On Variations From and In Grimoires

A good question from an inquiring reader:

I’m just confused about something I see many occultists do, and that is simply this: deviating from the instructions given in the grimoires. In your wand-making posts, for example, you make substitutions, additions, and combine aspects from multiple sources, and you are not the only one who does this. But this is super confusing to me since the grimoires are all like, “this is the true wisdom of true divinity, so you’d better follow every rule to the letter or oooh there’ll be trouble!”  So how is it possible to deviate from the instructions and still work effective operations?

It’s certainly an interesting question to ask, and a good one, too.

Consider the origin of the word “grimoire”, in that it comes from the same word we have as “grammar”.  For us, grammar (without the article) is the set of rules we use to compose clauses, phrases, words, sentences, and the like to communicate with other people using language; a grammar (with the article) refers to a book that describes and lays out such rules.  If you were to learn Japanese from a Japanese grammar book, it would tell you how to properly and correctly conjugate verbs and adjectives, where to use the subject and topic particles, and the like.  It would also indicate to you what would be incorrect language, with the warning that you will not be understood properly if you use it.  All grammar books tend to work in similar ways to this: use these rules properly as laid out and you’ll be understood, don’t and you won’t.

But the thing is, people break those rules all the time, and they’re understood all the same.  Whether they use a non-standard dialect compared to the “standard” language of the grammar, whether they’re breaking rules ironically (e.g. “cat no like banana” or “I accidentally the thing”), or whether they’re using poetry that intentionally breaks some rules to maintain senses of beauty or aesthetics—the proper rules of grammar are broken all the time, and we still manage to understand people who do so.  Sometimes it’s an honest error, like when a native Chinese speaker gets the English pronouns “he” and “she” mixed up (because they don’t historically have a gender distinction for the third person singular pronoun 他 ); sometimes it’s because people have just adapted how they talk and have formed a “new standard” for themselves even if it’s not “book standard” according to this or that grammar.  This is the danger with linguistic or grammatical texts, and why there’s a distinction between “prescriptive” linguistics (which describe language as it “ought to” or “should” be spoken from a top-down authority) and “descriptive” linguistics (which describe language how it’s actually spoken in real life from the bottom up).

It’s much the same with many grimoires and magical texts.  What distinguishes a grimoire from a spellbook or Book of Shadows is that a grimoire doesn’t just provide a collection of spells, but a method and methodology—a “grammar”, if you will—of ritual and magic.  And grimoires, like grammars, can be traced and investigated to ascertain their origins and development across and through time, culture, and language; we know for a fact that no one grimoire just appeared out of thin air, but comes in a long line of spiritual research and development, and even if it’s an original text (rare, but it happens!), we can still trace its context for clues about what information fed into it.  For instance, the Heptameron of Pietro d’Abano and the planetary invocations from the Munich Manual both share a common origin, as does the Elucidarius Magicae, and all of these texts are based on other texts in the Solomonic grimoiric textual tradition, some of which can be traced back to earlier Arabic magical texts like the Shams al-Ma`arif.  When we take a broader look at these grimoires in their histories and lineages, we definitely see changes, developments, innovations, and departure from earlier texts all the time; sometimes it’s because a new author-operant of a grimoire found an improvement or simplification to make, sometimes they made a copyist’s error, sometimes they tried to “aesthetically fix” an ugly or messy symbol they found which causes changes in the shapes or appearances of seals and sigils and the like (cf. the pre- and post-Mathers versions of the seals of the 72 demons of the Lemegeton Goetia).

If anyone told me that they had the one and true wisdom and method of magic and that any deviation from it whatsoever would land me in trouble, I’d laugh in their face; that’s obviously just not factual.  But what these grimoires give us (in all their variation) as a whole isn’t just the notion that there’s more than one right way to do, write, or chant something; they each give us a baseline of operations.  One of the reasons I encourage people who are looking or consulting a grimoire for something to work with one specific grimoire to the letter, at least at first, is because it gives them something to establish themselves with.  Either they get results with it and they know what can happen when they follow the text, or they don’t get anything and either need to check themselves for departures from it or find out that maybe that method just isn’t for them.  But getting this sort of baseline is important for when you do need to change things or extrapolate from the grimoire to do something new using old methods; after all, the fundamental idea of a grammar isn’t to tell you every possible correct sentence, but how to form correct sentences.  Just so does a grimoire not tell you all that can be done, but shows you how to do all things by using its own “grammar” of magic and extending it as necessary.  And, when you want to innovate, improve, simplify, adapt, or otherwise depart from the grimoire for whatever reason or need that arises, you know what you can compare against as a baseline because you’ve already done what the grimoire says, and can extrapolate from the grimoire from there.  Remember that these grimoires were written by people who lived and breathed that magic in them; they know it works, because that’s what they’ve done and recorded as what works.  This is the reason behind the “this is the true wisdom of true divinity”, because it’s gotten them there—it’s just that that’s their truth, and there’s usually more than one way to be true.

It is possible, of course, that deviation from the rules can (and does) land you in trouble; to use a food-based metaphor, there is no safe way to incorporate arsenic as an ingredient into a meal, even if you’d like for that meal to be colored a brilliant green, and there’s no way to use food to perform physical equations in the same way as you would with pen and paper.  But if a recipe calls for buttermilk and all you have is Greek yoghurt, you can substitute one for the other and still come out with a great dish, and the recipe will still work.  Sometimes it works because the thing you’re substituting and the thing you substituted are similar enough where you got your point across, or where they’re functionally and spiritually identical and it’d work either way; sometimes it works because you have no other choice but to make it work, because perhaps the original thing called for is unavailable or otherwise impossible to get or do anymore; sometimes it works because you make systemic changes that overall achieve the same goal by compensating in one area what you lacked or goofed on in another.  What the grimoires often show is an ideal, perfect method of doing something, but the world we live in is hardly ever ideal; we do what we can to make things as ideal as possible, and what we can’t, we make up for in substituting, rearranging, or otherwise putting in elbow grease to make it work the rest of the way.  An engineering textbook can give you the principles of building a bridge, and even show how to build a bridge under ideal conditions, but where on Earth is there a place where those ideal conditions actually exist?  Living engineers using real engineering must make concessions to reality and work around things that aren’t ideal in order to make a safe and sturdy bridge that fulfills its travel throughput needs—but using the principles of engineering in that textbook, and following whatever governmental, market-based, and other regulations and restrictions they need to along the way (which the engineering textbook itself may not take into account).

For my part, with my Wand of Art, it’s not so much that I was deviating from a grimoire I was working, since I wasn’t really working from any one grimoire—at least, not intentionally so.  But I was taking inspiration from and adapting several sources at once for an all-around all-purpose sort of tool that covers different aspects of wands from several grimoires.  For that reason, I wasn’t so much “deviating from the instructions” as I was making new instructions entirely, just based on old ones.  Besides, many of the grimoires offer designs and instructions not just as an ideal case, but also sometimes as a minimum requirements standard: so long as you do X, Y, and Z, it doesn’t matter what else you do, whether A, B, or Θ, even if you happen to mix the two.  In this case, I read the grimoires in question as giving a minimum set of requirements for my wand to fulfill, and as such, I’m able to work with both.  There’s also the matter of interpretation, such as by using Hebrew names of God instead of Latin ones, but since they’re effectively the same thing one way or another, it’s a clean substitution in many ways.

This is probably a bit longer of an answer than they (or you, dear reader) were anticipating, so to offer a summary: it’s possible to deviate from the instructions and still work operations because the instructions themselves are only an example of ideal situations and case-studies, and the fundamental method and methodology of a grimoire allows for making whatever improvements, adjustments, or fixes along the way to account for real-world scenarios—but no more than what’s necessary.  Even then, each grimoire is just a snapshot of a particular book-based magical tradition and lineage, and each snapshot we can get shows how varied the real-time, real and living magical tradition can be.  There is never “one true way”, but many ways to truth; it’s just up to us to find them and follow them, and sometimes we can take a detour along the way that ends up being better for us but not for others.

The Difficulty of Centralizing the Way of Hermēs

I guess I should write a follow-up to that last post about the difficulty of coming up with a set of coherent principles for Hermet(ic)ism.  The main point I was trying to make was that coming up with a short set of overall principles for the Way of Hermēs is really difficult, despite the popularity of such a notion as spread by the Kybalion to make bite-sized pieces of philosophy and spirituality easy to digest.  There are lots of reasons for this, which I brought up in the last post, but the big one is that the notion of a principle is (as defined by Dictionary.com) “a fundamental doctrine or tenet; a fundamental, primary, or general law or truth from which others are derived”.  This sounds all well and good, and it’s reasonable that we should want and strive to come up with some Hermetic principles to arrange for the study of Hermet(ic)ism and the Hermetic canon, but the problem I kept running into was that everything seemed to be contradicted at one point or another by the very texts those principles are supposed to derive from and summarize.  This isn’t so much a problem of the principalizers as it is the things to be principled; it’s a known fact that the Hermetic texts are not consistent among themselves, even by their own admission, by the very nature of what it is they teach and how they go about teaching it.

First, why should we want principles?  As we mentioned earlier, we have a notion of κεφαλαὶα, “chapter headings” as it were, brief gnomic statements about doctrine which often serve as mnemonics and fundamental…well, principles that other Hermetic texts work on expounding.  There are two excellent sets of such statements at our disposal—the Definitions of Hermēs Trismegistus to Asclepius on the one hand and the Eleventh Stobaean Fragment on the other—but there are about fifty such statements in each, and are often paradoxical, supremely terse and soaked with deeper meaning, and not exactly as memorable or catchy as the well-known (but faulty) “Seven Hermetic Principles” from the Kybalion.  To an extent, that really should be okay; as I’ve said before, the study of the Hermetic texts and of the Way of Hermēs generally is going to be a difficult process, just as the Hermetic texts themselves say, not because of how they’re written (through choice and style of translations can make it more difficult), but because of the very subject matter itself.  Even for those for whom the doors to the Way of Hermēs were built, the way is hard and long to walk.  To try to simplify everything into bite-sized things can be useful at times, but we should remember that a sugary snack is no replacement for a hearty meal.  Substituting a handful of Hermetic principles for the deeper lessons and lectures and logoi we should be studying and contemplating might be nice at times, but that’s not the same as actually doing the Work needed.  There’s a world of difference between a simple, high-level, abbreviated awareness of a concept, and fully understanding, comprehending, and grokking it, and the use of simple pithy principles does not help us accomplish that.  It might get us started, if at all, but simply remembering a pithy phrase is not the same thing as having actual wisdom to back it up.

But let’s say that we still want principles to write about, and let’s assume we have a good reason for their writing.  We still run into the problem of principles being contradicted by the very texts they’re supposed to be principles for; we still have the problem of a lack of consistency across the Hermetic canon for all but the broadest and highest-level of notions.  At that point, though, such statements would end up being neither particularly informative nor particularly helpful nor particularly distinct to Hermet(ic)ism.  This forces us to take a look at these contradictions and inconsistencies in the Hermetic texts, which forces us to realize that…well, Hermet(ic)ism isn’t just a single thing, not a single doctrine held by a single group, not a single practice implemented by a single temple, not a single lineage with a single source.  There are hints in the Hermetic texts of a variety of different views and standpoints, where the way the text is phrased suggests setting the specific author apart from the other views (sometimes as polemic, sometimes as correction, sometimes as an actual viewpoint held by other Hermetic groups, sometimes as views held by other traditions as incorrect views, sometimes a viewpoint made an example of without being seriously considered as being Hermetic):

  • A purely monist view of creation versus a dualist one.
  • A view of the cosmos that begins from a dualist standpoint to a monist one, versus one that begins from a monist standpoint to a dualist one.
  • Groups who proclaim direct descent from Hermēs through Asclepius, Tat, and Ammon, and groups who proclaim indirect descent from Hermēs through Isis, Osiris, and Horus.
  • Monotheistic versus polytheistic stances on God or the demiurge.
  • A favorable view or unfavorable view of the demiurge as relating to corruption and vice in the world.
  • A favorable view or unfavorable view of asceticism and abstaining from sex and reproduction.
  • A favorable view or unfavorable view of making material offerings to divinity, and in specific contexts.
  • A favorable view or unfavorable view of using magic to rectify or change things in the cosmos.
  • A view that in reincarnation the human soul can reincarnate into animals versus one that prohibits such a view.
  • A view that God is capable of sensation and understanding in the world versus one that prohibits such a view.

We see a variety of these differences in different Hermetic texts, and not just the philosophical Hermetica, but the technical Hermetica, too, depending on the specific genre of text, the specific time period it was written in, the presence of the influence of specific other traditions, and the like.  We see this not just in classical Hermetic texts, but in pretty much other texts right up through into the modern day.  While some of these viewpoints were argued against as a point to make about what’s Hermetic and what’s not Hermetic, some of these were also argued against as a point to make about what’s good Hermet(ic)ism and what’s bad Hermet(ic)ism, and it’s not always clear which is which.  What we end up with is, frankly, a mess, but there is one clear answer that arises from it like shining Harpocratēs on the lotus from the mud: there is no one single Way of Hermēs, but a whole bunch of such ways.  What we end up with is that there is not one single Hermet(ic)ism; what we end up with is a set of texts that are a collection of a survival of loosely-affiliated Hermet(ic)isms that did not always agree on the finer points of doctrine and practice.

I suppose the drive to have the “one true Way” is as strong with me as it is with others, and has been since the dawn of Hermēs Trismegistus in this light.  I recall some snarky comment on (probably?) Reddit—I don’t remember who made it, just the basic gist of the comment—that people are going to argue over whatever they think is Hermeticism that day.  And I admit that I do that, too; heck, my recent rant about relabling myself as a Hermetist and leaving the Hermeticist label behind is myself telling on myself that I have my view on what constitutes the “real” Way of Hermēs.  But, then, so did the authors of the Hermetic canon themselves, though they all use the mask of Hermēs or one of his disciples to teach.  While this was the custom at the time, to be sure, to ascribe all good, approved, traditionally-sourced knowledge to the god who was the font of all suck knowledge, we also have to admit that it gives us a false sense of unity that quickly falls apart based on what we have available to us, both in how little we have as well as in how much we have.

In almost any real-world scenario, when we want to get from Point A to Point B, we often have many ways to choose from to accomplish such a trip.  Though some might consider the shortest, most direct path to be the “correct” one like on an IQ test, let’s be honest: the way you get there doesn’t so much matter so long as getting there is.  Whether you walk the most direct path on foot or drive a cart for a more scenic path or take the bus along a preplanned route, whether you go straight to your destination or hit up other destinations along the way, whether you like taking only left turns or avoid taking any left turn at all, so long as you get from Point A to Point B to accomplish what you originally set out to do, that’s what matters more in the end, so long as you end up making your destination.  While I can point out the distinctions and departures any particular Hermetic (or, in some cases, “Hermetic”, quotes intentional) path might depart from that described by (whatever chunks of the Hermetic canon are consistent amongst themselves), the fact that they take such a path from A to B for the same underlying reasons is good enough to claim the Hermetic title for themselves.  Sure, they might not be classically Hermetist in their approach and would rather take a more modern Hermeticist approach, but that’s still just one approach out of many under the broader umbrella of the Ways of Hermēs.

Now, don’t get me wrong: I’m not saying this with some sort of BS climax saying “yanno, maybe the Kybalion is alright in the end”, because it’s not; that’s still a New Thought text, not a Hermetic text except in cases of sheer coincidence where Atkinson took a break from lauding himself for sharing such “secret”, “ancient” knowledge out of the goodness of his heart to actually make a point about New Thought dolled up in faux-Hermetic drag.  (Quite the opposite, really, as we’ll get to eventually.) What I’m saying is that when it comes to the matter of coming up with principles for the Hermetic texts…maybe we’ve got it backwards, and that’s where we’re coming into problems.  That’s the distinction between the kephalaía statements and principles, because the kephalaía statements were the seeds of texts that had to be nourished to flourish into a beautiful garden, while here we are trying to make a jar of reduced jam from the fruit of such texts when not all such texts make compatible fruit.  Principles are supposed to be things from which we derive other truths, not to be merely summaries of existing ones.  Principles establish the guideposts and landmarks and directions to take on a given Way, but a difference in principles will set you up from a different Way than someone else who has different principles, even if both are derived from the same collection of texts.  This can’t really be avoided; without going through some super complex and arcane (and more than likely roughshod and ramshackle) effort to harmonize conflicting teachings on their surface (because all such teachings will be true at some point or another for some people and not others, all pointing the way towards a deeper truth of an ultimately ineffable Truth), you’re going to have to “pick sides” as it were.  This means that, although I call all these texts collectively “the Hermetic canon”, you’ve got to make a move here to say what’s really canonical or not.  A better term for all this is simply Hermetica, or Hermetic corpus (not to be confused with the Corpus Hermeticum), perhaps, with “Hermetic canon” being the specific texts one holds as consistent with each other and true or with elisions and explanations to deal with the things that aren’t consistent with the rest, but in the end, the principles you use need to be made with the full understanding that those are going to be the parameters for the Way you’re planning to follow.

Let me say that again: the principles you use need to be made with the full understanding that those are going to be the parameters for the Way you’re planning to follow—and, thus, the Way you’re planning to teach and guide others on, as well.  When you establish a set of principles, you end up making a new Way, whether you intend to or not, and that should only be done after great thought and deliberation in the process.  Otherwise, the Way you establish by means of those principles can be more dangerous, deceptive, repetitive, or misleading than you intend it to be.  In making canon, we use cannons; be careful where you aim, and be careful of collateral damage in the process.  I’m not saying that you can’t make a set of principles as guiding statements for (your preferred brand of) Hermet(ic)ism, but that you need to be supremely cautious that, in doing so, you don’t lose sight of where you’re coming from, where you’re heading to, how you’re getting there, and why you’re heading there at all, and that it all still looks, smells, and feels enough like other Ways of Hermēs to still be a Way of Hermēs itself.  After all, Hermēs is the god of all roads and all paths, and is the teacher of all students; he can teach you in any way, but only the way that is best for you.  If you’re going to take that role of Hermēs upon yourself for others, then you better know what you’re doing, because a faulty guide gets everyone lost.

I suppose this is one reason (out of many) for my own difficulty in trying to come up with “Hermetic principles”: I’m still learning, studying, and contemplating the classical Hermetic texts too much, and want to try to get at the deeper truth from all angles of each, to take a side just yet on any of them.  It’s why I don’t feel ready enough to make a judgment on the worthiness of any particular Hermetic text, at least within the bounds of that which was written up to and including the Emerald Tablet, after which my own interest in practice and belief wanes—again, a conscious choice I make on my part, and perhaps the only solid one I make regarding the broader notion of “Hermetic literature”, and which centers my view of Hermet(ic)ism on the philosophical Hermetica over the technical Hermetica, at least for the purpose of illustrating the overall Way as opposed to specific vehicles or directions to take on any given way, whether of Hermēs or otherwise.  It’s why I don’t feel at the proper point to proclaim what my recommend guideposts, landmarks, and directions on the Way of Hermēs should be, because I’m still figuring that out for myself and haven’t reached my destination yet to look back and see what can be said about the way I took to get there.  It’s why I like just pointing to Book III of the Corpus Hermeticum as my own sort of Hermetic “Heart Sutra” that I think should be the first Hermetic text one reads, because I feel that it’s a good summary of the Way of Hermēs as anything else without being too long, too obscure, or too challenging while also giving a good, high-level view of the Way that doesn’t have polemics against other quasi- or non-Hermetic ideas and which doesn’t have polemics against it elsewhere in the Hermetic canon.  In this, I suppose that Book III, “the Sacred Discourse of Hermēs”, is my preferred bedrock of the Hermetic life—and thus provides a ready, premade set of principles of its own.  (In addition to the kephalaía of the Definitions and the Eleventh Stobaean Fragment, of course.)

Not to overplay the song of the target of my disdain too much, but this matter of principles is fundamentally the substantial reason why I consider the Kybalion to not be Hermetic, in addition to its non-Hermetic origin.  Not only do the “Seven Hermetic Principles” not appear in any legitimate Hermetic text (classical or otherwise), but they all point to aspects of doctrine, none of which are written in a way that makes sense in the original contexts of Hermetic literature, and none of which are particularly Hermetic even when they aren’t outright contradicted by Hermetic texts, all without actually setting a goal or purpose.  In that, the Kybalion can be considered no more than that one miscellany drawer we all have at our desk or in our kitchen full of trash and knickknacks; some might be able to turn it into a toolbox of miscellaneous (and poorly-made, vague, undefined, indefinite) tools, but without any clear purpose for what those tools can be used for besides feel-good solipsistic “The Secret”-esque navel-gazing.  This is direct contrast to the ultimate goals of the Way of Hermēs, said in no uncertain terms from the Corpus Hermeticum (CH) and Stobaean Fragments (SH):

  • To show devotion (SH IIb.2)
  • To join reverence with knowledge (CH VI.5)
  • To not be evil (CH XII.23)
  • To enter into God so as to become God (CH I.26)

I refrain from calling these “principles” because, while these are all things that aren’t contradicted by other parts of the Hermetic canon, I’m not sure that these are sufficient to serve as axioms or declarations of truth from which other concepts can derive.  I’m not saying that this is all that there is along these lines, either, but these are sufficient to illustrate what the whole point of Hermet(ic)ism is about.  Thus, they point to a destination, an incontrovertibly Hermetic one in the truest sense as being part of the entire Hermetic literature—if not perhaps more than a little vague—but a destination, all the same, which is nowhere found in the Kybalion.  Can one use the Kybalion in a Hermetic fashion?  Sure, but that’s because of you, not because of the book, and so that’s you making the book a Hermetic aid, not the book being Hermetic in and of itself.  This is also why I center the philosophical Hermetica over the technical Hermetica to illustrate the Way of Hermēs, because the technical Hermetica can be used in non-Hermetic contexts and can be used in ways contrary to these statements; in this light, the Kybalion can be considered a sort of abstract technical text with quasi-philosophical elements, but that still doesn’t make it Hermetic.

Again, without calling these four statements “principles”, it is (in addition to a notion of being revealed by Hermēs Trismegistus for the sake of the well-being of humanity and their spiritual rejoining with God) a way to gauge how Hermetic something really is based on its claims, philosophies, theology, and practices.  And, barring other polemics, I think maybe these four statements can help us remember the goal that all of us who follow one of the myriad Ways of Hermēs work towards, and which can unite us all in singular purpose.  The specific roads might differ, but so long as we get to the same place in the end, there’s nothing truly wrong about it.

On the One True Geomancy (or Astrology, Alchemy, Etc.)

Within reason, of course, I enjoy fielding questions from my readers through social media, whether it’s through @s on Twitter or messages on Facebook.  I do my best to answer them as they come, and I generally have an answer, though it might take me a bit to compile it in full.  Sometimes, the answer just can’t be made simple enough for a quick message, and we need to engage in a proper conversation to flesh everything out.  However, on occasion, some of those questions or the discussions we have over them raise something up in my mind that I think needs to be explored more, and this is just one such an occasion.

One of my friends on Facebook—introduced to me by a mutual friend over (what else?) geomancy—had some questions and problems with reading over some of my posts, specifically where I catalog an assortment of geomantic texts’ attributions of elements to the figures.  Basically, in that post, I go over how there’s a lot of talk in books modern and classical about how to reckon the elemental rulerships of each of the figures, and there are a surprising number of variations about how to go about just that.  Modern confusion can arise from John Michael Greer’s use of a dual system of outer and inner elements of the figures, outer elements based on Zodiacal attributions and inner elements based on structural concerns, and I’m sure that I haven’t much improved on that with my own system of primary and secondary elements (though I find it increasingly useful).  My friend was happy to scrap the outer element system of JMG, but after reading my post, things only got more confused and muddled for her.  She vented a bit to me about some of her frustrations in learning geomancy from my blog:

I think I am a bit disheartened.  According to your work even the planetary rulerships vary from Agrippa to the Golden Dawn.  When I found geomancy, I was excited because it was based on numbers and my study of sacred geometry, and it made me hope that this system was at root based upon the same principles.  After reading a lot of your work. I am left with “everyone does it different, good luck!”

You know what?  That’s completely fair, and it’s easy for me to have lost sight of that.  I appreciate her bringing me back down to earth a bit by sharing her feelings with me on this.

As you may have noticed, dear reader, the Digital Ambler is my blog.  Yes, it’s a website where I advertise my services and ebooks and share my research and rituals and make myself available for a variety of consultations and readings, but first and foremost, the Digital Ambler is my blog.  I write about what I want on my blog at the rate I want with the focuses I want in the way I want; it is, after all, my blog.  However, I write my blog for the public to read not just to keep track of my own notes, experiments, projects, ideas, and studies, but also to help others in the occult, Hermetic, and geomantic communities as well.  Over the years, my blog has become something of a resource for many, and I take a bit of pride and satisfaction and fulfillment that I’m able to help at least a few people through my writing.

One of the ways I think I help is that I share my research and notes, and when it comes to geomancy, there’s a lot to research—about a thousand years, to be precise, across Africa, the Middle East, South Asia, and Europe.  Even with my limited resources, I have access to texts by John Case, Robert Fludd, Heinrich Cornelius Agrippa von Nettesheim, Christopher Cattan, John Heydon, Bartholommeo della Parma, Gerard of Cremona, and Pietro d’Abano, to say nothing of more modern authors ranging from Franz Hartmann to Stephen Skinner and JMG himself.  As time goes on, I hope to get access to even more obscure materials that exist in undigitized, microfiche, or manuscript form.  And, I expect, as I get access to more such resources, I’ll learn more about how geomancy was practiced by a variety of practitioners across the millennium it’s been in use.

As a researcher, it’s evident and plain to me that geomancy is not a single, fixed subject.  Yes, even from its inception and introduction into Europe, there have been many things fixed and stable about the art: the basic meanings of the figures, the basic use of the Court and Shield Chart, how to use the House Chart, what planets the figures refer to, and so forth.  However, there are a great many things that vary between one author and the next: whether this technique or that is more useful, how many variations on a single technique there might be, how to assign the zodiac signs to the figures, how to assign the elements to the figures, how to do this or that and…well, as can be seen across many of the posts on my blog where I document classical techniques, there’s a fair amount of variation in geomantic practice.  For me to introduce that into my blog is part and parcel of my research: I research to document what was done, no matter how it was done, so I can figure out what was kept back then and why, as well as what I might keep that works and how to make what works work even better.

Why is there so much variation in what was done?  Simply put, it’s because geomancy is not a monolithic tradition: there is no canon, no centralization, no governing authority that says “this is proper geomantic practice” and “that is not proper geomantic practice”.  We in our modern age are used to such centralized authorities certifying what’s in and what’s out or what’s good and what’s bad to the point where we take it for granted, and we expect to see that such centralization would be present in previous eras.  It’s simply not the case.  Sure, there were commonly-available resources and texts, especially after the invention of the printing press and the beginning of mass-produced books, but it still was nothing like the scale of today’s “Art and Practice of Geomancy” or “Geomancy for Beginners” or “Geomancy in Theory and Practice”.  What was available were texts produced on a much smaller scale available to a smaller percentage of wealthier people who could afford books within a much more localized region; besides those, there were actual, living, breathing geomancers who not only practiced, but taught as well.  Though I’m sure some students of geomancy kept in touch with others, each geomancer was likely to be left to their own devices, see what works, and see what doesn’t, then develop and refine their own practice on their own.  Couple a few decades of that with books that may not always be 100% correct or vetted for typos and clarity, and minor variations are bound to result.

The commonalities between different geomancers and texts vastly outweigh the differences between them, to be sure, but many of us who like to investigate the details and ply those for whatever we can might be foiled by encountering so many different ways to assign figures to elements or what have you.  As my friend said, it can often come across that, when I present my notes on how geomancers of the past practiced this art, it might just come across as “everyone does it different, good luck”.  To an extent…yeah, actually.  Everyone did do it different.  Heck, everyone still does it different; I don’t do the same exact geomancy that Stephen Skinner or JMG or Al Cummins or Eric Purdue might do.  We all understand the basics of geomancy, and the commonalities of our practices far outweigh our differences, but there are definitely differences to be had.

To be fair, though, this isn’t just a thing with geomancy.  Astrology has the same variations across its many thousands of years of practice and development based on era, land, language, and author.  Today, you’ll still find arguments about which house system is best, how to allot certain things to certain houses, whether the modern planets have any purpose in horary astrology, and so forth.  You’ll find the same thing in general Hermetic magic (Golden Dawn or Thelema? Lemegeton or Grimoirum Verum? Heptameron or Trithemius?), in ancient Greek religion (Hesiod or Homer? Attic or Doric? Delphi or Dodona?), and really in any ancient tradition.  No tradition is ever truly monolithic unless it was designed that way, and even then, if it’s at all taught and carried on by successive generations of students, there are bound to be variations.  That’s how we ended up with Theravada and Mahayana and Vajrayana Buddhism from a single teacher, and within each vehicle of Buddhism all the different sects and schools thereof.  That’s how we ended up with Catholic and Orthodox and Protestant Christianities, and all their own sects and denominations.  Spiritual traditions, sciences, and lineages are inherently messy in their development; as I said to my friend, “if it’s confusing, it’s because there are a lot of different voices shouting different things under the same big tent”.

So what do we do about it?  Is it really as simple (and confusing) as “everyone did it different, good luck”?  Well…yes, actually.  In my research-related posts on this blog, I don’t often just document what was done, but I also give my thoughts on what makes the most logical sense or what has the strongest justification, as well as share my own thoughts, experiences, and preferences on the variations on technique.  I do my best to show my own practices and why I do things the way I do and where I get the things I do from, but at the end of the day, it’s a combination of study and experimentation that informs my practice: study the things that are common and fixed in the tradition, experimentation to see which variations work best.  The way I teach geomancy is going to be different from other geomancers past and present because it’s going to be informed by my own practices, experiences, and experiments; consider that I find (much as Robert Fludd himself did) that the techniques to predict letters and numbers are crap. Heck, even among geomancers today, what I consider vital and important to the art (as far as details go, at least), Al Cummins may find ridiculous or nonsense, and vice versa.  That’s fine!  We each have our own opinions informed by our own studies, and that’s great!  It’s not going to be as simple as 2 + 2 = 4 where there’s only one right answer, but it’s going to be “which art movement is better to understand the 19th century occult movements, Pre-Raphaelite or Art Nouveau?”.

If you’re looking for the One True Geomancy (or One True Astrology, or One True Solomonic Grimoire, or One True Alchemy, etc.) with all and only the right techniques, well, you might be disappointed.  There’s really no objective, centralized, certified Manual of Geomantic (or Astrological, Solomonic, Alchemical, etc.) Practice out there, nor will there ever be.  The best you can do is find a single teacher and study what that one teacher teaches, and even then, they might change their views over time, just like you will.  In the meantime, though it might be a rough road to follow, learning what was done and seeing all the variants out there of a given technique is helpful because it informs you of what was done before to give you an idea of what works and what options you have when working your own practices.  In doing so, you have guides that point in useful directions (maybe not always the right directions) to show you where you should focus your practice or steer your practice towards or away from.  Experimentation is a must in this and every kind of occult art, but you can and should listen to your peers and colleagues and teachers to see what was done before so you don’t invent the wheel all over again and again and again.

Advice for Learning a Totally Foreign System

I try to be an avid reader in my copious spare time, and I don’t mean with my ever-expanding RSS feed that aggregates occult, religious, pagan, current event, and the occasional comic blog.  My living room at home could always use more bookshelves, and of the three people in my house, I’m the one supplying over 95% of the books, because of course magicians have books.  Not all of them are on astrology, divination, conjuration, Hermeticism, or goetia, though.  I have a strong penchant for works of the realm of pure imagination, which is to say fiction books.

One of my favorite fiction books ever, and one I highly recommend anyone interested in the brand of magic I pursue, is Celestial Matters by Richard Garfinkle.  It appears to be out of print, but you can still find plenty of good used copies anywhere online.  Basically, the premise of the book is this: what if the world we lived in obeyed Aristotelian physics, the cosmos was geocentric with actual crystalline spheres of the planets nesting around us, and history took a drastically different turn during the reign of Alexander the Great that continued the supremacy of Athens and Sparta across the Western world for another millennium?  It’s a fantastic exercise in exploring an alternative reality and an alternative history all at once, told in the style of a first-person Homeric epic.  Besides its good story and good world-building (of which Richard Garfinkle is an expert, I claim), this is one of the essential books any Hermeticist should read at least once.

However, it’s not all about alchemy and astrology and celestial navigation, since the empire of the Delian League isn’t the only contender for world domination.  There’s also the Middle Kingdom, which some of you may recognize as a translation of 中國, referring to China, and they have their own notions of how the world works that doesn’t obey the laws of Aristotle and the alchemists.  The Delian League can’t for the life of them figure out how Middler technology works with its weird energy flows, nor can the Middle Kingdom figure out the senselessness of Delian alchemy and science.  This goes right down to some of their fundamental notions of science and philosophy that shape their entire worldview, such as the connection between science and medicine.  The Athenian Academic Aias, at one point, interrogates the rural Middler Dr. Zi about what Aias perceives to be highly advanced Middler spy communication technology:

“Why does an ordinary doctor know about this?” I asked.

“Medicine is the foundation of science.” he said in the same mechanical way I might recite Aristotle’s laws of motion.

I had seen that sentence in several texts on Taoist science but had never believed they meant it.  To our science, medicine was an offshoot of zeology, the study of life, and anthropology, the study of man.  No Academic could believe that such a minor offshoot subject could be the cornerstone from which an understanding of the world could be built. (page 158)

Later, after some fairly big conflict in the story, Aias interrogates the Taoist scientist Phan, sent on a death mission to kill Aias and sabotage his mission, about how Phan can know so much about medicine:

“Are you a doctor?” I said, recalling Dr. Zi’s peculiar claim of a connection between the whole of Middler science and their medicine.

Phan’s face wrinkled in contempt. “Certainly not.”

“Then how will you cure him?”

He switched to ‘Ellenic. “I know medicine.”

“But you said you weren’t a doctor,” I said in ‘Unan.

Phan’s black eyes lit with a sudden understanding. “A doctor only knows medicine.  A scientist must go beyond that simple beginning.  Medicine is the foundation stone of alchemy, and alchemy the foundation stone of science.” (page 256)

I see this kind of fundamental difficulty in trying to understand different occult systems replete throughout modern occulture.  We take certain fundamental axioms as truly universal and, worse, for granted based on the system we find our intellectual “home” in, and when we try to apply them to other systems that don’t share those axioms, we run into wall after wall after insurmountable wall.  Trying to apply a Celtic understanding of the world, for instance, to Egyptian metaphysics tries to combine two radically different systems that are based upon different rules and develop them differently into two radically different cosmologies.  It’s not impossible to truly learn a different system, as I’ve mentioned before several times over, but it’s hard, because we essentially have to unlearn everything and start from the ground up in a totally new land that we’re unfamiliar with.  It’s especially hard because we’re always tempted to bring a little of what we’re used to to this new land, and it often has no place right out of the box.

That said, I’ve found an easier way to go about learning a new system, and Aias describes how he became the first Academic from the Delian League to ever understand Middler science:

“We seem to be having a language problem,” I said to Phan.  “Let us start from first principles.  You know the atomic theory, of course.”

“I have seen that phrase in your books, but I have never understood it.”

“Atomic theory says that everything in the terrestrial world is made of minute pieces of earth, air, fire, and water. The material properties of an object can be changed by modifying the amount of each element it contains.”

Phan shook is head. “Anything can be in a state of earth, air, fire, water, or wood,” he said. “The ten thousand things are changed into one another by the natural flow of transformation.”

We continued to argue about basics for half an hour.  I explained that matter and form were fundamental to the behavior of objects.  He declared them to be accidents, saying that the flow and transformation of things lay at the heart of all science.  At the end of that time we had found no common ground, but we were both very thirsty… (page 250)

“I need to know more about your science,” I said to Phan.

“Tell me how to teach you,” he said.  There was a quiet glow in his dark eyes and something lay on his shoulders that made his seventy-year-old frame look younger and stronger. “If you can learn to learn, then perhaps I can as well.”

“What do you mean?” I said.

“I need to know your science, also,” he said, and his eyes grew brighter. “But where do we begin?”

“At the weakest point in the barrier between us,” I said.  “The walls of theory are too high; let us start with practice.  Show me your equipment.  Pretend that I am not a scientist. Pretend that I am some ignorant bureaucrat who wants an explanation of your work so he can make out reports.”

The old man smiled and bowed. “Will you do the same for me?”

“Of course.”

Over the next week, Phan and I gave each other basic introductions to the paraphernalia of our sciences.  I showed him how we used rare and dense air to create forced motion, and he showed me how gold, silver, and cinnabar placed along Xi flow could modify or control natural motion. Slowly, the dark cavern in my heart began to grow bright with a second vision of the universe, one of change and flow instead of matter and form. And as the light of practical work grew from a flickering candle to a solar beacon, it illuminated the bewildering Taoist texts I had studied over the years but had gained nothing from. (page 299)

We don’t call it the Study.

We don’t call it the Theory.

We don’t call it the Lesson.

We call it the Work, because we have to make it work.  Theory, study, and lessons aren’t enough; they’re all well and good in the abstract, but unless you can pull those things down and apply them in the real world, they get locked up in an isolated ivory tower, and they lock you up with it.

In my experience, the best way to understand how a different tradition works is to go out and see what it does.  Not what it believes or what it claims to exist, but actually what it does.  It’s the Work, the hands-on practical use and application of the tradition, that shows what it does and how it does it.  I mean, consider what the ancestors of our ancestors were doing when they first stumbled upon this stuff.  They had no preexisting theories, no cosmologies; they had the land around them and shit happening because of unseen forces.  They acted in a certain way, and the unseen forces and the land reacted in a certain manner.  It was only after they started codifying and assembling what they learned did the theories come around, and based on what each tribe of ancestors thought was most important (warmth from snow, harvesting enough fish, protection from tornadoes, warding off plague, etc.), they would have focused on different things to do, and thus the theories they developed would have been different.

Thus far in my occult life, I’ve come in contact with Santería, Palo, Quimbanda, Aztec and Mayan stuff, Celtic stuff (both neopagan and reconstructionist), Ásatrú, Thelema, esoteric Judaism, and so many other traditions both modern and ancestral.  No, they’re not all compatible to practice side-by-side.  No, they don’t agree on why the world works or what a particular entity is or whether a particular thing is ruled by a class of spirits.  No, they don’t all think the same things are important.  And you know what?  That’s all entirely okay, because what they all do is manage the bullshit we have in life.  They all manage to achieve particular ends using a particular set of techniques, and that’s what we see first and that’s what we continue with when we learn a new system.  Just because they have different and often-conflicting ways to describe the cosmos doesn’t mean they’re not internally coherent within their own individual traditions.

Forget the theory and cosmology and cosmogony; all that will come with time.  If you never saw something fall to the ground, why would you believe gravity to exist?  If you never had to undergo a shortage of healthy and safe food, why would you believe food poisoning or famine in another country to exist?  Humans have to see to believe, and we like hands-on stuff the best to drive the strongest points home.  Once we figure out what can happen, we can eventually puzzle out why it happens based on what we know and the hypotheses and explanations we devise that we can put to further testing.

But even then, it all comes down to Work, and when explaining your work, never start with “why”.  Ask “what” or “how”.  What are the tools you use?  How would you describe the effect a particular tool has when used in a particular way?  What are the forces you call upon?  What are their names?  How do they interrelate and interact?  How do you gain confirmation that something works?  How do you gain information about something you don’t know yet?  What do you need to achieve a particular end?

Remember: without work, you’re not doing the Work.  See the work that others do to understand their Work.