Revisiting the Sixteen Realms of the Figures

Happy solar new year!  Today’s the first full day of spring according to the usual zodiacal reckoning, with the spring equinox having happened yesterday afternoon in my area; if I timed it right, this post should be coming out exactly at my area’s solar noon.  I hope the coming year is bright and full of blessing for all of you.

I’m taking the day to celebrate, as well, and not just for the freshness of the new year.  Since the start of the calendar year, when I made that post about a sort of feast calendar for geomantic holy days, I’ve been busy coming up with an entirely new devotional practice.  It’s not really my doing, but it’s a matter of inspiration, and…well, it’s an impressive effort, even by my own standards.  As part of it, around the start of the month (fittingly, the start of this current Mercury retrograde period!), I undertook my first celebration of the Feast of the Blessed Dead, my own recognition, honoring, and feasting with the blessed ancestors of my kin, faith, work, and practices.

And, of course, far be it from me to pass up a half-decent photo op.

According to the scheme I made for a geomantic calendar, after the Feast of the Blessed Dead at sunrise begins the Days of Cultivation, 16 days of prayer, meditation, study, fasting, purification, and the like.  In a way, it’s kinda like a kind of Lent or Ramaḍān, but at least for only 16 days instead of a lunar month or 40 days.  After those are done, it’s the Feast of Gabriel the Holy Archangel, Teacher of the Mysteries.  Which happens to coincide (either on the day of or day after, depending on the exact time) with the spring equinox.  Yanno, today.  So I’m quite thrilled to bring this ordeal to an end and take things easier again—especially after a good two hours of prayers, rituals, and offerings this morning—but I can’t take it too easy; one of the many benefits I’ve been seeing from doing this practice is that it’s forcing me to get back to a daily practice again, something I’ve been meaning to do now that I have the time again in the way I want to but just haven’t.

(As a side note: one of the things I’ve been doing is a kind of fast, not a whole or total fast, but something more like a Ramadan or orthodox Lent with extra dietary restrictions: no eating or drinking anything except water between sunrise and sunset, one large meal after sunset, no meat nor dairy nor eggs nor honey nor any other animal product.  It wasn’t my intention to go vegan; instead, I had this elaborate progressive fasting scheme that took inspiration from kosher dietary restrictions and the Fast of Daniel from the Book of Daniel, but that proved way too complicated for such a short-term thing, so I just decided to omit meat and dairy, but that then extended to all animal products, so.  I have to say, it’s been a good exercise, all the same, and the intermittent fasting regimen is something I may well keep up, as I’m seeing other benefits besides spiritual focus, even if I do find myself being cold a lot more often than before; more reason to cultivate inner-heat practices.  All that being said, I am excited to indulge in a whole-ass pizza or tub of orange chicken tonight.)

One of the practices I was doing every day during these Days of Cultivation was a contemplation on one of the sixteen figures of geomancy.  In a way, I was returning to one of the oldest and first major things I ever did in my geomantic studies.  John Michael Greer in his Art and Practice of Geomancy, as part of the section on geomantic magic, instructs the reader to “scry” the figures.  Rather than scrying into a crystal ball or anything like that, what he means is an active contemplation and visualization of the figures, or in more Golden Dawn-ish terms, engage in a kind of pathworking of the figures: visualize the figure clearly, then see it emblazoned on a door of some kind, then go through the door and see what you see, hear what you hear, and experience what you experience as part of the realm or world of that figure.  This is a deeply profound and intimate way to learn about the figures, once you have a basic understanding of their usual meanings and correspondences, because you’re actually entering the worlds of the figures themselves.  Those who recall my De Geomanteia posts from way back will remember that I gave an elaborate visualization or scene that helped to impart some of the meaning of that figure; those are the direct results of my contemplations of the figures from years ago.  (If you never read those posts, check them out!  I talk about the figures in depth and at length, and talk a bit about some really useful geomantic techniques, too.)

So, I decided to try contemplating the figures again, except this time, I brought a lot more of my art to bear (I wasn’t really a magician back in those days!) and fit it within the framework of this burgeoning devotional practice, calling on my guardian angel as well as the archangel Gabriel, that famous celestial being who taught the founders of geomancy their art, to help me understand the figure through its mysteries.  The process was, fundamentally, the same, except with some preliminary and concluding prayers (which helped in ways I would never have conceived of even a few months ago, much several years ago): visualize the figure, see it form a door, mentally go up to the door and knock, open the door, and go on through.  I augmented this process by using the geomantic salutes as well as by intoning the epodes for a figure and reciting the orison for a figure (16 short hymns of the figures, available in my Secreti Geomantici ebook!) for an all-around way to get as much of me engaged in the process as I could without breaking out into a fuller ritual involving incenses or candles or the like.  For the order, I used my trusty elemental ordering of the figures according to their primary and secondary elemental rulerships, based on the structure of the figures rather than their planetary or zodiacal correspondences.  So, I started with Laetitia on the first day, Fortuna Minor on the second, Amissio on the third, and so forth, up until Tristitia on the last and final day.

I was looking forward to seeing what new knowledge I could get, getting reacquainted with these figures I see and use so often in my work, maybe even revisiting the same scenes I saw so long ago.  Interestingly enough, that wasn’t the case.  Instead, what I was shown was a city, a vast metropolitan city filled with skyscrapers and towers that came to an abrupt end at a single, long road that ran from an infinite East to an infinite West, on the opposite side of which was an equally-vast forest, filled with every kind of tree and bush and plant imaginable.  Every figure-contemplation took place along that road, dividing that vast city and that vast forest, but every figure-contemplation was drastically different: time of day, weather, what was happening, the condition of the city; heck, there even seemed to be a notion that sometimes years or even decades would pass along that road between visualizations.  In a way that caught me off-guard, the elemental ordering of the figures I used told a deep, intricate, and coherent story of the flow of time of that place, between the metropolitan inhabitants of the city and the autochthonous inhabitants of the forest, ranging from celebration to war to cataclysm to peace and all the things between.

In a way, I guess I was revisiting the realm of Via itself.  After all, the fact that all these visualizations took place along a Road was not lost on me, and seeing how this figure is often considered to be the first figure of geomancy in the historiolas that we have as well as having all elements present, and that I was using an elemental ordering of the figures to arrange and schedule my contemplations of them…well, I guess it makes sense, in retrospect.

I didn’t want to give a whole new set of intricate visualizations, much less share some of the intimate things I witnessed in each contemplation, but I did want to share a few things with you from what I saw: primarily, the form of the door that formed for each figure, and a brief lesson to learn from each figure.  The doors you might see in your own contemplations may well be different, but I figure that giving some sort of description for what to expect could help.  The lessons were, for those who follow me on Twitter, shared day by day in a short-enough form to encapsulate some of the high-level important messages that I could deliver from each realm of the figure.  Perhaps they, too, can be helpful for those who are learning about the figures, or want something to start with that they can expand on in their own meditations.

A large arched banded wooden door situated in a fluted pillar-supported stone arch, opening towards
There are always reasons to celebrate, but celebration need not mean partying. While some take time off, others still serve, and they too have cause to celebrate. To truly celebrate is to rejoice in work, channeling hope into power; true praise of God is praise through Work.

Fortuna Minor
A square, wide, wooden door banded with iron and surrounded by cut stone, opening towards
Don’t chase after sunsets. Diminishing returns will waste you time, and time is something you can’t waste anymore. All we have is all we have; prepare when you can, make do when you must. It’s all we can do to look after ourselves and our own; find independence through community.

A normal cheap white bedroom door with plain threshold, opening outwards
Better to be homeless in loss than to build a home on it, lest your foundation sink into quicksand. Refugees, divorcees, ex-employees, we all suffer loss time and again; it hurts, and it hurts to stay and it hurts to go, but in accepting loss, we leave loss behind.

Cauda Draconis
A weak, filthy, dusty, shaky door that smells, opening outwards
This world is meant to end, and yet we are meant to make it last. We must do what we can when we can—but at the proper time, and no sooner? Collapse early, avoid the rush. Loss is nothing compared to perdition; how simple we are to focus only on the now when all else is at stake.

Metal bulkhead door, opening outwards
Enthusiasm can wash over any disaster like an opportunistic wave, but when faced with actual problems, it can end in dashing oneself against rocks in order to break them, or fleeing to fight another battle and another day. Waves will break and scatter but overwhelm all the same.

A black door, almost invisible, opening outwards
Unbridled desire is like air, stale though thinking it’s fresh, trapped in a cyclone that wrecks damage it cannot see. Over and over it runs roughshod over all, consuming and hurting all. Only true fresh thought clears the air, bringing helpful change instead of harmful calamity.

A rustic door with a fine, elaborate lintel, opening outwards
In war, all else looks like peace; in peace, all else looks like war. It’s in the liminal space between them, a blue hour of life, that everything and everyone can come together as equals. Not as allies, but as equals in crisis, equals in opportunity, equals in assessment.

A marble door with engraved inlays of lapis and gold, flanked by fluted columns, opening towards in half
After reckoning comes work; after assessment, business. All come as equals, sharing to increase, increasing their share, carrying our past forever with us. True wealth is practical knowledge, an endless font to always build, augment, and—soon—to rejoice. “Go forth and multiply.”

An opalescent glass door with a shiny chrome frame, opening outwards
Beauty is an emergent property out of assessment, union, and work. We don’t find beauty; it finds us, when we’re in the embrace of equals whom we don’t just acknowledge but truly know are our equals. Beauty is a property of truth, and truth comes from acceptance of the world.

A color-changing veil suspended from an arch, sliding to the left
Every infinitesimal moment has infinite potential, every one a knife-blade, a parer of possibilities. In each moment lies every potential of every kind of action; it’s up to us to take it, transforming the world and ourselves. Geomancy isn’t called “cutting the sand” for nothing.

A white wooden door in a white, rough-cut stone threshold, opening towards
After we (re)build, the dust settles, and we can see clearly; purity of the heart leads to purity of the mind. We hollow the church, and fill the world as a monastery, living in peace to remember and re-member. But don’t forget: believing we have peace doesn’t mean we really do.

A thin, white, translucent veil divided in half, suspended from a thin smooth metal frame, parting to open from the middle
Love leads to peace, but without further direction, leads to inertia and languor. Utter clarity of vision leads us to live utterly in the here and now, and makes us forget our lessons, even as we return to how things always were. We take too much for granted; we lose our way.
*Note: this one feels like it should be first or last, a complete return to how things always were.

A double door, the inner one of thick wrought iron bars opening towards, the outer one of heavy steel bulkhead opening outwards
Inertia stops to become hollow convention, which becomes enforced restriction. The word of God is replaced by the word of law, and we become isolated and ignorant of the larger world, and keeps us bound to the same old same old, always for the best, and if you’re not convinced…

Caput Draconis
A pair of elegant-yet-subdued baroque French doors, ivory with bright gold leaf accents, opening outward from the middle
With enough rules, even rulers become slaves, and all the old guard wander in lost memories. It’s the too-young, those too fresh to have known anything else, that begin the coup, but all they know is how to prepare and destroy. Chaos? Yes! The climactic Big Bang, a fecund reset.

Fortuna Maior
A gate of warm gold set with bars of iron with iron gateposts on either side, opening outward from the middle
Forced dominion toils to keep order, but true royalty has no need for force. Rulers naturally assume their role, and all rule their own proper domain; as planets in their orbits, all take care of their own work, honest and pure. Independent success, all for the sake of the All.

The heavy, metal-covered stone door of a tomb with a ring for a handle, opening towards
The Work is easy to start, but hard to continue; hope flees and dread finds us instead. The plague of “what if?” seeps into us like polluted air into sod, turning fertile grass into barren dust. The Sun has set, but will rise again; keep going until dawn, for then there is hope.

The Kybalion is Still Crap, No Matter Who You Think You Are

Last night, I made a tweet, as I periodically do, about how much I dislike the Kybalion:

Longtime readers—and those who follow me on Facebook or Twitter—know that I’m no fan of this text. Published in 1912 by The Yogi Publication Society Masonic Temple in Chicago, Illinois, and supposedly written by the “Three Initiates”, its own introduction plays itself up quite admirably:

We take great pleasure in presenting to the attention of students and investigators of the Secret Doctrines this little work based upon the world-old Hermetic Teachings. There has been so little written upon this subject, not withstanding the countless references to the Teachings in the many works upon occultism, that the many earnest searchers after the Arcane Truths will doubtless welcome the appearance of this present volume.

The purpose of this work is not the enunciation of any special philosophy or doctrine, but rather is to give to the students a statement of the Truth that will serve to reconcile the many bits of occult knowledge that they may have acquired, but which are apparently opposed to each other and which often serve to discourage and disgust the beginner in the study. Our intent is not to erect a new Temple of Knowledge, but rather to place in the hands of the student a Master-Key with which he may open the many inner doors in the Temple of Mystery through the main portals he has already entered.

There is no portion of the occult teachings possessed by the world which have been so closely guarded as the fragments of the Hermetic Teachings which have come down to us over the tens of centuries which have elapsed since the lifetime of its great founder, Hermes Trismegistus, the “scribe of the gods,” who dwelt in old Egypt in the days when the present race of men was in its infancy. Contemporary with Abraham, and, if the legends be true, an instructor of that venerable sage, Hermes was, and is, the Great Central Sun of Occultism, whose rays have served to illumine the countless teachings which have been promulgated since his time. All the fundamental and basic teachings embedded in the esoteric teachings of every race may be traced back to Hermes. Even the most ancient teachings of India undoubtedly have their roots in the original Hermetic Teachings…

It goes on to claim that not only is Hermetic philosophy the origin of Western philosophy, occult and otherwise, but so too is it the origin of Vedic and Hindu philosophy, along with every other philosophy of note. And yet, despite Hermeticism supposedly being the origin of all the world’s philosophies, occultisms and occultures, and religions:

…the original truths taught by him have been kept intact in their original purity by a few men in each age, who, refusing great numbers of half-developed students and followers, followed the Hermetic custom and reserved their truth for the few who were ready to comprehend and master it. From lip to ear the truth has been handed down among the few… These men have never sought popular approval, nor numbers of followers. They are indifferent to these things, for they know how few there are in each generation who are ready for the truth, or who would recognize it if it were presented to them… They reserve their pearls of wisdom for the few elect, who recognize their value and who wear them in their crowns, instead of casting them before the materialistic vulgar swine, who would trample them in the mud and mix them with their disgusting mental food…

The text then goes on in short order to describe “The Kybalion”, which it only really describes as “a compilation of certain Basic Hermetic Doctrines, passed on from teacher to student”, with the exact meaning of the word “having been lost for several centuries”. Yet, the book we call the Kybalion is just the interpretation and exegesis of this ancient text that it never actually quotes in full; the Three Initiates just cite a bunch of small quotes that may or may not make up the entirety of its supposed origin text, and that in such a highbrow, supercilious way that only the occultists of the late 19th and early 20th century could achieve.

TL;DR: the Kybalion is a pretentious mess.

Probably my biggest gripe about this blasted thing is that, though the Kybalion claims to be a Hermetic text, it’s just not. I’ll delightfully and happily recommend my readers to take a look at Nicholas E. Chapel’s wonderful essay, The Kybalion’s New Clothes: An Early 20th Century Text’s Dubious Association with Hermeticism, which goes into the history and origins of the Kybalion and that it’s very much a modern product that derives from New Thought, a new age movement that originated in the 19th century spiritual scene of the United States, itself the likely root of Christian Science. From the New Thought crowd, a strong case can be made that the real identity of the “Three Initaites” is William Walker Atkinson, aka Yogi Ramacharaka aka Magus Incognito aka Theron Q. Dumont, who served in a position of honorary leadership of the International New Thought Alliance and who was a prolific writer of many works, many of which have nontrivial overlaps with the material in the Kybalion. Chapel’s essay also goes on at length and in depth about the real and numerous differences between the Kybalion and actual Hermetic philosophy, and it’s definitely an excellent read, but suffice it to say that there’s not a lot of Hermeticism in the Kybalion.

It would also be remiss of me, at this point, to not bring up the good Reverend Erik’s post over at Arnemancy about What to Read Instead of the Kybalion (surprise, it’s actual Hermetic philosophy texts, specifically the Corpus Hermeticum and the Asclepius!) and The Nature of God in the Kybalion and the Hermetica (surprise, there’re major differences in how divinity and God is described between the two texts). Also definitely give those a read, too.

All this was going through my head last night, because I saw yet another post somewhere on one of the magic-related subreddits about, once again, the Kybalion. I’ve gotten tired about voicing my opinion on there, unless it comes up in another thread I’m already involved with, but I rolled my eyes, made a snarky tweet, and got on with my evening. Then someone out of the blue—I’ve never heard of them, they weren’t following me, we have one mutual follower in common who’s someone I only barely know (but what I do know I like)—struck up a short quasi-conversation with me (verbatim below):

Them: Its entry lvl concepts but its still effective if you have discernment, just like every other esoteric projection. Better to have newly awakened read the kybalion then jump straight into solomons lesser key or any of oto ffs

Me: I find the Kybalion’s “principles” to be a waste of time at best and dangerously misleading at worst, and they often require unlearning and serious deconditioning when getting into the real meat and bones. I contend they should get into the Corpus Hermeticism at the start. But even then, taken right, there’s nothing wrong with starting off with the Lemegeton or Thelema if they want to, so long as they take them seriously.

Them: Curpus is not exactly easy digestion. Had to read it twice to fit pieces together. Its all doctrine, so whatever works for the individual to find the path to virtue is correct. But you should already know youre projecting your self into the argument…

Me: “Bitter for the mouth is sweet for the stomach.” Better they read good stuff that’s hard from the start than junk food swill for the mind; after all, nobody promised that obtaining wisdom would be easy. Besides, at least the Corpus is actually Hermetic, unlike the Kybalion.

Them: And how many initiates take any infrastructure as serious as they need to?

Me: If the initiation was done right, and if they needed initiation (otherwise, they shouldn’t have it), then all of them. It’s on the initiator as much as the initiate to ensure that instilling mysteries is done properly, but is also appropriate for the person to have them.

Them: You sure do have a lot of rules to enlightenment. Makes me think you havent found it yet. Ive heard everything I need to from you.

At which point, they blocked me. To be honest, this is the first time in the nine years I’ve been on Twitter that I can recall something like this happening, so I’m pretty proud of myself to have irritated someone to the point of getting blocked because I disagreed with them.

Listen, I have my gripes about the Kybalion, to be sure, and I’ll name three specifically:

  1. It’s not Hermetic, and thus gets people confused about actual, legitimate Hermetic philosophy and practices.
  2. Many of its lessons tend to become hindrances later on that are, at best, worthless and can just be dropped and, at worst, are dangerous and need to be unlearned.
  3. It’s such a basic text that it doesn’t really do much besides say “there are things out there”, focused more on feel-good kinda-truths that maybe encourages people to get off their ass and do something with their lives.

But, really, it’s that first gripe that’s the biggest: the Kybalion is not a Hermetic text, period, full stop. It’s influenced by Hermeticism, I’ll grant it that, but as Reverend Erik said in a comment to one of his posts above, “[d]efinitely Hermeticism influenced the Kybalion, but that doesn’t mean the Kybalion agrees entirely with Hermeticism”. And, if you look at what’s actually written in texts like the Corpus Hermeticum, the Asclepius, the Emerald Tablet, the Virgin of the World, the Isis to Horus, and the like, there’s really not a lot that the Kybalion agrees with at all. The Kybalion isn’t so much a rewrite of Hermetic philosophy and ideas into modern language, but an injection of New Thought ideas into Hermeticism. Not that I’m opposed to innovations if they’re useful, and I’ll be the first to happily and readily admit that Hermeticism as we know it from classical writings is absolutely syncretic and synthesized by many authors with related ideas and viewpoints. The problem is that this injection is also a rebranding of New Thought as Hermeticism, and thus confuses the two together, when the two are so distinct that it leads to confusion among many who read it.

I do not and cannot recommend the Kybalion as an introductory text, except unless you’re getting into New Thought and Christian Science—in which case, have at! There’s definitely virtue in New Thought and the like, but don’t call it Hermeticism, because it’s not. Yet, I’m evidently in the minority with that viewpoint that the Kybalion should not be recommended for students of Hermeticism as an introductory text, as I commonly see it lauded and praised and recommended time and time again as being so good. I mean…well, the good Dr Al Cummins said it better than I could on a Facebook post about the Kybalion I made recently: “I’m not sure I’ve ever encountered anyone online stanning the Kybalion who actually had anything remotely interesting or useful to say about it”.

Then here comes along someone whom I don’t know and who doesn’t know me saying that the Kybalion is better than the Lemegeton and the Ordo Templi Orientis. The Lemegeton I can sorta understand; goetia isn’t exactly something to go rushing into for the most part, but let’s be honest, how many generations of magicians have started with that very text and have used it and abused it for wondrous and terrible things? It’s several hundred years older than the Kybalion, for one, and though it’s more Solomonic practical literature than Hermetic, it’s still so tied up into Hermetic practice that its influences cannot be denied. But, come on, dude went out of his way to smear the O.T.O.? For real? Despite that the O.T.O. itself is also older than the Kybalion, is still around and lively to this day, and has greatly influenced modern Western occulture, especially with Crowley’s and Thelema’s influence on the O.T.O., with a supportive community and rigorous lodge-based system, you’re gonna say that the Kybalion’s better than that? As a rule, books are never preferred to teachers when teachers are available, and O.T.O. is full of them.

Is the Kybalion effective? I don’t judge it so, to be honest, and neither have many of my colleagues. We might remember it fondly, but we more often talk about it derisively, and, well, there’s what Dr Cummins said about it, too, which I can’t disagree with. Is it good to help open the mind? Sure! Is it good for getting into new age practices generally? Absolutely, since New Thought’s one such practice! But to say it’s good for getting into Hermeticism isn’t saying much more than saying it can help you move your foot towards the door, when you would probably do that anyway and a lot better, quicker, and easier if you started with actual Hermetic texts. Which is why I always recommend the Corpus Hermeticum as a kind of Hermetic Bible of sorts, along with the other texts as one is ready for them.

“But oh no, the Corpus is so hard to read!” dude said, “it took me two times to understand it!” First, it only took you two times to get it to make sense? I’m reading it for the two hundredth time and I’m still learning more from it. I had to go over it multiple times to get it to sit right in my head, and several more after that to actually begin to grok it. If you’re complaining that it took you two tries to read it, then that says a lot about how much you’re able to stomach actual philosophy, occult studies, and the like; you might have a sharp mind, but little faculty to keep with it. I find complaining about that to be embarrassing, to be honest, because of course something that old and dense on such a cosmically-encompassing huge topic is going to be hard to understand. Yet, with the works of Brian Copenhaver or Clement Salaman, it’s easy to study so long as you let yourself chew on it and digest it. Nobody promised that the occult was easy, and nobody promised that you would be able to understand Cosmic Truths About God And Everything on your first go; to think that you could or should right out of the gate is folly.

Then the dude goes on about how initiates don’t take their stuff seriously. First off, as an initiate in several mystery religions myself? Have you ever met a convert to a religion or someone newly initiated into something? Nine times out of ten, they can’t shut up about it, and are hungry to know whatever they can, do whatever they can, ask whatever they can, and implement whatever they can. Their enthusiasm may run low over time, sure, but unless it’s a matter of life and death (or because it’s a matter of social life and death), you don’t go for initiation into a spiritual path for shits and giggles, you go because you Want it. Those who Want it will take it as seriously as anything in their lives, because for them, it becomes their life.

And, as I noted, there are those who apply for initiation but aren’t ready for it, or don’t have the capacity for it, and so it’s on their initiators to assess, gauge, and test the applicants to make sure they’re able to initiate or progress to higher initiations. (It works the same in the O.T.O. as it does in Freemasonry as it does in traditional Wicca as it does in Ocha.) Heck, recall those quotes from the introduction of the Kybalion above, too! Even the Kybalion states that the old Hermetic masters “reserved their truth for the few who were ready to comprehend and master it” and that they “reserve their pearls of wisdom for the few elect, who recognize their value and who wear them in their crowns, instead of casting them before the materialistic vulgar swine, who would trample them in the mud and mix them with their disgusting mental food”. That this dude would complain about initiation clearly forgot about that part of the Kybalion, and about the role initiation properly serves in spiritual practices generally.

Due to the influence of La Regla de Ocha Lukumí, aka Santería, in my life, I’m increasingly a stickler for oathbound, authorized, and transmission-based forms of initiation, and find it a useful system, not only to gain power or wisdom or what-have-you but also to throttle it and cultivate it in a useful, beneficial, and appropriate manner, controlled by the initiators and community as a whole who have as much a say in the life and works of any given initiate as the initiate does themselves. This isn’t always the case with many spiritual practices—I have plenty that are more auturgic than initiated, and not everyone needs to go the initiation route—but I know and admit that this isn’t a popular stance to take in modern occulture. As it proved to this dude, who then says that my occultism has too many rules for enlightenment and, thus, I must not be enlightened. To which:

  1. I wasn’t talking about enlightenment. I was talking about Hermetic texts and what’s better to read than not.
  2. I never claimed to be enlightened. I’ll be first to claim that I’m not, and that I’m just a rank beginner with a little expertise here and there.
  3. Who on Earth are you to judge someone, on Twitter of all places, whom you don’t know and who doesn’t know you, regarding their spiritual state?

In all honesty, despite that I’m writing such a post about this, I find the whole affair more hilarious than aggravating. He saved me the trouble of having to block him, at least; at least he had the kindness to shut the door behind him when he left.

I bring all this up because, for one, I enjoy taking any opportunity to rail against the Kybalion, and this gives me an excellent time and means to do it on my own terms, and also to flesh out some of my statements last night with more nuance and explanation. But also, let this be an example of how not to engage with someone, especially me, especially on the Internet. I know at least a few people who would take serious umbrage at this to the point of actual retribution instead of just a snarky blog post. Just…come on, guys. Don’t be a haughty asshole to other people. If you want to discuss, then discuss! Don’t just walk in, say some shit, smear someone and a few religions while you’re at it, then strut off thinking you won when all you won is some mockery.

Let’s grow up and discuss things like adults, shall we? It’s the Hermetic thing to do.

Correspondence of Spirits to the Greek Alphabet

Judging from my recent blog post history, you’d be forgiven if you thought that this whole damn blog, and my whole damn practice, was just about geomancy.  Technically, that’d be wrong, but I do, indeed, talk about geomancy a lot.  There’s just a lot to talk about when it comes to that topic.  One of the things I still keep up with, albeit not as much as I’d like or as much as I’d otherwise have time for, is my old Mathēsis practice, that whole system of Greek letter mystiticsm, a kind of neo-Pythagorean quasi-Hermetic system of theurgy and meditation that works closely with the Greek gods.  I’ve made some good innovations when it comes to developing this practice, from coming up with a Tetractys-based “map” of the cosmos, as well as various other meditative and purificatory practices that, even when I’m not working in a mathētic framework, still help out one way or another.  This whole thing came about through my interest and development of grammatomancy, the Greek alphabet oracle, which I’ve found to be an excellent system of divination that I also specialize in along with geomancy.  One of my finest innovations, I think, is the Grammatēmerologion, a lunisolar calendar that maps the days, months, and years themselves to different letters of the Greek alphabet for tracking feasts, holidays, rituals, and meditations, whether according to the days purely or overlaps between the letters of the days along with astrological and astronomical phenomena.  I’ve found it incredibly helpful, and I hope that others can, as well.

One of the things I find it especially useful for is arranging the days of the lunar month, from New Moon to New Moon, to the different gods of the Hellenic pantheon and other aspects of ancient Greek and Mediterranean mythos.  However, in a naïve or simple way, the Greek letters don’t really have very many associations to the various deities, divinities, and spirits, but I wanted to see how far I could take things.  For instance, it makes sense to honor Asklēpios along with Apollōn, his father, and by extension the goddesses of health like Panakeia or Hygieia or Iasō.  But what about the more obscure divinities, like Triptolemos or Amphitritē or Themis?  I began to expand the associations I was working with to associate the Greek letters to the gods, and I ended up with…well, quite a large set, especially because I wanted to be pretty darn complete or at least reasonably so.  Yanno, just in case.

That ended up in making a table so big even I wasn’t comfortable with it, so I ended up making four tables of correspondences of the various deities and spirits of a Hellenic, Pythagorean, or generally Greek pagan practice to the letters of the Greek alphabet.  I tried to make the associations as reasonably as I could, and despite the overwhelming number of entities present in Greek myth, I tried to focus on those that tended to receive cult in classical times.  Below are those tables, as reasonably complete as I could make them.  When gaps exist in the tables, that indicates that I couldn’t find anything to fit there, but that doesn’t mean that there can’t be; perhaps this table could be expanded upon over time, and I’d look forward to it.  Heck, even for the cells that are populated, I’m sure there can be additions or changes made.

What’s also nice is that these tables can also play well with the use of the Kyranides, a famous proto-grimoire “index” of the various minerals, animals, and plants of the world according to their initial letter by their Greek names; connections between those sorts of associations according to the Greek alphabet and how they might play well with the associations given by other authors and sources would be a great thing for me to (eventually) research.

Before we begin, let me share a few resources that were helpful, instrumental, or otherwise important in helping me devise these tables of divine correspondences to the Greek alphabet:

Table I: The Table of the Whole.  This table gives the high-level associations of the letters of the Greek alphabet, both the 24 letters in use from ancient times to modern times as well as the three obsolete letters Digamma, Qoppa, and Sampi, to their various associations: those of the various forces of the cosmos of the elements, planets, and signs of the Zodiac based on Cornelius Agrippa’s associations (book I, chapter 74); the singlemost important deity for that letter of the alphabet based on its corresponding force; a sacred word of power taken from PGM CI.1-53, a holy angel for each letter taken from the Coptic magical manuscript Berlin 11346, and a general part of the body commonly associated with the letters of the Greek alphabet apart from other zodiacal associations.  Note that the three obsolete letters Digamma, Qoppa, and Sampi lack most associations, and are instead given to three classes of spirits of the dead: Digamma has Ancestors of Kin (one’s own blood- and name-related family), Qoppa has Ancestors of Work (ancestors, founders, and forebears of one’s mundane and spiritual professions and lineages), and Sampi has Ancestors of the Great (culture heroes, legendary founders of cities and civilizations, as well as forgotten and wandering dead).  Other oddities, such as the presence of Eōsphoros and Hesperos for Ēta or Zeus Euēnemos for Phi are discussed below in tables for that specific class of letters.

Letter Force Deity Word Angel Body


Taurus Aphroditē ΓΕΝΙΟΜΟΥΘΙΓ
Gemini Apollōn ΔΗΜΟΓΕΝΗΔ
Mercury Stilbōn ΕΝΚΥΚΛΙΕ
of Kin
Cancer Hermēs ΖΗΝΟΒΙΩΘΙΖ
Venus Eōsphoros and
Earth Hēra Geēros ΘΩΘΟΥΘΩΘ
Sun Hēlios ΙΑΕΟΥΩΙ
Virgo Dēmētēr ΛΟΥΛΟΕΝΗΛ
Libra Hēphaistos ΜΟΡΟΘΟΗΠΝΑΜ




Water Persephonē ΞΟΝΟΦΟΗΝΑΞ
Mars Pyroeis ΟΡΝΕΟΦΑΟ
Sagittarius Artemis ΠΥΡΟΒΑΡΥΠ
Ancestors of
Capricorn Hestia ΡΕΡΟΥΤΟΗΡ
Pisces Poseidōn ΤΑΥΡΟΠΟΛΙΤ
Jupiter Phaethōn ΥΠΕΦΕΝΟΥΡΥ
Air Zeus
Spirit Dionysos ΨΥΧΟΜΠΟΛΑΨ
Saturn Phainōn ΩΡΙΩΝ
Ancestors of
the Great

Table II: the Table of the Seven Vowels.  This table expands on the seven vowels of the Greek alphabet, which are given most strongly to the seven traditional planets.  Each planet has its own specific astral titan associated with it, such as Selēnē for the Moon or Hēlios for the Sun, but note that Venus has two astral titans for it, Eōsphoros and Hesperos, because historically this planet was reckoned as two separate entities, Eōsphoros as the Morning Star when Venus rose before the Sun and visible in the dawn hours before sunrise, and Hesperos as the Western Star when Venus set after the Sun and visible in the dusk hours after sunset.  Based on the directions associated with these letters as given in the Heptagram Rite of PGM XIII.734—1077, each of these planets may also be given to the four Elder Titans along with their mother Gaia and their father Ouranos.  Other deities may also be assigned to the planets, such as Artemis for the Moon, along with clusters of lesser deities and other spirits associated with those deities.

Letter Planet Star Titan Deities Cluster
Α Moon Selēnē Hyperiōn Hekatē,
Ε Mercury Stilbōn Koios Hermēs Dioskouroi
Η Venus Eōsphoros,
Iapetos Aphroditē Hesperides
Ι Sun Hēlios Kriōs Apollōn, Dionysos,
Eōs, Theia
Ο Mars Pyroeis Gaia Arēs, Hēphaistos,
Υ Jupiter Phaethōn Kronos Zeus,
Ω Saturn Phainōn Ouranos Kronos, Adrasteia,

Table III: the Table of the Five Complex Consonants. This table expands on the five complex or double consonants of the Greek alphabet, which are given to the four elements plus the quintessence, the meta-element of Spirit.  Each of these is presided over by one of five gods, with the four classical elements associated with Zeus, Hēra, Hadēs, and Persephonē according to the Greek philosopher Empedocles.  To distinguish this specific Zeus and Hēra from their other forms, the titles “Zeus Euēnomos” (Zeus of the Good Winds) and “Hēra Geēros” (Hera of the Earth) are given specifically to them.  Along with these major divinities, other minor divinities who often received cult and are associated with these elements are given, along with important clusters of (often-named individual) spirits and lesser gods as well as general classes of various spirits.

Letter Element Major
Cluster Spirits
Θ Earth Hēra Geēros Gaia, Rhea, Kybelē,
Mēter Theōn
Ξ Water Persephonē Aphroditē, Ōkeanos,
Tēthys, Hekatē
Seirenēs Naiades,
Φ Air Zeus Euēnemos Aiolos,
Χ Fire Hadēs Hēphaistos, Hestia,
Ψ Spirit Dionysos Promētheus, Iakkhos,

Table IV: the Table of the Twelve Simple Consonants.  This table expands on the twelve simple or single consonants of the Greek alphabet, which are given to the twelve signs of the Zodiac.  Each of these zodiac signs are assigned to one of the twelve Olympian gods according to the Orphic Scale of Twelve as given by Cornelius Agrippa (book II, chapter 14) as their prime divinity, along with lesser or alternate divinities who are closely associated with the functions, roles, and ideals of those gods.  Along with these, other sacred figures are given according to the specific body of the zodiac sign, such as the divine twins Dioskouroi to the sign of the twins of Gemini, as well as important clusters of (often-named individual) spirits and lesser gods as well as general classes of various spirits that are also associated with the major divinities of these letters.

Letter Zodiac
Cluster Spirits
Β Aries Athēna Nikē, Mētis, Pronoia,
Hēphaistos, Erikhthonios
Γ Taurus Aphroditē Erōs, Adonis, Harmonia,
Peithō, Parēgoros
Δ Gemini Apollōn Aristaios, Lētō,
Hymenaios, Asklēpios,
Hygeia, Panakeia, Iasō
Dioskouroi Mousai
Ζ Cancer Hermēs Pan, Morpheus,
Maia, Hērakles
Pleiades Panes, Oneiroi,
Κ Leo Zeus Tykhē, Nemesis, Themis,
Ganymēdēs, Hēraklēs,
Bia, Nikē, Kratos, Zēlos
Λ Virgo Dēmētēr Persephonē, Triptolemos,
Hekatē, Ploutos, Iakkhos
Asteria Hōrai
Μ Libra Hēphaistos Athēna, Kēladiōn Dikē Kyklōpes,
Ν Scorpio Arēs Phobos, Deimos,
Eris, Enyō
Π Sagittarius Artemis Lētō, Hekatē Kheirōn Nymphai,
Ρ Capricorn Hestia Pan
Σ Aquarius Hēra Hēbē, Eileithyia, Iris Ganymēdēs Hesperides,
Τ Pisces Poseidōn Prōteus, Amphitritē,
Tritōn, Nēreus,
Palaimon, Leukotheua

One of the fascinating things I find about this Table IV is that there’s a subtle logic in how the major divinities are assigned to the signs of the Zodiac based on the opposing sign.  Consider that Pan is the god most commonly associated with the actual form of the sign Capricorn, but Pan is also often associated with Hermēs in mythos, sometimes even being Hermēs’ own son; there’s an interesting dichotomy here between these two signs, with Hestia essentially being the goddess of what happens inside the home while Hermēs is the god of what happens outside the home.  Likewise, note how the famous centaur Kheiron (or Chiron in modern spelling) is the god of the form of the sign Sagittarius, the opposite sign of Gemini, which itself is associated with Apollōn, his adoptive father and also the father of Asklēpios, whom Kheiron later teaches as his pupil.  Ganymēdēs, too, was the famous cup-bearer taken up by Zeus and placed into the sky as the sign Aquarius, yet this sign itself is given to Hēra, who disapproved of Ganymēdēs, while the sign opposite of both Hēra and Ganymēdēs is none other than Leo, given to Zeus himself.  It’s kinda fascinating to see the logic and polarities going on with how the gods are given to the signs and how they play off each other in a coherent whole of reinforcing-oppositions.

And there you have it!  My system of correspondences I use to categorize and organize the various gods, demigods, daimones, and spirits of the classical and mythic Hellenic world according to the letters of the Greek alphabets.  I’ve personally gotten good mileage out of it, and I hope others can, too, inasmuch as a letter-based system of mysticism might be helpful, but also to just pick out associations and links between the different entities of Hellenic mythos.

A New Model of Elemental Assignments to the Geomantic Figures

We all know the basic four elements of Western occult cosmology, don’t we?  Of course we do!  We know that there’s Fire, Air, Water, and Earth, in order from least dense to most dense, or from most subtle to least subtle, whichever you prefer.  They’re even described in the Divine Poemander, the opening chapter of the Corpus Hermeticum as being fundamental (even in this same order!) to the creation of the cosmos:

And I saw an infinite sight, all things were become light, both sweet and exceeding pleasant; and I was wonderfully delighted in the beholding it. But after a little while, there was a darkness made in part, coming down obliquely, fearful and hideous, which seemed unto me to be changed into a certain moist nature, unspeakably troubled, which yielded a smoke as from Fire; and from whence proceeded a voice unutterable, and very mournful, but inarticulate, inasmuch as it seemed to have come from the Light.  Then from that Light, a certain holy Word joined itself unto Nature, and outflew the pure and unmixed Fire from the moist nature upwards on high; it was exceeding Light, and sharp, and operative withal. And the Air, which was also light, followed the Spirit and mourned up to Fire from the Earth and the Water, insomuch that it seemed to hang and depend upon it.  And the Earth and the Water stayed by themselves so mingled together, that the Earth could not be seen for the Water, but they were moved because of the Spiritual word that was carried upon them.

According to long-standing doctrine, going back to the time of Aristotle and before him even unto Empedocles, the four elements are considered to be arranged according to the two qualities each element has.  One pair of qualities exists on a spectrum from Hot to Cold, and the other from Dry to Moist.  If you take both Hot and Dry, you end up with Fire; Hot and Moist, Air; Cold and Moist, Water; Cold and Dry, Earth.  In this way, each element pertains to two qualities:

Hot Cold
Dry Fire Earth
Moist Air Water

This sort of arrangement has classically been described graphically with a kind of diamond-square diagram, showing how the four elements arise from combinations of these two qualities.  In the below diagram, Fire is represented by the upwards-pointing triangle in the upper left positioned between Hot and Dry, Air by the upwards-pointing triangle with a horizontal bar in the upper right between Hot and Wet, and so forth.

The thing about the four elements is that, while they are combinations of two qualities, they’re not necessarily static combinations thereof.  Some philosophers have specified that the elements are primarily of one quality and secondarily of the other that allows them to change into each other or react with each other in a more fluid way.  Fire, for instance, is both hot and dry, but in this fluid system, is specifically considered to be primarily hot and secondarily dry.  In the diagram above, we can see this in that, going clockwise around the diagram, the primary quality of an element is clockwise from that element’s corner, and the secondary quality is counterclockwise; in this sense, the primary quality is what that element is headed into, and the secondary quality is what that element is leaving behind.  Thus:

  • Fire is primarily hot and secondarily dry.
  • Air is primarily wet and secondarily hot.
  • Water is primarily cold and secondarily wet.
  • Earth is primarily dry and secondarily cold.

From this, let’s say that the four qualities themselves—even if they’re proto-elemental—can be ascribed to the four elements themselves, such that Heat is basically the main characteristic of Fire, Moisture of Air, Cold of Water, and Dryness of Earth.  (This offshoot of the Empedoclean-Aristotelian system is in opposition to the Stoic system, which gives Heat and Coldness to Fire and Air, and Moisture and Dryness to Water and Earth, but that doesn’t matter for the purposes of this system which is effectively unrelated.)  So, although Heat is part of both Fire and Air, Heat is more aligned towards Fire than Air.

We also know that certain elements—more properly, certain qualities of the elements—cannot be together lest they cancel each other out because of their inherent opposition.  Heat and Cold cancel each other out, as do Moisture and Dryness.  Thus, when we say that Fire and Water cancel each other out, it’s really their elemental qualities that cancel each other out, leaving behind a mess.  What remains when different elements cancel each other out, or some combination of elements reinforcing each other in some ways or reducing each other in other ways, can be instructive in how to alchemically understand these elemental reactions from a basic principle.

Now consider the 16 geomantic figures.  Each figure, as we all know by now, is represented by four rows, each row having one or two dots.  Each row represents one of the four elements: from top to bottom, they’re Fire, Air, Water, and Earth.  A single dot in a row signifies the presence or activity of that element in the figure, while two dots in a row signifies its absence or passivity.  Thus, Laetitia (with only one dot in the topmost Fire row and two dots in the other rows) has only Fire active, and so forth.  We know that there are many different ways to assign the elements to the figures, some being more recent than others, and the way I like to assign them has the benefit of being one of the oldest used in Western geomancy…mostly, with the figures Laetitia and Rubeus swapped around so that Laetitia is ruled by Fire and Rubeus by Air.  Moreover, my way of assigning the elements also has a benefit of giving each figure both a primary and a secondary elemental ruler, which has come in use in various techniques more often than I had originally anticipated.

Still, what would happen if we used a different method beyond overall signification to assign the figures to the elements?  What would happen if we took the structure of the figures themselves as the sole key to understand their elemental affinities based on what’s present, what’s absent, what cancels out, and what reinforces each other?  Knowing that certain elemental qualities do just that when put together, what would happen if we took that structural approach to the elements active within a geomantic figure?  For instance, Puer has Fire, Air, and Earth active; we know that because of their opposing qualities, Air (Hot and Wet) and Earth (Cold and Dry) cancel each other out, leaving only Fire behind, giving Puer a basically fiery nature.  What if we took this approach to all the figures, seeing what came out of such elemental interactions amongst the elements present within a geomantic figure?

Fire First
Remainder Result
Laetitia Hot
Hot ×2 Hot
Amissio Hot
Ø Null
Puer Hot
Rubeus Hot
Coniunctio Hot
Wet ×2 Wet
Acquisitio Hot
Ø Null
Puella Hot
Via Hot
Ø Null
Albus Cold
Populus Ø Null
Carcer Hot


Dry ×2 Dry




Cold ×2 Cold
Tristitia Cold

Note the overall results we get:

  • Eight figures end up with an actual element that represents them, four being a result of that element being the only active one in that figure (e.g. Laetitia, being Fire, because only Fire is active), and four being a result of that element being active, its opposing element being inactive, and the other two elements that cancel out being active (e.g. Puer, being Fire, because Fire is active but so is Air and Earth, which cancel each other out).
  • Four figures end up with being not an actual element, but a single quality, because it contains the two elements active in that figure that have that quality, with the other qualities of those elements canceling out (e.g. Fortuna Minor is pure Heat, because Fire and Air are active within it, both elements of Heat, though the dryness of Fire and moisture of Air cancel each other out).
  • Four figures end up with being null and void of any element or quality.  One is trivial, Populus, because it just has nothing active in it to begin with, but the other three (Via, Amissio, and Acquisitio) are combinations of only opposing elements that all cancel each other out somehow.

If we separate out those eight figures that end up with an element into a “pure element” group (where the figure consists of only that single element itself) and a “muddled element” group (where the figure consists of that element plus two other elements that oppose each other and cancel out), we end up with a neat grouping of four groups of four figures.  Even nicer is that the Pure Element, Muddled Element, and Single Quality groups all have each figure representing one of the four elements (the Single Quality representing elements by means of their most closely associated quality, e.g. Fire by Heat, Water by Cold).  That leaves us with a convenient scheme for assigning the figures to the elements in a new way…

Fire Air Water Earth
Laetitia Rubeus Albus Tristitia
Puer Cauda
Coniunctio Fortuna

…mostly.  The Null Quality group of figures (Via, Populus, Amissio, and Acquisitio) don’t fall into the same patterns as the rest because…well, they’re all null and void and empty of any single element or quality.  We’ll get to those later.

First, note that the Pure Element, Muddled Element, and Single Quality groups, we see a process of descension from one element to the next.  Descension is the process by which the elemental rows of a geomantic figure are “shifted” downwards such that the Fire line gets shifted down to the Air line, Air down to Water, Water down to Earth, and Earth cycles back up again to Air; I discussed this and the corresponding reverse technique, ascension, in an earlier post of mine from 2014.  Moreover, note that all these groups descend into the proper elements ruling that figure in lockstep, so that if we take the Fire figure from one group and descend it into the Air figure of that same group, the other Fire figures from the other groups also descend into the Air figures of those groups.  That’s actually a pretty neat reinforcing of this new system of assigning elements to the figures, and in a conveniently regular, structural way.

It’s with the Null Quality figures (Via, Populus, Amissio, and Acquisitio) that that pattern breaks down.  We know that Amissio and Acquisitio descend into each other in a two-stage cycle of descension, while Via and Albus descend into themselves without a change.  We can’t use the process of descension like we did before to make a cycle of elements within a quality group of figures, and because of their null quality, we can’t just look at the elements present in the figures themselves to determine what element they might be aligned with as a whole in this system.  So…what next?

Take a close look at the figures we already have charted, and follow along with my next bit of logic.  For one, we know that all the odd figures are either in the Pure Element or Muddled Element group, which means all the even figures must be in the Single Quality or Null Quality group.  On top of that, if we look at the figures that are already charted to the elements, we can note that Fire and Air figures are all mobile, and Water and Earth figures are all stable.  This suggests that Via and Amissio (the mobile Null Quality figures) should be given to Fire and Air somehow, and Populus and Acquisitio (the stable Null Quality figures) to Water and Earth somehow.  We’re getting somewhere!

The Null Quality figures share more similarities with the Single Quality figures because they’re both sets of even figures.  Even though the Single Quality figures follow a process of descension between one element and the next, we also see that figures that belong to opposing elements (Fire and Water, Air and Earth) are also inverses of each other (inversion being one of the structural transformations of geomantic figures, this one specifically replacing odd points with even points and vice versa).  This can be used as a pattern for the Null Quality figures, too, such that inverse Null Quality figures are given to opposing elements. This means that we have two possible solutions:

  1. Via to Fire, Amissio to Air, Populus to Water, Acquisitio to Earth
  2. Amissio to Fire, Via to Air, Acquisitio to Water, Populus to Earth

At this point, I don’t think there’s any structural argument that could be made for one choice over the other, so I shift to a symbolic one.  In many Hermetic and Platonic systems of thought, when it comes to pure activity or pure passivity (though there are many other alternatives to such terms!), Fire and Water are often thought of as perfect examplars, so much so that the Hexagram is literally interpreted as a divine union of masculine/ejective/active Fire (represented by the upwards-pointing triangle) and feminine/receptive/passive Water (represented by the downwards-pointing triangle).  Taking it a step further, in some interpretations of this mystical formation of the hexagram, this combination of Fire and Water produces the element of Air.  If we translate this into geomantic figures, we can consider “pure activity” (Fire) to best be represented by the figure Via (which could, I suppose, be taken as the simplest possible representation of the phallus, being a single erect line, or as the number 1 which is also historically considered to be masculine or active), and “pure passivity” (Water) as Populus (which, likewise, could be seen as the walls of the birth canal or vulva, as well as the number 2 which is considered feminine or passive).  If we give Via to Fire and Populus to Water, this means that we’d give Amissio to Air and Acquisitio to Earth.  Note how this actually works nicely for us, because the Null Quality figure we give to Air is itself composed of Fire and Water, matching with that mystical elemental interpretation of the Hexagram from before.

Now we can complete our table from before:

Fire Air Water Earth
Laetitia Rubeus Albus Tristitia
Puer Cauda
Coniunctio Fortuna
Via Amissio Populus Acquisitio

Next, can we impose an ordering onto the figures given these elemental assignments and quality groups?  Probably!  Not that orders matter much in Western geomancy as opposed to Arabic geomancy, but it could be something useful as well, inasmuch as any of this might be useful.  The order I would naturally think would be useful would be to have all sixteen figures grouped primarily by element—so all four Fire figures first, then the four Air figures, and so on—and then, within that group, the most representative of that element down to the least representative, which would suggest we start with the Pure Element figure and end with the Null Quality figure.  So, which comes second, the Muddled Element or the Single Quality?  I would suggest that the Single Quality figure is more like the element than the Muddled Element figure, because the Single Quality is representative of the…well, single quality that is representative of that element and, though it has some things canceling out within the figure, those things that cancel out based on their corresponding elements active within the figure are still harmonious and agreeable to the overall element itself.  Meanwhile, the Muddled Element is more removed due to the presence of other opposing elements that fight within itself, dragging it down further away from a pure expression of its overall element.  These rules would get us an order like the following:

  1. Laetitia
  2. Fortuna Minor
  3. Puer
  4. Via
  5. Rubeus
  6. Coniunctio
  7. Cauda Draconis
  8. Amissio
  9. Albus
  10. Fortuna Maior
  11. Caput Draconis
  12. Populus
  13. Tristitia
  14. Carcer
  15. Puella
  16. Acquisitio

So, what does this leave us with, and where does this leave us?  We have here a new way to associate the geomantic figures to the traditional elements in a way that’s substantially different from either the usual structural method that I prefer or a more zodiacal method that’s also in common use by authors like John Michael Greer and those immersed in Golden Dawn-like systems, though there is still a good amount of overlap between this kind of elemental assignment and the structural method with eight of the figures retaining their same element (all four Pure Element figures plus Fortuna Minor, Coniunctio, Carcer, and Populus).  This is not a method I’ve encountered before in any geomantic text I’m familiar with, and I’m inclined to say it’s pretty much a novel approach to assigning the elements to the figures, though considering how straightforward the process was, or at least how simple the idea behind it was, I’d be honestly surprised that such a thing hasn’t been thought of before now.

I don’t mean to supplant the major two existing systems of elemental assignments of the geomantic figures (the planetary-zodiacal method or the structural method) or their variations as found throughout the literature; personally, I’m still inclined to keep to my structural method of elemental assignments instead of this combinatoric method, as it’s what I’ve most closely worked with for years, and I’ve gotten exceedingly good mileage out of it.  To me, all the above is something like a curiosity, a “what if” experiment of potential.  Still, even as an experiment, this combinatoric method could have more interesting applications outside pure divination, and I’m thinking more along the lines of alchemy, magic, or other such applications where it’s truly the action, nonaction, interaction, and reaction of the elements themselves among the figures is what matters.  We can alchemically-geomantically view the cosmos as arising from:

  • 4 base substances
  • 16 base entities (the 16 = 4 × 4 different combinations of the elements to form the figures)
  • 256 base interactions (the 256 = 16 × 16 = 4 × 4 × 4 × 4 different addition-pairs of the figures)

So, consider: if you add pure Fire and pure Water, that’d be Laetitia + Albus = Amissio, which gets you a Null figure of balance that leads to an overall condition of Air.  (Fitting, given our explanation of why Amissio should be given to Air at all.)  If you add simple Heat to pure Air, that’d be Fortuna Minor + Rubeus = Laetitia, which also makes sense because, as a figure of Air, Rubeus is primarily wet and secondarily hot; if we reinforce the heat, it becomes primarily hot, and the wet condition gets dried out by the overabundance of heat, transforming Air into Fire.  If we add simple Cold and simple Heat, which would be weird to think about even in alchemical terms except unless we’d isolate those qualities from simpler bases (which we do in geomantic terms), that’d be Fortuna Maior + Fortuna Minor, which would become Via, a technically Null figure given to balanced, ideal, spiritual Fire; how odd!  But we wet the same result when we add any of the opposing Single Qualities, which to me would be like a geomantic division by zero.

I think that this combinatoric model of elemental assignments, what I’m going to call the “alchemical model” as opposed to my usual “structural model” or the Golden Dawn-style “zodiacal model”, could be useful for more mystical, philosophical, or magical meditations on the figures.  It’s not one I’ve completely fleshed out or can immediately agree with given how different it can be from the models I’m used to working with, but I think it does hold some promise and is worthy of exploration and testing, especially in a more magical and less divinatory context.

On Prayer Beads, Devotions to Gabriel, and a New Way of Doing Just That

I think that, as of this moment…god, how many sets of prayer beads do I have in my temple room? Seven chaplets for the archangels I made myself, one rosary each for Mary the Theotokos and for Saint Cyprian of Antioch and for my ancestor shrine, a chaplet of Saint Cyprian of Antioch I designed myself, an Orthodox Christian prayer rope, a set of tiger’s eye prayer beads I made for solar work (specifically for a variant of my Consecration of the Twelve Faces of Hēlios), a set of labradorite prayer beads I made for my Holy Guardian Angel, a chaplet for Hermēs based on the work of the good Dr. Jeffrey S. Kupperman (yes, that one, the one with the book! he put out a wonderful novena rule and chaplet for Hermēs not too long ago), and a set of Islamic prayer beads (misbaḥa) for my ancestor shrine for one of my spirit guides. All told, that makes 16 different sets of prayer beads scattered throughout my temple, though admittedly I don’t use all of them; sometimes they’re there more for the shrine’s sake or the use of the spirits rather than my own. I used to have a rosewood mala for my old Buddhist stuff, but I’ve since gifted that away to a friend who can put it to better use since there’s nothing more for me to do along those lines or practices.

What? I like the convenience, customizability, and attractiveness of prayer beads. They’re useful, they’re tangible, they let the body focus on one thing and allow the mind to focus on another in a semi-autonomous way.

Well, lately, as part of my burgeoning geomantic devotional practice, I’ve been getting more interested in Islamic prayer methods. Credit where it’s due: Islamic devotional practice, prayers, and supplication frameworks are amazing. There’s a massive body of beautiful, poetic, and wonderfully specific literature-cum-prayer rules of endless supplication after supplication after supplication, and it’s at once dazzling and daunting. Now, I’m not a Muslim, nor have I intention to convert given…all the other obligations I have and some theological differences, but I cannot deny the beauty and profundity of how they approach divinity through prayer. As you might have guessed, there’s also a method of prayer with Islam’s own kind of prayer beads: the misbaḥa, also known as tasbīḥ. The word has its origins in the word subḥa, meaning “glory”, as in the phrase Subḥāna-llāh, “Glory be to God” (the recitation of which is also called Tasbīḥ, just as the recitation of the phrase Allāhu ‘akbar, “God is Great”, is called Takbīr).

Misbaḥa are easy to understand: they’re made of 99 beads, with two separators that stand out in some way to break the counting beads up into three sets of 33 beads each. The “head” or “tail” (depending on how you look at it) typically has a long, cylindrical bead, plus some other number of beads for keeping track of iterations of going through the entire thing. Other misbaḥa are made with other numbers, some as few as 11 beads or sometimes 33 broken into three sets of 11, but others used in some religious orders can have as many as a thousand beads. Some misbaḥa have a slidable marker to further mark off particular sets of beads, such as for holding one’s place or when reaching a particular count desired (e.g. 40 is a common number found in Islamic devotional repetitions).

Probably the most popular way, or at least one of the most popular and acclaimed ways, of using misbaḥa is through the method known as the Tasbīḥ Fāṭimah, the method ascribed to Fāṭimah, the daughter of the Prophet Muḥammad. The method is simple:

  1. On each of the first set of 33 beads, recite the Tasbīḥ: Subḥāna-llah (“Glory be to God”).
  2. On each of the second set of 33 beads, recite the Taḥmīd: Alḥamdu li-llāh (“Praise be to God”).
  3. On each of the third set of 33 beads, recite the Takbīr: Allāhu ‘akbar (“God is Great”).

Unlike rosaries or chaplets in the Christian tradition, note how the separators don’t have associated prayers or anything said on them; they’re just used solely as markers to switch up prayers. There are variations of this method, too, of course; some say to recite the Takbīr first followed by the Taḥmīd and the Tasbīḥ in that order, some say to recite the Takbīr 34 times instead of 33 times, some say to conclude by reciting the first part of the Shahāda (Lā ‘ilāha ‘illā-llāh, “there is no god but God”), but the general method is fundamentally the same. It is recommended for the observant to perform this devotion immediately after every compulsory prayer, but the original story behind the Prophet giving it to his daughter also recommends saying it before one retires for sleep.

Discussing this with one of my Muslim colleagues online, this is just one method of using misbaḥa; there are countless ways to use them, such as for reciting individual attributes or names of God (of which there are, of course, a conventional set of 99 in Islam), reciting particular verses of the Qur’ān over and over, and the like. The possibilities are endless, apparently.

So, of course, this got me thinking: while I, too, can use the Tasbīḥ Fāṭimah devotion, is there a way I could use this venerable tool in a way specifically geared for my own needs? Of course there is. The Tasbīḥ Fāṭimah practice is wonderful on its own, and doesn’t require one to be a Muslim to use it; after all, the supplications involved in it are pretty basic and can work for anyone with an Abrahamic, Hermetic, or just plain deist bent, and it’s a clean and straightforward practice that doesn’t involve a lot of preliminary setup, education, or training. It’s effective, I’ll absolutely grant it that. But if there are other ways to use misbaḥa, why not also try something else as well for a more specific purpose than just worship, hesychasm, and henosis?

There being three sets of 33 beads reminded me of the Chaplet of Saint Gabriel the Archangel from Catholic devotions, which is constructed with a lead chain of three beads linked to a ring of 33 beads broken into three sets of 11 beads with one separator bead between each set.

  1. Lead bead 1: “Heavenly Father, through the salutation of the Archangel Gabriel, may we honor the incarnation of your divine Son.”
  2. Lead bead 2: “Mother of our Savior, may we strive always to imitate your holy virtues and respond to our Father, ‘be it done unto me according to thy Word’.”
  3. Lead bead 3: “Archangel Gabriel, please praise our Father for the gift of his Son praying, one day, by his grace, we may all be one.”
  4. On each of the beads in each set of 11: “Hail, full of grace, the Lord is with thee: blessed art thou among women.”
  5. On each of the two separator beads: “Behold, thou shalt conceive in thy womb, and shalt bring forth a son, and thou shalt call his name Jesus.”

Simple and straightforward. It wouldn’t be a stretch to simply expand the repetitions from three sets of 11 for a total of 33 to three sets of 33 for a total of 99 (33 being a sacred number for Christians, being the number of years Jesus was alive when he was crucified). I could definitely use misbaḥa for Gabriel-based devotions, which is good given the importance of Gabriel being the angel of revelation to the prophet Daniel as well as to Elizabeth, Mary, Muḥammad, Enoch, and so many others, and given the fact that Gabriel is the angel who taught the founders of geomancy their art. However, I didn’t feel like the Catholic approach here—although totally workable—felt appropriate for either my own devotional needs or for use with the misbaḥa.

So, I scoured some verses of Scripture in which Gabriel was either directly present by name or directly being referenced from the Tanakh, the Bible, and the Qur’ān, and in the end, I developed a new method of repetition-based devotions to God through his archangel, a method I’m tentatively calling the “Crown of Gabriel”, to be used on a standard misbaḥa of 99 beads:

  1. At the beginning, recite once: “In the name of God who created me.”
  2. On of the first set of 33 beads, recite: “May God fill me with his grace.”
  3. On the first separator, recite: “God willing, teach me, o Gabriel, mighty in power, revelations to be revealed.”
  4. On each of the second set of 33 beads, recite: “May God be with me.”
  5. On the second separator, recite: “God willing, come forth, o Gabriel, to give me understanding and insight.”
  6. On each of the third set of 33 beads, recite: “Do unto me according to his word.”
  7. At the end, recite once: “My Lord is the Most Generous.”

The specific supplications come from four verses of Abrahamic scripture, one from the Old Testament, one from the New Testament, and two from the Qur’ān, all of which are associated with Gabriel in one way or another:

  • Daniel 9:22 (the clarification of the Prophecy of Seventy Weeks):

    And he [Gabriel] informed me, and talked with me, and said, O Daniel, I am now come forth to give thee skill and understanding.

  • Luke 1:28—38 (the Annunciation):

    And the angel came in unto her, and said, Hail, thou that art highly favoured [full of grace], the Lord is with thee: blessed art thou among women. And when she saw him, she was troubled at his saying, and cast in her mind what manner of salutation this should be. And the angel said unto her, Fear not, Mary: for thou hast found favour with God. And, behold, thou shalt conceive in thy womb, and bring forth a son, and shalt call his name Jesus. He shall be great, and shall be called the Son of the Highest: and the Lord God shall give unto him the throne of his father David: And he shall reign over the house of Jacob for ever; and of his kingdom there shall be no end. Then said Mary unto the angel, How shall this be, seeing I know not a man? And the angel answered and said unto her, The Holy Ghost shall come upon thee, and the power of the Highest shall overshadow thee: therefore also that holy thing which shall be born of thee shall be called the Son of God. And, behold, thy cousin Elisabeth, she hath also conceived a son in her old age: and this is the sixth month with her, who was called barren. For with God nothing shall be impossible. And Mary said, Behold the handmaid of the Lord; be it unto me according to thy word. And the angel departed from her.

  • Qur’ān, Sūrah An-Najm, 53:1—10 (which describes the appearance of Gabriel to the prophet, with connections to the star Sirius):

    By the star when it descends, your companion [Muhammad] has not strayed, nor has he erred, nor does he speak from [his own] inclination. It is not but a revelation revealed, taught to him by one intense in strength, one of soundness. And he rose to [his] true form while he was in the higher [part of the] horizon. Then he approached and descended and was at a distance of two bow lengths or nearer. And he revealed to His Servant what he revealed.

  • Qur’ān, Sūrah Al-`Alaq, 96:1—5 (the very first revelation to the Prophet by Gabriel):

    Recite in the name of your Lord who created, created man from a clinging substance. Recite, and your Lord is the most Generous, who taught by the pen, taught man that which he knew not.

For my own needs, I didn’t keep the exact wording from scripture as the Chaplet of Saint Gabriel does; rather, I tweaked them to be more specific to me, that God might teach, fill, and guide me through his angel in a personal way appropriate to me and me alone. Unlike the usual method of Tasbīḥ Fāṭimah and like the Chaplet of Saint Gabriel, I did include prayers for use on the separator beads; originally, I had those supplications for the separator beads and the supplications done at the first and last swapped (so that you’d start with “God willing, teach me…” and end with “God willing, come forth…”), but I felt like swapping them was better so that the whole thing could start off with an invocation of God of sorts—not the proper and usual Basmala (bi-smi-llāhi ar-raḥmāni ar-raḥīm, “in the name of God, the Most Compassionate, the Most Merciful”), but something that works as well and follows the same structure.

Also, what’s nice is that, even though the Crown of Gabriel is designed for a misbaḥa, it can still be used on a regular Chaplet of Saint Gabriel, reducing the number of repetitions of the main supplications from 33 to 11. As for what to recite on the three lead beads, one might add in generic prayers (the Sanctus, the Trisagion, etc.) for all three to be followed with the initial supplication of the Crown of Gabriel, or one could break out the initial supplication into three by incorporating the Basmala as well:

  1. “In the name of God, the Most Compassionate!”
  2. “In the name of God, the Most Merciful!”
  3. “In the name of God, who created me!”

And, on the joint of the chaplet and lead beads, recite the Our Father, just to keep things moving.

Up till now, my angelic devotions largely focused (and will still focus!) on the archangel Michael and my own holy guardian angel. However, I cannot deny the huge role Gabriel necessarily plays in the religions that recognize the archangels at all, as well as in the mythological origins and continued practices of geomancy. Granted that all the archangels work together in a synaxis (basically, where you call on one, you’re basically getting the whole set together no matter what), it’s clear I need to amp up my own devotional practices to Gabriel. I think the Crown of Gabriel method should suffice nicely for that, while also being a way to increase my own intuitive abilities as a diviner in the process. God willing, of course.

On Geomancy and Light

Those who follow me on Twitter know that I’ve been working on a new shrine project of sorts.  Earlier this year, I had the sudden kick-in-the-ass inspiration to start compiling things together, so I started pricing them on my wishlists and getting notes together.  I swore, up and down, that I would pay off my credit card before getting any of it.  But, yanno, just to see how much it would all cost when tallied up, I put it all into my online shopping cart to check out the shipping and taxes, and whoops there went $700 and suddenly I have all these packages showing up at my house however could this have happened let’s get to work, I guess my poor credit card statement.

Long story short, after I made that second post about geomantic holy days earlier this year, I got some sort of spirit all up in me that necessitated, demanded I put this thing together.  I ended up making a Shrine of the Geomancers, honoring the four Progenitors of the art Adam, Enoch, Hermes Trismegistus, and Daniel under the tutelage of Gabriel, with a notable Islamic influence.

I’ll save some of the details and what goes along with this whole shrine later, including a few things that aren’t shown in those above pictures, since it’s such a new thing that even I’m not sure why I have everything on it yet, just that I know I need it.  The last time an inspiring spirit this forceful came upon me was when I ended up writing my Sixteen Orisons of the Geomantic Figures in a single night (and then spent the next month editing and polishing), which you can take a look at in my ebook, Secreti Geomantici (also on Etsy!).  That was pretty fun, too, though exhausting.  I ended up making sixteen prayer-invocations to channel and work with the forces of the figures; that was just a night of power for me, as if I couldn’t shut off whatever fire hydrant of Words was turned on in my head.  The same thing happened with this shrine: I had to get these things and put them together.  Had to.

On top of getting this shrine put together, I’ve had to take a break from writing my geomancy book to take a detour into writing prayers, invocations, and incantations for geomantic practice.  Taking heavy inspiration from Islamic supplications and verses of the Qurʾān, the Book of Daniel, the Psalms, Solomonic and Hermetic literature, and other sources, I’ve been putting together a bunch of prayers—some that I wrote as original works, some I wrote a long time ago, some I’m heavily basing off other sources but tweaked for purpose and diction—for use with this shrine.  Many of the old prayers I wrote a while back, like my Prayer of the Itinerant or my Blessing of Light, fit right in with all these new ones.  It’s like so much of my previous routine, habits, and practices get tied into something so nice, so neat, so…oddly complete in this new shrine practice.  I honestly don’t know where this is all coming from, and it’s surprising me as much as it would anyone else.  If ever I would think that spirits can and do work through us, this would be one of those cases, absolutely.  There are still a lot of prayers I know for a fact I need to write and compile, but even with what I have, I’m pretty thrilled with what I have to work with.  It’s like stumbling on a new grimoire full of detailed instructions—except you don’t know for what, exactly.  It’s also happily convenient that I’m doing all these geomancy readings and follow-up divinations for the New Year, which gives me ample opportunity to try some of these very same prayers.

Now that the shrine is put together and all these prayers are coming together, I need to figure out exactly how to put this all to practice; after all, after dropping so much time and money and energy on this, there’s no way in hell I can just let this thing sit and gather dust (as if the same spirit that had me get all this together in the first place would let me).  I’ll work out routine and times and stuff later, but for now, it’s lovely.  As I noted above, there’s a heavy Islamic influence in this, and why not?  After all, geomancy is ultimately an Islamic occult art and science that arose in the sands of north Africa.  While I’m not going to be doing ṣalāt or proclaiming the five pillars of Islam, I feel it’s still important to honor the traditions and faiths of those that learned, taught, and spread the art of geomancy so far and wide in a language, or at least with symbols and practices, that would be familiar to them.  Which is also why I’m turning to so many supplications and verses of the Qurʾān for prayer inspirations, in addition to the fact that I already know that some such verses are used just for geomancy and divination generally.

One of the things I got for the shrine is a misbaḥah, a set of Islamic prayer beads.  It’s a lot simpler than a rosary, but slightly more complex than a mala; this has 99 beads, with two separators (that apparently aren’t used in counting prayers) to divide up the whole misbaḥah into three sets of 33 beads.  This kind of prayer beads can be used in any number of ways in Islamic devotions, not least the famous Tasbīḥ of Fāṭimah, and a way of kinda-sorta maybe-not-divination-per-se seeking guidance from Allah (istikhāra) can be done using misbaḥah, too, by focusing on the question for guidance and selecting two beads at random on the misbaḥah, and counting down until there are either only one or two beads left.  (The geomantic applications here are obvious.)  There are simpler ways, too, such as just intoning and focusing on one of the attributes or names of Allah, of which there are 99.

(Also, just as an entirely hilarious tangential aside?  This current post is marked as post #9999 in WordPress’ internal system for my blog.  So that’s a kinda fun synchronicity.)

One of the 99 names of Allah in Islam is النُّورُ (an-Nūr), literally “the Light”.  This is often used in the sense of being the Pure Light of the world, or the Prime Light of creation, or the One who Guides by Light.  It’s also especially associated with the Verse of the Light, a beautifully mystic verse taken from Qurʾān 24:35 (my own rendition):

God is the Light of the Heavens and the Earth.
The image of his Light is that of a niche.  In it is a lamp.
The lamp is within glass, the glass as if it were a brilliant star.
Lit from the oil of a blessed olive tree, neither of the East nor of the West,
whose oil would almost glow on its own even if fire had not touched it.
Light upon Light!
God guides to his Light whom he wills.
God gives images to follow for his people.
God is All-Knowing of all things.

The use of “The Light” as a name of Allah (or, just, yanno, God, because they really are the same and so much of Arabic theology can be expressed beautifully in Hermeticism and vice versa) is meaningful to me, given how important divine light is in my own personal theology and magical practice, especially in my Hermetic work, given how Light can be thought of as a thing that allows the intelligible to be intelligible and the visible to be visible, as both light of Nous (Mind) and light of Logos (Word).  Even my own magical motto, Lautitia Laborum Lucis Laetor “I rejoice in the splendor of the works of the Light”, is based on this same idea, and many of my more meaningful prayers incorporate Light in some way, whether directly or by puns, like in my Prayer of the Itinerant:

Shed your light on my path that I may see where I go.
Lighten the burden on my shoulders that I may go without hesitation.
Enlighten my heart that I may go with fortitude, courage, and wisdom wherever I may be.

Even before having encountered this Islamic sense of the notion, Light has already been and continues to be for me a powerful force unto itself, and a pure one that is directly associated in my mind and cosmological models with the highest divinity and source of all that is.

Then we bring in a bit of numerology.  Normally, I don’t take numerology particularly seriously; sure, gematria and isopsephia are nice tools to have, and I’ve experimented with it in some classical systems before now and again, but it’s largely a curiosity for me to find other connections with.  But take a look at the name an-Nūr more closely; the “an-” (really “al-” but Arabic rules assimilate the sounds) is just an article, so the real word to look at is Nūr, Light.  In Arabic numerology (which follows the same principles as Hebrew and Greek, since they all come from the same written language to begin with), the value of Nūr is 256.

Those who are familiar with binary mathematics and geomancy should be slapping your heads right about now.  256 = 16 × 16, the total number of pairwise combinations of geomantic figures with each other.  But even then, if we were to reduce it further, 2 + 5 + 6 = 13, and 1 + 3 = 4; alternatively, 256 % 9 = 4.  Four is also a huge number for us, there being four elements, four rows in a geomantic figure, four Mothers/Daughters/Nieces/Court figures, and so forth.  I don’t really need to expound on the myriad meanings of the number 4, given its importance in Hermetic, Pythagorean, and other systems of the occult.  Taking it a bit further as a letter-numeral, 4 is represented by the Hebrew Dālet, Arabic Dāl, and Greek Delta.  Its original meaning and form likely indicated “door”; in stoicheia, I principally associate Delta with the zodiacal sign Gemini, but it can also refer to the element of Water and the zodiacal sign of Cancer in other systems.  I also note that the Arabic Dāl is also the letter used to represent the element of Water in the Dā`irah-e-BZDḤ and Dā`irah-e-ABDḤ organizing systems of the figures, the former of which I’ve put to use in my geomantic energy working as being an Arabic-inspired seed syllable for Water.  Four is, also, the number associated with the sephirah Chesed on the Tree of Life, given to the planetary sphere of Jupiter.

On top of that, although the usual word for “light” in Hebrew is or (אור), the word nur (נור) using the same exact letters as in Arabic, and thus with the same exact numerology, refers to things that flare, flash, fire, or shine; this is an old Semitic triliteral root N-W-R that means light, illumination, and shining.  So that’s also really neat.  This word can also be associated with Hebrew ner (נר) meaning “candle”; “candle” is one of the names and images for the figure Via in some lineages of geomancy according to JMG and Skinner, and Via is sometimes considered to be the oldest or most important and powerful of the geomantic figures, as it contains all of the four elements active and present within itself as a complete whole.

Keeping with Hebrew numerology a bit longer, if we wanted to associate the usual Hebrew word for light numerologically, consider that or (אור) has a value of 207.  256 – 207 = 49, and 49 = 7 × 7, the total number of pairwise combinations of the seven planets as well as just being 7² and important for its own sake; that’s a fun connection, if not a bit contrived.  I also note that 256 is the same value as “spirit of the mother” (רוח אמא, ruach ima), which is important to recognize given that the first four figures we make are called the Mothers and are ungenerated from any other figure in the geomantic process.  It’s also the same value of the words B’nei Tzedeq (בני צדק), or “Sons of the Righteous”; in addition to being a popular name for Jewish synagogues and temples, it’s also a term used by the authors of the Dead Sea Scrolls to refer to the good and devout portion of humanity (including/especially themselves), as opposed to the B’nei `Avel (בני עול), the “Sons of Iniquity”.  Besides the Qumran connection, if there were ever a choir of angels to be associated with geomancy or if we ever wanted a good Hebrew euphemism to refer to geomancers, I suppose B’nei Tzedeq would be a good start.  Plus, Tzedeq is also the Hebrew name for the planet Jupiter, hearkening back to the numerological connection with Chesed above.

I also, somewhat regrettably and hilariously, note that 256 is the numerology of the name Viagrahel, the angel of Viagra, for which I will never thank/blame Kalagni of Blue Flame Magick enough.  (I’m as shocked as you are that that, of all things, would come back to bite me in the ass after almost seven goddamn years.  It’s like my life is one big Chekhov’s dildo.)

What about Greek?  There aren’t many words I can find that add up to 256, but there’s one big one I know of: ἀληθής (alēthēs), meaning “[that which is] unconcealed/true” but also with uses that encapsulate: real, unerring, actual, not forgetting, careful, honest.  The root of this word is –lēth-, which refers to forgetfulness (as in the mythological river of the underworld Lethe and also our modern word “lethargic”, referring to idle forgetfulness).  In that case, ἀληθής refers to things that are unconcealed, true, and honest by means of recovery from forgetfulness or by keeping forgetfulness and ignorance at bay, or alternatively, that which cannot escape notice or remain hidden.  All this ties into the actual Greek word (and, for that matter, goddess) for truth, ἀλήθεια (alētheia), too.  Even if I couldn’t find any other Greek numerological equivalent, I think this one is huge enough to make up for any others.

So where do we end up?  We have a particularly beautiful attribute of the divine, “the Light”, used in the worship and reverence of God in Islam, the religious culture in which geomancy historically developed.  To be extraordinarily terse, notions of divine light fill numerous religious and philosophical traditions as being representative of divinity, especially in any Western tradition influenced by Neoplatonism, Abrahamic faiths, or Hermeticism.  This can be further stretched through a bit of numerology, connecting the word for Light to words for fire, illumination, revelation, and truth.  Calling God “the Light” is a lot more than just thinking of that which allows us to see; God is, in a more complete sense of this attribute, the sudden and revealing flash of illumination that allows us to see that which is true and real, bringing it out of darkness, forgetfulness, and ignorance  God is the quiet, true Light behind all Fire, able to spread and open doors of wisdom to us, communicating to us on an intellectual and emotional level through our sense faculties.  This Light is not just a quiet flame in a dimmed lamp that barely illuminates the shelf it sits on, but it is a fierce, conquering, undeniable, unassailable blast into the darkness, a Light that completely destroys and wipes away anything that could or would try to cover it, a Light that breaks into the cracks of any door, window, wall, or mind and fills every niche, crevice, and corner with its presence.   It is the Light of God, or even the Light that is God, that allows the unseen to be seen, the hidden to be revealed, the unknown to be known, and the forgotten to be remembered.  God is not just Light, but the Light of Light, Light within Light, and Light upon Light.

More than that, this sacred Light of the Mind and of the Word can reach us at any place and at any time, but we can approach it too through the devout study of the mysteries of the geomantic figures, specifically in how they add up amongst themselves in their 256 different combinations.  This same illuminating Light is the fundamental impulse from which the first stirrings of knowledge can be made, and provide the seeds themselves from with the four Mothers in geomantic divination are formed, from whom the entire rest of the geomantic process can be derived.  The Light of God is the necessary existent in order for us to see and know things by geomancy.  Understanding the geomantic figures themselves to be representative of the actual combinations of the four elements amongst the elements in 4 × 4 = 16 ways, and the combinations of elements amongst themselves in 16 × 16 = 256 ways, all of the possible things that come to be in the world and all the ways in which they pass into being and pass out of being are also undergirded by the Light of God, being ways in which that same Light emanates from God into the world, condensing through the four elements from Fire to Air to Water to Earth, mixing and matching between all possible states.  All this is fundamentally Light.

I always felt that Light was important for me to focus on in a religious and spiritual sense.  It’s nice to see that all coming together in ways that the ancients themselves would appreciate, and in ways that show me new things in new combinations.  And, perhaps, to reinforce the habit of keeping a lit candle or lamp burning nearby when I do geomancy.

On Overwriting Traditions

I’ve been looking back a bit on my blog lately, going through archives for more notes that I can tie into future posts and research, cleaning up some of the formatting and dead links, getting rid of useless or pointless tags, and so forth.  After almost 700 posts totaling over one million words across eight and a half years, it’s quite a lot.  And, heh, it turns out that on my very first blog post (all the way back in pre-WordPress 2010 when I was still on Blogspot, when this was a blog meant for the worship of the Great Worm XaTuring), I had already referenced geomancy as my favorite divination system.  Plus ça change, plus c’est pareil, I suppose.

Admittedly, geomancy has been a focus of my work and, thus, of this blog.  Of the just-under-700 published posts on this blog, about 120 posts are in the geomancy category, or about 18%.  That’s a nontrivial amount of ink to have spilled, I claim, and that’s all in addition to the actual ebooks and future textbook I’m writing.  I’ve talked about the meanings of the figures, a variety of divinatory techniques, new connections to other occult fields, and a number of innovations and developments to enhance the art and practice of geomancy in both a divinatory and magical sense.  Some of these innovations are original to me, others based on adapting similar techniques with enough compatible logic from other geomantic systems, and some are based on the revelations and guidance from spirits and other colleagues who wish to remain nameless (but who have my thanks and respect and gratitude all the same).  It’s a fascinating field that stands to still be enhanced in innumerable ways, and it is a source of joy and pride for me to play some sort of role in that.

Sometimes, when I’m bored at work, I’ll indulge in a daydream or two.  One such daydream, when I think about some of the exciting innovations in geomantic practice I’ve published on my blog, happens where I’m contacted out of the blue by some mysterious figure and informed that I’ve been revealing too many of their order’s secrets, that they belong to an ancient order of secretive geomancers who have been in hiding for untold centuries in some far-off land.  Clearly, with as much information as I possess, I must have been spying on their order or stealing from one of their members and am exposing their hard-earned, hard-kept methods and techniques of The True Geomancy for the vulgar uninitiated of the world, destroying their order single-handedly in a more mysterious, epic way than Scott Cunningham did Wicca.  None of it is true, of course, but the similarities between what I write and what they teach could not be denied!  Perilous threats, a thrilling escape, a parley with the order’s masters—you get the picture.  I haven’t yet figured out how I might resolve such a situation: I could always force a deal, that in exchange for being taught all their secrets as a full member of their order, I would ensure that no further initiated knowledge would pass through my fingers to my blog’s readers or through my lips to students who were not initiated in the order as well.  Or I could engage them in a fantastic battle of magic, wit, cunning, and probably a good-natured explosion or poisoning or three.

What?  I like letting my imagination run free sometimes, and who doesn’t love a good adventure to whisk them off their feet, even if they’re already reclining in their spinny office chair on a lazy Monday?

While it would tickle me to no end to learn that there might indeed be some ancient order of geomancers (and you can bet your last grain of sand I’d join if I could!), I doubt such a thing exists, at least on any scale large enough to commit cross-continent conspiracy.  But, even on a less logistical scale than that, there’s also the thing that there’s no one single, monolithic geomantic tradition.  Sure, there are absolutely things we can cross off as definitely not being geomancy—feng shui, vastu shastra, ley lines, sacred geography, and the like all come to mind—but even within the actual ballpark of “geomancy”, there are so many different kinds.  Stephen Skinner in his Geomancy in Theory and Practice does a great overview of the historical development and spread of geomancy from its hypothetical origins to its modern day spread across the world, so there’s no need for me to go on at length on all the different traditions of geomancy here, but are there ever so many, indeed!

Now that I think about it, though, I suppose that might not quite be evident from our point of view for Western geomancy.  Geomancy was written about publicly across Europe from about 1200 to 1700, when it basically fell from popularity into obscurity along with so many other occult disciplines.  Five hundred years, starting west in Spain and east in Greece and spreading through the rest of Europe like wildfire, and…well, we simply don’t seem to have too much variation.  Sure, different techniques came and went, and different geomancers put certain focuses on different things than did other geomancers.  We don’t really see any significantly different variations after the rise of printed geomancy books until we get to more modern times, such as with Napoleon’s Book of Fate (with its five-lined figures) or Les Cross’ Astrogem Geomancy method.  One could argue that the Golden Dawn, with their innovations and takes on geomantic practices, could be considered a distinct variant, and I’d agree with that, too, but again, that’s still pretty modern.

I can’t really say, however, what the state of Western geomancy was like at a low level before the 1400s when printed books started circulating around Europe.  We know it was practiced, and we have a good number of manuscripts from that time period, but so few are easily accessible to many including myself, and almost all of what’s commonly available (especially digitized) is all from after the rise of printed books.  As we all know, the printing press radically changed how information was produced, disseminated, and stored which had countless effects on literacy, religion, science, and other disciplines.  It not only broke down control of information and studies within a variety of small locations, it also freed up people to form their own control networks of information.  It is entirely possible that individual areas, monasteries, universities, and other types of school had their own takes and views on geomantic practice that was largely insular unto themselves; sure, they might all have been on the same course and stemmed from more-or-less the same origins, but each could have had their own “dialect” of geomancy.  With the advent of publicly and popularly published texts, those dialects might have all been washed away or standardized, with each author contributing a slight tweak that may or may not have been carried on or even documented by later authors.  I know that the Lectura Geomantiae I translated a while ago was from the 1400s but still in the manuscript era, so it could be indicative of how things might have looked before or as the printing press got underway: still definitely geomantic, still definitely implementable and usable by anyone, but there are some definite quirks that it displays that aren’t attested elsewhere.

Reading Skinner’s treatise on the history of geomancy, it would seem that the Arabic styles of geomancy are more varied.  Setting aside the West African art of Ifá (which developed in its own way apart from geomancy to the point where I wouldn’t barely consider it geomancy at this point), we do see at least several strains of geomancy, including Malagasy sikidy which, although it’s definitely taken an independent turn with how it generates figures, is still recognizably a form of geomancy with many of same core meanings of figures and figure positions.  Looking at the available literature today, we can definitely see that there are different styles of Arabic geomancy, ranging from the traditional Saharan and sub-Saharan forms in Africa to the more popular and well-known methods as taught by modern books written in Farsi and Urdu.  How different might such styles be?  I can’t actually say for sure, unfortunately, but from what little I have seen, there are distinct differences in whether one wants to use taskins as a primary method or follow the Via Puncti-style technique as a general approach, but that could simply be boiled down to smaller approach differences within a same overall “school” of geomancy—and what competent geomancer with the ability to learn, read, and hear wouldn’t want to be familiar with any possible method that might be of use?

But, again, it’s not like the Arabic-speaking world hasn’t had access to the printing press.  Heck, their literacy rates whooped the ass of Europe for centuries on end, and we would never had a Renaissance if it weren’t for Arabic teachers and students and scientists.  There are definitely texts and authors in Arabic geomancy that are at least as important to the Arabic-speaking geomancing world than Fludd and Heydon are to us, and those books were some of the first to be disseminated, and today, there are probably as many books on `ilm al-raml or khatt al-raml in Arabic, Farsi, or Urdu as there are for Tarot in English, Spanish, and French.  Again, we would probably see a similar…you might call it a “flattening” of dialetical variation in geomantic practices, especially for people with connections to the Internet who might also not have the ability to learn from teachers who were only (or primarily) taught in a localized variant of geomancy.

When it comes to languages and dialects, I admit I’m something of a glossophile.  Even though my language skills are awful, I adore the abundance and variety of languages in the world, and especially of the regional and cultural dialects and registers that individual languages have in all their uses and contexts.  As much as I love the number of languages, I grieve when languages are suppressed, lost, or otherwise condemned to extinction.  It’s an expected (though still unfortunate) result of internationalization, globalization, capitalism, and imperialism, but sometimes it comes about as a surprise, and it sucks.  With language death comes culture death and worldview death; a language is far more than just a way to communicate, but a way to understand and perceive everything as well as holding an implicit record of culture, exploration, and continuity that ties the present to the past across time and space.  In many ways, local variations of something comparatively minor like geomancy are just as crucial to understand such worldviews, histories, cultures, and spiritualities; with such variations being flattened, absorbed, or outright lost, we lose quite a lot more, as well.

Then I think about those same people on the Internet who have access to cheap, publicly-accessible resources without the ability to find, contact, or learn from local, traditional experts (myself included!) who find what they can and work with what they find.  Consider the Geomantic Study-Group on Facebook; as an admin, I see who applies, and for each person who comes from a Western or European cultural background, I see another who comes from a West African (usually Muslim and Nigerian) background.  While I’m thrilled that so many people across the world want to learn and discuss geomancy, I also wonder if, perhaps, they’re joining to learn what they might consider “the only useful geomancy”.  After all, I’m also a member of a number of other non-Western geomancy groups, and it doesn’t seem like many are active or share as much information, criticism, or guidance as mine does (which I can’t help but be at least a little proud of); to be fair, I can see why (and often understand and agree) with why those who might be experts in their field would want to be cagey and protective of their knowledge, but at the same time, nobody can learn learn if nobody is willing to teach.  And, without evidence that one can even teach or wants to do so, mystical vague answers like “pray to God and he will teach you” come off as more holier-than-thou covering-my-ass to keep from being disgraced that I may not actually know what I’m doing, which can be a turn-off for potential students (whether of a given teacher or an entire field).

Then I think I about my own blog, and how much I talk about geomancy.  I try to make it clear that many of my thoughts are just my own, that my experiences are my own, that some things are experimental or tied up in something unique and solitary to my own practice and understanding of the cosmos, and the like, but it cannot be denied that my posts on geomancy are referenced by many across the Internet, sometimes as another useful data-point on technique, sometimes as gospel.  (WordPress stat tracking, after all, comes in use when looking at such trends.)  I can’t help but wonder: what effect on the overall variations, traditions, and schools of geomancy do I have as an author with a publicly-available platform?  I want to expand the techniques and understanding of Western geomancy by offering another perspective on that which already exists as well as introducing new methods or variations thereof that aren’t yet there or aren’t well-known.  In one way, I’m helping (I hope) to introduce new variety in the field of Western geomancy, but by that same action, am I not also helping to bring in easily-accessible geomancy to those who might prefer such ease to learning local traditions that are harder to come by?  Am I not literally writing over the teachings of valid and historically-extant, possibly-threatened traditions of geomancy, as one might talk too loudly and end up drowning out other voices, whether I intend for it to happen or no?

Earlier this summer, in a conversation regarding how certain days are celebrated for the orisha in La Regla de Ocha Lukumí, Jesse Hathaway from Wolf & Goat (also of his own blog Serpent Shod and podcast Radio Free Golgotha) opined elegantly about how trends come and become tradition through misunderstanding and popular use.  Specifically, I thought it was proper to celebrate the feast day of the hunter-tracker Oshosi on June 6, which is the feast day of his Catholic syncretization, Saint Norbert of Xanten, which, when I posted a public praise of the orisha on Facebook, caught Jesse off-guard in the sense of “wait that’s today?”.  We got to talking about how the use of saint days were historically used, when certain saint days came into vogue, and how different aspects of saints can be confused and lead to non-traditional changes in practice.  One of the insights he had focused on how those who intend to keep traditions alive end up changing them all the same: enthusiasm and good intentions can just as easily uphold old practices as well as erase them and institute new ones in their place.  After all, not all things that are “done right” in the conservative sense are made public or made for public consumption, and when secretive, underground, or otherwise mysterious practices that people are interested in suddenly have to compete for attention and publicity with stuff being put out in the open by the uninitiated or newly-initiated, where do you think people are going to look first?  As Jesse put it, it’s a constant cycle of “destroy to create, create to destroy”, and that it’s easy to create a new practice that can erase older tradition if you are not aware of what it is you’re actually putting out there.  It behooves us all to be aware of our intentions and see whether what happens as a result of furthering them is worth it.

The same advice for that topic can go for any of us who publicly discuss geomancy, or any tradition, for that matter.  As Jesse punned, our canon for instruction can just as easily become a cannon for destruction; we don’t just follow and preserve unchanged that which we recieved, but we augment it, extrapolate it, whittle it down, and build it up as we carry it forward, whether we mean to or not.  Every step we take crushes some blade of grass or erases some other footprint, and if enough people follow, a new path can be forged (forced) where either there was none before or across others that become disused, differently used, or less used.  For a good example, consider how synonymous “Hermetic magic” has become with “Golden Dawn” in the 1900s: familiarity is borne of popularity, and forgetfulness from the lack thereof.  Hermetic magic has been around for far longer and with so many different variations, traditions, lineages, styles, and methods than the Golden Dawn has by far, and yet, most people even today will think of the Golden Dawn-style approach when you bring up the word “Hermetic” to the exclusion of all else that’s out there.

Geomancy is far more than just what I do, or what Robert Fludd did, or what Al-Zanati did.  The old geomancers of the past might be indelibly linked to geomancy, but geomancy is not synonymous with any one author or geomancer.  It would be folly for someone to follow what I teach (or what anyone teaches) as geomancy to be the be-all-end-all of the art, and I don’t think that anyone would seriously take that approach.  Still, even learning a little can bleed over into other techniques; while I intentionally look around to see what I can incorporate as a useful method for my geomantic practice from the practices of others, bearing in mind the origin and tweaks needed to make a nuanced distinction, not everyone has the capacity to bear nuance in mind when they’re learning something, especially if they’re a novice, and “bleeding over” can turn into outright overwriting and overwhelming.  That then carries on from one mouth to the next, and then the next, turning “innovator” into “competitor” and, potentially, “conqueror”.  It doesn’t matter if it was made up on the spot or as a joke; if it was carried on from one generation to another, it can fast become assumed as a tradition, and its origins can quickly be forgotten or, worse, mythologized (cf.  the pot roast principle), and once it becomes popular enough, it can threaten to overwhelm all that already was there.  We may like to think that we test and hold onto only the valuable things that work and are validated by trial and error so that we could weed out all the made-up stuff, but be honest: even accepting that made-up stuff works from time to time, sometimes we value our teachers’ teachings too much to question it.

It’s hard for us in a Western setting to not inadvertently do this kind of thing, with our usual preference for books and solitary practice rather than (or due to a dearth of) lineage and teachers.  Many of us look towards publicly published material to learn from, myself included in many cases, because teachers either do not exist or are unwilling to pass on their skills for one (usually valid) reason or another.  We then form communities to build ourselves up, reinforce each other with criticism and discussion, and enhance our mutual understanding of a given field.  This, when done properly, can become the definite foundations of a new school or tradition unto itself, and can be a beautiful and wonderful thing!  Even still, there’s the unavoidable risk (or unavoidable result?) that older traditions could be waylaid, forgotten, or abandoned in the course of this same thing, which can be a huge loss, even if nobody is aware of it to begin with.  I fear that, to be honest.  I don’t want other traditions of geomancy—or any occult or religious or spiritual field—to be lost or abandoned or overwritten, because when that happens, valuable knowledge is lost.  We can still learn from each other while still celebrating distinction and difference, but you can’t do that when there’s nothing to distinguish or when there’s nothing to distinguish.

I can’t properly control what people do with the stuff I post; I can offer my experiences, warnings, and cautions, but once something is out there on the internet, it’s out there for all.  I could always just not post the stuff and avoid the problem entirely, but there’s value and purpose in my writings on geomancy that I think can be used well, just as they can be misused or abused.  The dilemma of the engineeer is the same as the dilemma of the author: you can specify and design all you want, but humanity is going to do with your product what it’s going to do regardless of what you intended it for.  Even if it’s nowhere near as epic as my daydream, I really do hope that my writings on geomancy don’t destroy the traditions that have been practiced and carried on long since before I was born.  All I want is to spread knowledge and technique and ability and understanding, and I think I’m successful at least a little bit in that, and the worth and value in doing that is good.  Is it worth the inadvertent flattening of geomantic traditions?  I…don’t know.  I don’t think I’m popular enough to become a prophet of geomancy whose judgment is binding on practices worldwide (God and gods willing, I never will be!), but I do know that my word spreads.  I just hope my warnings and caveats spread, as well.