Search Term Shoot Back, April 2014 (and an announcement!)

I get a lot of hits on my blog from across the realm of the Internet, many of which are from links on Facebook, Twitter, or RSS readers.  To you guys who follow me: thank you!  You give me many happies.  However, I also get a huge number of new visitors daily to my blog from people who search around the Internet for various search terms.  As part of a monthly project, here are some short replies to some of the search terms people have used to arrive here at the Digital Ambler.  This focuses on some search terms that caught my eye during the month of April 2014.

First, a bit of an announcement: I’m going to be taking the month of May off from blogging, since I’m moving from my apartment of four years into a house with my boyfriend and a friend of ours.  I just need some time to myself and away from writing the blog for a bit so I can get all my stuff packed up and moved, my new ritual schedules implemented, my new commute acclimated to, and my old place cleaned out and patched up.  I’ll still do my Daily Grammatomancy on Twitter and Facebook when I can, and if you have any questions, please feel free to email me or contact me through social media, and I’ll still reply to comments on my blog.  Also, I won’t be taking any craft commissions until the start of June, though you’re welcome to get a divination reading from me or get one of my ebooks off my Etsy page.  I still have those St. Cyprian of Antioch chaplets for sale, too, if you want to help out with moving expenses.  With that, onto the search results!

“computer generated geomancy” — If you’re looking for a place to get you geomancy figures automatically generated, you could do worse than go to random.org and use their random number generator to produce 16 binary results (0 or 1), or 4 results with a value of 0 through 15 (or 1 through 16).  If you’re looking for a program that draws up geomancy charts for you, there are a handful out there; I’ve coded one myself, geomancian, which is available for free on the Yahoo! and Facebook geomancy groups, but it’s command-line only (and old).  There’s Geomanticon available from Chris Warnock’s Renaissance Astrology, and I think there are a few mobile apps that do similar, but you’d have to pay for these.  If I ever learn mobile programming, I’d make a new one for Android, that’s for sure.  Still, no application can ever give you a proper interpretation of a full geomancy reading, though it can help you with interpreting the chart for yourself; if you want a full reading, I’m more than happy to offer them.

“do virgo males have big penises like greek god hermes” — I…really can’t speak to this.  (Disclaimer: my boyfriend is a Virgo, so there’s nothing I could say here that would end well for me.)  Also, save for the odd herm and a few ithyphallic representations of Hermes (more properly Mercury, especially in Roman art), Hermes isn’t portrayed with a particularly large cock.  It was actually seen as a good thing for a man to have a small dick in classical times, since they were easier to keep clean and reduced the risk of vaginal/anal/oral injury, trauma, or tearing, which would’ve very easily led to infection in pre-modern times.  That said, well, Hermes has shown me a few, shall we say, fulfilling things once in a while.  I’ll let you get on your knees and pray for that yourself, if you like.

“how to turn holy water into wax” — I don’t think you have a proper understanding of the physics that goes on here.  I mean, water and wax don’t mix, literally or metaphorically, and no ritual or physical process could achieve this short of a biblical miracle.  It’d be easier to turn water into wine, but that wouldn’t turn out so great, either.

“occult symbols of death” — Good question, and not one I really know an answer to.  You might use a seal for a spirit of Saturn, commonly associated with death, or of Azrael, the angel of death itself.  You might find symbols associated with Santissima Muerte, too, since she literally is death.  Other such symbols, such as the cap of Hades, associated with gods of death can work equally well.  When trying to find symbols for concepts like this when a spirit is not necessarily called for, I tend to look for sigils made from the letters of the word itself (so a sigil for the word “death” or “θανατος“), an Egyptian hieroglyph, or an ancient Chinese bone script or seal script character which you can easily find on Chinese Etymology.

“invocation of akasha or ether” — I suggest you don’t bother.  The only Western tradition that can even make good use of akasha is the Golden Dawn, since they’ve spent so much of their time augmenting classical and Renaissance Western mystery traditions with pilfered and appropriated Eastern, Vedic, Taoist, and Buddhist systems.  The use of a fifth element directly in magic doesn’t really have that much of a place, as I see it; Agrippa doesn’t reference it in his Scale of Five (book II, chapter 8) where he lists “a mixed body” instead, and its description in Plato’s Timaeus has it “arranging the constellations on the whole heaven”, so it’s probably more strongly based in stellar powers than perceived emptiness.  This makes sense, since we have no prayers, invocations, or workings of quintessence in the Western tradition before the Golden Dawn, but we have plenty for the gods, signs of the Zodiac, and stars.  To that end, you might use the Orphic Hymn to the Stars.  Alternatively, since the quintessence is the underlying substratum of the elements themselves, you might pursue your own Great Work, much as the alchemists did to find the Summum Bonum and Philosopher’s Stone, to understand and invoke ether on your own; I personally use the Hymns of Silence and invocations of pure Divinity.  And if you’re a neopagan who insists there are five elements because Cunningham says so, I hope you’re up for some actual magical lifting.

“how do i attach a crystal to a wooden dowel for wand” — In my experience, use two-part epoxy.  It forms one of the strongest adhesive bonds I can think of, far stronger than superglue, and it’s commonly and cheaply available at most craft or hardware stores.  If you have some sort of aversion to using artificial materials in crafting, the best I can suggest is carve out a niche in the wand just big enough for the crystal to fit and hold it in place with wire or cord.  Even then, it might fall out.  I strongly suggest the use of some kind of suitable adhesive for this, especially if you’re a heavy duty tool user.

“the use of crystals in conjuring” — Generally, I use crystals as the scrying medium within which I see spirits and by which I communicate with them, and this is often the case by many conjurers, especially those doing Enochiana with Dee’s works or the Trithemian system I use.  I also make use of a crystal on my ebony Wand of Art to help direct and focus power, if needed, but the crystal is not strictly necessary for the wand.  Beyond that, use crystals how you otherwise would in other rituals if you find a need for them; otherwise, don’t bring them into the ritual at all.  You don’t need a crystal for your wand, nor even for the scrying medium; a mirror, an obsidian plate, a blown-glass paperweight orb, a bowl of inky water, or a glass of clear water can all suffice as a perfectly good scrying medium, depending on your preferences; hell, depending on your second sight or conjuration skills, you may not need a scrying medium at all; with practice you’ll be able to perceive the spirit directly in the mind, or even evoke them to visible and material manifestation (which isn’t as important, I claim, as others may say it is, since it’s mostly a gimmick done for bragging rights at that point).

“when u draw a circle in a triangle,does it summon spirits? — On its own, no, otherwise every copy of Harry Potter with the Sign of the Deathly Hallows would actually be magical in more than the fantasy sense.  You’re just drawing shapes at this point, and the shapes are so basic and simple as to have no direct effect on their own.  However, you can summon spirits into the circle in the triangle afterward, which is the standard practice in Solomonic magic.

“is holy water used to bless the new fire?” — I mean, you could flick holy water into a fire to bless it, but the mixing of water and fire here bothers me.  The better way to make holy or blessed fire is to bless the fuel you use, such as the wood or oil, in conjunction with or just by saying prayers over the fire once lit.  This is common in Solomonic magic as it is in other religions, such as the fire blessing rituals of Zoroastrianism.  You might also consider making fire from holy woods or herbs, such as Palo Santo, sandalwood, or similar trees, depending on your tradition.  Generally speaking, fire is already one of the holiest substances we know of in the world and held in high esteem by many religions and traditions.  It can be made infernal, wicked, or evil, but the same can be said for anything material or physical, while it being naturally holy and closest to holiness is something that can be said for very few things, indeed.

“people who write in theban scripts” — Generally fluffy Wiccans, nowadays, who insist on making things blatantly-yet-“seekritly” magical.  The Theban script, as noted by Agrippa and Trithemius, has its origins in medieval alchemical ciphers common at the time, a simple 1-to-1 cipher for the Roman script (hence the use of a doubled U/V for a W).  Theban script used to be popular for enciphering alchemical and occult texts, but now it’s used once in a while for neopagan charms or quasigothic anime character design.

“how did saint isidore react when things went wrong” — Uh…”went wrong” is a pretty vague thing here.  For that matter, so is the saint; are you referring to Saint Isidore of Seville or Saint Isidore the Laborer?  The former didn’t really have much go wrong in his life, and the latter had his son fall into a well and needed to be rescued, so that’s hardly an epic to recount to kings.  I mean, the general Christian thing to do when things go wrong is prayer, which is probably what these guys did generally and how they also became, you know, saints.

“can we use orgonite ennrgy to cean air ?” — Short answer: no; long answer: fuck no.  Orgonite energy is properly orgone, which is a meta-energy that does not directly affect the physical world.  Orgonite is a lump of resin and metal shavings with other fanciful crap inside which is claimed to purify orgone from deadly orgone (DOR) to positive orgone (POR), which is crap and impossible even according to the (surprisingly versatile and workable) pseudoscience of Wilhelm Reich who developed orgone technology.  All orgonite could feasibly do is collect orgone energy inside to pull things out; even according to the rules of orgone theory, it cannot purify orgone from DOR to POR, since orgone tech cannot distinguish between the two (nor do I think a distinction is even possible, having never noticed any negative effects of DOR or overly positive effects of POR).  Physically speaking, there’s no mechanism for cleaning the air using a lump of congealed robot vomit, and you’d be better off putting a few fine sheets of cloth on your home HVAC air intake vent and washing it every month or so.  Orgone is orgone, energy is energy; there’s no real difference between “good energy” or “bad energy” when you’re talking about orgone.  You’d be better off learning energy manipulation and clearing space than using orgonite.

“greek alphabet as magical sigils” — Totally doable.  People have used various forms of the Hebrew alphabet magically for centuries now, and the Hebrew letters are well-known as symbols and referrants to the paths on the kabbalistic and Kircher Tree of Life, especially as stoicheic symbols for numbers, elements, planets, and signs of the Zodiac.  The Greek alphabet, sharing an ancestor with Hebrew and many of the same qualities, can be used similarly, right up to its own system of qabbalah.  Just as there exist magical cipher scripts for Roman script (Theban and the Trithemian cipher) and the Hebrew script (Celestial, Malachim, Passing the River, and the Alphabet of the Magi), I know of two cipher scripts for Greek: Apollonian and a medieval Frankish cipher (from Trithemius’ Polygraphia).  I’m sure others could be devised from similar principles or adapted from another magical script; alternatively, you could use archaic or variant styles of the Greek script, such as Coptic or even a variant of Phoenician.

“cockring orgone” — I…suppose this could be a thing.  Orgone does have its origins in the study of the life energy produced from sexual activity, so you’d just be going to the source for this.  I suppose you could make a cockring out of…hm.  Maybe something made of layers of synthetic latex and natural rubber?  Metal with a plastic core?  I’m unsure.  But more importantly, WHYYYYYYY.  If I wanted to give my partner a good zap, I’d just as soon use mentholated lubricant or, better yet, Tiger Balm (protip: for the love of God never do this).

“alan shapiro puts off the fire for the usps” — G…good for him?  I guess?  Seeing how I’ve never used that name on this blog nor known anyone by it, I…well, let’s just say that I’m so odd, because I can’t even.

“circle filled with triangles orgonite” — My first thought was the image of the Flower of Life, a circle filled with overlapping circles which can form triangle-like shapes within, and a potent magical and religious symbol for thousands of years.  And then I saw “orgonite”, and my next thought was “new age bullshit”, which is about what people use the Flower of Life nowadays for anyway.  On the one hand, you’re talking about sacred geometry, and on the other, you’re talking about lumps of crap, so I’m unsure what you’re getting at here.  Also, I’m starting to loathe the popularity of these orgone searches, but they’re just so ripe for making fun of.

“hermetism and homosexualit” — Hermetism isn’t a word often used, and chances are that you’re referring to “Hermeticism”, the Neoplatonic-Gnostic-ish philosophy that came about in the classical Mediterranean from a whole bunch of philosophies and religions rubbing shoulders with each other.  In that sense, Hermeticism and Neoplatonism generally helped form a new concept of what was then called “Platonic love”, a love of souls more than that of bodies.  Men and men, men and women, and women and women can all have Platonic love for each other, while before this movement (especially in the Renaissance) it may have been hard to communicate one’s feelings about another, especially if love was itself defined between two people of the opposite gender.  Another point to consider is that “homosexuality” as a concept and identification didn’t exist until the late 1800s; labeling ourselves in this manner simply wasn’t done before then.  You either never had gay sex, were having gay sex at that moment, or had gay sex at some point in the past; it was an action and not a state.  Actions like this have no significant ramifications I can think of in Hermeticism, since there’s no sin to deal with or laws that say you can’t do that; it’s a very abstract yet thorough philosophy that embraces pretty much whatever and whoever you throw at it.  As for the other meaning of Hermetism, which I take to be a henotheistic worship of Hermes, well, the god-dude himself likes the occasional dick, so he has no problem with it.

“the most homosexual magician on the planet” — I…honestly don’t think I’m the best candidate for this esteemed title.  I mean, yeah, I’ve sucked a lot of dick, but I don’t go around drinking skinny margs, watching Glee, or wearing turtlenecks, either.  I mean, I’m not particularly effeminate (though I do have my moments), nor am I stereotypically promiscuous (not like that’s a bad thing), so…yeah.   Besides, the notion itself is kind of absurd; unless you’re a 6 on the Kinsey scale, I don’t think “most homosexual” is really a thing, but since I do score a 6 on that scale, I suppose I get the title?  Maybe?  I still claim that you’d be better off finding candidates for this title on Twitter, all of whom are good, noble, professional, upright people and magi (also I love you guys~).

“energy circle when summoning spirits how do you draw it” — You don’t draw energy circles when summoning spirits; you draw conjuration or summoning circles to conjure or summon spirits.  In that case, you draw (shock of the ages!) a circle.  You can add other symbols, names, or whatever to it as you want, but these are highly varied, as Ouroboros Press’ Magic Circles in the Grimoire Tradition by William Kiesel points out, but really, a circle is all you need.  You can use chalk, a knife, paint, rope, or whatever to draw it out, but do draw it out, even if it’s just in the carpet with a finger.  Energy circles are used in various forms of energy work with varying degrees of significance, though I’ve never needed such a thing except for shielding or putting out feelers in my local surroundings.

“ikea-rituals” — I’m not aware of any Ikea-specific rituals, but their wide array of furniture and household goods is quite amazing, much of it able to be repurposed to ritual use.  I plan on getting a few more LACK side tables as a series of altars, to be sure, and some nice shelves for my temple and personal library in the near future.  I assume rituals for Ikea would take on a strongly Nordic and Scandinavian flavor, but that’s not my area of expertise.

“where do i put my incense when summoning a demon”  — I would put the incense somewhere between you and the conjuration space for the demon, that way you have the smoke rising up to offer a kind of veil or ethereal lens through which you can more easily perceive the demon.  Where you put the conjuration space (Triangle of Art, Table of Practice, etc.), however, is another question entirely.  Some grimoires offer directions you should face, or a particular direction associated with the demon or spirit, which would provide you with a good idea of directional and spatial layout.

Also, this wasn’t really a search term, but something did catch my eye.  I keep track of what other sites lead people to my blog; search engines like Google and sites like Facebook are at the very top of the list, of course, but also some blogs are also notable.  One crazy hilarious blog linked to my post on the divine names written on the Trithemius lamen,  From the crazy blog itself, it’s about:

We are living in Biblically significant Times. Ironically it was the most persecuted man in modern history that lead me to dig deeper into the Bible and taught me more about God than any other human being on the planet. And that man is Michael Jackson. I started a blog to defend him. I ended up researching him and learned just why they were after him. They did everything they could to shut him down. In the song “Cry” he said “take over for me”, so that is what I am doing. God bless that man and his faith and strength

…alright, then.  Specifically, the post referenced my blog in that those silly Jews never understood God in that God obviously only has one possible name (the one referred to as the Tetragrammaton, which even they say has two pronunciations…I think? it’s hard to read the post) and that all other names refer to demons, and that Michael is not the angel of the Sun but is a demon because it’s another Michael besides Michael Jackson.  They also attempted to bind the angel Michael and God in the name of God because reasons.  My good friend Michael Seb Lux, before discovering that the blog doesn’t allow comment except from certified crazy people it allows, was going to reply with this:

Actually, there are multiple names ascribed to G-d in the Hebrew Scriptures. While Yahweh is the more common one, in Exodus 3:14 G-d speaks His Name as, “Ehyeh asher ehyeh” or “I am that what I shall be”. Similarly, the use of Adonai is common as a theophoric and literally means, “Lord”. Other names used in Scripture are Yahweh Tzevaot (1 Samuel 17:45), ha’el elohe abika (Genesis 46:3), Elah Elahin (Daniel 2:47), Elohim (Exodus 32:1; Genesis 31:30, 32; and elsewhere), and so forth. The four-fold name may have originated as an epithet of the god El, head of the Bronze Age Canaanite pantheon (“El who is present, who makes himself manifest”) or according to the Kenite hypothesis accepted by scholars, assumes that Moses was a historical Midianite who brought the cult of Yahweh north to Israel.

May all the angels pray for us and God (in every one of his names) bless the Internet that we may be worthy of the lulz of paradise.

Anyway, see you guys in June!

New Translation on Magical Medieval Runes, and an Elemental Cipher

Recently, I got the translating bug again, and managed to get a few texts translated from medieval Latin to English, and since these texts haven’t been translated elsewhere, why not share my productions with the world and help out expanding the knowledge we mighty magi possess?  One such text, taken from the book “Hermes Trismegistus, Astrologia et divinatoria” (Corpus Christianorum, Continuatio Medievalis 144C, Brepols: Turnhout, 2001), is called the Liber Runarum, or “Book of Runes”, a 15th century text found in a few manuscripts describing a method of using runes (yes, actual Nordic runes!) in tandem with Hermetic astrological and angelic magic.  Unlike the runic correspondences offered by, say, Crowley in Liber 777 or Skinner in his “Complete Magician’s Tables”, this offers a simple method of ascribing the runes to the stars, linking them to the rest of the body of Hermetic knowledge.  You can find the whole translation posted here, runes and all, but I wanted to talk about a specific method given in the Liber Runarum to write magical texts for talismans, charms, and the like.

So, the text starts off with listing twelve signs based on the signs of the Zodiac.  These twelve signs, starting with Salmadis and ending with Rynybel, appear to be of equal size and area, just as the signs of the Zodiac are themselves.  However, they start off a little skewed from the Zodiac proper, with the start of Salmadis beginning at the “end” of Aries, or the start of the third decan (20° into Aries).  Since these signs are called “extracted” or “abstracted” in the text, I’ll call them “extracted signs” here.  To list the Zodiac signs beside their corresponding extracted signs:

Zodiac Sign Extracted Sign
Aries First Decan Rynybel
Second Decan
Third Decan Salmadis
Taurus First Decan
Second Decan
Third Decan Lathlim
Gemini First Decan
Second Decan
Third Decan Celecht
Cancer First Decan
Second Decan
Third Decan Rohob
Leo First Decan
Second Decan
Third Decan Ayleyl
Virgo First Decan
Second Decan
Third Decan Alyobe
Libra First Decan
Second Decan
Third Decan Baltarie
Scorpio First Decan
Second Decan
Third Decan Affoguil
Sagittarius First Decan
Second Decan
Third Decan Hanapel
Capricorn First Decan
Second Decan
Third Decan Balyoel
Aquarius First Decan
Second Decan
Third Decan Cariophel
Pisces First Decan
Second Decan
Third Decan Rynybel

Each of the extracted signs is associated with two “runes”, or letters of the medieval runic alphabet still in use in the 15th century in parts of Europe and which have a more-or-less one-to-one correspondence with the Latin script in use at the time, which is the Latin alphabet we’re used to minus the letters J (a variant of I),  and U and W (variants of V) .  Each of the extracted signs is associated with two letters, with the exception of Rynybel, which only has one letter.  These letters are given to the extracted signs in the order of the standard Latin alphabet; thus, Salmadis is given A and B, Lathlym is given C and D, and so forth through Rynybel, which is given only Z.  Interestingly, each of the letters is also given an elemental nature from the four classical elements: fire, earth, air, and water.  However, these letters are given elements based on the Zodiacal sign, not the extracted sign, that they most closely are associated with.  So, for example, the extracted sign Salmadis starts off in Aries, a fire sign, and ends in Taurus, an earth sign; A “is taken from the first part” of Salmadis, and B “from the second”.  So, A, being closer to Aries, is given to the element of fire and B, being closer to Taurus, is given to earth.  This pattern follows all the way through, with Z being given to water due to its placement with Pisces.

Zodiac Sign Zodiac Element Extracted Sign Extracted Rune Runic Element
Aries Fire Rynybel
Salmadis A Fire
Taurus Earth B Earth
Lathlim C Earth
Gemini Air D Air
Celecht E Air
Cancer Water F Water
Rohob G Water
Leo Fire H Fire
Ayleyl I Fire
Virgo Earth K Earth
Alyobe L Earth
Libra Air M Air
Affoguil N Air
Scorpio Water O Water
Baltarie P Water
Sagittarius Fire Q Fire
Hanapel R Fire
Capricorn Earth S Earth
Balyoel T Earth
Aquarius Air V Air
Cariophel X Air
Pisces Water Y Water
Rynybel Z Water

And yes, although I’m using the Latin alphabet, the texts use a version of medieval runes.  Imagine that you’re using the runes, and you’ll be set.  Below are one such version of the runes as given in the Liber Runarum, coupled with their standard medieval runic counterparts and their Latin transcriptions.  For the sake of this post, I’ll just refer to the runes by their Latin letter equivalents.

Runes of the Liber Runarum

So, why does this matter?  For inscribing magical talismans and image magic, of course, as was the fad in medieval and Renaissance Europe.  The Liber Runarum is, like many other texts at the time, a book of angelic magic, and the text gives a list of angels, their associated planets, things they govern or rule, and the like.  All this, plus a specific method for writing the names of angels or other things on talismans for magical purposes, by associated the elements with the letters so that inscribed words may be properly aligned to the forces of the cosmos.

However, the method for writing words on magic items according to the Liber Runarum is…convoluted and obscure.  I had to bust out Google Translate to understand the introduction to the text written in Italian to get a better grasp of the method, and it’s still pretty hard to explain.  Basically, the text proposes a kind of magical cipher to obscure or occlude the written word itself by means of the elements themselves.  The text says this on the manner of working:

Now it is to be said about the changing of the figures abstracted from the stars according to the different parts of the signs, in the way that a figure entering under is put in the place of an opposing figure, and in this manner a change of the figures is made, which is nothing other than the removing of an opposing figure and a placing forth of another figure suitably entering under. So as to understand this change, moreover, the difference of the abstracted figures is to be noted by some standing alone, some obstructing, some entering under. Figures standing by themselves are those which do not need change but are suitably placed in a sculpture according to the need of a good combination.  Opposing figures are those which cannot be placed in the sculpture due to the mixing of the arrangement of figures.  Figures entering under are those which are well-put in the place of opposition.  It is also to be noted that the figures standing by themselves make opposing figures and vice versa, and similarly figures entering under make those standing by themsleves and will oppose.  However, of the figures standing by themselves it is to be known that they are unchanging and always placed in the sculpture without change and make the sculpture to ascend into the circle or the parts of the signs by which it had fallen, which are the figures that from the upper parts of the circle, or rather the Zodiac, [that] are taken with respect to the figures which are those placed in the sculpture.

Believe me, it’s not because I’m a shitty translator of Latin that it’s obscure (though I do credit myself a bit with that).  Even the curator of the text himself called the method hard to understand, but given a few examples presented in the texts themselves, the method does become apparent.  The method of writing in this manner relies on understanding the flow of the elements according to the Zodiac: fire, earth, air, water (just like Aries, Taurus, Gemini, Cancer, and so forth).  The “starting element” of the cycle depends on the first letter found in the word; the other letters must either fit naturally with this order or be changed to another letter of the alphabet to agree with it.  Thus, the meanings of the terms in the passage above become a little clearer:

  • Figure standing by itself: a letter whose elemental nature agrees with the elemental position of the word.
  • Figure opposing: a letter whose elemental nature is different from the elemental position of the word.
  • Figures entering under: a letter replacing an opposing letter to supply the needed element for that elemental position.

Of course, the method still isn’t clear as to which of suitable elemental letters to pick to replace a letter.  There are five or six letters per element, and the examples given in the original manuscripts do seem to follow some sort of pattern.  After looking at the examples myself and trying to figure out which is which (no easy task), the method of writing a cipher using this elemental system can be described (as best as I can understand it) as follows:

  1. Write out the full word.
  2. Inspect the element associated with the first letter of the word.  This letter begins the cycle of elements for the rest of the word.
  3. Inspect the successive letters of the word, noting the elements of the letters and the prescribed element for that position in the word.
  4. If a given letter has the same element as the position itself, leave it be.
  5. If a given letter has a different element as the position itself, change this letter to be replaced to the next letter in the alphabetic cycle with the needed element, the letter itself being taken from the extracted sign closest to the zodiac sign with a triplicity of the same element as the letter to be replaced.

Complex?  Of course it is, it’s from the 15th century.  Let’s walk through a few examples.  Consider a name from the same text as this cipher is pulled from, Acelaceyl:

  • The first letter of this word is A, the element of which is Fire.  Since the word is nine letters long and the first letter of the word is associated with Fire, the cycle of elements that the letters must obey will be Fire-Earth-Air-Water-Fire-Earth-Air-Water-Fire.  The letters themselves in the word are A (fire), C (earth), E (air), L (earth), A (fire), C (earth), E (air), Y (water), L (earth).  Most of the letters in the word follow this pattern, except the first L and the last L, which have different element than the order prescribes; the first L is earthy when a water letter is needed, and the last L is earthy when a fire letter is needed; both of these letters must be replaced to another with a proper elemental nature.
  • The first L needs to be replaced by a water letter; the next water letters in the alphabet after L are O and P.  O is taken from the second part of Affoquil, which starts in the third decan of Libra, and P is taken from the first part of Baltharie, which starts in the third decan of Scorpio.  L itself is earthy, so whichever of the signs Affoquil (holding O) and Baltharie (holding P) is closest to an earth sign will be selected.  Affoquil is closer to Virgo than Baltharie is to Capricorn, so Affoquil is chosen, replacing the first L with O.
  • The second L needs to be replaced by a fire letter; the next fire letters are Q and R.  Q is taken from the second part of Baltharie and R from the first part of Hanapel.  Whichever of these signs is closest to an earth sign will be chosen.  Hanapel is closer to earthy Capricorn than Baltharie is to Virgo (indeed, Baltharie overlaps into Capricorn!), so Hanapel is chosen, replacing the second L with R.
  • By replacing these letters in this way, we get the resulting cipher ACEOACEYR.

Another example: let’s look at the word IAO SABAOTH, the Latinate rendition of a fairly popular godname.  Here, we’ll encipher a whole phrase based on the first letter of the phrase:

  • The first letter is I, which is Fire.  The phrase IAO SABAOTH has ten letters, so the cycle must be Fire-Earth-Air-Water-Fire-Earth-Air-Water-Fire-Earth.  The letters themselves are I (fire), A (fire), O (water), S (earth), A (fire), B (earth), A (fire), O (water), T (earth), H (fire).  Of these, only the I of IAO and the first A, B, and O of SABAOTH fit according to this pattern; all the other letters must be changed.  In other words, to use underlined letters to signify the letters to be changed, IAO SABAOTH.
  • The A of IAO is fiery and needs to be replaced by an earth letter.  The next two earth letters are B and C, from Salmadis and Lathlym, respectively.  Salmadis is closer to a fire sign (Aries) than Lathlym is (Leo), so Salmadis’ letter B replaces A.
  • The O of IAO is watery and needs to be replaced by an air letter.  The next two earth letters are V and X, from Balyoel and Cariopel, respectively.  Cariopel is closer to a water sign (Pisces) than Celecht is (Scorpio), so Cariopel’s letter X replaces O.
  • The S of SABAOTH is earthy and needs to be replaced by a water letter.  The next two water letters are Y and Z, from Cariopel and Rynybel, respectively.  Cariopel is closer to a water sign (Pisces, overlapping it) than Rynybel is (Cancer, though it overlaps Pisces as well), so Cariopel’s letter Y replaces S.
  • The second A of SABAOTH is fiery and needs to be replaced by an air letter.  The next two air letters are D and E, from Lathlym and Celecht, respectively.  Lathlym is closer to a fire sign (Aries) than Celecht is (Leo), so Lathlym’s letter D replaces A.
  • The T of SABAOTH is earthy and needs to be replaced by a fire letter.  The next fire letter is A, from Salmadis.  Because the A from Salmadis is alone without a companion fire letter, A is chosen by default to replace T.
  • The H of SABAOTH is fiery and needs to be replaced by an earth letter.  The next two earth letters are K and L, from Ayleyl and Alyobe, respectively.  Ayleyl is closer to a fire sign (Leo) than Alyobe is (Sagittarius), so Ayleyl’s letter K replaces H.
  • By replacing these letters in this way, we get the resulting cipher IBX YABDOAK.

So, with the rule and examples understood (as surely you have, dear reader), here’s my conversion chart for any letter of the Latin runic alphabet into any element as needed.  Bold letters indicate no change needed, and also the natural element of a given letter.  To read this chart, find the letter to be enciphered in the leftmost column, then read across to find its enciphered equivalent according to the element needed.

Letter Fire Earth Air Water
A A B D G
B I B D F
C I C D F
D H L D F
E H L E F
F H K N F
G H K N G
H H K M P
I I K M P
K R K M O
L R L M O
M Q T M O
N Q T N O
O Q S X O
P Q S X P
Q Q S V Z
R R S V Z
S A S V Y
T A T V Y
V A C V Y
X A C X Y
Y A B E Y
Z A B E Z

Because of the many-to-one conversion (the A in a cipher could stand for seven letters including itself), it’d be very, very difficult to decipher a word already enciphered without a lot of ingenuity and knowing probable letter combinations in a given language.  Then again, this same mechanism of obfuscation helps obscure the meaning of the text from human eyes and human minds, just as common methods of sigilization do, and also help to align a given word with the starry forces that govern existence down here.  The obfuscation part is kinda ingenious, not gonna lie, especially for doing stellar magic generally and leaving behind magical items in public without being too blatantly skeevy or sketchy.  After all, why write “DIE IN A FIRE” and get arrested or fired when you can write “DPHKNGHKVF” instead and have nobody (but the spirits) know the better?  Bonus points if you actually use medieval runes, futhark, futhorc, or, hell, even Theban script.

Of course, the method above is what I can say on the matter.  The different versions of the Liber Runarum offer different examples, with one manuscript showing the names of the angels written four times each, each time using a different change.  I honestly don’t know why this might be, or whether some of them are just wrong or are further confused or use a different method, but the above cipher is simple and regular enough to be easily applied in magical inscriptions.  Alternatively, different letters might be used (while still fulfilling that same elemental restriction) based on their exact sign, using more zodiacal and planetary reasons for selecting a particular letter over another for a given purpose.