A PGM-Style Framing Rite for Pretty Much Any Purpose

This past quarter, the splendid Gordon White of Rune Soup held another of his classes, this time on the Greek Magical Papyri, otherwise known famously as the PGM.  It was a great course; rather than being focused on simply presenting rituals and implementations thereof, Gordon went all out on giving the context, development, influences, cosmology, and theory that really fleshes out the PGM.  No, the PGM cannot be considered a single body of texts, because they’re inherently not: they’re a jumble of papyri from multiple authors across multiple centuries.  However, Gordon’s class really pulls so much of it together into something that could, honestly, feel like it could be presented as part of a single text, or at least a single tradition with more-or-less a single mindset.  It’s a tall order, but it’s a great thing to take if you’re a member of his class stuff.  That said, and to be candid about it, I’m kinda left a little hungry by the course: knowing that Gordon’s been doing PGM magic for…quite some time (probably longer than I’ve been a magician at all), I’d’ve liked to see more implementations and descriptions of ritual rather than just the cosmological backgrounds behind what we have in the PGM.  Still, I also know that I’m often left a little (or a lot) disappointed by other books on PGM-style magic that mostly or only list rituals with only a smattering of cosmology behind them; some of them are worthwhile, at least for a while, but I tire of them easily, probably because I’m a spoiled brat and like to chew on things myself rather than simply have them presented to me, so perhaps it’s really for the best that Gordon focused on the background and theory of the PGM rather than the contents themselves.  Of the other well-known books about the PGM, Stephen Skinner’s Techniques of Graeco-Egyptian Magic is a great analysis of the content of the PGM, and is a helpful index and guide to looking at and investigating parts of the PGM (though I differ with him on some accounts as well).

Flatteringly, Gordon referenced me and my work on my blog and website several times throughout his course.  (I admit, I was caught off-guard each time he did so, and it felt like I was being called out in the middle of a college lecture hall each time I listened into his class, and so promptly spat out my wine and/or energy drink of choice at that moment.)  To my credit, I have done quite a bit of PGM work; not as much as I’d like, but I do write about it quite a bit, and have whole groups of pages up both for PGM and PGM-like rituals as well as prayers from the Hermetic and PGM traditions, and about a tenth of the posts and pages on this website reference the PGM in one way or another.  For other splendid websites and bloggers on PGM stuff, I might also recommend Voces Magicae as well as Sublunar Space, who both appear to do quite excellent stuff on their own.

One of the most hilariously common things one might see in the PGM texts is the phrase “add the usual” (even to the point where Gordon was considering naming parts of his course that phrase).  Bear in mind that the PGM is basically a collection of the notes of working, jobbing magicians who kept track of their observations, rituals, recipes, and the like.  Just like how someone wouldn’t write down something in their journal that they did each and every time they got themselves ready in the morning but merely obliquely referenced it, so too did the PGM authors do the same for their own texts; if they had a particular MO, they wouldn’t waste the ink and papyrus on it, but simply said “add the usual”.  What that “usual” might have been, we don’t often know or have the means to find out, but it does indicate that certain rituals took place within a broader framework or ceremonial practice.  A modern term for this is a “framing rite”, where a particular ritual procedure is established to attune, protect, and generally set things up for a magician to do something specific within the overall ritual.  Examples of framing rites abound in modern systems of magic, and for those who have a daily magical practice, those same rituals can often be used both generally each day as well as immediately before/after a ritual to prepare or wind down the magician for the ritual.  With all the instances of “add the usual”, we have evidence that similar practices were done in the era of the PGM authors, as well.

With that in mind, and bringing my own Mathēsis practices and my other temple procedures into the mix, I was wondering if I could codify and establish a PGM-style framing rite for myself.  I adore the PGM stuff, after all, and I definitely incorporate many of its techniques in much that I do, whether it’s whole rituals or just parts I pick and extrapolate from.  Plus, given all the PGM resources I’ve put out on my blog, including implementations of rituals for which we only have the bare bones from the original source, it’s not like I lack for sources of inspiration.  So, I decided to pluck bits and pieces from a variety of PGM, Hermetic, Neoplatonic, and similar sources of magical praxis and slap them together into an overall procedure that works as a framing ritual for…well, anything, honestly, but with a focus on PGM-style magic (though not necessarily the PGM rituals themselves, especially those that provided inspiration for this framing ritual).  Between the lists of names of spirits, invocations for a variety of purposes, implementations of ritual designs, and the other practices I’ve developed in the meantime, it wasn’t hard to form a synthesis of PGM-inspired ritual.  Is it a mish-mash?  Absolutely, and I make no denial or complaint against that!  Is it effective?  As far as I’ve noted, it definitely is, which is why I have no complaints about it (besides my own quibbles in refining it over time).  I don’t mean to say that the PGM can be treated as a single, coherent text, because it’s absolutely not; that said, it’s not hard to pick the individual techniques that can be separated from particular parts of the PGM and synthesize them together into its own more-or-less coherent whole.

What follows is my attempt at such a generalized magical procedure.  Admittedly, this is still an experimental framework, and I’m still in the process of making minor tweaks and edits to it; however, the bulk of it is stable, and any further changes to be made would be minor indeed.  The framing rite, as the ritual proper itself, will benefit from being done in a previously established or consecrated space, but the framing rite itself suffices to establish a working temple in any space or location.  Further, with minor modifications, anything before the ritual proper according to the framing rite schema given here may also be used as a format for a regimen for daily magical practice.  Not all parts are required, but may be done at the magician’s discretion; when something is optional, I’ve said as much.  The general outline of the framing ritual, in full, is as follows:

  1. Send out any non-initiates.  (optional)
  2. Ablute with lustral water.
  3. Illumine the temple and call on the Lord of the Hour.
  4. Call on the Lord of the Day.  (optional)
  5. Call on the Lord of the Stars.  (optional)
  6. Consecrate the Light.
  7. Call on the Guardians of the Directions.
  8. Opening prayer.  (optional)
  9. Cast the circle.  (optional)
  10. Empowerment and fortification.
  11. Initial offering of incense to the spirits. (optional)
  12. The ritual proper.
  13. Closing prayer.  (optional)
  14. Dismissal offering to the spirits.
  15. Uncasting the circle.  (only if a circle was previously cast)
  16. Extinguishing the Light.

The following materials are required for the framing rite itself, in addition to whatever other materials the ritual proper calls for:

  • A head covering, such as a shawl or scarf
  • A clean basin or bowl
  • A clean towel (optional, if desired)
  • Fresh water
  • Salt or natron
  • Bay leaves, or cotton balls along with a tincture of bay laurel and frankincense
  • A lamp or candle, not colored red or black
  • Incendiary tool, such as matches or a lighter
  • Incense, most preferably frankincense
  • White chalk, a wand, or a knife to draw a circle (optional, only if desired)

In the future, once I make any further refinements and hammer out any other inconsistencies in the framing rite, I’ll eventually add it to the Rituals section of pages on my website.  In the meantime, I hope you enjoy, and if you’re interested, give it a whirl and see how you feel applying the following framing rite, both around a ritual itself as well as a basis for daily practice!

Note that in the following ritual text, except for the few short Greek phrases used and the names of spirits listed in the tables below, I’ve left what few barbarous words of power are used in the framing rite in Greek.  I tried to use selected portions of the PGM that didn’t rely too heavily on barbarous words of power, but their use is still essential to PGM-style magic in general.  None of what are used below are particularly long or complicated strings of words of power as some parts of the PGM are known for, but are rather some of the shorter and most common ones; I’ve left them in Greek to prevent formatting clutter.  If you’re unsure on how to read them, consult the listed PGM sections in the Betz translation or learn how to read basic Greek.  I might also recommend to check out this page on the phonetic and esoteric associations of the Greek.alphabet as well as this post on a primer on how to meditate on them to get used to their sound and power.


If desired, especially if this is done in a group setting, recite Porphyry’s command from On Images to give a general call to dismiss all unwanted or uninitiated entities, incarnate and otherwise, to leave the space in which the ritual is to be performed:

I speak only to those who lawfully may hear:
Depart all ye profane, and close the doors.

If there is a door to the space in which the ritual is performed, now is the time to close it, unless safety concerns mandate it being open; some sort of barrier should be used instead, such as a bar, board, or stone put across or symbolically blocking the entry to the space.

Prepare the lustral water and ablute with it so as to purify yourself and the temple space. This is essentially the process of making khernips for khernimma:

  1. Fill a basin with clean, fresh water.
  2. Pour or sprinkle a small amount of sea salt or natron into the water.  I recommend doing this in a cross formation above the basin.
  3. Light a whole dried bay leaf or a cotton ball soaked in a tincture of frankincense and bay laurel. Hold it above the basin, and say:

    For the sake of purity and becoming pure…

    Quench the fire into the water, and say:

    …be purified!

  4. Mix the water thoroughly with the right hand.
  5. Wash the left hand with the right, then the right hand with the left, then the face with both hands, reciting:

    Χερνίπτομαι (Kherníptomai)! In purity, I cleanse myself and free myself from defilement.

  6. With the right hand or a bundle of bay leaves, sprinkle the khernips around you in a counterclockwise direction, reciting:

    Begone, begone, you polluting spirits, you evil spirits, begone, begone!
    May all that is profane be cast out, that only holiness may here remain.

  7. If desired, pat the face and hands dry with a clean towel or cloth.
  8. Cover your head with a loose-fitting shawl, scarf, stole, hood, or other headcovering.

If more than one person is present, the lead magician prepares the khernips, washes themselves, and asperges the temple space first.  After that, the other ritual participants wash themselves only (reciting only the “Χερνίπτομαι! In purity…” part).

Illumine the temple with sacred fire that shines forth with the light of Divinity. This is a combination of both a conjuration of the flame of the lamp or candle to be used in the ritual as well as an invocation to the temporal Lord of the Hour.  This lamp or candle should not be colored red or black, given the general proscriptions against it in the PGM for most types of work, and should be kept separate from other lights used in the ritual proper unless it’s a lamp divination or theophany that uses such a light.  Light the lamp or candle, ideally while standing to the west of the lamp and facing east towards it, and recite the following conjuration of the flame based on the spell for fires to continue from PGM XIII.1—343 (the Eighth Book of Moses) and the invocation to the lamp of PDM xiv.1—92 and PDM xiv.489—515, depending on whether the ritual is done during the daytime or the nighttime.

  • Diurnal conjuration of the flame:

    I conjure you, Fire, o daimon of holy Love, the invisible and manifold, the one and everywhere, to remain in this light at this time, shining and not dying out, by the command of Aiōn!
    Be great, o light!  Come forth, o light!  Rise up, o light!  Be high, o light!
    Come forth, o light of God!
    O bright face of Hēlios, …,  servant of God, you whose hand is this moment, who belongs to this Xth hour of the day, bring your light to me!

  • Nocturnal conjuration of the flame:

    I conjure you, Fire, o daimon of holy Love, the invisible and manifold, the one and everywhere, to remain in this light at this time, shining and not dying out, by the command of Aiōn!
    Be great, o light!  Come forth, o light!  Rise up, o light!  Be high, o light!
    Come forth, o light of God!
    O bright angel of Selēnē, …, servant of God, you whose hand is this moment, who belongs to this Xth hour of the night, bring your light to me!

The rulers of the unequal hours of the day and the night, taken from PGM IV.1596—1715 (Consecration of the Twelve Faces of Hēlios) and PGM VII.862—918 (Lunar Spell of Klaudianos):

Hour Diurnal
(PGM IV.1596—1715)
Nocturnal
(PGM VII.862—918)
I ΦΑΡΑΚΟΥΝΗΘ
PHARAKŪNĒTH
ΜΕΝΕΒΑΙΝ
MENEBAIN
II ΣΟΥΦΙ
SŪPHI
ΝΕΒΟΥΝ
NEBŪN
III ΑΜΕΚΡΑΝΕΒΕΧΕΟ ΘΩΥΘ
AMEKRANEBEKHEO THŌUTH
ΛΗΜΝΕΙ
LĒMNEI
IV ΣΕΝΘΕΝΙΨ
SENTHENIPS
ΜΟΡΜΟΘ
MORMOTH
V ΕΝΦΑΝΧΟΥΦ
ENPHANKHŪPH
ΝΟΥΦΙΗΡ
NŪPHIĒR
VI ΒΑΙ ΣΟΛΒΑΙ
BAI SOLBAI
ΧΟΡΒΟΡΒΑΘ
KHORBORBATH
VII ΟΥΜΕΣΘΩΘ
ŪMESTHŌTH
ΟΡΒΕΗΘ
ORBEĒTH
VIII ΔΙΑΤΙΦΗ
DIATIPHĒ
ΠΑΝΜΩΘ
PANMŌTH
IX ΦΗΟΥΣ ΦΩΟΥΘ
PHĒŪS PHŌŪTH
ΘΥΜΕΝΦΡΙ
THYMENPHRI
X ΒΕΣΒΥΚΙ
BESBYKI
ΣΑΡΝΟΧΟΙΒΑΛ
SARNOKHOIBAL
XI ΜΟΥ ΡΩΦ
MŪ RŌPH
ΒΑΘΙΑΒΗΛ
BATHIABĒL
XII ΑΕΡΘΟΗ
AERTHOĒ
ΑΡΒΡΑΘΙΑΒΡΙ
ARBRATHIABRI

Similarly, though not necessarily required, an invocation to the ruling god of the day may also be made at this time.  This may be done in one of two ways: either by the ruler of the day according to the planet, or according to the ruler of the Pole using the Seven-Zoned method from PGM XIII.1—343/XIII.646—734.

Using the same section from PDM xiv.489—515 as before, invoke the planetary ruler:

  • Using the day ruler method:

    O blessed god, …, servant of God, you whose hand is this moment, who rules over this day, bring your light to me!

  • Using the Seven-Zoned (Pole ruler) method:

    O blessed god, …, servant of God, you whose hand is this moment, who rules over the Pole on this day, bring your light to me!

Alternatively, another invocation to the appropriate planet may also be used, such as praying the Orphic Hymn to that planet.

Weekday Ruling Planet
By Day Pole Ruler
Sunday Hēlios Selēnē
Monday Selēnē Hermēs
Tuesday Arēs Aphroditē
Wednesday Hermēs Hēlios
Thursday Zeus Arēs
Friday Aphroditē Zeus
Saturday Kronos Kronos

If further desired, though again not required, an invocation may be made to the Zodiac sign that rules the present time, based on PGM VII.795—845 (Pythagoras’ request for a dream oracle and Demokritos’ dream divination).  Given the lunar and nighttime connections of that ritual, it may be best to call upon the sign of the Zodiac in which the Moon is currently found; however, for more solar-oriented rituals, using the Zodiac sign in which the Sun is currently found may be used instead.  A combined method, which I would recommend, calls upon the two signs of both the Sun and the Moon together:

O blessed heavens, solar … and lunar …, you two asterisms that watch over all the works of the world, bring your light to me!

If, however, the Sun and Moon are in the same sign:

O blessed heaven, …, you great asterism who watches over all the works of the world, bring your light to me!

Zodiac Sign Name
Aries ΑΡΜΟΝΘΑΡΘΩΧΕ
HARMONTHARTHŌKHE
Taurus ΝΕΟΦΟΞΩΘΑ ΘΟΨ
NEOPHOKSŌTHA THOPS
Gemini ΑΡΙΣΤΑΝΑΒΑ ΖΑΩ
ARISTANABA ZAŌ
Cancer ΠΧΟΡΒΑΖΑΝΑΧΟΥ
PKHORBAZANAKHŪ
Leo ΖΑΛΑΜΟΙΡΛΑΛΙΘ
ZALAMOIRLALITH
Virgo ΕΙΛΕΣΙΛΑΡΜΟΥ ΦΑΙ
EILESILARMŪ PHAI
Libra ΤΑΝΤΙΝΟΥΡΑΧΘ
TANTINŪRAKHTH
Scorpio ΧΟΡΧΟΡΝΑΘΙ
KHORKHORNATHI
Sagittarius ΦΑΝΘΕΝΦΥΦΛΙΑ ΞΥΥ
PHANTHENPHYPHLIA KSUHU
Capricorn ΑΖΑΖΑΕΙΣΘΑΙΛΙΧ
AZAZAEISTHAILIKH
Aquarius ΜΕΝΝΥΘΥΘ ΙΑΩ
MENNYTHYTH IAŌ
Pisces ΣΕΡΥΧΑΡΡΑΛΜΙΩ
SERYKHARRALMIŌ

With the sacred light lit and the appropriate powers of the present time invoked, uncover your head and recite the Light-Retaining Charm based on PGM IV.930—1114 (Conjuration of Light under Darkness):

I conjure you, holy Light, breadth, depth, length, height, brightness,
by ΙΑΩ ΣΑΒΑΩΘ ΑΡΒΑΘΙΑΩ ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ ΑΒΛΑΝΑΘΑΝΑΛΒΑ ΑΚΡΑΜΜΑΧΑΜΑΡΕΙ ΑΙ ΑΙ ΙΑΩ ΑΞ ΑΞ ΙΝΑΞ
remain by me in the present hour, until I have accomplished all I have set out to do!
Now, now, immediately, immediately, quickly, quickly!

Call upon the Guardians of the Directions.  This is essentially using my Invocation of the Solar Guardians, based on PGM II.64—183 and PGM.XII.14—95, to recognize the four spiritual entities who stand guard of the stations of the Sun at sunrise, noon, sunset, and midnight, as well as the realms and rulers of the heights and the depths, so as to orient and protect both the temple and the magician.  The first guardian to be invoked is the one who controls the quarter of the sky where the Sun currently is: between sunrise and noon, the Guardian of the East should begin the invocations; between noon and sunset, the Guardian of the South; and so forth.

  1. First, face the East or, if preferred, whatever quarter of the sky the Sun happens to be in at the moment of the invocation.
  2. Take a half-step forward with the right foot, raise the right hand forward and out, and raise the hand up and out towards that direction.  Give the salutation to the guardian, lower the hand, bring the right foot back, then turn 90° clockwise to salute the next guardian.  The four salutations for these guardians are, with the order to be changed according to the direction first started with:

    ΙΩ ΕΡΒΗΘ, take thy place in the East!
    ΙΩ ΛΕΡΘΕΞΑΝΑΞ, take thy place in the South!
    ΙΩ ΑΒΛΑΝΑΘΑΝΑΛΒΑ, take thy place in the West!
    ΙΩ ΣΕΣΕΓΓΕΝΒΑΡΦΑΡΑΓΓΗΣ, take thy place in the North!

  3. Once all four guardians of the cardinal directions have been saluted, return to the original direction, and stand with both feet together.
  4. Look directly up and extend the right palm outwards and upwards to salute the guardian of the heights:

    ΙΩ ΑΚΡΑΜΜΑΧΑΜΑΡΕΙ, take thy place in the Heights!

  5. Look directly down, and extend the right palm outwards and downwards to salute the guardian of the depths:

    ΙΩ ΔΑΜΝΑΜΕΝΕΥΣ, take thy place in the Depths!

  6. Extend both arms outward with the right hand turned up and the left hand turned down, and give the concluding call:

    For I am ΜΑΛΠΑΡΤΑΛΧΩ standing in the midst of the All!

At this point, if desired, the magician may enter into a phase of prayer before any further work.  This is not required, but those who take a more liturgical or Hermetic priestly approach may consider reciting such prayers as the Prayer of Hermes Trismegistus from the Corpus Hermeticum, the Stele of Aiōn from PGM IV.1167—1226, the Hymn of the Hidden Stele from PVM IV.1115—1166, or other such prayers.  This would be to focus the mind of the magician as well as to further sanctify the temple, but these are not strictly required to be performed.

Before further work, some magicians may feel more comfortable working within a cast circle.  Given the purification, illumination, and warding of the temple in the previous steps, a circle may be deemed superfluous and unnecessary, and though researchers like Stephen Skinner suggest that circle-working could have been a common aspect of PGM-style magic, very few rituals in the PGM and similar works explicitly call for a circle, and most have no need for one.  However, should a circle be desired for further working, one may be cast at this point.  Starting from the same direction that the Guardians of the Directions began and proceeding clockwise, trace a circle on the ground (either drawn out in white chalk or natron, or traced with the fingertips of the dominant hand, a wand, or a knife) while reciting the following (adapted from my older preparatory/framing rite the Q.D.Sh. Ritual).  As there are four lines in the chant that follows, draw the circle slowly and thoughtfully enough such that each line can be recited within the tracing of one quarter of the circle.

In the name of the Nous, this circle is consecrated for our defense.
By the power of the Logos, this circle is defended for our perfection.
For the sake of the Sophia, this circle is perfected for our work.
Through the might of the Aiōn, may all that is baneful be cast out, that only Good may here remain.

Empower yourself.  This is a three-step process, combined from one popularly-known modern one and two adapted from the PGM.  The first part is what I call the “Ray of Heaven and Earth”, which is a variant of the first part of Jason Miller’s “Pillar and Spheres” energy work method from The Sorcerer’s Secrets; the visualization is largely the same, but I’ve replaced the chants from Latin/English with appropriate Greek ones.  The second part is a shorter form of the Heptagram Rite from PGM XIII.734—1077; it’s more involved than a simple Calling the Sevenths (which is fine on its own and may be substituted here instead for time), but it’s also not the entire Heptagram Rite, either; this middle-form is what I call the Minor Heptagram Rite.  This is finished with the final declaration of power and protection from the Headless Rite from PGM V.96—172, using the Crowley form of the ritual (though substitutes may be made here as well).

  1. Perform the Ray of Heaven and Earth.
    1. Stand upright with the back straight. Center yourself.
    2. Visualize an infinite, infinitely white light shining directly above you, infinitely distant in the highest heavens.
    3. Intone: Κατάβαινε, ὦ πέλεια! (Katábaine, ō péleia! or, in English, “Descend, o Dove!”) As you intone this, inhale deeply and visualize a ray of white light shining down from the heavens directly into the crown of the head, down through the spine, through the sacrum, and downwards infinitely below you. Exhale slowly, feeling purifying, soothing, straightening power radiate from the ray into the rest of your body.
    4. Maintain the above visualization. In addition to that, Visualize an infinite, infinitely red light shining directly below you, infinitely distant in the lowest reaches of the earth.
    5. Intone: Ἀνάβαινε, ὦ ὄφϊ! (Anábaine, ō óphï! or, in English, “Ascend, o Serpent!”). As you intone this, inhale deeply and visualize a ray of red light shining up from the earth directly into the sacrum, up through the spine, through the crown, and upwards infinitely above you. Exhale slowly, feeling vivifying, heating, hardening power radiate from the ray into the rest of your body.
    6. Visualize both rays, the white descending from heaven though you into the earth and the red ascending from earth through you into heaven, and mixing in your body, connecting it with all the heavens and all the earth with you in the direct center channel between them.
    7. Intone: Ἅφθητι, ὦ πυρ! (Háphthēti, ō pur! or, in English, “Be kindled, o Fire!”) As you intone this, inhale deeply and let both powers suffuse your body in an infinitely bright light, feeling all the powers of heaven and earth connect within you. Exhale slowly, letting the power radiate through you and from you, having connected with heaven and hell equally.
  2. Perform the Minor Heptagram Rite.  If desired, the shorter Calling the Sevenths may be done instead, but for full rituals, the Minor Heptagram Rite is preferred.
    1. Recite the invocation to Aiōn:

      I call on you, eternal and unbegotten Aiōn, who are One, who alone hold together the whole creation of all things, whom none understands, whom the gods worship, whose name not even the gods can utter. Inspire from your breath, o ruler of the Pole, the one who calls on you who is under you! I call on you as the gods call you! I call on you as the goddesses call you! I call on you as the winds call you!

    2. Face the sunrise in the east with arms raised in the orans gesture.

      I call on you as the east: Α ΕΕ ΗΗΗ ΙΙΙΙ ΟΟΟΟΟ ΥΥΥΥΥΥ ΩΩΩΩΩΩΩ

    3. Face north with arms raised in the orans gesture.

      I call on you as the north: Ε ΗΗ ΙΙΙ ΟΟΟΟ ΥΥΥΥΥ ΩΩΩΩΩΩ ΑΑΑΑΑΑΑ

    4. Face west with arms raised in the orans gesture.

      I call on you as the west: Η ΙΙ ΟΟΟ ΥΥΥΥ ΩΩΩΩΩ ΑΑΑΑΑΑ ΕΕΕΕΕΕΕ

    5. Face south with arms raised in the orans gesture.

      I call on you as the south: Ι ΟΟ ΥΥΥ ΩΩΩΩ ΑΑΑΑΑ ΕΕΕΕΕΕ ΗΗΗΗΗΗΗ

    6. Face down with arms raised in the orans gesture.

      I call on you as the earth: Ο ΥΥ ΩΩΩ ΑΑΑΑ ΕΕΕΕΕ ΗΗΗΗΗΗ ΙΙΙΙΙΙΙ

    7. Face forward with arms raised in the orans gesture.

      I call on you as the sky: Υ ΩΩ ΑΑΑ ΕΕΕΕ ΗΗΗΗΗ ΙΙΙΙΙΙ ΟΟΟΟΟΟΟ

    8. Face up with arms raised in the orans gesture.

      I call on you as the cosmos: Ω ΑΑ ΕΕΕ ΗΗΗΗ ΙΙΙΙΙ ΟΟΟΟΟΟ ΥΥΥΥΥΥΥ

    9. Recite the second invocation to Aiōn, based on the Eighth Book of Moses (PGM XIII.1—343) and the Headless Rite (PGM V.96—172):

      I call on you, who are greater than all, the creator of all, the self-begotten who see all and are not seen! For you gave to Hēlios glory and all power, and to Selēnē the privilege to wax and wane and have fixed courses, yet you took nothing from the earlier-born darkness, but apportioned all things so that they should be equal! For when you appeared, both Order and Light arose! All things are subject to you, whose true form none of the gods can see, who change into all forms! You are invisible, o Aiōn of Aiōns, and through you arose the celestial pole from the earth! Hear me and help me, o lord, faultless and unflawed, who pollute no place, for I bear witness to your glory! Lord, King, Master, Helper, empower my soul!

  3. Recite the final empowerment of the Headless Rite:

    ΑΩΘ ΑΒΡΑΩΘ ΒΑΣΥΜ ΙΣΑΚ ΣΑΒΑΩΘ ΙΑΩ
    Come forth and follow, so that every spirit, whether heavenly or ethereal, upon the earth or under the earth, on dry land or in the water, of whirling air or rushing fire, and every spell and scourge of God may be obedient unto me.

    Alternatively or additionally, if another phylactery is to be used for a given ritual, this is the proper time to don it and recite any accompanying prayers or invocations that go along with it.  These include rings, pendants, headwear, anointing with oils, or the use of other charms, spoken or otherwise.

Now, complete the empowerment and establishment of the temple by reciting the following, again from the Crowley version of the Headless Rite:

Thus have I spoken; thus are the words!
ΙΑΩ ΣΑΒΑΩΘ

At this point, the temple has been prepared and established as a sacred space, and you as the magician have become empowered and placed yourself under the powers of the cosmos and of those who watch over the temple.  If desired, incense may now be lit for its own sake as a means to further purify the temple, as well as an offering for the powers that watch over and already inhabit it, though it is not necessary to do so at this time and is better reserved for the ritual proper that follows.

With all the above done, the ritual proper may then begin in earnest.  Whatever happens here depends on the magician and the ritual itself.

After the ritual proper, prayers of thanksgiving and communion (such as the Prayer of Thanksgiving of Hermes Trismegistus from the Corpus Hermeticum) may be made at this point, especially after purely theurgic or truly divine rituals, but are not required.

Once the ritual proper has come to a close, the temple must also be closed with a general dismissal of spirits and a formal extinguishing of the light:

  1. Light a small amount of incense as a final thanks, general dismissal, and banishing, reciting the following based on the final prayers from PGM I.262—347, PGM IV.154—285, and PGM VII.930—1114.  Frankincense is the best general choice for this, but other types of incense may also be offered based on the nature of the ritual done before.

    I have been attached to your holy form;
    I have been given power by your holy name;
    I have been blessed with your holy emanation of the Good;
    Be gracious unto me, Lord, god of gods, master, daimōn, primal, elder-born one!

    I give thanks to you, o great gods, elder-born, mighty powers!
    Depart, lords, depart into your heavens, into your places, into your courses.
    I adjure by the fire which first shone in the void,
    I adjure by the power which is greatest over all,
    I adjure by him who destroys even in Hadēs
    That all now depart from this place, returning to your abodes,
    And harm me not, but be forever kind.
    Keep me healthy, unharmed, untroubled by ghosts, free from calamity, and without terror.
    Hear me for all the days of my life!

    Thus have I spoken; thus are the words!
    ΙΑΩ ΣΑΒΑΩΘ

  2. If the optional circle was cast earlier, it should be traced counterclockwise starting at the same direction from which it was drawn prior to such prayers.  If the circle was merely traced, e.g. with the fingertips or a wand, trace it in reverse using the same means; if it was drawn in e.g. chalk or natron, make four openings in the circle aligned to the four directions as the circle is otherwise traced with the fingertips.  No invocation or chant is required for this, but a short thanksgiving prayer may be said, such as the following from my own simple thanksgiving practice:

    Nous, Logos, Sophia, Aiōn,
    Thank you very much for everything.
    I have no complaints whatsoever.

  3. Extinguish the light.  With the eyes closed, recite the following over the flame of the lamp or candle using the Dismissal of Light from PGM VII.930—1114 as well as a short form of the method for quenching fire from PGM XIII.1—343, the first to send away the holiness in the flame and the second to put out the physical flame itself:

    ΧΩΩ ΧΩΩ ΩΧΩΩΧ, holy brightness!
    Depart, holy brightness!
    Depart, beautiful and holy light of the highest God Aiōn!

    Hear, o Fire, o work of the works of God, o glory of the Sun!
    Be quenched, become cold, and let your flame be scattered that it may touch no one and nothing!

    Cover your head once more, open your eyes, then put out the fire in one swift motion.

The temple space has now been closed, and the ritual has now come to a complete end.  Follow-up meditation or prayers may be made or a meal may be served, and any clean-up of the temple may now be done.

Grammatēmerologion Calendar for Cycle 69, available for download now!

I mentioned in the introduction to my last post on myth and stories as models for practice that I’ve been working on my old grammatomantic calendar, the Grammatēmerologion, again.  In short, this is a lunisolar calendar I devised based on the Attic calendar used in ancient Athens for my Mathesis work, with a special emphasis on associating the days of the lunar months to the letters of the Greek alphabet.  Not only does this help me get a sort of feel for the type of day I might be facing, a la omen calendars such as in Hesiod’s Works and Days or the day-based forecasting of Mayan astrology, but it also helps me organize rituals and meditations, especially for sacrifices to the Greek gods.  I find it an incredibly useful invention for my own work, and I used to do a Daily Grammatomancy blurb for my followers on my Facebook page that incorporated the information from this (the practice of which I plan to bring back in the near future, so if you haven’t yet, log onto Facebook and like my page!).  For more information on the Grammatēmerologion calendrical system, check out these posts:

Thing is, keeping track of a lunisolar calendar by hand can be hard.  I’ve written a few simple programs that calculate the lunisolar date and corresponding letter information for my convenience, but trying to export that information was hard enough as it is, especially if I’m down in my temple, forgot the proper date, and need to temporarily abort ceremony to run back to my computer to figure out what the date is.  For this sort of thing, having an actual physical calendar would be useful; after all, keeping track of dates is literally what they’re for!  Of course, given the kinds of data I wanted, I had to do quite a bit more programming to calculate any arbitrary set of astronomical and astrological phenomena, because…well, trying to find almost 40 years’ worth of such data online and then formatting it into a way I can use turned out to be far more work than coding the astronomical algorithms by hand, making sure the calculations were reasonably accurate, and formatting the output from said calculations.  It sounds like it’d be more work to do it that way, but it actually wasn’t that bad, compared to wrestling with any number of websites and then beating them into submission.

Well, I’m happy to announce that such a calendar is now complete in as good a form as I can stomach to make it (at least for the time being).  You can download the Grammatēmerologion Calendar for Cycle 69, spanning the time between June 2009 and June 2047.  This document includes:

  • A thorough description of the design, calculations, and nuances of the Grammatēmerologion lunisolar calendar from its Attic calendar origins
  • A discussion on grammatēmerologic days, months, years, hours, and days of the week
  • How to organize ritual and divination according to the grammatomancy of the days and other time periods of the Grammatēmerologion
  • Dates of significant grammatēmerologic importance
  • Seasonal start and midpoint dates
  • Zodiacal ingress dates of the Sun
  • Lunar phases of the Moon
  • Solar and lunar eclipses

Download the Grammatēmerologion Calendar for Cycle 69 for free at this link.
Ignore that link, check out the revised version (and why) here!

Unlike my other ebooks, I release this one gratis for all those who are interested in it.  Not only is it much different in style and purpose from my other ebooks, but I’m aware that this is a very niche thing that, in all likelihood, only I and maybe one or two other people will use.  Given its departure from the Attic calendar and the traditional way of assigning feast days to the Greek gods, I’m not holding my breath for Hellenion or any of the Hellenic pagan community to just suddenly up and adopt this calendar for their own usages.  That said, some of my fellow occultists and woogity friends have expressed interest in this calendar, so why not?  After all, I find value in long-term planning, and what could better fit that tendency of mine than planning out New Moon dates some 30 or 40 years in advance?  Plus, this way, I and others can print out hard copies to stash in our temples, so that we’re not running back and forth reaching for our phones or computers to check the letter-date when we happen to forget it after we already get comfortable in our sacred spaces.

Making this calendar was a fair bit of fun, and I have to say I learned quite a bit about astronomy and calendrical orders, as well as how to get my computer to play well with compiling huge documents programmatically.  Still, it was a lot of work, and I’m glad I don’t have to do this again anytime soon (though I may release other versions of this for previous or future cycles, just for those who want that sort of ephemerical information for decades far removed from our current one).  If there’s enough of a need for it, I may also decide to redo this project to include other astronomical or astrological information (perhaps retrograde periods of particular planets?) or other traditional Hellenic holidays accounted for by the Attic calendar, but that can wait for later.  If you find this sort of thing useful, please consider throwing a few bucks my way to my Ko-fi page to keep me caffeinated and productive on this and other projects!  Every little bit helps, and you’ll have my undying appreciation for the support.

Also, as another small update to be aware of: you can now purchase my ebooks directly through my blog!  I’ve added a new Books page to the top-level menu, so check it out!  Before now, the only way to get my ebooks was through my Etsy shop, but if (for some reason) you don’t like going through them or can’t, you can just use PayPal instead.  Be aware that, once you purchase an ebook directly through my blog, I’ll do my best to send you a copy of the ebook (either the file itself or a link to its download) as soon as I can; with Etsy, the download link is sent automatically upon purchase.  Still, this can give some people a helpful alternative to buying some of the things I’ve written.

Update: okay, so, later in the day after I publicly make this thing available, I found something in the Greek Magical Papyri (PGM VII.756ff) that would have been perfect to add into this.  Take a look; you won’t be disappointed once you see it.

On Geomantic Education

To those who follow me on Twitter and Facebook, this will come as no surprise.  I’m finally working on my book on geomancy again.  It’s something that people have been dogging me about for years, and it’s been an on-again-off-again project since 2013.  However, since recently rebuilding my computer and getting all my files back together, I got the bug again to write that book, and good progress is being made again.  At this rate, it’ll be the size of a proper textbook, and my aim is to make it thorough and complete on a level not rivaled since Fludd or az-Zanati.  I’m not going to discount the extremely valuable books put out by John Michael Greer or Stephen Skinner, as I stand on the shoulders of those two living giants with regards to this art, but I aim to put out a text of a different kind.

And yet, despite that this book is (currently) estimated to come out at around 300pp., I can already hear a complaint off in the distance.  My goal is for this book to present a fundamental and thorough exploration of the art of geomancy in such a way that it will start from first principles (what is divination, what are the elements and planets and stars, what are the relationships between these forces and the figures, what are the relationships amongst the figures, how is geomantic “mathematical”, etc.) and go through every major technique I can document in Western geomancy, including variations and specifics of detailed things along the way.  In this sense, I’m following in the same steps as the geomantic authors of yore.  However, there is one major thing that my book does not and will not have that virtually every other book on geomancy has, and while it may frustrate people used to it, I find that it’s something that should never have been written by anyone ever to begin with.

If you haven’t guessed yet, dear reader, it’s lookup tables, those lists of premade answers to particular arrangements of Court figures, figures in the houses, and the like.  It’s these lookup tables (cf. Hartmann, Skinner’s “Oracle of Geomancy”, the Golden Dawn primer on geomancy, etc.) that I believe are a bane to the proper study of geomancy, and I refuse to include them in my work.

Now, I understand why they were written.  For the sake of completion, many authors have endeavored to provide a clear explanation and guide to interpreting each figure in each of the houses; since there are only 16 figures and 12 houses, this is only about 192 small entries.  After all, astrologers have done the same for the planets and parts in the houses for centuries, and they have a lot more to worry about in their texts.  And, for the sake of being reeeaaallly complete, many authors have also included premade interpretations for the different possible combinations of Witnesses and Judge; after all, if the Judge must be an even figure, then that cuts down all pairwise combinations of Witnesses to just 128 different combinations.  Again, not terrible.  For completeness’ sake, and to offer an illustrative guide to the gist of what figures mean for a query, sure, I can see why this was done.

The problem, however, is that many people are not as dedicated to the art when they claim to be its students, and would rather be lazy.  Mass-market publishers, additionally, want things that sell, and will happily cater to the many who would spend a few pence on a text that appeals to them rather than the extraordinary few who would spend more on a text that they need.  I mean, consider how much trash there is out there with the neopagan or pop magic literature; sure, it sells well, and it may very well be a good starting point for those who are serious about their studies.  Hell, even I admit to having a few of Scott Cunningham’s fluffier books somewhere in my library, and it did help me get started back in middle school with learning what magic is and how it works.  That said, if I were to stop there, I’d be putting myself at a great disservice and would never have gotten to where I am today; moreover, if I thought that Cunningham’s style of pop magic spells done on a beach or in the snow was all there was to magic, I’d insult all the magicians and occultists who came before him, not to say the field of magic as a whole.

The problem is that, as time went on in the Renaissance and more and more books were published on geomancy, all they really focused on was the lookup tables.  The techniques were discussed only inasmuch as they enabled you to use the lookup tables; for this, see Franz Hartmann’s book on geomancy as a prime example.  Geomancy became whittled down from this elaborate, profound system of divination that could elegantly answer any subject with extraordinary detail into this…well, the phrase “parlor game” comes to mind, something like Chi-Chi sticks or those little folded paper fortune-teller doodads we all used to make in elementary school.  Even though geomancy was more popular in Europe than Tarot is now, imagine if Tarot were reduced only to using its numbers and suits; it’s effectively playing cards, ignoring different spreads and the qabbalistic symbolism inherent in the art and structure of the Tarot.  That’s what basically became of geomancy towards the end of the Renaissance, and was one of the main contributors to geomancy effectively being lost once the Enlightenment and Industrial Revolution came around.  No, geomancy was not completely forgotten, but it was all but regarded as useless and overly complicated for an answer that usually amounted to little more than “evil, except for bloodletting”.

So much for how the publishing and spread of lookup tables influenced the general perception of geomancy.  However, there’s another part of the problem with relying on these: lookup tables are inherently limited.  Sure, the small number of combinations of figures in houses or Witnesses and Judge is sufficiently limited to offer a good high-level summary in a single text; it’s not the fact that there are only so many combinations in geomancy, but it’s that these summaries cannot be helpful in all circumstances and for all queries.  These interpretations are very general, but also very isolated from other factors in a geomantic chart.  Yes, Fortuna Maior in house IV is a good thing for one’s personal life, but what if we’re asking a query about having an ex-lover move out of our house, and this figure is aspected by opposition, and it’s in company with a negative figure, and the querent has indicated that health issues may be at play?  Fortuna Maior, although a good figure, is sufficiently negated that it becomes stressful and harmful to the querent.  Yet, what can a lookup table say?  Not much, except that the querent will do well and strong in their personal life and home.  That’s all well and good, but the geomancer still has to link that to every other factor present to actually give a useful answer.  Without indicating how, books that stress the importance of lookup tables without teaching how to synthesize these factors gimp the geomancer.

Lookup tables, in effect, cheapen the art of geomancy; it reduces a synthetic, holistic, detailed divination system to a copy-and-paste, abbreviated, vague system of terse and snippy answers.  Because of this, geomancers who rely primarily on lookup tables aren’t really learning how to actually use geomancy beyond following page numbers like a “choose your path” story book.

That’s why my book will not have these lookup tables.  Tables of correspondence that indicate what figures mean in specific contexts?  Absolutely! Detailed interpretations of each figure as they are and how they relate to other figures to explore their own worlds?  You got ’em!  Case studies of geomantic readings that explore each individual factor and technique used for a particular chart, then synthesized together to form a coherent, cohesive narrative?  But of course!  These are all parts of understanding the principles of geomancy from a ground-up approach, so that lookup tables become useless anyway.  By enabling the geomancer to develop their own interpretations through a deep knowledge of each figure, understanding how the figures interact with each other ideally and in particular charts, and giving them the tools to synthesize different parts of a reading, the geomancer will never need to use lookup tables for answers on “will he obtain his love” or “how will the undertaking end”; at a glance, the geomancer will be able to answer these on their own anyway based on their own skill and intuition.

So, if the fact that my book is gonna be around 300 pages and remind you of college, dear reader, don’t worry.  This is not a book to flip through because you want to be lazy.  This is a book to absorb thoroughly because you want to be excellent.

End of an Enchiridion

I can’t believe it’s come to this.  It’s been four years, and I cannot even, I literally cannot.  I knew this day would eventually come, as all finite things must come to an end, but I’m confused at the fact that it’s here.  It’s been so slowly coming that I never realized how fast this moment arrived, and I’m…not quite at a loss, but nonplussed all the same.

My Moleskine is full.

This isn’t just any journal, mind you, as Moleskines are hardly ever wont to be.  No, this particular journal is my εγχειριδιον, my vademecum, my Book of Shadow, my spellbook, my grimoire, my personal book of prayers and rituals and seals that I have been writing and maintaining since my first days in Fr. Rufus Opus’ courses.  The cover is worn, and certain pages have all but fallen out, and some already would have if it weren’t for the masking tape holding them in place.  Pages with exceptionally well-used prayers are tissue-soft, and others are dog-eared for quick reference so that I don’t have to flip through a chaotic mish-mash of traditions and systems.  Among pages of my best efforts at Roman and Greek script mixed with my personal shorthand, annotated with origins of each prayer and ritual, I have poured countless hours into keeping track of the words and acts I use in my work as a magician as an aide for ritual, supplementing my memory when my memory alone hasn’t caught up.

And it’s full.  Fuck.

I knew this day would eventually come, and I made plans years ago to digitize it into a more easily accessible format, first copying whatever I wanted from a source to my Moleskine, and from there into LaTeX files to be compiled into a fancy PDF which, for various reasons, I haven’t kept up with lately.  And, while that’s still a good way to go for future use (heck, maybe even dissemination to students?), I’m…not sure that’s what I want to do for myself.  Lord knows I still need to keep track of rituals, and even though this particular book is filled, I question whether a digital format or some other means is the best way to keep an enchiridion.

I’m no stranger to journal-keeping, after all, and I’ve filled a number of them over the years since my first attempts back in elementary school, ranging from the mundane goings-on between classes or meetings to the most arcane theorizing of the cosmos, and this blog is just another manifestation of that; as such, I know the paradoxical heart-wrenching elation that comes with filling a journal.  Still, even this particular one is…jarring.  I’ve carried this book with me around the country, and found myself sometimes going into a minor panic when I realize I may have left it at home.  That book has had oil, water, ash, dirt, spit, and even the occasional blood spilled on it.  That book has grown up and full and worn with me as I’ve grown as a magus.  Even though this all seems rather sentimental for a glorified notepad, and even though I’m unusually attached to such a thing, I’m still somewhat at a crossroads with how to proceed.  Do I get a new one, and retranscribe everything?  Do I go for the binder-and-printout method, so that I can more easily manage and organize the thing on the fly?  Do I just want to use a document I can edit on the fly and get an e-reader or tablet to do the same?

I need to do something, obviously.  Just because this journal is full does not mean my Work is complete, not by any sense.  There will still be prayers to practice, rituals to record, and designs I deign to copy for clarity’s sake, and I will still need somewhere to write them and keep a ready index of.  But…I can no longer do it with this book, which already has so much in it and cannot accept any more.  This is a problem that demands a solution, but…perhaps it’s best to review what I’ve learned from keeping such an artifact first.  What do I know now, after filling up a whole book with my rituals and prayers, that I wouldn’t have expected years ago?  What does such a book become and do for the magus?  Based on my own experience, how should one approach the process of writing in an enchiridion?

  1. It becomes a ritual tool in and of itself, rivaling the importance of any wand or shewstone or oil.
  2. It is a physical object made of paper and thread and cardboard and, if you’re fancy, leather.  Even with careful and delicate use, the book will rip and tear and fall apart, and so should be given all the respect due to any magical tool for as long as it is used.
  3. It gains power in its own right, not only by virtue of the words and seals and patterns inscribed within, but by the constant use and reuse in ritual, as well as by the spirits and powers it comes in contact with.
  4. It offers a way to prototype and practice a ritual without ever performing it first, by recording all words said and motions made, before ever putting them to use.
  5. It provides a useful way to learn what is important and what is not important in ritual, gauging by how little one needs a particular prayer or ritual.
  6. Conversely, it provides a way to note what ought to be learned by heart, gauging by how much one needs a particular prayer or ritual.
  7. The fact that one is writing, actively putting in words, as opposed to typing gives the book a different feel and different (more) power.  Yes, the information may be the same, but the method makes the difference.
  8. With written words, one has the book indelibly and permanently made in one’s own kind of typographical image, as our handwriting is as much us as any photograph or depiction.
  9. It forms a record of one’s progress by virtue of the order and type of rituals written inside.  Even without records of ritual or proceedings of meditations, the prayers and rituals themselves show the state of the magus when they were first needed, as well as their exploration by the variety of text added over time.
  10. It is a testament to one’s activity and work as a magus, and as such is best kept private and secret lest anyone find it and, thus, find you out as a magus.
  11. Depending on your sources and your teachers, the text inside may be the last time those words are ever written, with you the last magus ever to use them.  As long as those words are around, at least in your own book, the traditions and rituals you use can stand the test of time and survive to be practiced by yet another generation.
  12. Organization from the outset, when keeping track of these things, is overrated.  When you’re still learning, the best order is chronological; by flipping through over and over to find the same things, you get used to the physical location of the text you need within the book.
  13. Presetting certain boundaries, so that this set of pages will be dedicated to conjuration rituals and that set of pages dedicated to Hellenic prayers and so forth, potentially wastes pages since you never know exactly how many or how few pages you need for a given topic, should you even get into that topic, which may not always be determined from the start.
  14. It is a finite object with a limited amount of space.  It will eventually become full, even if you keep only the most important and sacred words in it with nothing extraneous written and no space wasted.
  15. It is a tool and an aide.  It is to be used as much as it can be, so that the paper and ink inside is not wasted on idle copying, but made to work as much as you Work.
  16. When first copying things into it, you will use up a lot of space; only a year or so into my work, I had already filled up over a third of the pages, but it took me another three to fill up the other two thirds.  The rate at which you add things in will almost always decrease over time as you settle into a particular tradition and use the same rituals over and over.
  17. Not everything can be memorized.  While memory can always be improved, there are some things that one will keep forgetting without regular, almost daily use.
  18. A written text is crucial for smooth, repeatable work, so that one can read when memory can fail.  There’s a reason Catholic priests literally focus on the Missal while they perform their ritual, that they don’t slip up and jumble words or forget the order of things.
  19. What you write in the book, you write in your spirit.  The act of transcribing prayers is an important and powerful form of kinetic meditation.  For a similar reason, I find it helpful to say aloud every word that is to be said aloud in prayer or ritual (a la the tradition of soferim in Judaism), and to visualize the action when writing down instructions for actions.
  20. The art of handwriting is not doing too hot nowadays, and I don’t claim to have a good style of penmanship by any means, but it is a crucial aspect of maintaining the book.  Clear handwriting bespeaks a clear, methodical, premeditated mindset, and involves as much art as any skillful orison or profound prayer, not to mention making reading off the paper easier in dim lighting.
  21. It is useful to keep rituals and processes separate from records of using those rituals and processes.  I do not mix the two, and maintain a separate journal for keeping track of spiritual seals, conjuration conversations, and after-effects of ritual.  This is because the same ritual may work at some times and not at others through no fault of the ritual at all, and sometimes a ritual needs to be edited even though it works well-enough so that it can work better.
  22. It is useful to keep practice separate from theory.  Theory and philosophy and theology are nice to know and learn and discuss, but they do not come into play on the ground when the ritual is being done and the only thing that matters is the result.  Save space and keep the theory for another place, and focus only on what is necessary to complete the task at hand.
  23. It is useful to keep practice separate from recipes.  While oils, incenses, and the like may definitely be done in a ritual manner, the ingredients, conditions, and processes may often take up a lot of space that isn’t needed when doing the chanting or other ritual actions involved.
  24. It’s good to get a good-quality journal for this, neither poor nor great.  Something cheap and trashy is easy to fall apart and destroy, and something expensive and rare is too precious to waste a working text with errors, emendations, and errata in.  Settle for sturdiness, not for style, and save the pricey stuff for an heirloom calligraphied masterpiece that will be complete in and of itself.
  25. When there are a series of texts one may wish to transcribe, such as the Orphic Hymns or the Book of Psalms, it’s often better to get a separate text that contains those prayers as a complete set.  Transcribe only the ones you use most frequently, like Psalms 51 and 23 without the other 148 psalms.  An urge for completion is natural in many magi, for whom a perfectionist streak often runs strong, but you’ll ruin your hand with painful cramps and fill your book up faster than you need to.
  26. Be terse in the text for your instructions, and thorough in the text to be said aloud.  Only say what is absolutely necessary for instructions, as that can take up far more space than you need.  Laconic brevity is a virtue in the process of ritual, as is completion and wholeness in the prayers.  So long as you’ve written down enough to perform all steps of the ritual, you’ve written enough, and in the process allow yourself with room to grow and experiment and customize steps of the ritual.
  27. Even if you think they’re demanded of only by the bitchiest of middle-school teachers, get a bookcover or some sort of protection for your book.  You want to keep the book as intact and safe for as long as you possibly can.  Moleskines fit perfectly in a variety of leather car manual three-fold cases, as it turns out, and even includes a little loop for a pen and a pad of paper for quick notes and visions.
  28. Once you’ve started writing, do not stop until you’re done.  Do not leave something unfinished; if it’s part of a whole, write it wholly.  Do not begin writing until you know you can complete it in a single go, but if you need to write it, write it then and there.
  29. Generalize rituals when appropriate; think rubrics for ritual, not specific instances or implementations of ritual, and leave blanks and bracketed spaces for names or other things to be inserted when necessary.  Make a note when a particular prayer may be modified from its original intent or purpose.
  30. Only include tables of correspondence when absolutely necessary, such as when making a reference for how to fill in a ritual rubric.  Times when needing to use a table of correspondence in ritual are few, and usually only serve to take up space.  It’s better to commit the system of correspondence to memory, and that only what is necessary.
  31. Plan for rituals to be as modular as possible.  Build and conduct rituals using multiple prayers and acts, and record each one separately rather than writing the same invocation over and over for multiple rituals.
  32. The word enchiridion literally means “in the hand”, and vademecum “go with me”.  The book itself should be small enough to fit conveniently in a knapsack, but big enough to hold and read from comfortably.  If you use something too small, it’ll fill up too fast and will be hard to read from; if you use something too big, it’ll be hard to hold and hard to carry around.
  33. Never tear anything out of the book.  You will never make a mistake so egregious that you cannot write around it, and all rituals, even if needed just the once, will help you learn.  There will always be spare paper or media available to write on for things that cannot go in the book.  Keep the book intact as much as possible, since it’ll weaken on its own over time without any extra help from you.
  34. Get a good pen, and keep to that same type of pen when you write in the book.  Whether it’s a fountain pen or ball-point pen, you can never have too good a pen.  Carry it around with the book.  Keep it a neutral color, like black or blue, using other colors for specific purposes like corrections or particular symbols or watchwords.  And yes, it has to be a pen, one that isn’t erasable.  The point of the book is to put things in and keep track of what you practice, not to change the past and remove it.
  35. It doesn’t matter how you write in your book, so long as you can read it.  Your book is primarily for you and your eyes; everyone else takes a very, very distant second, although the day will come that someone else will need to use your book.  If you use a shorthand or type of code to write in the book, include a key somewhere hidden just in case you or someone else needs to decode it.
  36. Do not lose the book.  Do not destroy the book.  Do not get rid of the book.  Once finished or rendered to a point where it is unusable through age and wear, keep it somewhere safe, and only if you absolutely cannot keep it with you should you even begin to consider entrusting it to someone you can trust.
  37. It doesn’t matter whether your book is a journal or a sketchbook, i.e. lined or unlined.  I find lines helpful since I’ve never been able to develop a steady baseline for handwriting, and it helps with drawing out patterns and diagrams, but many people prefer an unlined paper to write on.  Go with what’s best for you.
  38. Once you start writing in a book, keep the book and keep using the book until it’s filled or you cannot use it any longer.  Just because you don’t like a ritual you wrote doesn’t mean the whole book is trash.  Just because you’ve changed traditions doesn’t mean you forget your history and past rituals.
  39. Take the book with you and read from it in as many rituals as you need to do.  You may not always need the book, especially if you’ve memorized the rituals and prayers needed, but take it with you just in case.  If nothing else, you help the book build power.

I suppose I had more thoughts on keeping and maintaining such a book than I expected.  I guess I wanted to be thorough, in a kind of “what would you tell a younger version of yourself” kind of way.

I think, at this point, I’ve decided on what I’m going to do.  I may not stick with Moleskine, but I am going to get another blank journal for myself.  I can always digitize the stuff as I need to in case I need a digital copy of my book, but…in all honesty, I can’t bring myself to care as much about that as I will about having a handwritten copy of my rituals with the ability to add in new rituals at a moment’s notice.  For me, and I speak only for myself, I will need to write by hand my enchiridion, and I will do this again, word by every painstaking word, for as many times as I need to.  I can’t say I’m looking forward to the coming weeks as I start this process again, but for me and my practice, it’s absolutely worth it.