diamond
  • Ten options: full triangle
  • &c.

When I say “a tile held in reserve”, a good example of this is when ZT proposes how one might find out on which day of the month something might occur.  Let’s say that that we know that our friend is planning another party later on in the year in October, but again, we don’t know when and they’re not in the habit of letting us know with much warning, so we want to find out what day to plan for.  October has 31 days, but there’s no figure that comes anywhere close to that number; they’re either all too small (large triangle has only 15 tiles, large diamond only 16) or too big (large hexagon has 37), but what we can do is take the usual speaking tile and mix it together with 30 other tiles for a total of 31, then make two large triangles with one extra piece put near the second large triangle.  What we’re doing here is essentially partitioning out October into two halves: the first large triangle is for days 1 through 15, the second large triangle is for days 16 through 30, and the tile in reserve is for the 31st day itself.  We start with the first triangle and see if the speaking tile is found in that figure; if not, then the event won’t be held in the first half of the month, so we turn to the second triangle, but we start with the tile in reserve first—because it’s the actual “final” tile that represents the final option of the 31st day.  If that tile in reserve is the speaking tile, then we have ourselves a Halloween party; if not, then we have some other day in October from days 16 through 30 that the party will be on.

In this way, we can go through any number of options, though ZT says that “rarely does a a particular question require larger figures” larger than ten-ish tiles, and even then, we can always use multiple figures to determine an answer in those cases when necessary.  In this way, we can go down to three options using a small triangle, but what about a binary choice of just two options?  ZT literally says to just take the speaking tile plus one other random tile, shake them around in the hand, and pick one.  It’s that simple.

With all that understood, we now know how we can use the Great Dial in a similar way.  Let’s say that we have someone who was told that one day their family give birth to someone who will become worldwide famous, and they want to know when such a birth will occur.  For this, we’ll use the speaking tile of 1 (which indicates births), and compose a Great Dial with 36 other random pieces.  Because of the nature of this query, we don’t know if the birth will happen anytime soon or not, so let’s first use eccentric motion to determine the general timeframe in which such a birth might happen.  In eccentric motion, the outer belt is the yearly belt, the middle belt is climacteric, the inner belt is centurial, and the center house is millennial; to that end, we use the usual option-whittling approach to determine in what timeframe such a birth will occur: 18 years down the line, 17 years, 16 years, etc. down to just 1 year for tile 20.  After that, 12 climacteric periods (84 years) following these 18 years away, then 11 (77 years), 10 (70 years), etc. down to one climacteric period (7) after the first 18 years.  After that, 7 centuries (following 18 years and 12 climacteric periods), then 6, then 5, etc.  After that, we have 1000 years, after seven centuries plus twelve climacteric periods plus eighteen years—or it could just be sometime further indefinitely off than that as some upper undefined limit.

What about something closer?  Let’s say that a querent knows from a Great Mirror that they’ll be married sometime in the next few years of their life.  For this, we’ll use the 66 tile (which indicates marriages) and compose a Great Dial with 36 other pieces.  At first, we’ll read the outer belt in eccentric movement, interpreting each tile as being one year each, and so we’ll do the usual option-whittling starting with 18 years, then 17, etc.  If we don’t find the 66 tile in the outer belt, though, then (in the context of this query) it’s not that the querent will marry sometime much later, but rather, sometime much sooner, so we’ll move to the middle belt now and switch to using concentric movement instead of eccentric, which means that we now read the middle belt as being one month each, starting with 12 months away from the reading, then 11, then 10, and so forth, ending with one month away.  If we still don’t find the 66 tile, then that means that it must be in the inner belt or center, which is for weekdays; at this point, we can say that the marriage will occur sometime very soon in the present month, and the position of the 66 tile can indicate the week.

The point of this latter example is to show that a single Great Mirror can be read in either or both movements, depending on the nature of the query and what makes the most sense, but truth be told, most of the examples of ZT that indicate telling time don’t use the Great Dial at all, it’d seem.  Of all the examples ZT gives, it determines:

  • Year: by either the outer band of the Great Dial in concentric movement (to determine lustral period of a human life) or any part of the Great Dial in eccentric movement (year, climacteric period, century, or millennium)
  • Month: by the middle belt of the Great Dial in concentric movement
  • Day of the month: by either:
    • Two large triangles for a month of 30 days, or two large triangles plus one tile in reserve for a month of 31 days (for February, we could use one medium hexagon for the first 19 days plus either a medium diamond for the remaining 9 days or full triangle for the remaining 9 days in a leap year)
    • One small hexagon to determine the day of the week, then to determine the week of the month, either a small diamond (for a month of four weeks containing that weekday) or a small diamond plus one tile in reserve (for a month of five weeks containing that weekday)
  • Climacteric period: by one small hexagon to determine the first seven climacteric periods, then another small hexagon to determine the next seven (or, more properly, a hollow triangle to determine the next six, since 6 + 7 = 13, and 13 × 7 = 91, which approximates the maximum lifespan of humans according to ZT)
  • Hour: …uh…well…

So, about determining hours: ZT offers two methods on this approach, which it spends a good amount of time clarifying on the first and offers the second as an alternative, and both seem slightly confused in minor ways that aren’t impossible to reconcile, but it’s still a little weird.  It helps, however, that ZT just takes the usual system of planetary hours and planetary weekdays as a given, which we can use to our advantage here.  My issue is, however, that neither of them seem particularly robust.

Hour determination, first method: For the purposes of this method, we only care about the tiles belonging to the solar or lunar intelligences, where all the tiles of Genhelia/matter-Sun and Psykelia/spirit-Sun indicate diurnality and all the tiles of Seleno/matter-Moon and Psykomena/spirit-Moon indicate nocturnality.  We’ll give the Intelligence tiles to the midpoint of their respective periods, such that the Genhelia and Psykelia tiles represent the hour leading up to midday (thus the sixth hour of the day), and that the Seleno and Psykomena tiles represent the hour culminating in midnight (thus the sixth hour of the night).  We rotate through the tiles in the given columns according to the Table of Numbers from Plate II accordingly to obtain the rest of the tiles for the hours of the day or night, starting from the middle-point of the column to indicate the twilight, working our way up to the Intelligence tile to represent the midpoint of the day/night, then rotating back from the bottom of the same column to represent the remaining hours of the day/night.

What we get is a table of solar/lunar tiles that represent the hours of the day and night accordingly:

Hour Daytime Nighttime
Genhelia Psykelia Seleno Psykomena
1 37 45 38 44
2 28 36 29 35
3 19 27 20 26
4 10 18 11 17
5 1 9 2 8
6
7 91 99 92 98
8 82 90 83 89
9 73 81 74 80
10 64 72 65 71
11 55 63 56 62
12 46 54 47 53

So, to determine the hour in which something will happen, we use a large triangle of 15 tiles, with the outer rim of 12 tiles indicating the number of the hour, and the inner small triangle indicating whether it happens in the daytime (hours 1 through 12) or nighttime (hours 13 through 24).  We inspect the inner (ideal) small triangle first: best 2 of 3 of solar or lunar tiles determines the period.  Thus, if there’s any number of solar tile and no lunar tiles, or at least more solar tiles than lunar tiles, then the event will happen during the day; likewise, if there’s only lunar tiles and no solar tiles, or at least more lunar than solar tiles, then the event will happen at night.  That done, we then proceed to look at the outer rim of 12 tiles on the large triangular figure we composed.  We then proceed to find whatever solar or lunar tiles agree with the inner triangle, and use the outer rim tile(s) to indicate the hour itself of that given period.  Thus, if the inner triangle indicates a nocturnal event, then if we find both a solar and a lunar tile in the outer rim, only the lunar tile matters to indicate the hour.

Of course, there are a number of questions about this method that ZT leaves unresolved:

  • All other tiles of any other planet are irrelevant and neutral for this approach, meaning they don’t indicate either diurnality or nocturnality.  So what happens if there are neither solar nor lunar tiles in the inner ideal triangle?
  • Even if we can judge the diurnality/nocturnality of an event from the inner triangle, what if there are multiple tiles that agree in the outer rim?  Does that mean the event could happen in any one of those hours, or in the range between them?  Do we just pick which one using an option-whittling method afterward?
  • Even if we can judge the diurnality/nocturnality of an event from the inner triangle, what if there are no tiles that agree in the outer rim?  Do we just say that it can’t be decided and that it’ll happen throughout the day or at any point which cannot yet be determined in that day?

There’s also one really weird bit about this method, however.  ZT says that, regarding the hours:

Just as the solar and lunar pieces mark the exact points of noon and midnight, each hourly number marks the exact middle of the first, second, third, &c. hour, whether daytime or nighttime. Without being aware of this, one runs the risk of making a mistake of any time, sometimes by half an hour.

I can’t really make sense of this, honestly.  If the solar and lunar Intelligence tiles themselves represent the exact points of midday and midnight, then that would indicate the border between two hours, not the middle of such hours.  It also says earlier, however, that tiles 37, 47, 45, and 53 all “share the twilight hour of the morning”; usually we don’t say that an hour is split or that the twilight hour is split, but rather that a day starts at sunrise itself (which ZT agrees with).  So does ZT mean by this note that our usual reckoning of dividing up the unequal hours is to be shifted forward by half an unequal hour?  It’s unclear to me, and seems really confused or overly complicated.

Hour determination, second method: This approach of assigning the tiles to the hours is similar to the previous method, but incorporates the given Zodiac sign of a known date.  Recall in the Table of Numbers in Plate II how each of the rows of the table is assigned a sign of the Zodiac.  The first hour of the day/night is the solar/lunar tiles of the row of that sign of the Zodiac, the second hour the one beneath that, the third one beneath the second, and so forth, looping around if we’ve reached the end of the column.  Thus, while the Sun is in Gemini, tiles 10 and 18 are the first hour of the day and tiles 11 and 17 the first hour of the night, tiles 19 and 27 the second diurnal hour and tiles 20 and 26 the second nocturnal hour, and so on.  Unfortunately, no example is specifically given with this second/alternative method, so if we use the same fundamental approach as before, then the same issues remain as before.

Of course, there is a sorta-secret third method to determine the hour that was hinted at earlier: use the Great Dial in concentric movement to determine the hour number, then use option-whittling to determine if it’ll happen in the day or night.  No muss nor fuss with trying to allot tiles to unequal hours or worrying about what if you don’t get any (or if you get too many) solar or lunar tiles, whatever.  Or, if we want to take a similar approach as what we did with the first method of determining the day of a month to innovate a fourth method, we could use four hollow triangles, because each hollow triangle has six tiles and 6 × 4 = 24, and use the usual option-whittling approach that way, splitting a whole day-night cycle into four separate chunks of morning (hours 1 through 6), afternoon (7 through 12), evening (13 through 18), and night (19 through 24).  (Although we might conceivably break a set of 24 options into other figures like a large 15-tile triangle with a medium 9-tile diamond, having this broken out into equal segments pleases me more.)

I’ll be honest: while I get the underlying process that ZT shows for many of these forms of determining specific times, they feel kinda…I dunno, clunky?  And especially for determining hours, that gets into levels of specificity that seem increasingly suspect to me (a concern magnified if we were to go any lower than hours, as ZT itself warns against), and the methods it explicitly suggest seem super rough and too ill-specified for my taste, at least without exploring other options.  But then again, ZT also says this about the methods it shares:

The Candidate is warned that the means indicated in the First Supplement to find the climacteric, annual, monthly, hourly, and other periods are rather thus described as exercises rather than to assist them in quickly and surely finding a moment they might seek. Rather, they will be surprised indeed to find, at the proper time, other methods shorter, surer, and less childish than those we have offered earlier to their avid curiosity. Since there is much to learn and do before one begins to calculate months and hours, when the Candidate eventually gets to such a point, they will already know how to go about it and can dispense with the processes described as well as the Tables [of meanings of the tiles and the Great Mirror houses], by which we only wanted to offer some bait to the unreasonable impatience of most people who wish to read into the future.

It is unfortunately too true that, in a work that will someday be precious, what is less sound must serve for now as a recommendation for the rest.

Even by ZT’s own admission, it doesn’t think particularly highly of the methods it gives to determine times.  I mean, it makes sense, doesn’t it?  All that this “option-whittling” (as I’ve been calling it) is is just a variation on processes of elimination, which is about the most rudimentary form of sortilege you can do with little in the way of actual interpretation or intuition being called for.  While there’s nothing saying that these methods can’t work, I admit my own skepticism of them to a degree, and can think of better methods involved.  For instance, using the Great Dial in concentric movement with the middle belt indicating hours, it might be possible to conceive of a method that links up one of the 12 hourly houses in the middle belt with one of the seven daily houses of the inner belt + center house using ideal triangles to determine both the weekday, diurnality/nocturnality, and hour of the day/night.  Alternatively, if we know the given weekday, then noting that the planetary day is ruled the planet of its first hour and planetary night of its first hour, we could use more tiles than just the solar/lunar ones to determine planetary days and hours, as well.  Another option could be to give the other planets their own diurnal or nocturnal qualities in addition to the luminary ones to even things out.

As far as ZT is concerned, I think determining times along these lines is a tricky topic, in agreement with what ZT says.  At the same time, I also think that either the author of ZT was intentionally holding back on intuitive/interpretive techniques to lead to such a result, or they just threw this in as an afterthought to let others fill in the gaps without ever thinking such methods through enough themselves.  I’m sure that there are plenty of ways to determine time, and ZT has certainly given some ways, but even ZT itself doesn’t take them seriously; I don’t think we should, either.