Original Greek and faithful transcriptions up for two ancient Hermetic prayers!

As many of my readers know, I have my Etsy shop set up for the things I make.  I tend to stick to beadwork nowadays, bracelets and necklaces and chaplets and rosaries and that sort of thing as well as my ebooks (which you can also find directly on my website on the Books page), but in the past, I’ve taken commissions for wands, Tables of Practice, and other woodworking things.  I don’t do the woodworking thing as much anymore; there are several others I would recommend on Etsy, instead, for things along those lines, who have better setups and tools and skill than I do.  Still, depending on the need and the medium, I’m certainly not opposed to taking on commissions.

Recently, I received an interesting request for a commission.  Rather than it being a physical thing, it was a digital item; sure, I can do those, too, and I’ve made designs and the like for others by special request.  After all, art is art, and craft is craft.  This, though, was also unusual; I suppose it could be said to that I was contracted rather than commissioned.  I was contacted by one Soror MNA to help her with some of her own research and work.  She took a heavy interest in two of the things I’ve shared previously on my website, the Hermetic prayers from the Greek Magical Papyri known as the Hymn of the Hidden Stele (PGM IV.1115—1166) and the Stele of Aiōn (PGM.1167—1226).  These are beautiful hymns indeed, and I’ve used them to powerful effects in the past for serious and heavily theurgical purposes.  However, I’ve only basically given my (minor) variants of them in English, with the Greek barbarous words of power rewritten in the Greek script for ease of analysis and preservation of nuances in pronunciation.

What the good Soror MNA wanted me to do was to get her copies written in Greek of these two prayers.  After all, it’s not hard to find Preisendanz’s transcriptions of the PGM online (volume 1 for PGM I through PGM VI, volume 2 for PGM VII and after); all she needed was these prayers in their original Greek as well as transliterated into Roman script for study and use in her own rituals.  So, since this was a pretty clear-cut job of typing and transcribing, I gladly took the job.

All of this is simple and straightforward and otherwise unmentionable and not worthy of note if it weren’t for the fact that, at the end, I requested a change to the terms we had agreed to that would be in both our favor.  As it was, I was just going to give her a document with the transliterations she requested, but for the same reasons she found it valuable to have these prayers in their original Greek and transliterated into Roman script, I figured it would be good for the broader occult community, especially those interested in PGM-style Hermetic work, to have access to the same.  She agreed, and to that end, graciously permitted me to share the fruits of my labors on my website.

To that end, the Hymn of the Hidden Stele and the Stele of Aiōn pages on this website have been updated and augmented with the orignal Greek and their transliterations.  All of this is thanks to the gracious and generous support and sponsorship of Soror MNA, who has my thanks for helping me and funding improvements to my website!  If it’s been a while since you last checked these hymns out, or if you’re unfamiliar with them and have any interest in some pretty potent prayers, go and take a look!  The transliteration scheme I use is custom to my own work, which I feel preserves the pronunciation and accenture of the original Greek slightly better than other texts; most of the accenture is unnecessary unless you’re intimately familiar with the byzantine Byzantine use of polytonic Greek, but in order to keep it as faithful as possible, I included it all the same.  Thank you again, Soror MNA, for your generous support!

Just to remind all my wonderful readers: if you’d like to support the Digital Ambler in my projects, writing, and other work, remember that you can do so through Ko-fi!  Every little bit counts, and you’ll have my unending, undying thanks and appreciation.  Heck, if you wanted to sponsor a post or something big for my website like what Soror MNA said, suggest something in the comment when you donate and I’ll see what I can do!

Buy Me a Coffee at ko-fi.com

A bunch of new chaplets up for sale on my Etsy!

So I got a bit of crafting energy out of my system this past weekend, and after taking care of three commissions, I decided to keep the flow going and made another fourteen little things.

Just a few chaplets.  Yanno, a few.  Three each for the four archangels Michael, Gabriel, Raphael, and Uriel, each completed with a medallion of the good angel, and two chaplets for the blessed dead, each finished with a proper crucifix.  It’s been a while since I made any of these, but I had the supplies leftover from a project I had to abandon, so I figured I may as well put them to use and put them up for sale for some lucky magician, devotee, or spiritual worker to use in their own blessed work.

 

Interested in getting one (or more) of these beauties?  Hurry on over to my Etsy shore and buy one today!  Chaplets like these tend to sell fast, since everyone’s looking to up their devotional game with the powers above and below, so once these are gone, they’re gone!  Of course, if you need, you can always commission me for something special that you don’t see listed; for those, just send me an email and we can work together from there!

Temporarily suspending all services

So, I know I haven’t exactly been the most active with blogging lately for a number of reasons, but lately things are gearing up and other mundane (yet crucially important) things have to take priority for me.  While I regret this, I’m temporarily suspending all crafting, divination, and consultation services until I’m able to take care of other matters.  Don’t worry, I’m fine, it’s just that the stress of paperwork and moving demands quite a lot of me for the time being.  Hopefully, I’ll be able to resume my services and commissions again starting late May or early June.

Here’s hoping you’re doing well, dear reader, and that I’ll see you on the other side sooner rather than later!

Search Term Shoot Back, May 2014

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of May 2014.

“why is yesod important in ring of solomon” — As far as I know, it’s not.  The Ring of Solomon, given in the Lemegeton, has the names “Tetragrammaton”, “Tzabaoth”, and “Michael” written on it; the one given to John Dee is known as the “PELE Ring”, having that word inscribed on it (perhaps a reversed romanized “Aleph”?) with a circle with a V and L sticking through it.  None of this is particularly associated with Yesod, the sephiroth associated with the sphere of the Moon, whose commonly-associated godname is Shaddai El Chai and whose angel presiding over it is Gabriel.

“big cock anal” — Yes, please.

“can orgonite be used for penis growth ?” — First, orgonite can’t really be used for anything that, say, a rock, a crystal, or a piece of wood can’t, and honestly anything else looks prettier than orgonite.  Second, the penis is pretty much a fixed size once you hit puberty; with the exception of prolonged penis pumping or jelqing (either of which can be dangerous if you don’t do it right, including literally exploding the penis), you really won’t be changing the size much.  Third, no.  No, you cannot use orgonite for penis growth.  You must be extraordinarily desperate to be thinking of that.

“black pepper in rituals” — It’s a pretty useful ingredient, actually.  Anything that has a sharp or stinging smell or taste to it tends to be Martial, while anything dark black tends to be Saturnine; black pepper, being both, is a good example of an herb that combines both of these forces, but pepper generally tends to be a Martial ingredient.  It’s good for banishing things, and a standby banishing incense of mine combines black pepper, red pepper, myrrh, clove, and star anise.  It’s also good for offensive magic, especially if you’re trying to get someone to get the fuck out of your life or cause them slow-burning harm.  Be careful when burning it, however, and don’t inhale it directly or get the smoke in your eyes.

“since greek god hermes had a big dick do virgo guy born on august 23 have big dicks as well” — …again?  Why is this a thing people are searching for?  (I may as well ask why there exists Rule #34 on the Internet.)  First, August 23 is really on the cusp between Leo and Virgo, and depending on the year and exact time of birth, someone could be clearly on one side or the other, or could be really right on the fence between the two.  In my experience, cusp people who have the physical attributes of one sign have the personality characteristics of the other.  Second, the bigger (…erm) thing is that one’s rising sign really influences one’s physical form, which I would assume continue down to the girth and length of one’s cock; it’s not just the Sun sign that matters.  Third, it’s really in very few depictions of Hermes that he’s presented with a huge dick; the hermai statues weren’t always Hermes but acted as generic intermediary messengers between humans and gods in ritual depictions, and it’s really only that huge ithyphallic Roman drawing of Mercury that we see a Pan-like figure with a caduceus.  I mean, sure, the gods can present themselves (heh) in any way they chose, including the size of particular attributions of theirs, but I genuinely don’t think a huge cock is something attributable to Hermes in the same way the caduceus or winged sandals are.  That said, he definitely has nothing to worry about, either.

“likeness between virgo males and greek god hermes” — If search term results are any indication, apparently a huge cock is one of them?  This question is kinda weird to me, since it’s like asking the likeness between a Jew and YHVH, or a citizen of the United States and George Washington.  Virgoan and Geminese people are both born under the Zodiac signs ruled by Mercury, but that’s hardly much to talk about.  Again, the rising sign, Moon sign, signs of the Parts of Fortune and Spirit, and the planet of the almuten are all hugely important factors that can change from Virgo to Virgo, Gemini to Gemini, and so forth.  In many regards, if a particular Virgo male has a huge cock, it’s probably coincidental and attributable to many other factors besides their Sun sign.

“can you pray to summon satan” — Totally, yes!  Just make sure whom you’re praying to and why you’re praying for it line up right.  Don’t pray to the Judeo-Christian God to summon Satan for world domination, and don’t pray to Satan himself to imprison himself for the rest of eternity.  You might make more enemies than friends that way.

“religious amulet sash that you wear across the shoulder and end at the hip in yoruba” — I’m not an expert on ATR practices, but Santería (or Lukumi, which has its origins in the Yoruba culture) doesn’t wear these.  They wear elekes or collares, beaded necklaces and bracelets, the colors and patterns of which reflect different orisha (Santerían deities).  The sashes are from a nearby culture from the Congo, whose religion is known as Palo (viz. Palo Mayombe, Palo Kimbisa, Palo Briyumba, etc.).  They don’t wear the beaded necklaces or bracelets (except maybe as a personal affectation), but instead wear the bandera, a sash that goes over the shoulder and down to the other hip, the beaded patterns of which represent the different nkisi (Palo deities), along with chains, cowrie shells, and other charms to reflect ancestry, ancestors, and the like.

“can i use orgonite in my crystal grid” — You can, but why?  Crystals tend to be cheaper and more easily accessible and tend to have a purer energy feel to them.  Besides, crystals are already present in orgonite, which tends to be a mishmash of metal shavings, glitter, sticks, and glue, so why bother?  Just use crystals and leave the orgonite crap alone.

“keys of solomon used in a ritual death” — Very little in the Key of Solomon has to do with ritual deaths or killing, much less those of humans.  However, animal sacrifice is a thing, and the use of blood as ingredients in ink or pigments is common in several of the rituals, as well as in making offerings to the demons in the Lemegeton Goetia.  If you do this, first make the white-handled knife (which itself requires the blood of a goose) to consecrate it, then use that as the sacrificial blade for further sacrifices.  Be careful, and also study how Jewish kosher slaughter works and try to use that method to ensure a quick and as-close-to-painless-as-possible death.  If you cut yourself, halt all working and make sure you don’t get any of your own blood mixed up in the offerings or ink, and GTFO the ritual area.  If you’re at all squeamish about using sacrifices of animals or blood, just look elsewhere or work on making plant-based substitutes for blood.

“hermetic wand pricing” — Depends on whom you ask.  I can make wands for you as a custom commission, depending on complexity and style, though for wands used in the Golden Dawn, you’d be better off looking elsewhere or studying the craft and making one for yourself.

“are there any of the penticles of the moon out of the greater key of solomon that have to do with arc angel azreal” — Sorta?  Azrael, sometimes known as Azriel, is commonly known as the Angel of Death, though his name literally means “One whom God Helps”.  He’s known in Islamic traditions, though never by this name in the Qur’an, instead being referred to as the angel of death.  The Zohar of Jewish Kabbalah has this angel receive the prayers of the faithful in Heaven and leads the heavenly hosts, and some esoteric forms of Christianity associate this angel with Sealtiel or Selaphiel, the angel of prayer.  All told, though, he’s most known in his function of giving death to mankind.  Though I didn’t think this angel appeared in the Key of Solomon, there is actually a pentacle of the Moon that references a very similar name to this: the Fifth Pentacle of the Moon, which “serveth to have answers in sleep”, and “serveth unto destruction and loss, as well as unto the destruction of enemies”,  as well as “against all phantoms of the night, and to summon the souls of the departed from Hades”.  This pentacle has the name “Azarel” written on it, which could just as easily be romanized from Hebrew as “Azrael”, so maybe this is the pentacle you’re looking for.

“i want to write my name in angelic script” — First learn to write your name in Hebrew, or find a Hebrew version of your name; then simply write the same letters in angelic script, which is basically a different font of Hebrew.

“letter v in isopsephy” — There isn’t one.  Isopsephy is Greek gematria, and there is no letter V in Greek.  The modern pronunciation of Beta or Upsilon can sometimes sound like the English V, but there is no such letter.  Likewise, in Hebrew gematria, there is no letter V either, though Bet or Waw can sometimes sound like it, too.  If you’re using isopsephy based on purely phonetic principles, you could pick either of those letters from those scripts, but the thing is that you’d be applying phonetic principles to a text-based system, and the disconnect is large enough to give me pause for concern.  And no, I haven’t found an English/Latin isopsephy/gematria worth discussing yet.

“how to write a curse tablet in latin”  — Much the same way as you’d write a curse tablet in any other language.  The language doesn’t really factor into the magic unless you’re working with specifically Latin-speaking spirits, and depending where you are, those might be few and far between.  Write in the language most comfortable to you; the spirits will understand.  That said, if you happen to know Classical Latin or Greek comfortably well, by all means write in those languages.

“are summoming triangles evil?” — As much as pens and paper are.  The summoning triangle is a tool used in rituals, which I suppose can only be declared “good” or “evil” based on their intent and result.

And, as you may have noticed, dear readers, I’m back!  I’m all situated in the new house, all the spirits and altars are set up, and a few days’ worth of housewarming parties are complete.  I’m getting settled back into a routine of commuting, ritual, and martial arts practice, so everything’s going well.  I’m now open for craft commissions again, though I now have a minor backlog of things to do from people who happened to order something over the past month.  How’ve you been this past May?

Planetary and Elemental Jewelry, also an Etsy shop!

Over the past few months, I’ve been rubbing shoulders with more practitioners of Santería and Palo Mayombe than I ever expected to, to my ever-increasing delight and education.  I was even invited to a San Lazaro party in December, which was fantastic (when the crowd chuckles and eggs on a 12-year-old girl getting possessed by a god instead of freaking out, you know you’re at a good party).  One of the things that indicates someone as an ATR practitioner, specifically Santeros and Santeras, is the eleke or collar, a type of beaded necklace or bracelet that marks a person as receiving the blessing and initiation into a particular orisha.  These aren’t usually fancy things; just a string of seed beads in alternating colors or specific patterns with specific colors.  For instance, the eleke of Orunmila, the orisha of divination and life path knowledge, is a string of alternating green and yellow beads; Yemaya, the orisha of the oceans and seas, has blue and white beads; and so forth.  Essentially, an eleke is a piece of consecrated jewelry made from a particular power’s colors.  If you’re still lost, do a search for “orisha eleke” and you’ll see what I’m talking about.

That got me to thinking: why not make variants of elekes for my own work?  After all, beads come in many colors, and Hermetic magic (thanks to Qabbalah and the Golden Dawn) has a large and well-known set of colors for the planets, elements, signs of the Zodiac, and so forth.  So, for instance, why not make a bead necklace using orange and purple beads for Mercury, or green and amber for Venus?  Of course, since only Santería has elekes, these wouldn’t be the same nor would they be “fed” (consecrated) in the same way, so I’m calling them something else: carcanets, a French word meaning “necklace” or “choker”; the etymology of the word is unclear, but it may have a Germanic origin or a root in the Latin word carcer, meaning “prison” (which may sound familiar to the geomancers out there).  Carcanet is a sufficiently distinct term from a simple “necklace”, and I’m using it to describe these magical bead necklaces and bracelets.

To that end, I went ahead and made sets of carcanets for each of the seven planets and four elements using their planetary colors.  Of course, since bead-makers don’t make all the fine gradations of colors the Golden Dawn king and queen scales prescribe (nor could most eyes tell the differences, anyway), my choices were slightly limited, but I think they turned out pretty well.  Since then, my beading skills have improved, and I’ve moved onto making chaplets and rosaries, but carcanets are definitely among the most ritual-oriented wear I’ve made yet.

I made two forms of carcanets for each planet: a simple carcanet consisting of alternating colors (king and queen scales) of that particular planet, and a grand carcanet that consists of a specific bead pattern (corresponding to the number of that planet in Qabbalah) with extra gemstone beads in appropriate colors.  The elements have only simple carcanets, which use the flashing colors of the Golden Dawn.  Each force and type of carcanet has a necklace and two bracelets, forming a three-piece set.  I’ll consecrate them under their respective angels in my upcoming conjurations, using the grand carcanets for ritual wear (in addition to or in lieu of sashes, girdles, stoles, etc. for a particular force) and using the simple carcanets for daily wear and on-the-go rituals.  Essentially, carcanets would be another style of talisman that wouldn’t be as obtrusive as yet another pendant or as expensive as having a custom-made ring.

Making them isn’t that hard, and since it wouldn’t be hard for me to turn them out for others, I’ve decided to take commissions especially for carcanets.  More importantly, you can commission them easily at my recently-opened Etsy shop!  Yes, I finally took the plunge and opened up an Etsy page, where you can instantly buy my ebooks as well as buy crafts from me, such as these carcanets as well as some of my woodwork (Tables of Practice especially).

A few notes:

  • The Seven Planets and Four Elements carcanets are only available as necklaces and cannot be combined as a set with wrist carcanets.
  • The elemental carcanets, Seven Planets carcanet, and Four Elements carcanet are only available as simple carcanets.
  • Carcanets will include consecration and maintenance instructions included with the package.  However, since I know some people would rather others handle ritual and consecration, I’ll offer to consecrate your chosen carcanets for an extra $20 (both simple and grand carcanets).  Due to the extra work involved, the Seven Planets and Four Elements carcanets will be $40 to consecrate.  Requesting consecration may delay shipping by up to seven weeks in addition to crafting time, depending on the force requested.  Look at the styles on my Etsy page, figure out which one you want and the cost, then contact me directly and we’ll work it out over PayPal instead of Etsy.
  • Carcanets are not proper elekes and are not to be confused with them, nor do they have any association with the orishas or practice of Santería, nor do I have any experience with or initiation into Santería.  Just sayin’.  These things are their own things.

As always, if you’re interested in any other commissions, contact me and we’ll work things out over email and PayPal.  Until then, enjoy the convenience of Etsy, especially now that I’ve updated my own business cards!  Also, note that I’ve now taken down my ebooks from the Services page, since they’re now more easily available through Etsy.

The Role of the Magician

Recently, I made a Table of Practice for a new magician; this isn’t that uncommon a thing, and I do enjoy making them (and for a pretty economical price, hint hint).  For this specific Table, he requested I add the symbols of the 12 signs of the Zodiac on the outside bevel, much as I made one for my sister a ways back.  For comparison, the one for my sister turned out like this:

Table of Practice

And for the dude who recently commissioned me, the Table turned out like this (his photo):

Table of Practice with Clockwise Zodiac

The two Tables are essentially identical (the one for the recent commission has Tetragrammaton around the triangle, but that’s basically it), but the big issue here is the orientation of the Zodiac signs.  For some bizarre reason, I unthinkingly drew the signs of the Zodiac onto this recently-commissioned Table clockwise instead of counterclockwise.  The counterclockwise depiction is the most common, since it represents the view of the ecliptical Zodiac constellations from our point of view down here on Earth; so, for instance, if you look up into the night sky when Aries is at the midheaven, Pisces will be on the right of Aries and Taurus will be on the left.  I’ve made several Tables with this pattern, but this recent commission is the only one I’ve goofed on.  It’s weird, and I’m both embarrassed and confused at how this happened.  That said, for some reason it also doesn’t strike me as “wrong”, despite the weird orientation of it.

Now, I don’t want the rest of this to sound like some justification for my design mistake, but the orientation of the Zodiac here led me to some thoughts on the role of the magician or conjurer in a conjuration.  Consider that if we as humans view the Zodiac as going in a counterclockwise direction around the celestial sphere, then having them situated clockwise indicates that we’re viewing the Zodiac from the other side.  The Zodiac is part of the eighth sphere, the sphere of the fixed stars, and the only thing higher than the eighth sphere is the ninth, the sphere of the Prime Mover, also referred to as Kether or God.  By using a Table where the Zodiac is present in a clockwise pattern, we’re essentially viewing the spirits positioned within the Table from the same viewpoint that God perceives the cosmos and all within it.  And that’s where this gets interesting.

What do we, as conjurers and magicians and magi, do?  We take our divine birthright as children of the Most High and join with him in the ever-continuing act of creation of the cosmos.  We ask for the blessing of God to do what is Right and to enact our True Wills, thereby rejoining God in his infinite Grace.  We step into the role as agents of the Divine, of the Most Divine, to work with the spirits who are our relatives, who are our brothers and sisters from the same Source, and who endeavor to aid us as they aid the Divine themselves.  We, essentially, become a consciously direct extension of God and join with God.  I’m going to stop this little poetic waxing short of saying “we become God”, because we already are essentially part of the Prime Mover down in this little ass-end of the cosmos, but we come closest to it consciously when we do our Work.

There are points when working with the spirits simply does not work; as Fr. Rufus Opus has said, the general idea is “move  this or move me”, where either a thing desired is changed or made in the world or where we ourselves are changed if nothing else can be changed.  God, clearly, can change everything, since that’s pretty much his thing; nothing disobeys God, since everything is a part of God and works as part of the One, the cohesive Whole.  But, that said, by moving ourselves, we partake in that same action, and bring ourselves closer to becoming what we need to Be and do what we need to Do; in these cases, we bring ourselves closer to attaining and carrying out our True Wills.  This is also the same in all other instances when working with the spirits gets us results in the external world.

Being a magician can be a scary thing.  It puts you in control, and therefore gives you responsibility, over your life, your station in life, and what happens in your life.  These all have their own caveats and asterisks and conditions, of course, but generally speaking, being a magician raises you to the point of Divinity.  In that sense, why shouldn’t we view the cosmos as the Divine would?  Isn’t that the whole point?  Isn’t attaining Kether and bringing more Light down here the objective of working with Hermetic Qabbalah?  Isn’t purifying and rarefying ourselves the end goal of the Great Work?  Isn’t understanding things as they are without human ignorance clouding them the result of fulfilling the Oath of the Abyss?  Isn’t attaining eventual power, reunion, unity with the Divine the point of all this crap we’re doing?

Maybe drawing on the Zodiac backwards wasn’t that bad an idea from a philosophical standpoint, after all.  I certainly didn’t have it, but then, where do all Ideas come from, anyway?

On Kinetic Meditation, or DIY You Lazy Bastards

As some of my readers have noticed, I’ve begun taking commissions for designs and tools over on my Services page.  This is a fantastic opportunity for me, since it helps get me a small cash flow on the side while getting more experience in crafting, and it also helps various occultists and magicians across the globe get tools and supplies they need for their work from these oh-so-learned hands of mine.  However, in starting this, I have learned a few lessons that aren’t that fun: it’s hard to balance commissions with other work and Work going on, and it also brings up the issue of buyer responsibility to both me and themselves.  That latter one is something that’s been gnawing on me as of late, and I’m going to basically institute a new rule for myself on taking commissions.

(Don’t worry; if you’ve already gotten a commission from me, I’m still going to complete it.  All orders already made will be honored, of course, but

So, Fr. Rufus Opus has this idea called “kinetic meditation”, where one does a particular activity as a kind of magical or contemplative act by itself.  In performing that act, one syncs or aligns one’s sphere with that particular activity.  What we might call kinetic meditation in magic might be better described as, well, “practice” in anything more physical or tangible: sports, engineering, cooking, whatever.  In other words, by actually doing the thing, you not only become better at it but start incorporating it into yourself and thinking processes.  A well-trained chef, for instance, can whip up a complex dinner with minimal planning because he intuitively understands what goes together and how to prepare it without much thought, relying on shortcuts and drawn-out procedures alike as needed.  A pro soccer player doesn’t have to plan every action out or check with his teammates; he acts instinctively, reacting as well as and at the same time as acting on the field.   A competent programmer doesn’t always need an API and syntax guide open for a given program, but spews out code that works and works well as if he were writing a Facebook message to his good friends.  This sort of practice builds muscle memory, reflexes, split-second thinking, and a deep intuitive understanding of how things work.  It’s not easy, sure, but it makes things easier given enough time and practice.

Magic and meditation, on the other hand, is far more a mental and spiritual process, and to perform kinetic meditation with this stuff requires something physical.  RO gives examples such as actually drawing out the complete Circle of Art from the Lemegeton Goetia, or drawing by hand the lamens used in conjuration of the angels.  I might suggest (and one which timed up perfectly with my getting my acceptance letter into RO’s classes back in 2011) getting a compass, straightedge, and coloring pencils and drawing out the Tree of Life based on its mathematical properties.  Performing calligraphy with the names of God, singing barbarous words of power, drinking herbal infusions of specific plants to see their effects on the body, all that can be considered kinetic meditation in some way or another.  All this has the effect of helping the magician intuitively and automatically understanding the designs, words, incantations, processes, and supplies used in our ritual.  For magic and meditation, kinetic meditation is the process of aligning ourselves with our Work, and is crucial for any significant level of success.

For me, the process of kinetic meditation started from day 0, when I first saw the Table of Practice design to use.  I studied the design, memorized the components of it, practiced visualizing the Table in my mind until I could hold it indefinitely, learned the Celestial Hebrew script so I could write out the names of the planetary angels, and drew it out many times on scrap pieces of paper for practice.  Later, I got on Adobe Illustrator and produced my own version, after having understood the components and purpose of it and after having studied other associations I could augment or modify it with.  Then I practiced drawing that out, then I got the supplies together and made my own official wooden Table of Practice, which I’ve been using ever since.  Similarly, I did the same with the lamens of the planetary angels, memorizing each one’s sigil and name and how to spell or draw them out, I visualized them with colors, I memorized and intoned the names of God around the lamens, and so forth; then I printed them out, prettied them up, and have used them ever since.  I did the same with my Circle of Art, my Wand(s), and everything else.  It’s exceedingly and increasingly rare for me to just up and use a particular tool nowadays that I haven’t already analyzed, understood, and integrated into my own sphere.

In other words, if I can’t manage a replica of the thing astrally both in form and function down to the minutest detail, and draw it out or make it from memory (with minimal memory refreshing), I don’t consider myself ready to use it yet physically.

Now, that’s what I consider appropriate learning and education in tools in magic.  And yet, here I am offering to make these same tools for others, depriving them of the same joys and frustrations I had, and of all the kinetic meditation I did, that they might be able to have all for themselves with an equal (and minimal) amount of work.  So, here’s the deal from here on out.  If you want set up a commission for a tool, email/pay me and let me know as you already would and do.  I probably won’t turn you down unless I’m busy for the time being or unless I think it’s a terrible idea, for anyone involved.  However, you better know what it is you’re asking for and you better be able to at least conceptually have it ready for yourself in your mind’s eye and astral form.  Don’t get a commission from me because you want “someone who knows what they’re doing” or “someone initiated to do it for me”.  I know what I’m doing because I did the work for myself, not because I had someone else do it for me.  All the initiations I’ve gone through are from the spirits themselves, and they’re all for you as well if you ask and are ready for them, and if you’re not initiated for something you need, you don’t need it anyway.  Ask for a commission if you honestly are unable or don’t have the resources for something, or if you lack the crafting skills to make something you otherwise comprehend and understand for a quality piece of work.

Caveat emptor, my readers.  My tools are not meant for those who want to make things easy on themselves.  My tools are meant for those who want to make their work go farther and harder.