Geomancy in the Reign of the Lady of Crowns

So, I’ve been up to a little something the past few weeks, and while I’ve kept it only kinda sorta quiet, I think it’s time to be more public about it.

We all know that there’s a pandemic going on across the world, one that I’ve taken to poetically and euphemistically calling the “Reign of the Lady of Crowns”, and while some countries have their acts together and have gotten things kinda under control (inasmuch as any pandemic can be “controlled”), it’s apparent that some countries, including my own, don’t.  As a result, life is rapidly changing for many of us, both in the short term and in the long term, and this is a trying and difficult time for many of us.  As a result, people are looking for new ways to either fill their time working from home or to get an edge over others whenever an edge can be found; online classes and interaction have never been more important or critical for our sanity and survival, it would seem.

To that end, back towards the end of March, I floated an idea on Twitter to my followers, and several weeks later, having carried that idea out, I think the idea was a success: “Geomancy in the Reign of the Lady of Crowns”, a set of free geomancy lectures I did on Zoom with a number of Twitter friends that explored the various aspects of European geomantic divination.  In addition to the various writings I’ve shared over the years on my blog, I figured this would be a good chance and change of pace to experiment with teaching geomancy in a one-off series of conversational, more-or-less informal lectures expanding on my approach to geomantic divination and covering all the major bases that would enable anyone who’s interested to learn geomancy in an audio-visual format with examples.  Totaling about 13 hours of video (maybe 12, once all the breaks and silent stretches are taken out) over five sessions, I think I covered what I wanted to cover fairly well and thoroughly, and while geomancy is definitely an endless art with plenty more that could be explained, I feel like this is a good introduction to learning geomancy that anyone could do at their own pace.

And now, with this series of lessons having been brought to an end, I’m happy to announce that I’m going to let any others who are interested to get access to it as well.  To sign up:

  1. Send me an email saying that you’d like access to the videos.
  2. After you agree to the terms in the email I’ll send in response, I’ll send you an access link to the videos.

That’s it.  The terms are basically that you don’t share the videos with others, and that you direct anyone who’s interested in the videos to contact me in the same way.

As for the cost?  As I established for my friends on Twitter, there’s no cost for access to these lessons, and I offer them gratis, free of charge.  After all, I did this all informally and conversationally, and I didn’t really prepare anything except using my Zoom account for hangouts, and I’m not really going to bother editing the videos.  There’s little enough cost for me, and I feel it better to have this information learned and shared to those who need it however they need it, knowing that these lessons were given in a fairly off-the-cuff way.  While you could certainly approach this as a pay-what-you-like or a donation-only class and send me money through Ko-fi, I took a different approach: if you’re feeling generous and have some money to throw around, while I’d certainly appreciate it, there are plenty of other people and organizations online who are in desperate need of money and resources far more than I am.  Starving artists, queer people in need of support, people in abusive situations, local homeless shelters, local food banks, Doctors Without Borders, you name it: in this time of the Reign of the Lady of Crowns, there are plenty of people who are actively suffering due to collapsing infrastructure and rapid societal changes both in my country and abroad that could do with some extra support.  I do not expect payment for giving these lectures on geomancy, nor do I ask of it, but I do ask that you consider paying it forward and giving some charity as a way of supporting your fellow humans in this world during this harsh and hard time.  I have nothing to give you in return for that except my joy and thanks that you’d support the rest of us caught up in this storm of the fate of the world.

As mentioned earlier, there were five sessions, each about three hours long (four for the last one), covering the following topics.  Both the whole video files as well as the audio-only files are provided.  Some of these topics I planned out in advance, some of them were brought up as impromptu questions (amongst other topics that maybe I don’t recall as clearly or which were talked about only in brief):

  1. (2020-04-09) Introduction to the Figures, Introduction to the Shield Chart, Interpreting the Court, Ways of the Point, How to Phrase the Query, When to Abort a Reading
  2. (2020-04-11) Mindset and Divination Preparation, Introduction to the House Chart, Allotting the Figures to the House Chart, Parts of Fortune and Spirit, Aspects, Ethics in Divination
  3. (2020-04-28) Perfection in the House Chart
  4. (2020-04-08) Radicality, Company, Company and Triads, Perfection through Co-significators, Rotating the Chart
  5. (2020-05-16) Follow-up on Rotating the Chart, Edge Cases of the Aspects, Chart Examples

In addition to setting up these lectures, I also set up a groups.io mailing list for geomancy.  This is basically an old-school email-based discussion list, not unlike what Yahoo! Groups or usenet lists used to provide, and can provide people with an alternative email-based forum to discuss and learn geomancy together.  This can be beneficial for those who are not on Facebook and can’t or aren’t comfortable joining the Geomantic Study-Group I admin, so if you’re interested in joining, let me know in the same way as you would above for the geomancy lessons I offer.

I can’t promise people an easy time in their lives; nobody can, I suppose.  But this is a small attempt on my part to help people have easier lives, all the same.  Whether it’s to navigate our time and place in the Reign of the Lady of Crowns or any other time period in our lives, I hope that by spreading a bit more knowledge about geomancy about and around, we can all have something that can help us and those who come to us learn a bit more and a bit better about the world and situations we find ourselves in to make the most of it.

How to Construct the Shield Chart of Geomancy

Over the ten years I’ve been maintaining The Digital Ambler, I’ve written no small amount about geomancy on my blog, whether it’s about the symbols, the techniques we use for it, the magic one can do with it, the spirituality lying latent within it, or the approach of divination that one should take with the art. In fact, I started keeping up with a hand-curated index of my geomancy posts, loosely organized by topic, up underneath the About menu of my website, just for ease of reference (both for myself and others). But, of all the things I’ve written about, one thing seems to have been glossed over: how to make the Shield Chart. It’s probably bizarre to some that this is the one thing I haven’t written about, probably the first fundamental practice of geomancy (and, indeed, all geomantic practices) following how to generate the geomantic figures themselves for divination. It wasn’t always so, though; once upon a time, I had a separate page that went over specifically how to construct the Shield Chart, but I took it down years ago as part of my website redesign since I felt it was such boring, introductory-level material that you could find in every book on geomancy and online pretty much on any website that discussed it. But, it would seem, that information is sorely missed by some, and some people would rather stick to this website than go to others when it comes to geomancy (a notion which I can’t say I’m not pleased about!).

So, with that, let’s talk about the Shield Chart.

As I mentioned in my last post about how to allocate the figures from the Shield Chart to the House Chart, historically speaking, there’s really only one way to put the figures into the House Chart from the Shield Chart: the traditional method, where each of the first twelve figures in the Shield Chart is given to the twelve houses of the House Chart in the usual order of their creation. This is because, traditionally speaking both in European and Arabic geomancy, there was no distinction between the House Chart and the Shield Chart: the two charts are the same chart with the same information with the same figures in the same order, so the only benefit one gets out of the House Chart is to make it easier on the eyes for those used to horoscope charts in astrology as well as to make certain techniques used in geomancy easier to apply at a glance. But, fundamentally, there’s really only one chart in geomancy, and if one is comfortable looking at the Shield Chart, no House Chart need be drawn up separately. More than that, however, and unlike the debacle with different House Chart allotment methods, there’s only one way to draw up the Shield Chart common to all of geomancy regardless of individual practice or school.

Geomancers started calling it the Shield Chart relatively late in geomancy’s history in Europe—I can’t recall any reference to “Shield” versus “House” in any pre-modern text—because the whole thing is sometimes seen to look somewhat like a standard heater shield common in Europe, like how Robert Fludd is fond of doing:

However, not all geomancers depicted it like this; some simply depicted it like a series of recursive rectangles, like how Christopher Cattan does:

Arabic geomancers keep the same overall arrangement, but don’t usually contain the figures in the chart within an overall boundary, rather using a few lines to divide the left side from the right side. With the nature of the Arabic script, they’ll often start off the long vertical line as an offshoot of the word علم `ilm, meaning “science” (as in علم الرمل `ilm ar-raml “science of the sand”, i.e. geomancy). I’ve also seen used for this flourish the letter ص ṣād, the phrase هو العليم الخبير hū al-`alīm al-khabīr “He is the All-Knowing, the Great” or “He is the Greatest of Knowers” with the line connected to the last letter of al-`Alīm, or يا عليم الخبير yā `alīm al-khabīr “o greatest knower!”, with the line connected to `alim likewise. That’s if such a flourish is used at all (most do, some don’t), or if lines like this are used at all to mark off the chart (which is rare to see, at least in printed works).

I suppose a Western approach to the flourish would be to use the Greek word gnōsis, either spelling it uppercase (ΓΝΩΣΙΣ) and using the vertical line of the initial uppercase gamma to start the vertical line, or to spell it lowercase (γνοσις) and use the tail of the final sigma instead. I’m sure other similar words could be used instead, but this is still just an innovative flourish one could do for style’s sake, and one that I’ve never seen in any extant European text on geomancy.

Finally, the way I personally draw out the Shield Chart, I just don’t even bother with any little demarcations. Although less common in printed texts, this more casual manner is common for geomancers the world over who don’t need little boxes to put figures in.

Astute readers will note that the first two charts given above (from Fludd and Cattan) only have fifteen figures in the chart, while the Arabic ones and my own have sixteen. We’ll get to that in a moment, as the difference is just a matter of choice, but suffice it to say here that, despite apparent graphical differences and flourishes, the fundamental form, structure, and arrangement of figures of the Shield Chart is the same across time periods and cultures.

To be absolutely clear on this point, the Shield Chart is the backbone of geomantic divination, the abstract framework within which we apply all geomantic techniques; although material tools help us develop the first four figures we plug into the Shield Chart, the Shield Chart is what allows us to come up with the whole “spread”, as it were, of geomancy by applying particular mathematical operations on the four figures that we first plug in. The Shield Chart contains sixteen positions—I like calling them “fields”—for the figures, broken down into groups of four:

  • The four Mothers, the original figures produced by an outside process as the seed for the whole Shield Chart
  • The four Daughters, generated by transposition from the Mothers
  • The four Nieces, generated by addition from pairs of the Mothers or Daughters
  • The four figures of the Court
    • The Right and Left Witnesses, generated by addition from pairs of the Nieces
    • The Judge, generated by addition from the Witnesses
    • The Sentence (sometimes called the Reconciler, Superjudge, the Result of the Result, or the Sixteenth Figure), generated by addition from the Judge and the First Mother

Only the figures of the Court have special names for them (Right Witness, Left Witness, Judge, or Sentence); the other groups of figures are simply named according to their number (e.g. First Mother, Second Daughter, Third Niece, etc.). Some Shield Charts present all sixteen figures, but some (especially European ones) only have fifteen, hiding/excluding the Sentence. Where this figure is placed is up to the geomancer, but we’ll get to that in a bit. The Sentence is as much a figure as the rest of the Shield Chart, and even if it’s not explicitly shown, it should still be counted as part of the Shield Chart.

The structure of the Shield Chart is this: sixteen fields arranged in four rows, with the topmost row having eight fields, the second row having four, the third row having two, and the last row having one. The topmost row, containing eight fields, is separated out into four Mother fields and four Daughter fields (traditionally reckoned from right to left, given the Arabic origins of this art), with the Mothers on the right-hand side of the chart and the Daughters on the left-hand side. The second row is broken down into four Niece fields (again reckoned from right to left); the third row into two fields for the Right Witness and the Left Witness; and the bottom row having one field for the Judge. As noted earlier, the Sentence may or may not be shown; my own preference is to show it off to the right side of the Judge directly underneath the First Mother. Most Arabic geomancers I’ve seen, who show two figures at the bottom of the chart in the same little “divet” marked in half, will put the Judge as the left-hand figure and the Sentence as the right-hand figure, but others will either draw the Sentence off below the Judge somehow somewhere; only a minority of Arabic geomancers, as far as I’ve seen, will leave off the Sentence entirely.

Using a simple rectangular layout (like Cattan) and showing the Sentence off to the side of the Judge in the same row (which is my own practice), the Shield Chart is arranged like this at an abstract level:

Knowing these fields of the Shield Chart and what figures go where, we can now begin the process of filling in the Shield Chart.

First up, the Mothers. These are the only four figures one generates through a random (though inspired) process through some manner of manipulation of tools or numbers. Traditionally, one would draw out a random number of points in sixteen lines and cross them off two-by-two until either one or two points are left in a row, then read the remaining points one didn’t cross off downward in groups of four, but there are many other ways geomancers have used to come up with figures, any of which are good to use for this process (though I strongly urge the stick-and-surface method for beginners to the art, at least until one becomes proficient in the method). Once these four figures are generated, they’re put in order into the four Mother fields in the upper right hand part of the chart from right to left.

So, let’s say we got out our stick and surface, and through the process of generating figures that way, we produced the four figures Populus, Populus, Puella, and Via, in that order. We put those four figures in that order into the four Mother fields in the Shield Chart, from right to left in the uppermost row of the chart:

Note that each of the four Mothers are generated randomly and independently of each other, so it’s quite possible to have one figure appear more than once in the Mothers.  This is totally fine and to be expected; it can even happen that all four Mothers are the same figure.  Unlike other forms of divination where a particular figure can appear a maximum of once in a chart or spread, geomancy expects (and, in fact, requires) certain figures to appear multiple times in the chart, and many techniques make use of this repeating of figures to derive useful information.  This doesn’t just happen with the Mothers but, as we’ll soon see, can happen at many points throughout the chart as a result of the mathematical operations we’re about to apply on the Mothers to generate the other figures in the chart.  So, if you’re new to geomancy, don’t let this worry you!

Once the Mothers have been generated and put into the Shield Chart, we can then proceed with the four Daughters. The Daughters are generated from the four Mothers by reading the points of the figures in the Mothers row-wise from right to left across all four Mothers. Thus, the First Daughter is formed from the topmost (Fire) row of each Mother from right to left, such that the Fire row of the First Mother is the Fire Row of the First Daughter, the Fire row of the Second Mother is the Air row of the First Daughter, the Fire row of the Third Mother is the Water row of the First Daughter, and the Fire row of the Fourth Mother is the Earth row of the First Daughter. For the Second Daughter, one uses the Air rows of the Mothers; for the Third Daughter, the Water rows; for the Fourth Daughter, the Earth rows.

Another way to think of generating the Daughters is to think of this as a matrix of transposition, rotating the points 90° to read them in a different direction. Instead of seeing the points of the Mothers as four sets of four rows, think of them as being entries in a 4×4 grid. (This makes the most sense if we generated each row of points of the Mothers separately, like with the stick-and-surface method, where we put each new entry in this grid from top to bottom and from right to left, in that order). If we read the columns of this grid, we get the Mothers; if we read the rows, we get the Daughters. This should show that the Daughters aren’t necessarily “new” figures, as they’re composed of the same original points as the Mothers are, just in a different order, and why the Daughters are placed in the same overall row of the Shield Chart (being “roots” of the rest of the chart, as we’ll show in a bit).

Following either way of thinking, the figures we get for the four Daughters based on our earlier Mothers (Populus, Populus, Puella, and Via) are Fortuna Maior, Tristitia, Fortuna Maior, and Fortuna Maior. Fortuna Maior is produced from reading the Fire rows of the four Mother figures from right to left (two, two, one, one), Tristitia from the Air rows (two, two, two, one), Fortuna Maior again from the Water rows (two, two, one, one), and Fortuna Maior again from the Earth rows (two, two, one, one). Once these figures are made, we put them into the four Daughter fields of our Shield Chart:

Now that we have our four Mother figures and our four Daughter figures, we then proceed to making the Nieces of the chart in the next row. As the structure of the Shield Chart suggests, each Niece figure is a combination of the two figures above it, such that the First Niece is a combination of the First and Second Mothers, the Second Niece a combination of the Third and Fourth Mothers, the Third Niece a combination of the First and Second Daughters, and the Fourth Niece a combination of the Third and Fourth Daughters. This process of combination that we use is what we call geomantic addition (some Arabic geomancers say multiplication, but the idea is the same either way).

When I say “addition”, I kinda mean it and kinda don’t: the process of adding two figures together to get a third is, in some ways, the heart of the process of developing figures from a line consisting of a random number of points as we do in the stick-and-surface method of generating figures. When we cross off the points two-by-two until either one or two points are left in the stick-and-surface method of generating figures, what we’re doing is seeing whether the total number of points in that line is odd or even; if it’s even, the resulting row in that figure will have two points, and if it’s odd, the resulting row in that figure will have one point. When we add two figures, the same logic holds: we combine the total number of points between the same respective rows between two figures, and if it’s even (whether two or four), the resulting row of the final figure will have two points, and if it’s odd (i.e. three points), the resulting row of the final figure will have one point. Thus, consider the figures Fortuna Maior and Acquisitio:

  • The Fire row of Fortuna Maior and the Fire row of Acquisitio both have two points in each. 2 + 2 = 4, so we “reduce” four by crossing off two (using the stick-and-surface method) to end up with two points in the Fire row of the resulting figure.
  • The Air row of Fortuna Maior has two points, while that of Acquisitio has one point. 2 + 1 = 3, so we “reduce” three to one by crossing off two to end up with one point in the Air row of the resulting figure.
  • The Water row of Fortuna Maior has one point, while that of Acquisitio has two points. 1 + 2= 3, so we “reduce” three to one by crossing off two to end up with one point in the Water row of the resulting figure.
  • The Earth row of Fortuna Maior and the Earth row of Acquisitio both have one point in each. 1 + 1 = 2, which we don’t need to reduce, so the Earth row of the resulting figure has two points.

Thus, if we add Fortuna Maior and Acquisitio together, we get the resulting figure of Coniunctio:

Another way to think of this process is the logical exclusive or (XOR) function. Given two inputs that can either be true (single point in geomantic terms) or false (double point), the resulting function will output true if both values are different, i.e. only one is true and the other is false; in cases where both are true or both are false, the output will be false. In geomantic terms, the resulting row of a figure produced through geomantic addition will have two points if both the corresponding rows of its parent figures are the same (both odd or both even), and will have one point if they differ (one odd and one even, or vice versa).

With geomantic addition understood, we can make the rest of the Shield Chart. As noted above, a Niece is produced by adding together the two figures immediately above it:

Continuing our example from earlier, we add together the following figures to make their corresponding Nieces:

  • First Mother + Second Mother = First Niece → Populus + Populus = Populus
  • Third Mother + Fourth Mother = Second Niece → Puella + Via = Rubeus
  • First Daughter + Second Daughter = Third Niece → Fortuna Maior + Tristitia = Albus
  • Third Daughter + Fourth Daughter = Fourth Niece → Fortuna Maior + Fortuna Maior = Populus

With the Nieces done, we continue that process of addition to come up with the first three figures of the Court. Again, the structure of the Shield Chart should be informative here: each of these three figures (the Right Witness, the Left Witness, and the Judge) are produced by adding the two figures directly above it, such that the Right Witness is formed by adding together the first two Nieces, the Left Witness by adding together the second two Nieces, and the Judge by adding together the two Witnesses.

Thus, continuing our example from earlier:

  • First Niece + Second Niece = Right Witness → Populus + Rubeus = Rubeus
  • Third Niece + Fourth Niece = Left Witness → Albus + Populus = Albus
  • Right Witness + Left Witness = Judge → Rubeus + Albus = Coniunctio

Many European geomancers tend to stop here, as there doesn’t appear to be any more positions on the Shield Chart to fill—but they forget the sixteenth figure of the Sentence. Like the Nieces, Witnesses, and Judge, this figure is also formed from addition, but this time, by adding together the Judge with the First Mother:

Although some geomancers don’t show this figure, I strongly urge every geomancer to show it in every Shield Chart, as its importance is huge (and absolutely necessary for some techniques) yet grossly undervalued, especially in modern Western texts influenced by the Golden Dawn. My preference is to place the Sentence off to the side of the Judge underneath the First Mother, as below. Here, we have Coniunctio + Populus = Coniunctio, giving us Coniunctio as the Sentence to this Shield Chart:

And with that, our Shield Chart with all its sixteen fields is complete.

At this point, although we could jump straight into interpreting the chart or start looking at the House Chart, it’s always wise to first check the validity of the chart. Given that each of the four Mother figures are generated randomly and independently of each other, that means that there are only 16 × 16 × 16 × 16 = 65536 valid charts. While this sounds like a daunting number, we should note that if every one of the 16 figures were placed independently of all the others in the Shield Chart (e.g. selection with replacement), there would technically be over 18 quintillion possible charts; if we were to select every figure randomly without replacement, we’d still have over 20 trillion charts. We’re constrained by the mathematical process of geomancy to be limited to this proper selection of only 65536 charts, so if we have a chart that’s not in that set, then what we have is a mathematical error in calculating the Daughters, Nieces, or Court figures somewhere that we need to rectify. Mathematically invalid charts are not worth investigating; it’d be like drawing up a horoscope with a planet dyslexically put in the sixth house instead of the ninth, or getting the degree and minute parts of a planetary position mixed up; it’s just a simple error that just needs to be fixed, not interpreted as some mystical omen of terrible import. Read this post here to learn more about mathematically validating the chart, but there are three basic criteria we use to judge whether a given chart is a valid one:

  1. The Judge must have an even number of points.
  2. The sixteen figures in the Shield Chart must have at least one figure that is present at least twice in the chart.
  3. Particular pairs of the figures in the Shield Chart must all add up to the same figure:
    1. First Niece + Judge
    2. Second Mother + Sentence
    3. Second Niece + Left Witness

If any of those three conditions do not hold, the chart is invalid and needs to be inspected and corrected for errors.

I should note at this point that, although the right-to-left format of the Shield Chart is overwhelmingly the most common choice, there are a (very) few European geomancers out there (tragically, Franz Hartmann among them) who use a left-to-right method, both in generating figures using the stick-and-surface method as well as in constructing the Shield Chart. This isn’t necessarily wrong, per se, but the convention and tradition is to do everything from right to left because of the right-to-left nature of the original Arabic practices and of the right-to-left nature of the Arabic (and other Semitic) languages. If you use the left-to-right method, you’ll likely need to clarify that before sharing your charts with others; if you come across a book that uses the left-to-right method, you’ll want to bear that in mind and flip the meanings of the Right and Left Witnesses as well as remember the new order of how things get added together and where things get put. It’ll be apparent that something is wrong, because trying to read a left-to-right chart using a right-to-left approach will usually screw something up in the relationship between what would appear to be the Mothers and Daughters because the apparent transposition won’t look right.

Once we have a Shield Chart and have checked that it’s a mathematically valid one, then we can proceed with interpretation of the chart: the Ways of the Point, triads, the Sum of the Chart, and so on and so forth. But I’ve already touched on those topics elsewhere, so you know where to take a look from here. Beyond that, I hope this resolves any questions about the Shield Chart, and can give those who are just starting in this art a good understanding of the foundation of geomantic divination, upon which all other techniques and interpretative methods are built!

On Making the House Chart from the Shield Chart

I never expected this blog to hit its 800th post, but here we are.  It’s a good milestone to meet, and one for which I’m proud!  And for this post, well…this is one of those cases where I know I’ve written about the subject before, but this is a subject that I think deserves to be written more clearly and explicitly, because I have some Thoughts and Opinions on the subject, and the subject has come up several times in the past few weeks between different groups of people that keeps it on my mind.  So, get ready, dear reader, because we’ve got a rant ahead of ourselves to make to make a point about a particular subject in geomancy.

The subject in question?  How to construct a geomantic House Chart from its corresponding Shield Chart.  As for why we’re spending almost 6000 words on the subject, well…let’s begin, shall we?

The idea here is simple: given a Shield Chart with its sixteen figures, the latter twelve (composed of the Daughters, Nieces, and Court figures) being generated from the first four Mothers according to the usual rules of geomancy, we take the first twelve of those figures (the four Mothers, the four Daughters, and the four Nieces) and plop each into one of the twelve houses of a House Chart.  In this way, not only do we have the benefit of using the usual set of techniques for the Shield Chart, but we can use the grammar of an astrological horoscope to interpret the figures, as well, interpreting each figure as being in a particular house.  The question arises—and, I should note, only for those in modern European/Western practices of geomancy—about how to go about putting, arranging, and allotting the figures into the House Chart.

The traditional method, as John Michael Greer has said in his books on geomancy, is “simplicity itself”.  Simply give the figures of the Shield Chart to the houses of the House Chart in the order that we traditionally make them: the four Mothers go into the first four houses, the four Daughters into the second four houses, and the four Nieces into the last four houses:

Mothers Daughters Nieces
First House I House V House IX
Second House II House VI House X
Third House III House VII House XI
Fourth House IV House VIII House XII

Easy, simple, straightforward.  Not only is this easy, but it’s also the oldest and most traditional method that we see across the vast majority of all geomantic texts classical and modern—and not in just European geomancy, but in other forms of geomancy, as well.  Although the notion of a House Chart separate from the Shield Chart, or at least the notion of drawing and presenting the figures in a horoscope-type format either in addition to or instead of the traditional Shield Chart layout, certainly seems to be a European thing, we see certain positions of figures in a Shield Chart described in the same language and significations of the twelve houses where we’d otherwise expect them, such that the First Daughter talks about children and games (House V), the Second Niece regarding kings and judges (House X), and the like.  We see it in Arabic and Persian geomantic texts as much as we do Latin and French ones, and we even see the same system at play in a variety of African geomantic systems, including Malagasy sikidy, which although it has developed in its own unique way is still recognizably geomancy.  Even one of my noble academic colleagues, the good and brilliantly-learned Dr. Matthew Melvin-Koushki, who has gone over many dozens of pre-19th century Persian and Arabic geomantic works, hasn’t seen evidence yet to the contrary, and I’ve only ever seen this traditional association and allotment in any pre-modern (and most modern) such texts I can get my hands on and in any discussion with my Middle Eastern and South Asian geomancer colleagues.  It would seem that the use of the language or grammar of the twelve astrological houses of the horoscope has been used from a super early date in the practice of geomancy, if not going back to the very origins of the art itself, and has been used the whole world over for a thousand years.  If there’s any one house allotment system to use based on tradition, popularity, or commonality, it’s this one.  It’s quite accurate to say that the first twelve positions of the Shield Chart (or “fields”, as I’ve elsewhere called them) really are and have the same meaning as the twelve houses of a horoscope, quite as they are.

The venerable Heinrich Cornelius Agrippa von Nettesheim, however, has different thoughts on the matter.  In his (possibly spurious) Of Geomancy, usually bundled with his Fourth Book of Occult Philosophy, he first talks about the traditional method of allotting the figures from the Shield Chart to the House Chart as we would otherwise expect:

And these 8 Figures do make 8 Houses of Heaven, after this manner, by placing the Figures from the left hand towards the right: as the foure Matres do make the foure first Houses, so the foure Filia doe make the foure following Houses, which are the fift, sixt, seaventh, and eighth: and the rest of the Houses are found after this manner; that is to say, out of the first and second is derived the ninth; out of the third and fourth the tenth; out of the fifth and sixth the eleventh; and out of the seventh and eighth the twelfth: By the combination or joyning together of two Figures according to the rule of the even or uneven number in the remaining points of each Figure.

But then Agrippa brings up another notion:

And this which we have declared in the common manner observed by Geomancers, which we do not altogether reject neither extoll; therefore this is also to be considered in our judgements. Now therefore I shall give unto you the true Figure of Geomancy, according to the right constitution of Astrologicall reason, which is thus.

As the former Matres does make the foure Angles of an House, the first maketh the first Angle, the second the second Angle, the third maketh the third Angles, and the fourth the fourth Angle; so the four Filiae arising from the Matres, doe constitute the foure succedent Houses; the first maketh the second House, the second the eleventh, the third the eighth, and the fourth maketh the first House: the rest of the Houses, which are Cadents are to be calculated according to the Rule of their triplicity; that is to say, by making the ninth out of the first and fifth, and the sixth our of the tenth and second, of the seventh and eleventh the third, and of the fourth and eighth the twelfth.

Although Agrippa notes that the “common manner observed by the Geomancers” is what should arguably be used (a valid interpretation of “therefore this is also to be considered in our judgments”, and which he simply accepts without praise nor disdain), he himself uses a different method, which is to give the four Mother figures to the four angular (or cardinal) houses, which are Houses I, IV, VII, and X—or, rather, to Houses I, X, VII, and IV, in that order.  Although the numbering of houses in the House Chart proceeds counterclockwise from the Ascendant, Agrippa allots the figures in clockwise order, because this is the direction of the passage of the Sun: House I represents the eastern horizon where the Sun rises, House X the zenith of the skies where the Sun is found at midday, House VII the western horizon where the Sun sets, and House IV the nadir of the skies where the Sun is found at midnight.  Once the Mothers are put in the angular houses, the Daughters are then put in the succedent houses, again clockwise (so Houses II, XI, VIII, and V, in that order).  So far, so good, right?

What would then follow, as logic should dictate, is that the the remaining Nieces into the cadent houses, again clockwise (so Houses III, XII, IX, and VI, in that order)—but Agrippa breaks from the usual method here.  Instead of giving the Nieces to the House Chart, Agrippa simply makes new figures entirely:

  • House III (which would be the First Niece) is instead the sum of the figures from Houses VII and XI (Third Mother and Second Daughter)
  • House XII (which would be the Second Niece) is instead the sum of the figures from Houses IV and VIII (Fourth Mother and Third Daughter)
  • House IX (which would be the Third Niece) is instead the sum of the figures from Houses I and V (First Mother and Fourth Daughter)
  • House VI (which would be the Fourth Niece) is instead the sum of the figures from Houses II and X (Second Mother and First Daughter)

This is “according to the Rule of their triplicity”, which is to say that the figures in a cadent house are produced from the sum of the figures of the angular and succedent houses in that same triplicity, i.e. element.  Thus, House VI, which is associated with the mutable earth sign of Virgo, is produced from the sum of the figures from House II (associated with the fixed earth sign Taurus) and House X (associated with the cardinal earth sign Capricorn).  This is what we see in Agrippa’s example chart (the original version in Turner has errors, but Tyson’s version is corrected), where we see Laetitia in House VI.  The corresponding Shield Chart has Cauda Draconis as the Fourth Niece, but there is Acquisitio in House II and Puer in House X, and Acquisitio + Puer = Laetitia.  Also note how the Shield Chart has Populus as the Third Niece, but Populus does not appear in the House Chart at all.

Broken out into triplicity arrangements, what we see is this (with the expected Niece placements noted in strikethrough text):

Fire
Triplicity
Earth
Triplicity
Air
Triplicity
Water
Triplicity
Angular
Houses
First
Mother
House
I
Second
Mother
House
X
Third
Mother
House
VII
Fourth
Mother
House
IV
Succedent
Houses
Fourth
Daughter
House
V
First
Daughter
House
II
Second
Daughter
House
XI
Third
Daughter
House
VIII
Cadent
Houses
Third
Niece
House
IX
Fourth
Niece
House
VI
First
Niece
House
III
Second
Niece
House
XII
I + V II + X VII + XI IV + VIII

Let’s be clear here: what Agrippa is doing in his House Chart construction is that he’s taking a huge leap away from the traditional practice of geomancy, and instead taking a heavily astrologized and inventive approach to coming up with a House Chart.  In eschewing the Shield Chart, Agrippa’s really only making use of geomantic process and symbolism without actually performing geomantic divination properly; his method is an offshoot and derivative of geomancy, not a mere variation of it.  It’s like how Gerard of Cremona’s On Astronomical Geomancy is neither proper geomancy nor is it proper astrology, but a novel mix halfway between the two that becomes its own thing, a form of sortilege with astrological symbolism in an astrological grammar produced by geomantic processes.

What’s interesting here is that I’ve never really seen Agrippa’s exact approach put into practice by…well, anyone, really.  This method of developing a House Chart by putting the Mothers into the angular houses, Daughters into the succedent houses, and Nieces…well, rather, the sum of particular pairs of Mothers and Daughters into the cadent houses according to their shared triplicity is not something I’ve encountered in any other geomantic text besides this one (possibly spurious) text by Agrippa.  It could be that Agrippa may have obtained this method from some innovative geomancer before his time, but I can’t find any record or hint of that; to my mind, it’s more likely that Agrippa himself was the innovator of this method of developing a House Chart based on (but not making use of the entirety of) a Shield Chart by only using the “original” points from the Mothers, which were transposed (but not fundamentally altered) into the Daughters, then using his own astrological reasoning to complete the House Chart using geomantic addition but not the usual addition algorithm from the Shield Chart.  Why?  Well, we can take a guess, from his Second Book of Occult Philosophy, chapter 53, “that no Divination without Astrology is perfect”:

We have spoken in the foregoing Chapters of the divers kindes of Divinations: But this is to be noted that all these require the use and rules of Astrology, as a key most necessary for the knowledge of all secrets; and that all kinds of Divinations whatsoever have their root and foundation in Astrologie so, as that without it they are of little or no use; yet Astrological Divination, in as much as the Celestials are causes and signs of all those things which are, and are done in these inferiors, doth give most certain demonstrations by the situation, and motion onely of Celestial bodies, of those things which are occult or future; of which we shall in this place speak no further, since of this Science huge Volums have been wrote by the Ancients, and are everywhere extant.

…Also Geornancy it self the most accurate of Divinations, which divines by points of the earth, or any other superfices, or by a fall, or any other power inscribed, doth first reduce them to Celestial figures, viz. to those sixteen which we above named, making judgement after an Astrological manner, by the properties and observations thereof: and hither are referred all natural Divinations by lots whatsoever, the power whereof can be from no where else then from the heaven, and from the minde of them that work them. For whatsoever is moved, caused or produced in these inferiors, must of necessity imitate the motions, and influences of the superiours, to which, as to its roots, causes, and signs it is reduced, the judgement whereof is shewed by Astrological Rules.

Even though Agrippa puts geomancy on a level above other forms of divination (mostly sortilege), he still subjects it to astrology and claims that it works because of astrology, and that only when “making judgments after an Astrological manner”.  Agrippa is not content to let geomancy be geomancy as geomancy always was, but to essentially subjugate it and make it obey his understanding of astrological concepts applied to something that isn’t astrological in nature.  It’s true that geomancy does (or, more accurately, can) take a hefty amount of influence from the grammar and symbolism of astrology, but geomancy was still always its own thing from the get-go.  It would seem that Agrippa disagrees, and he attempted to “correct” it by making it as astrological as possible by eschewing the figures of the Shield Chart in chart of his own form of generation of figures in the House Chart.

Generally, when people construct a House Chart along Agrippa’s ideas, they’ll put the Mothers and Daughters into the House Chart just as Agrippa does, starting in House I and House II respectively and proceeding clockwise from there, but then they’ll put Nieces in the cadent houses clockwise starting in House III, not add together the figures of that cadent house’s triplicity mates together to come up with a new figure.  What they end up with is this method:

Mothers Daughters Nieces
First House I House II House III
Second House X House XI House XII
Third House VII House VIII House IX
Fourth House IV House V House VI

It bears remembering that Agrippa just doesn’t use the Nieces at all, although others say he does—notably, Franz Hartmann in his 1889 book The Principles of Astrological Geomancy, where he presents it along with the traditional method but seems to prefer this faux-Agrippa method over the traditional one.  I’m not certain whether Hartmann was the first to attribute this allotment method to Agrippa, but it is the earliest reference I’ve seen yet, and it’s not like there was all that much geomantic material being published between 1700 and 1900.  Stephen Skinner in his Geomancy in Theory and Practice (and in his older Terrestrial Astrology) simply calls this the “esoteric” method, but what’s clear is that when people say they’re using the Agrippa-style method of house allotment, they’re not actually using what Agrippa proposes to do, which is to eschew the Nieces in favor of cardinal and fixed triplicity sums of figures for the cadent houses.  For this reason, I’m going to start calling this the “faux-Agrippa” method from here on out, though Skinner’s “esoteric” method sounds pleasant enough.  Skinner calls it this because:

It has often been said that the correct method of allocation is the real secret of geomancy which has never been published. Even Aleister Crowley, who was in the habit of ‘telling everything like it is’, admitted that a major key had been left out of his explanation of the technical side of astro-geomancy. That key was the House allocation system. Amongst the systems outlined in this book is the major key which was omitted.

The “esoteric” allotment method had probably “never been published” (except in Hartmann and potentially a few other contemporaneous or slightly earlier geomancers whose works I don’t have access to, should any exist) because it was never actually a thing until someone said it was, as well as the fact that there was no allocation because the figures were already in their own houses according to their own logic and thus didn’t need any such allocation, but here we are anyway.  I should also note that Aaron Leitch discusses this method in a 2006 article on geomancy on his website.  However, Hartmann’s book, although still being published even in our modern day, probably doesn’t have as much reach as Leitch’s website does nowadays, so between Leitch’s webpage and the books of both Hartmann and Skinner, it’s likely that this is how the faux-Agrippa method became so (relatively) widespread in modern times.

The underlying rationale of the faux-Agrippa method is basically the same as that of Agrippa’s true method.  Basically, the Mothers get assigned to the angular houses because, being the first, they must therefore also be the strongest figures of the whole chart; the Daughters, being generated from the Mothers, have some strength but are less strong than the Mothers, and so get assigned to the succedent houses as being not the strongest but also not the weakest houses; the Nieces (if present at all), being made last, have the least strength, and so go to the cadent houses as the weakest of the houses.  I have several issues with this rationale:

  • I’ve never seen it mentioned in any geomantic text of a notion of strength or power between the Mothers, Daughters, and Nieces.  To be sure, there is a notion of age and seniority given the names for these groups of figures, but I’ve never seen it expressed in this way before in any other geomantic text outside those influenced by Agrippa.  It even runs counter to some African practices of geomancy, where the Nieces are looked at as restraining influences on their parent Mothers or Daughters, suggesting an equality of power even if not in rank.
  • The first two Nieces are formed from the addition of pairs of the Mothers, and the second two from the addition of pairs of Daughters.  If the Daughters are formed from the points of the Mothers, and if the Daughters are weaker than the Mothers because they proceed from them, then it would follow that the first two Nieces should have a power on par with that of the Daughters as a whole, while the second two Nieces are weaker than either the first two Nieces or the four Daughters.  But we don’t see that borne out here, either.  In Agrippa’s true system, where the Nieces are formed from addition of one Mother and one Daughter each, I suppose one could argue that such a figure could be conceived as being weaker than either, but it could also be argued to being the figure of average strength between the two, weaker in power than the Mother involved yet stronger in power than the Daughter involved—and this view is more true to the geomantic notion of addition, especially as seen in the Court with the Judge and Witnesses.
  • The points of the Daughters are the exact same points of the Mothers, just transposed 90° to be read from right to left instead of from top to bottom.  I would argue that, although we procedurally draw out the Daughters after the Mothers, when we make the four Mother figures from scratch, we’ve already made the Daughters at the same time by reading the points in a non-consecutive order.  In that light, the Daughters are neither weaker nor younger than the Mothers.
  • Most importantly (and disastrously), the new houses of the figures gives them different meanings and contexts than what their own positions have always had in the rest of extant geomantic practice (i.e. according to the traditional allotment).  This is a massive departure from normative practice that I simply do not trust because the positions of the figures in the Shield Chart are already the houses of the House Chart; to shuffle them around is like looking at a horoscope, seeing a planet in a house you don’t like, and randomizing the houses for a more intellectually pleasing but empirically unfounded arrangement.  Either we’re giving each figure a dual context of interpretation which complicates things, or we’re replacing the natural context of interpretation of figures with one with a non-geomantic system which stands to break things.
  • We also see this echoed in the technique of company, which is intimately connected to the geomantic triads. Company is described as only being formed between odd-even houses of the House Chart, never even-odd ones (so Houses I and II or Houses III and IV, etc., but never Houses II and III). Although this is not explained, this makes the most sense when you consider that these pairs of houses are also the pairs of figures in the Shield Chart that add up together to form a third figure, as in the triads (e.g. First Mother and Second Mother, Third Mother and Fourth Mother, etc.).  To use an angular-based allotment method like what Agrippa or faux-Agrippa would do would break the structural logic undergirding company entirely.

But we’re not done yet!  There’s yet another method of allotting figures from the Shield Chart to the House Chart, which is also definitely a modern innovation: that of the Golden Dawn and, from it, of Thelema, both of which use Agrippa’s underlying rationale but expressed in a different way.  In the Golden Dawn’s Zelator 1°=10° grade, which contain instructions in the art of geomancy, as well as in the Thelemic Liber Gaias sub figurâ XCVI, the student is instructed to allot the figures of the House Chart to the Shield Chart in this manner:

Mothers Daughters Nieces
First House X House XI House XII
Second House I House II House III
Third House IV House V House VI
Fourth House VII House VIII House IX

What’s going on here is that, like Agrippa, the Golden Dawn method of assigning the figures from the Shield Chart to the House Chart gives the Mothers to the angular houses and the Daughters to the succedent houses, but unlike Agrippa, they give the Nieces to the cadent houses.  Moreover, the Golden Dawn doesn’t start allocating the figures with Houses I and II and proceeding clockwise around the chart like Agrippa does, but they start with Houses X, XI, and XII and proceed counterclockwise around the chart.  Although I can’t find an explanation of why the Golden Dawn does what it does against what Agrippa does or what long-standing geomantic tradition does, there are a few things that occur to me here:

  • They allot the figures to the houses in a counterclockwise direction in the flow of the houses themselves, which are counted counterclockwise from House I.  This is also, when considered from modern European languages, a form of “reading from right to left”, which is much like how the figures are generated in the Shield Chart.
  • They start allotting the figures in House X, the angular house associated with Capricorn, the cardinal sign of Earth.  This would then be the “earthiest” of the angular houses according to its zodiacal association (the logic of which has a number of faults), which would then be seen as most fitting for geomancy, “seeing by earth” and thus an elementally Earth-based form of divination—which is why geomancy is taught in the Zelator 1°=10° grade, itself associated with the element (and planet) Earth on their Hermetic Tree of Life.

I guess they have a logic, even if it’s not one I’d go with.  For one, assigning a natural zodiac sign to the houses has always been a debatable thing, and it’s only in modern times (especially with the rise of the 12-letter alphabet linking signs with houses and planets, which is not exactly a good thing) that we see it so accepted as a default fact.  For two, if any house is particularly earthy, I’d say it’s House IV, not House X, because House IV literally represents earth and land, while House X represents the sky itself.  I see the logic of saying House X is earthy because of Capricorn, but that logic is so shaky compared to the meaning of the houses themselves.  That being said, it is true that the Golden Dawn geomantic process does heavily involve the invocation of the planetary spirits to perform divination, and as celestial entities, perhaps House X might not be a bad choice for that, being closest to House IX.  I guess it’s something, I suppose.

So, with that, we have four house allotment methods: the traditional method, the true Agrippa method, the faux-Agrippa method, and the Golden Dawn method.  Let’s compare them all alongside each other:

Traditional True Agrippa Faux-Agrippa Golden Dawn
First Mother House I House I House I House X
Second Mother House II House X House X House I
Third Mother House III House VII House VII House IV
Fourth Mother House IV House IV House IV House VII
First Daughter House V House II House II House XI
Second Daughter House VI House XI House XI House II
Third Daughter House VII House VIII House VIII House V
Fourth Daughter House VIII House II House II House VIII
First Niece House IX N/A House III House XII
Second Niece House X N/A House XII House III
Third Niece House XI N/A House IX House VI
Fourth Niece House XII N/A House VI House IX
Houses VII + XI N/A House III N/A N/A
Houses II + X N/A House VI N/A N/A
Houses I + V N/A House IX N/A N/A
Houses IV + VIII N/A House XII N/A N/A

Now, with all that done, let’s make a bit of a survey.  Between all the geomancers who have published works under their name or who have published works associated with their name whose books I have access to, who uses what methods? For this, I’m looking at my own library of geomantic works both modern and old, as well as whatever traditional and Renaissance materials I can find on Google Books and Archive.org and other websites, and giving (sometimes approximate) dates of publication or evidence where possible for each author:

  • Traditional
    • Les Cross (2012)
    • Richard Webster (2011)
    • John Michael Greer (c. 2000-2010)
    • Jeanne-Odile Nory de Trebourg (1995)
    • Joël Jacques (1991)
    • Jean-Paul Ronecker (1991)
    • Angele-Marie Cacciaguerra (1989)
    • Henry Drummond Wolff (1908)
    • Abu Hali ben Omar (1704)
    • John Case (1697)
    • Johann Andreas Schmidt (1695)
    • Robert Fludd (1687)
    • John Heydon (1663)
    • Le Sieur de Peruchio (1657)
    • Henri de Pisis (1638)
    • Jean de la Taille de Bondaroy (1574)
    • Christopher Cattan (1558)
    • Pietro d’Abano (c. 1550)
    • Al-Fakini (1535)
  • No distinct House Chart drawn out as such, but interpretations follow the traditional allotment method:
    • Mathilde Sanoda (1993)
    • Gisèle and Gilbert Jausas (1993)
    • Philippe Dubois (1987)
    • Hadji Khamballah (1985)
    • Alain le Kern (1978)
    • Bartholomeo di Roca (Cocles) (1549)
    • Lectura Geomantiae (c. 1400s)
    • Martin of Spain (c. 1310)
  • Agrippa
    • Agrippa (c. 1600)
  • Faux-Agrippa
    • Aaron Leitch? (2006)
    • Priscilla Schwei and Ralph Pestka (1990)
    • Franz Hartmann (1889)
  • Golden Dawn
    • Nick Farrell (2009)
    • Aaron Leitch (2006)
    • Nigel Pennick (1995)
    • Israel Regardie (c. 1937), Chic and Tabitha Cicero (1998), and other Golden Dawn folk
    • Aleister Crowley (c. 1909) and other Thelema folk

Now, I’m not saying that this is an exhaustive survey of every geomantic work written from 1300 onward—I’d love to be so thorough, but I only have access to what I have access to—but I think I’ve made my point clear: it’s not until the late 19th century do we start seeing an angular-based allotment method gaining traction popularly, whether the faux-Agrippa or the Golden Dawn/Thelema methods, and all that’s rather late in the game of geomancy, indeed.  Further outside of Agrippa-influenced or Golden Dawn-influenced modern Western (especially Anglophone) contexts, basically every other geomancer across either all or the vast supermajority of the extant geomantic literature published or written in Europe and everywhere else in the world has always and ever used the traditional straightforward method, from the earliest texts right up into the modern day.  And even then, the traction such angular-based allotment methods do gain is still overwhelmed and overshadowed by the sheer popularity and commonality (and, I argue, the correctness) of geomancers even in our modern era.  However, because of the popularity of the Golden Dawn and Thelema as vehicles for promulgating their (withered and misunderstood) forms of geomancy along with a (perhaps undue) focus on Agrippa’s work as being representative of then-contemporary geomantic practice (which it isn’t), this trend of using angular-based allotment methods persists.

In that 2015 post I referenced at the start of this one, I made the claim that “the Golden Dawn, esoteric, and other ways of allotting the figures from the Shield Chart to the House Chart are suboptimal for use in geomancy”, which I still absolutely claim, but I refrained from calling them wrong.  At this point, I’m no longer going to hedge: the angular-based allotment methods (Agrippa, faux-Agrippa, and Golden Dawn) are not mere variations but outright deviations and lapses from normative and standard geomantic practice that has been practiced the world over for close to a millennia.  I understand that some geomancers do use these methods, and their results work; good for them!  After all, magic works best in practice, not always so in theory.  But let’s be clear that what they’re doing is definitely not common practice (nor should it be!) whether as a deliberate choice or out of ignorance.  I’ve seen, both firsthand myself from my own experiments and according to the reports of others who have used angular-based allotment methods before switching to the traditional method, that the angular-based methods just don’t work as well, as clearly, or as cleanly as the traditional method.  I’m not saying you can’t get an answer out of a House Chart that uses an angular-based method, but it’s like trying to travel with a map that’s upside-down, printed backwards, and torn up into chunks; why make this more difficult than it needs to be?  You still can end up where you want to go, but the process is going to be much more difficult and is much more error-prone than otherwise.  This is likely a reason (and let’s be honest, one of many reasons) why so many students of the Golden Dawn get so frustrated with geomancy and why they so often leave it for other forms of divination.

We know from the actual textual evidence that either all or the vast majority of non-European texts as well as the earliest European geomantic texts never historically considered a separate “House Chart” in geomancy; for them, the geomancy chart was just the geomancy chart, full stop.  The distinction between Shield Chart and House Chart only began to arise in Renaissance European texts as a way to make a geomantic chart more astrological-looking for the sake of convenience, whether for applying certain astrologically-influenced techniques easier at a glance or for the sake of being easy on the eyes for astrologers learning geomancy.  But even then, drawing out the House Chart in addition to or instead of the Shield Chart never actually sought to change the fundamental meanings of the positions of the figures in the Shield Chart: the First Mother was always talking about the querent, the Second Mother about their wealth, the Fourth Mother their home and inheritance, the First Daughter their children, and so forth.  This understanding of the positions of the figures in the Shield Chart, even with the possibility of it being introduced shortly after the original development of geomancy, has been with us for so long that it’s basically fundamental to the practice of geomancy.  It’s only after European texts start drawing out the House Chart that some people—basically just Agrippa, at least until the past 150 years—sought to astrologize geomancy more and more to the point of breaking that identity of the positions of the figures from the Shield Chart and reorganizing those meanings.

In the course of geomancy’s withering over the centuries, with much of the nuance lost from the Court of the Shield Chart and more emphasis placed on the twelve houses of the House Chart, later geomancers who were so far removed from the height of the art (basically the Golden Dawn) ended up making this subjugating of geomancy to (bad) astrology worse by introducing further deviations of their own.  After all, if you forget that the importance of the sixteenth figure of the Sentence, the sum of the Judge and the First Mother, which talks about the effect of the situation as a whole (the Judge) directly on the querent themselves (the First Mother), then what’s to stop you from thinking about the First Mother as anything but the querent?  And if you forget that the Right Witness naturally talks about the querent and their whole side of the situation, and the Left Witness about the quesited and whatever’s facing the querent, then what’s to stop you from thinking of the four Mothers of discussing other things besides the first four houses of the House Chart, a.k.a. the so-called “personal/individual houses”, and the four Daughters as the second four houses, a.k.a. the “interpersonal/relational houses”?  Using the angular-based methods of house allotment breaks all this, and leads to unclear and broken answers arrived at with bad and broken geomancy.  It doesn’t mean you can’t get an answer out of such a chart, but just because a broken clock is right twice a day doesn’t mean the clock is working, either.

As I’ve said before and as I constantly tell to students of geomancy, the House Chart is (and must be!) the same chart as the Shield Chart, with the same figures containing the same meaning and the same message.  This sometimes-common notion of the Shield Chart “contradicting” or “confusing” the House Chart is a modern one, and no pre-modern geomancer ever seemed to really have that problem, because for them, the Shield Chart was inherently the House Chart and vice versa.  The positions of the figures in the Shield Chart have, and have always had, the meanings of the houses as and where they are, and breaking that association of field with their associated house meanings they’ve had for a thousand years to suit an external astrological model of assigning undue importance to some figures over others by apparently misunderstanding what they are is bad geomantic practice.  While I previously considered the different house allotment methods to be like different house systems used in astrology (e.g. Placidus, Porphyry, Regiomontanus, whole sign, etc.), the more I think about it, the more I think that comparison doesn’t hold; as opposed to reasonable ways to reckon where the boundaries of houses fall in an astrological horoscope, what we see here with these deviant (not just variant) house allotment systems is far worse and more damaging to the art of geomancy than quibbling over trigonometrical best practices, and more like trying to mistakenly use a thirteen-sign sidereal zodiac in Hellenistic astrology, because the IAU obviously knows what they’re talking about when it comes to astrology.

Before I’m decried as trying to stifle the innovation and expansion of geomancy into better and more expansive forms, let me be clear: there are absolutely ways to innovate, invent, expand, and develop this art without breaking the fundamental logic and practices that have been around since the very beginnings of the art.  Yet, the use of these deviant house allotment systems definitely breaks that logic and goes against these fundamental practices and associations we’ve had since the start.  To that end, I do not and cannot recommend the use of other house allotment methods besides the traditional, because the traditional method is literally already baked into the Shield Chart: the Houses already are the Fields and vice versa, and the House Chart already is the Shield Chart and vice versa.  The traditional house allotment method isn’t just the best one to use out of several—it’s really the only logical and sensible one to use.

Happy 800th post!  We made it!  Now go forth, and do better and more well-informed geomancy.

Upcoming appearance on the Coffee & Divination podcast!

Just a quick little thing: there’s a new podcast being started up soon, and yours truly is the guest on the inaugural episode!  I bring you the Coffee & Divination podcast:

Coffee & Divination started three summers ago, during North Wyldewood Coven’s annual retreat. As we relaxed in the sunshine with our coffee and tea, we brought our cards and runes out to the table, and started reading for one another.  As time passed, we’ve kept up the tradition in person and online, and now we’re inviting you to join us!

Divination is the art of obtaining knowledge through hidden means, and has been a part of civilizations around the world – likely for tens of thousands of years.  Divination can help us understand situations, answer questions (mundane or spiritual!) and give us insight on the threads that weave our lives together. While our world undergoes this time of upheaval, studying and practicing the arts of divination can help us navigate and plan for the roads ahead.

Each month, host JoAnna Farrer (Assistant HPS of the North Wyldewood Coven, in the Temple of the Spiral Path) will interview a different expert on divination, ranging from Geomancy, Tarot, Astrology, Oracles, Runes, and more, and we want you to be a part of the show! All podcast interviews will take place LIVE on Zoom, so you can listen in, and submit questions for our guest experts.​

I’ll be invited to talk about geomancy specifically and divination in a world that’s a bit crazier than many of us might be used to, so keep an eye out!  The podcast will be held live (in a webinar-type format) at 6pm EDT (UTC-0400) this Saturday, April 25 on Zoom, which you’ll need to register for in order to listen live, submit questions, and join the chat.  Note that attendance is limited, so please only register is you actually plan and are able to join.  Here’s hoping to see you there, and here’s hoping you subscribe to Coffee & Divination for more podcasts on divination over coffee!

UPDATE (2020-05-16): Sorry I let this slide so long! The episode is up and can be accessed here on Vimeo! Also be sure to visit the podcast’s website above and subscribe to them using whatever podcast organizer you enjoy most!